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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.24 €
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Trumpet
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.24 €
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Trumpet
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
James Bond Theme
Brass Quartet: 4 horns
French Horn Quartet Horn - Level 4 - Digital Download SKU: A0.1252433 Composed by M…
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French Horn Quartet Horn - Level 4 - Digital Download SKU: A0.1252433 Composed by Monty Norman. Arranged by Peter Clark. 20th Century,Film/TV,Jazz. 8 pages. Petey C. #846404. Published by Petey C. (A0.1252433). Hey Friends!As always, I have a couple public domain arrangements on my website, peteyc.com. Check them out, they're cheaper and support me more than what little percentage I get from here.This arrangement is one of my most viewed on my YouTube channel. I made it several years ago and it's been very popular to play live as well. It's an iconic theme that's been around since the 1960's. If you play in a horn quartet, this is the arrangement to get. There are no drums in the arrangement like there are in my recording, but you can get a great idea of how it sounds by the YouTube link here.Like all of my arrangements, I like to pass around melodic stuff so none of the parts are boring. This arrangement has some pretty extreme range and some fluttertongue in one of the parts. It's not extremely difficult but it can be challenging. Not for beginners. Intermediate to advanced. Thanks for checking it out!
$12.99
11.68 €
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Brass Quartet: 4 horns
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Monty Norman
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James Bond Theme
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Petey C.
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SheetMusicPlus
"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #1999429. Published by John Philips Music Service (A0.947259). Some of the best known classical themes are presented in a steady tempo that will please your audience. See the back cover for the tune list. Since these classic themes are presented to a young played in a manner that he can play without being faced with music that is so difficult he can never enjoy playing it, they will be more likely to go on to become more able to do the heavy stuff. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player?
$15.00
13.49 €
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String Orchestra
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"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
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John Philips Music Service
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SheetMusicPlus
Roll Out the Stars and Stripes (Trombone Quartet)
Brass Quartet: 4 trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.872913 Composed by J.P…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.872913 Composed by J.P. Sousa, J. Vejvoda. Arranged by Peter A. Drahozal. Concert,Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 12 pages. MusicPAD Music Publications #5721963. Published by MusicPAD Music Publications (A0.872913). Putting these two tunes together was too much fun for tubas only, so this is the trombone quartet arrangement utilizing portions of two famous American (ish) tunes, Stars and Stripes Forever and Beer Barrel Polka. Fun! Fun! Fun! Super fun stuff for four trombones. The top trombone part does stretch to triple C and the bass trombone part does descend to pedal tone range. However, in both cases, ossia notes are included to accommodate any ensemble needs. To make rehearsal easy, generous rehearsal marks are (as always) included. Get those trombones going and celebrate! Enjoy!
$9.99
8.98 €
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Brass Quartet: 4 trombones
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J
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Fun! Fun! Fun!
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Roll Out the Stars and Stripes
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MusicPAD Music Publications
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SheetMusicPlus
Green Grow the Rashes, O
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820269 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820269 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Holiday,Love. Score. 8 pages. Earnside Music #6671155. Published by Earnside Music (A0.820269). Robert Burns’ appreciation for bonnie lassies is the stuff of legend and this song charmingly conveys his adoration of women with both wit and passion. In this arrangement the world-famous Scottish folk melody is set for medium voice with a concert piano accompaniment that illustrates the timeless romanticism of the text. Ideal for performance by classical musicians or students for concerts, recitals or Scottish-themed events.
$2.25
2.02 €
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Piano, Voice
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Traditional Scottish
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Green Grow the Rashes, O
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Earnside Music
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SheetMusicPlus
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088949 Composed by Eddie…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99
4.49 €
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2 Trumpets (duet)
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including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment
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Eddie Lewis
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Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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Tiger Music
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SheetMusicPlus
Eternal Father Strong To Save - Ensemble
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.778737 Composed by Don Hodell Chilc…
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Piano Solo - Level 5 - Digital Download SKU: A0.778737 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Film/TV,Gospel,Jazz,Sacred. Score. 5 pages. Don Hodell Chilcote #2163033. Published by Don Hodell Chilcote (A0.778737). Eternal Father Strong To Save - Ensemble is for piano solo or ensemble. This is a fathers day tune or patriotic tune set in distinctive quartal combo band setting uniquely different than the original hymn with a great funky vibe. The piece has an distinct and unique setting, developments, and vamps. 4 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improve over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$3.99
3.59 €
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Piano solo
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Don Hodell Chilcote
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Eternal Father Strong To Save - Ensemble
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Don Hodell Chilcote
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.39 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
We Gather Together
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778855 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778855 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Gospel,Jazz,Sacred. Score and parts. 4 pages. Don Hodell Chilcote #3106639. Published by Don Hodell Chilcote (A0.778855). We Gather Together is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 3 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$2.99
2.69 €
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Jazz combo
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Don Hodell Chilcote
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We Gather Together
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Don Hodell Chilcote
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SheetMusicPlus
Live In The Light Brother
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.778753 Composed by Don Hodell Chilc…
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Piano Solo - Level 5 - Digital Download SKU: A0.778753 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Hip-Hop,Jazz,Pop,R & B. Score. 3 pages. Don Hodell Chilcote #2864985. Published by Don Hodell Chilcote (A0.778753). Live In The Light Brother is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has several verses, chorus, and includes a distinct and unique introduction. 2 page sketch chart is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it instrumentally in church for jam as a prelude, and recorded this version at home, and the jam was well received with an awesome drummer. This website only allow one version. Other to be published on itunes later. Fun Stuff.
$3.99
3.59 €
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Piano solo
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Don Hodell Chilcote
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Live In The Light Brother
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Don Hodell Chilcote
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SheetMusicPlus
There'll Be Some Changes Made
Choral SSAA
Choral Choir (SSAA) - Digital Download SKU: A0.927003 Composed by W. Benton Overstr…
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Choral Choir (SSAA) - Digital Download SKU: A0.927003 Composed by W. Benton Overstreet & Billy Higgins. Arranged by Randi Grundahl Rexroth. A Cappella. Octavo. 10 pages. Randi Rexroth #4291401. Published by Randi Rexroth (A0.927003). Inspired by The Boswell Sisters There'll Be Some Changes Made provides an opportunity for SSAA ensembles to strut their stuff. This setting will be satisfying for intermediate to advanced ensembles and is the perfect addition to any program. Purchasers of this arrangement receive live performance rights, recordings rights (live or remote), and the right to post your recording on social media. **Please note that this is for the choir(s) for whom the purchase is being made. Please do not share the resources with other choirs/choir directors. **
$2.30
2.07 €
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Choral SSAA
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W
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There'll Be Some Changes Made
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Randi Rexroth
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SheetMusicPlus
Something Just Like This
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.985307 By The Chainsmokers. By Andrew T…
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Guitar - Level 3 - Digital Download SKU: A0.985307 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Jaan Varts. Pop. Guitar Tab. 62 pages. Jaan Varts #5742829. Published by Jaan Varts (A0.985307). Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. The form and key is 100% the same as original so you can play along with the actual song. Share, like and subscribe if you enjoy this. More songs coming soon, so say tuned:) -------------------------------------------------------------------------------------------------------------------------- The song is bult on G-A-Bm progression and the chords are played throughout the song. 1) Rhythm Rhythm part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). This is the easiest part of the arrangement. If you´re a beginner then start from here. It´s just variations of G-A-Bm chord progression with different rhythms and in different positions. 2) Melody Melody part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). As usual, the melody is the hardest part, since it features lots of slides and legatos. The chorus part features some funky rhythm playing as well. If you´re a beginner, then simplify as much as ou can – leave out all the embelishments, play simpler rhythms, leave out notes when there are more than one note played at a time etc etc. 3) Rhythm 2 Rhythm 2 part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). A little trickier rhythm part features some fingerstyle playing, also hiting the guitar as a drum. The strumming patterns are quite easy, but try to get a steady drum-like beat going on. In the choruses there are some power chords and in the ending we have some riffs as well.
$9.00
8.09 €
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Guitar notes and tablatures
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The Chainsmokers
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Something Just Like This
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Jaan Varts
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SheetMusicPlus
Something Just Like This
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.985309 By The Chainsmokers. By Andrew T…
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Guitar - Level 3 - Digital Download SKU: A0.985309 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Jaan Varts. Pop. Guitar Tab. 15 pages. Jaan Varts #5742855. Published by Jaan Varts (A0.985309). Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. The form and key is 100% the same as original so you can play along with the actual song. Share, like and subscribe if you enjoy this. More songs coming soon, so say tuned:) -------------------------------------------------------------------------------------------------------------------------- The song is bult on G-A-Bm progression and the chords are played throughout the song. 1) Rhythm Rhythm part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). This is the easiest part of the arrangement. If you´re a beginner then start from here. It´s just variations of G-A-Bm chord progression with different rhythms and in different positions. 2) Melody Melody part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). As usual, the melody is the hardest part, since it features lots of slides and legatos. The chorus part features some funky rhythm playing as well. If you´re a beginner, then simplify as much as ou can – leave out all the embelishments, play simpler rhythms, leave out notes when there are more than one note played at a time etc etc. 3) Rhythm 2 Rhythm 2 part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). A little trickier rhythm part features some fingerstyle playing, also hiting the guitar as a drum. The strumming patterns are quite easy, but try to get a steady drum-like beat going on. In the choruses there are some power chords and in the ending we have some riffs as well.
$4.99
4.49 €
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Guitar notes and tablatures
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The Chainsmokers
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Something Just Like This
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Jaan Varts
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SheetMusicPlus
Something Just Like This
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.985308 By The Chainsmokers. By Andrew T…
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Guitar - Level 3 - Digital Download SKU: A0.985308 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Jaan Varts. Pop. Guitar Tab. 17 pages. Jaan Varts #5742851. Published by Jaan Varts (A0.985308). Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. The form and key is 100% the same as original so you can play along with the actual song. Share, like and subscribe if you enjoy this. More songs coming soon, so say tuned:) -------------------------------------------------------------------------------------------------------------------------- The song is bult on G-A-Bm progression and the chords are played throughout the song. 1) Rhythm Rhythm part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). This is the easiest part of the arrangement. If you´re a beginner then start from here. It´s just variations of G-A-Bm chord progression with different rhythms and in different positions. 2) Melody Melody part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). As usual, the melody is the hardest part, since it features lots of slides and legatos. The chorus part features some funky rhythm playing as well. If you´re a beginner, then simplify as much as ou can – leave out all the embelishments, play simpler rhythms, leave out notes when there are more than one note played at a time etc etc. 3) Rhythm 2 Rhythm 2 part of Something Just Like This by The Chainsmokers & Colplay arranged for 3 guitars (rhythm, melody & rhythm 2). A little trickier rhythm part features some fingerstyle playing, also hiting the guitar as a drum. The strumming patterns are quite easy, but try to get a steady drum-like beat going on. In the choruses there are some power chords and in the ending we have some riffs as well.
$6.00
5.4 €
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Guitar notes and tablatures
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The Chainsmokers
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Something Just Like This
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Jaan Varts
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SheetMusicPlus
If Thou But Suffer, God To Guide Thee
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.778735 Composed by Don Hodell Chilc…
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Piano Solo - Level 5 - Digital Download SKU: A0.778735 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Concert,Film/TV,Jazz,Sacred. Score. 5 pages. Don Hodell Chilcote #2151345. Published by Don Hodell Chilcote (A0.778735). If Thou But Suffer, God To Guide Thee is for piano solo or ensemble. This is an jazz waltz take on a 19th century hymn. The piece is in 3/4 but felt in 1, and includes a distinct and unique introduction, interludes, resetting of theme and development. 4 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$3.99
3.59 €
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Piano solo
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Don Hodell Chilcote
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If Thou But Suffer, God To Guide Thee
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Don Hodell Chilcote
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SheetMusicPlus
This Is My Fathers World
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778868 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778868 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Film/TV,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3213713. Published by Don Hodell Chilcote (A0.778868). This Is My Fathers World is for piano solo or ensemble. This is a hymn tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$2.99
2.69 €
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Jazz combo
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Don Hodell Chilcote
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This Is My Fathers World
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Don Hodell Chilcote
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SheetMusicPlus
The Death of Ase (semi-flexible 4-part woodwind)
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.956633 Composed by E Grieg. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. 8 pages. C Melville-Mason #6491197. Published by C Melville-Mason (A0.956633). The Death of Åse was originally composed as part of the incidental music for Ibsen’s play Peer Gynt. Over 10 years later, Grieg selected certain elements from this work, organising these into two orchestral suites. The Death of Åse features in the first suite, Op. 46, along with Morning, Anitra’s Dance and In the Hall of the Mountain King. Åse is the mother of Peer Gynt. When her son absconds with the daughter of an affluent local farmer, Åse sacrifices everything to pay the penalties on his behalf and, left destitute, dies of poverty and illness. Cheery stuff!Although fairly straightforward in terms of notes and rhythms, this piece has been classed as 'intermediate' as it requires good intonation and ensemble skills to perform effectively.
$4.50
4.05 €
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Flute, Oboe, Clarinet, Bassoon
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E Grieg
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The Death of Ase
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C Melville-Mason
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SheetMusicPlus
Of The Fathers Love Begotten
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.778672 Composed by Don Hodell Chilc…
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Piano Solo - Level 5 - Digital Download SKU: A0.778672 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz,Sacred. Score. 6 pages. Don Hodell Chilcote #1998893. Published by Don Hodell Chilcote (A0.778672). Of The Fathers Love Begotten is for piano solo or ensemble. This is an old hymn tune that has bunch of original material and a great funky vibe. The piece has a hip hope swing beat or deep shuffle, and includes a distinct and unique introduction, and development. 5 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$3.99
3.59 €
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Piano solo
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Don Hodell Chilcote
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Of The Fathers Love Begotten
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Don Hodell Chilcote
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SheetMusicPlus
There Is Power In The Blood
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.779029 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.779029 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Gospel,Jazz,Sacred. Score and parts. 3 pages. Don Hodell Chilcote #4898447. Published by Don Hodell Chilcote (A0.779029). There Is Power In The Blood is for piano solo or ensemble. This is an hymn tune with a great message and theme jam section. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude. Fun Stuff.
$2.99
2.69 €
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Jazz combo
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Don Hodell Chilcote
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There Is Power In The Blood
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Don Hodell Chilcote
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SheetMusicPlus
There Is A Green Hill Far Away
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778820 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778820 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Easter,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3044051. Published by Don Hodell Chilcote (A0.778820). There Is A Green Hill Far Away is for piano solo or ensemble. This is a passion prelude with a great funky vibe, and includes a distinct theme setting, and unique introduction. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$2.99
2.69 €
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Jazz combo
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Don Hodell Chilcote
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There Is A Green Hill Far Away
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Don Hodell Chilcote
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SheetMusicPlus
Dust In The Wind
Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital …
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall. Pop,Rock. 45 pages. Jon Thingvall #952661. Published by Jon Thingvall (A0.1368317). Seeking a modern setting for a French Horn solo? Is the community--or are the students--feeling that classical music is stuffy? Got a budding Guitar Hero with nowhere to play? Want to give the orchestra a break, without stopping the program completely? Need a relaxed, quasi-Adagio for the concert's pacing?This is a record-copy of KANSAS' classic rock ballad, scored for a fairly small ensemble. Most instruments can be substituted: Flute for Alto Flute, Viola or Cello for Violin, Flugelhorn for the Horn part, or 4 Trombone parts instead of 3 with Solo Horn.Acoustic Guitar (will need amp). (Part copied verbatim from the official video, with thanks to Kansas - Dust In The Wind Guitar Lesson Pt.1 - Intro & Verse (youtube.com))French Horn solo--  Steve Walsh's epic, almost-apocalyptic style seemed perfectly suited to the mystique of the French Horn. (Measure 102 is “as though spoken†like in the recording here:  https://youtu.be/tH2w6Oxx0kQ?t=126. If the audience isn't familiar with Steve's style, it may be better left as a quarter- or eighth-note (written F sharp), but if you've got a Hornist with the chops, I’ve tried to put the articulations in to imitate a spoken voice.)3 Trombones-- Mainly triadic pads, with two instances of 9ths in the upper bass clef.1 Tenor Sax / Double on Alto Flute The Sax will sound great sotto voce to the Horn. The Flute should be as soft as possible, and ethereal.Solo Violin  (Could be sectional, instead of solo.)Solo Cello (Ibid.)The official video has bongos at the end, but I felt the sparse score worked well. They could easily be improvised, if needed.
$30.00
26.98 €
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Kansas
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Verse (youtube
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Dust In The Wind
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Jon Thingvall
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SheetMusicPlus
Shall We Gather At The River
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778952 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778952 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Film/TV,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3531735. Published by Don Hodell Chilcote (A0.778952). Shall We Gather At The River is for piano solo or ensemble. This is a hymn tune with a great funky gospel vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improve over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$2.99
2.69 €
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Jazz combo
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Don Hodell Chilcote
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Shall We Gather At The River
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Don Hodell Chilcote
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SheetMusicPlus
O Mio Babbino Caro - Oh My Dear Father
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1115398 By Giacomo Pu…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1115398 By Giacomo Puccini. By Giacomo Puccini. Arranged by Don Hodell Chilcote. 19th Century,Classical,Film/TV,Opera,Standards. Score. 3 pages. Don Hodell Chilcote #717189. Published by Don Hodell Chilcote (A0.1115398). O Mio Babbino Caro - Oh My Dear Father is for piano solo or ensemble. I love this tune and pianist never play it cause it was written for an opera, but why no do some cool things with this as well. Well, why cant pianists ! This is a great tune with a great passionate setting. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. Fun Stuff.
$1.99
1.79 €
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Piano, Vocal and Guitar
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Giacomo Puccini
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O Mio Babbino Caro - Oh My Dear Father
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Don Hodell Chilcote
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