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You've selected:
This Is Us Main Title Theme
Sheetmusic to print
20 sheet music found
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1
This Is Us Main Title Theme
Piano solo
Composed by Siddhartha Khosla. Arranged by Aaron Makikalli. Contemporary, Film/TV. Sco…
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Composed by Siddhartha Khosla. Arranged by Aaron Makikalli. Contemporary, Film/TV. Score. 2 pages. Aaron Makikalli #557508. Published by Aaron Makikalli
$4.99
4.59 €
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Piano solo
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Siddhartha Khosla
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This Is Us Main Title Theme
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Aaron Makikalli
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SheetMusicPlus
Greensleeves 2012
Piano solo
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.52 €
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Piano solo
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Public Domain, as performed and recorded by Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Bridgerton Main Title
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1474111 Composed by K…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1474111 Composed by Kris Bowers and Michael Dean Parsons. Arranged by RIS. Chamber,Classical,Contemporary,Film/TV,Romantic Period. Score. 2 pages. RISsounds #1041416. Published by RISsounds (A0.1474111). 🎹 Bridgerton Main Theme Song Lead Sheet Music - Perfect for Beginners and Advanced Players! 🎶We're excited to share the lead sheet music for the beautiful Bridgerton Main Theme Song, now available for you to download and play. This lead sheet is designed to cater to both beginners and more advanced players, making it a versatile addition to your piano repertoire.Why You'll Love This Lead Sheet: ✨ Beginner-Friendly: The right-hand melody is clearly written out on the staff, making it easy to follow and play along. ✨ Advanced Flexibility: The left hand is open for improvisation, allowing more experienced players to add their own flair and creativity. ✨ Versatile Practice: Whether you're just starting out or looking to expand your skills, this lead sheet offers a perfect blend of guidance and freedom.How to Use Our Lead Sheet: For Beginners: Focus on playing the right-hand melody as written. The clear notation will help you develop your sight-reading skills and build confidence. For Advanced Players: Use the right-hand melody as a foundation and improvise with your left hand. Experiment with different chords and rhythms to create a unique rendition. 📥 Download Now and start playing the enchanting Bridgerton Main Theme Song today!Tag Us in Your Performances: We'd love to see your renditions! Use the hashtag #EasyPianoTutorials and share your performances with our community.Happy playing! 🎶.
$4.99
4.59 €
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Piano, Vocal and Guitar
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Kris Bowers and Michael Dean Parsons
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Bridgerton Main Title
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RISsounds
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SheetMusicPlus
Band Of Brothers - Main Title
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1447518 Composed by Michael Kam…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1447518 Composed by Michael Kamen. Arranged by John Langley / Studio Orchestrations. 20th Century,Classical,Film/TV,Historic. 108 pages. Www.studio-orchestrations.com #1027298. Published by www.studio-orchestrations.com (A0.1447518). Band of Brothers is one of the most powerful real-life war drama TV series of modern times and its soundtrack composed by the late Michael Kamen (composer of Die Hard and Robin Hood: Prince of Thieves) was a wonderfully poignant support to the series. The haunting Main theme has a prayerful, respectful quality that evokes servce and sacrifice rather than the glory of war. The final moments of the opening sequence, a simple broken F major chord in the manor of a military trumpet, played by horn solo remind us we are indeed in a military drama.This full orchestral arrangement encompasses the cue called REQUIEM as well as the MAIN THEME in a tribute to not only the TV drama itself and its soundtrack but also to Michael Kamen who was taken from us all too early. It includes optional SATB chorus. INSTRUMENTATION:2 Flutes2 Oboes [2nd dbl. Cor Anglais]2 Clarinets [Bb]1 Bass Clarinet [Bb]2 Bassoons4 French Horns3 Trumpets3 trombones1 TubaTimpani1 Percussion [Vibraphone]HarpOptional SATB ChorusSTRINGSCheck out other similar arrangements on this website written by John Langley and Paul Campbell (Studio orchestratios).
$140.00
128.91 €
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Orchestra
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Michael Kamen
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Band Of Brothers - Main Title
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www.studio-orchestrations.com
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SheetMusicPlus
Deliver Us from Prince of Egypt (SATB)
Choral SATB
Piano Accompaniment, Choir, SATB - Intermediate - Digital Download By Stephen Schwart…
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Piano Accompaniment, Choir, SATB - Intermediate - Digital Download By Stephen Schwartz. Arranged by Thomas R. Vozzella. Octavo. 13 pages. Published by Thomas R. Vozzella
From Stephen Schwartz’s original score for the Prince ofEgypt, comes a choral arrangement of the main robust theme arranged for SATB choir. This is an exciting and very powerful arrangement from the film.
$1.99
1.83 €
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Choral SATB
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Stephen Schwartz
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Deliver Us from Prince of Egypt
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.48 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
"Midnight Carousel" for Clarinet Choir
Clarinet Ensemble
By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical, Contempora…
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By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical, Contemporary, Contest, Festival, Instructional, Multicultural, World. 43 pages. Grant Horsley #774791. Published by Grant Horsley
Midnight Carousel is scored Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet.<br> <br> Midnight Carousel is in the deep rich key of concert C minor to aid to the "After Dark" mood and mystery"<br> The piece has two distinct ideas. After the introduction a Circus- type Waltz begins, when this is repeated it has a very haunting counter melody which is both lilting and lyrical. As the piece develops, an out of character playful Scherzo theme begins which adds some intensity and mystery surrounding the Midnight Carousel. Both Waltz and Scherzo themes exchange dialogue throughout this section as if wanting some sort of control, when suddenly two accents appear to signify a "halt" We then return to the opening theme once more to lead us to a finish. Before the conclusion however, the Scherzo theme re-instates it's ideas before the final bars!<br> <br> The whole score is on the youtube link for you to assess suitability- It has been set to intermediate level as the range is around 2 octaves with some parts less than this. Mainly Quarter and Eighth notes used throughout- therefore it would be appropriate for some early-intermediate players.<br> It is around 3 mins 30 long and price is for full score and all parts.<br> <br> Ideal for concerts, contests, productions, halloween, folklore/fantasy themes or simply something different to add to the repertoire.
$13.50
12.43 €
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Clarinet Ensemble
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Grant Horsley
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"Midnight Carousel" for Clarinet Choir
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Grant Horsley
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SheetMusicPlus
Always Remember Us This Way STRING TRIO (for string trio of 2 violins and cello OR violin, viola and cello)
String Trio: 2 violins, cello
By Lady Gaga. Arranged by Sherry Lewis. Score, Set of Parts. 18 pages. Published by …
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By Lady Gaga. Arranged by Sherry Lewis. Score, Set of Parts. 18 pages. Published by Sherry Lewis Publishing
Always Remember Us This Way<br> <br> Trio for 2 violins and cello & violin, viola and cello<br> <br> score: 4 pages<br> <br> parts: 8 pages<br> <br> time: 3'25"<br> <br> DEMO NOTE: I began the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course.
$12.99
11.96 €
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String Trio: 2 violins, cello
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Lady Gaga
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Always Remember Us This Way STRING TRIO
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Sherry Lewis Publishing
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SheetMusicPlus
Somewhere, My Love (Lara's Theme from Dr. Zhivago)
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By Maurice Jarre. Arranged by Dougla…
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String Quartet - Intermediate - Digital Download By Maurice Jarre. Arranged by Douglas R. Morrison. 14 pages. Published by Douglas R. Morrison
A Rivendell String Quartet Arrangement. The haunting “Lara’s Theme” was composed for David Lean’s epic romantic drama Doctor Zhivago (1965), and netted film composer Maurice Jarre his second Academy Award for Best Original Score (he had won previously for Lawrence of Arabia in 1962, and would win again in 1984 for A Passage to India).<br> <br> This beautiful instrumental melody took on a life of its own when Paul Webster added lyrics to make it “Somewhere, My Love” in 1966. Ray Coniff and the Ray Coniff Singers had a US Top 10 hit with the same year, and it has remained a popular ballad ever since. This well-known piece is wonderful for preludes and receptions.<br> <br> Also available for string orchestra: H0.710615-SC001289282 
$12.99
11.96 €
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String Quartet: 2 violins, viola, cello
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Maurice Jarre
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Somewhere, My Love
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Douglas R. Morrison
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.37 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.53 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.37 €
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Viola, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Miscellany, 7 Short Movements For Piano Solo
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
$12.00
11.05 €
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Piano solo
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements For Piano Solo
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Geraldine
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SheetMusicPlus
Vita Nova, For Flute And Piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. Score and part. 28 pages. Geraldine (Denny) Green at Oakmountmusic #900774. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1311840). ALL PURCHASES COME WITH SCORE AND PARTSDuration – 12 minutes approx.Vita Nova is a single movement work for flute and piano, commissioned by flautist Gary Woolf and written in July/August 2019. It received its world premiere in September 2019 in Germany as part of a concert to celebrate the retirement of Gary’s Boss, Wolfgang Bernhardt, the work’s dedicatee and himself an excellent musician. It was this special occasion which inspired the work’s title, Latin for New Life.The piece is packed with excitement and has a wide range of moods, from the rather somber opening to the comical, lively main theme, which resembles a strange cross between a fast, crazy waltz and a jig. In the middle there is a flamboyant flute cadenza which leads us into a calm, ethereal, slightly mysterious section, before the lively, mischievous waltzy jig returns, to eventually lead us into a beautiful calm, dignified ending derived from the somber opening melody but now with glorious, positive harmony and a feeling that all is right and good.
$15.00
13.81 €
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Flute and Piano
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Gary Woolf - Flute and Sebastian Kurz - Piano
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Vita Nova, For Flute And Piano
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Geraldine
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Leve…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
23.02 €
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Clarinet Ensemble
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.83 €
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
The Greatest Love Of All
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1138089 By Whitney Houston. By Linda Cre…
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Piano - Level 2 - Digital Download SKU: A0.1138089 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Score (Chords/Lyrics). 4 pages. Unimusic Academy (Academia Unimusica) #738341. Published by Unimusic Academy (Academia Unimusica) (A0.1138089). The Greatest Love of All is a song written by Michael Masser, who composed the music, and Linda Creed, who wrote the lyrics. It was originally recorded in 1977 by George Benson, who made the song a substantial hit, peaking at number two on the US Hot Soul Singles chart that year, the first R&B chart top-ten hit for Arista Records. The song was written and recorded to be the main theme of the 1977 film The Greatest, a biopic of the boxer Muhammad Ali, and is performed during the opening credits.[1] Benson's original recording was released in 1977 in the United States, Japan, France, Germany, New Zealand, Australia, Italy, Brazil, Netherlands, the United Kingdom and Thailand, on an extended play (EP).[2] He officially recorded the song four times; in addition to the studio single, Benson also recorded three live versions,[3][4] the last time in a duet with Luciano Pavarotti in 2001.[5] Since 1977, a great number of artists have recorded this song, including Shirley Bassey, Oleta Adams, Alexandra Burke, Deborah Cox, Ferrante & Teicher and Kevin Rowland. Eight years after Benson's original recording, the song became even more well known for a version by Whitney Houston, whose 1985 cover (with the slightly amended title Greatest Love of All) eventually topped the charts, peaking at number one in the United States, Australia, Canada and on the US R&B chart in early 1986.
$8.00
7.37 €
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Piano solo
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Whitney Houston
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The Greatest Love Of All
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Unimusic Academy
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SheetMusicPlus
Profecías mayas: La nueva era
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1460309 Composed by Darío Estrella…
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Piano Solo - Level 2 - Digital Download SKU: A0.1460309 Composed by Darío Estrella. 21st Century,Chamber,Classical,Jazz,Multicultural,World. Score. 108 pages. Editorial Copistas Acuario #1039240. Published by Editorial Copistas Acuario (A0.1460309). En 2012 se habló bastante del calendario maya y de una interpretación que causó un gran impacto a nivel mundial por sus presagios fatalistas. Sin embargo, entendí que estas Profecías Mayas, más allá de predicar destrucción, enunciaban el inicio de un mundo nuevo, uno que todos nosotros debemos construir. Me inspiré en el tema y decidí escribir 31 composiciones, una por cada día del mes de diciembre —práctica que desde entonces mantengo, siendo el pasado diciembre mi 11o año consecutivo. Ahora, en 2024, el equipo de la Fundación Copistas Acuario —presidida por mi amigo y discípulo Samuel Beethoven—, me honra con la siguiente edición de composiciones para piano, luego de haber también publicado mi libro «A ti Estudiante» en 2019. En cada una de las piezas se presenta una propuesta distinta y diferenciada. Cada título es alusivo al día correspondiente según los almanaques y muchas veces en conexión con la numerología. Es un libro interesante para estudiarlo y ampliar el repertorio, pero que sobre todo busca elevar la capacidad interpretativa. Siempre he tratado de enviar un mensaje de vida a través de mi música y en esta obra, además, quise expresar la fascinación y el asombro que este pueblo antiguo y misterioso me causa. Se dice que este pueblo desapareció, pues decían venir de las estrellas, específicamente de las Pléyades; tal vez regresaron a su origen cósmico de la misma manera en que vinieron. ¡Embárquemonos, pues, nosotros también en este fascinante viaje musical que hoy presentamos ante ustedes! --------------------------------------------------------------------------------------------------In 2012, there was a lot of talk about the Mayan calendar and an interpretation that caused a great impact worldwide for its fatalistic omens. However, I understood that these Mayan Prophecies, beyond preaching destruction, enunciated the beginning of a new world, one that all of us must build. I was inspired by the theme and decided to write 31 compositions, one for each day of the month of December —a practice I have maintained ever since, this past December being my 11th consecutive year. Now, in 2024, the team of the Fundación Copistas Acuario —chaired by my friend and disciple Samuel Beethoven,— honors me with the next edition of piano compositions, after having also published my book “A ti Estudiante” in 2019. Each of the pieces presents a distinct and different proposal. Each title is allusive to the corresponding day according to the almanacs and often in connection with numerology. It is an interesting book to study and expand the repertoire, but above all it seeks to raise the interpretative capacity. I have always tried to send a message of life through my music, and in this work I also wanted to express the fascination and amazement that this ancient and mysterious people cause me. It is said that this people disappeared, given they claimed to come from the stars, specifically from the Pleiades; perhaps they returned to their cosmic origin in the same way they came. Let us, then, also be embarked in this fascinating musical journey that we present to you today!
$5.99
5.52 €
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Piano solo
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Darío Estrella
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Profecías mayas: La nueva era
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Editorial Copistas Acuario
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SheetMusicPlus
Origins • John D. Wattson Series
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1377491 By Matt Johnson. By Matt Jo…
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Piano Solo - Level 4 - Digital Download SKU: A0.1377491 By Matt Johnson. By Matt Johnson. Arranged by John D. Wattson. 21st Century,Classical,Contemporary,Contest,Festival,New Age. Score. 24 pages. Dolce & Nuit Productions #962083. Published by Dolce & Nuit Productions (A0.1377491). “Origins†is a significant “through-composed†work within Johnson’s catalog and serves as the title track for his fifth album.This solo piano arrangement features the main themes and omits portions from the original 13-minute recording.The John D. Wattson Series showcases the music of Matt Johnson with abridged and accessible piano solo arrangements.Contemporary lyrical and rhythmic repertoire for piano students of varying degrees.View Johnson's original score:SheetMusicDirect: https://www.sheetmusicdirect.com/en-US/se/ID_No/1005358/Product.aspxSheetMusicPlus: https://www.sheetmusicplus.com/en/product/origins-20764799.htmlWeb2: https://www.MattJohnsonMusic.comWeb3: MattJohnsonMusic.x.
$4.99
4.59 €
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Piano solo
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Matt Johnson
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Origins • John D. Wattson Series
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Dolce & Nuit Productions
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SheetMusicPlus
Four Songs by Johannes Brahms
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1474698 Composed by Johannes Brahms (1833-1897). Arranged by Stephen Levintow. 19th Century,Romantic Period. 24 pages. Cypress Publishing #1052264. Published by Cypress Publishing (A0.1474698). Johannes Brahms is best known for his symphonies, concerti and large scale chamber works, but his catalog of over 200 Lieder shows he was also a master of small forms and intimate expression. Wiegenlied (Lullaby), included in this set of arrangements for string quartet, is one of the best known and most loved melodies ever written. His original gently syncopated accompaniment, reproduced here, makes an elegant backdrop for it. The set opens with Sapphische Ode (Sapphic Ode), whose title is not directly connected to the ancient Greek poet Sappho of Lesbos, but refers to the verse form of the poem Brahms set, that bears her name. The melody resembles the theme of the slow movement from Brahms’s violin concerto, written a few years earlier. Following it is Wenn du nur zuweilen lächelst (If you only sometimes smile), a fine example of the mood of longing and melancholy that Brahms often depicted in both songs and instrumental music. The music moves back and forth between major and minor, and the flowing 9/8 meter occasionally varies the 3+3+3 pulse to 2+2+2+3 in a natural-seeming way.Brahms never wrote an opera, but Von ewiger Liebe (Of Eternal Love), which builds from a somber opening, through a stormy middle section to a powerful climax, gives us a sense of what a Brahms operatic scene, in this case a love duet, might have sounded like. It is one of his most famous songs, and rightly so.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
7.37 €
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String Quartet: 2 violins, viola, cello
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Johannes Brahms
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Four Songs by Johannes Brahms
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Cypress Publishing
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SheetMusicPlus
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