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You've selected:
This Land Singing, string quartet
Sheetmusic to print
24 sheet music found
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1
This Land Singing, string quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.953813 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.953813 Composed by Haydn Reeder. 20th Century,Contemporary. Score and parts. 14 pages. Haydn Reeder #519645. Published by Haydn Reeder (A0.953813). This land singing for string quartet by Haydn Reeder: program note This piece which runs for seven and a half minutes was completed in 2013. There are two elements in this work which represent interests that can be heard in other compositions of mine. The first is an interest in Australian Aboriginal chanting and this is heard in the opening and closing melodies played by the cello. It seems to influence other parts of the piece, there being quite a lot of melodic writing. It can also be felt in the Postlude. The second interest is in birdsong. However, the relevant section which occurs some way into the piece has its origins in flight formations, in this case the way a flock lands. Here, each of the higher instruments plays similar material independently. Gestures of a more aggressive nature usually featuring tremolo are introduced, developed and subsequently recede, providing a background to wide-ranging melodic lines. The Postlude, with its insistence on accumulating chords by means of slow upbeats produces a dream-like atmosphere to close the work. H.R.
$5.00
4.6 €
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String Quartet: 2 violins, viola, cello
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Haydn Reeder
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This Land Singing, string quartet
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Haydn Reeder
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SheetMusicPlus
Your Favorite Thanksgiving and Harvest Hymns for Strings
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Thanksgiving. Score, Set of Parts. 85 pages. Published by Colin Kirkpatrick Publications
Thisnew collection of Thanksgiving and Harvest hymns contains all your favorites,or at least, most of them. It’s probably all you’ll ever need for thanksgivingand harvest festivals and the arrangements can be used for virtually anycombination of stringed instruments. This is an essential title for any stringlibrary or for any string ensembles that are called upon to provide music forschools, Thanksgiving events or churches. <br> <br> Thearrangements can be used with string quartet, string quintet or string ensembleor performed as solo pieces. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The piano parttoo means that you can use the arrangements as solos, duets or trios. Thesearrangements are intended either as stand-alone pieces that could be used asinterludes in a service, or they could be used to accompany solo, choral orcongregational singing. To make the music accessible to less experienced stringplayers, the range of the notes has been kept fairly low so that many of thearrangements can be played in first position. However, to produce a brighterand richer sound, a few of the more experienced violinists could play an octavehigher. You could also use the arrangements as flute or oboe solo pieces, with thewind instrument playing the 1st violin part. Each hymn has a four-staff scoreand parts are provided for Violin 1, Violin 2, Viola, Cello and optional Doublebass. The scores and all the parts are contained in a single PDF file. Becausestring-friendly keys are used, these arrangements are NOT compatible with thosein the wind collection of the same name.<br> <br> Thefollowing 25 hymns are included: AllCreatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise(Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringingin the Sheaves (Sowing in the Morning); Come Ye Thankful People Come (StGeorge’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your Hearts withJoy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For theFruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken(Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (AshGrove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nundanket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest(Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lordthe Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th);Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World(Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We GatherTogether (Kremser); We Plough the Fields and Scatter (Wir pflügen) and PraiseGod from whom all Blessings Flow (Old Hundredth)
$24.99
23.01 €
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String Quartet: 2 violins, viola, cello
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Various
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Your Favorite Thanksgiving and Harvest Hymns for Strings
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Best Hymns of All Time (for Strings) Book 2
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra, Playable by any size string ensemble - Early Inter…
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String Quartet, String Orchestra, Playable by any size string ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 59 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time<br> Arranged for strings by Colin Kirkpatrick<br> <br> Book 2<br> <br> We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The double bass part is optional because it doubles the cello part an octave lower. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The scores and all the parts of Book 2 are contained in a single 59-page PDF file.<br> <br> Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland)<br> Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim).<br> <br> The audio samples include Angels we have Heard on High (Gloria); Be Thou my Vision (Slane) and Onward, Christian Soldiers (St. Gertrude). The music has been set in string-friendly keys so most of them are not compatible with the brass collection of the same name.
$25.99
23.93 €
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String Quartet: 2 violins, viola, cello
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Far North Land: Passages for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.787240…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. Burke & Bagley #48429. Published by Burke & Bagley (A0.787240). Parts for Eb Clarinet, 2 Bb Clarinets and Bass Clarinet in Bb, with alternate 3d Bb Clarinet part in lieu of Eb Clarinet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was 'The Far North Land.' Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I later transcribed the song from that recording and used it as the foundation for this piece. My aunts told me they recalled my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as 'Fletch's song.' It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. The tune is also known in the U.K. as The Road to the Isles. The arrangement for string quartet was premiered by the OdeonQuartet at Seattle's Town Hall on October 21, 2003. The arrangement for clarinet quartet was made in 2013 for the Livas Quartet. The arrangment for string orchestra is available from Imagine Music Publishing.
$14.00
12.89 €
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Clarinet Quartet: 4 clarinets
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Greg Bartholomew
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The Far North Land: Passages for Clarinet Quartet
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Burke & Bagley
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SheetMusicPlus
This I Promise You - String Quartet - *NSYNC arr. Cellobat - Recording Available!
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By N Sync. Arranged by Sarah Celloba…
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String Quartet - Intermediate - Digital Download By N Sync. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee
"This I Promise You" is one of *NSYNC's most iconic love songs and a ubiquitous pop hit of the early 2000's. Originally written by Richard Marx, this song lasted 13 weeks at number 1 on the Billboard Adult Contemporary chart after its release, so any child of the 90's probably knows this one by heart! I had the honor of performing this song with Richard Marx himself as part of the quartet-in-residence for his 3-week residency "Satisfied: Only The Hits" at the Flamingo Hotel in Las Vegas, so I'm super excited to bring you my own version!<br> <br> This arrangement for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a laid back R&B-style groove, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there is nothing very difficult in any of the parts and this chart will be easily sightreadable for professionals, but students might need a minute to look at the syncopated rhythms in the violin parts.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "This I Promise You." Crowd pleasing guaranteed.<br> <br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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N Sync
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This I Promise You - String Quartet - *NSYNC arr. Cellobat - Recording Available!
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SheetMusicPlus
High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by …
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String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 21 pages. Published by Sarah Chaffee
"High Hopes" was released by Panic! At The Disco in 2018 as a single from their sixth studio album, "Pray For The Wicked." This upbeat, catchy song soon became a smash hit, reaching number 4 on the Billboard charts and becoming their highest-charting single of all time. This arrangement for string quartet has the exuberant energy, rich harmonic layers, driving beat, and dynamic impact of the original, and it's absolutely as much fun to play as it is to listen to! Great for parties, corporate events, solo & ensemble contests, or even weddings and receptions, it's a guaranteed crowd pleaser and you're sure to get your audience singing along. This arrangement is dedicated to a good friend of mine who was in P!ATD's string section on their "Pray For The Wicked" tour -- Kiara, it was so much fun watching you play this song with them! Rated intermediate, this chart will be playable for students and easily sightreadable for professionals. There is nothing above first position in the V2, viola, and cello parts, and only a few notes higher than that in V1. There are a few tied rhythms in but nothing too complicated.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "High Hopes." Crowd pleasing guaranteed.<br> <br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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Panic! At the Disco
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High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
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Sarah Chaffee
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SheetMusicPlus
I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
String Quartet: 2 violins, viola, cello
String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged …
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String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 18 pages. Published by Sarah Chaffee
"I Want It That Way" is one of the Backstreet Boys' biggest hits, and anyone who grew up in the 90's and early 2000's probably knows this one by heart! This version for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a danceable groove held down by the viola and cello, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there's nothing very difficult in this chart (except possibly intonation when the key changes to B major at the end!), and it will definitely be playable for students and easily sightreadable for professionals.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "I Want It That Way." Crowd pleasing guaranteed.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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The Backstreet Boys
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I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Auld Lang Syne - Arranged for String Quartet by Hugh Levey
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.937309 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.937309 Composed by Traditional (Robert Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. Score and parts. 13 pages. Woodwindly.com #6701333. Published by woodwindly.com (A0.937309). String Quartet (2 Violins, Viola, 'Cello) Since Robert Burns wrote the words of Auld Lang Syne in 1788, it has become a standard feature of New Year celebrations, Burns nights, and the closing stages of almost every ceilidh dance and wedding in Burns’ native Scotland. Duration - 1’ 48 for 2 verses. Approximately 5’ for all five versesThis string quartet arrangement is by Scottish musician and arranger, Hugh Levey. It is in a suitable key for playing as a short recital piece or to accompany community or solo singing. For most occasions the arranger suggests playing it without any repeats, so that 2 differently arranged verses are performed. This works for a recital piece or as accompaniment to how it is typically sung. In Scotland it would be verses 1 and 5, in other parts of the world verse 1 is often sung twice. The work opens with ‘bagpipe’ drones played by the viola and cello, which accompany a short introduction by violin 1. This is followed by violins 1 and 2 playing the first verse and chorus, still accompanied by the bagpipe drones. The final verse and chorus are written in four part harmony to give a majestic ending to the piece.
$9.50
8.75 €
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String Quartet: 2 violins, viola, cello
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Traditional
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Auld Lang Syne - Arranged for String Quartet by Hugh Levey
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woodwindly.com
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SheetMusicPlus
The Far North Land
Concert band
Concert band - Grade 2 - Digital Download SKU: IZ.CBS166-S Composed by Gregory Hoep…
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS166-S Composed by Gregory Hoepfner. Score. 17 pages. Imagine Music - Digital #CBS166-S. Published by Imagine Music - Digital (IZ.CBS166-S). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.
$10.00
9.21 €
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Concert band
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Gregory Hoepfner
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The Far North Land
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Imagine Music - Digital
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SheetMusicPlus
The Far North Land
Concert band
Concert band - Grade 2 - Digital Download SKU: IZ.CBS166 Composed by Gregory Hoepfn…
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS166 Composed by Gregory Hoepfner. Score and Parts. 45 pages. Imagine Music - Digital #CBS166. Published by Imagine Music - Digital (IZ.CBS166). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.
$60.00
55.25 €
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Concert band
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Gregory Hoepfner
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The Far North Land
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Imagine Music - Digital
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SheetMusicPlus
The Far North Land: Passages for Wind Ensemble
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.787312 Composed by Greg Bartholom…
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Concert Band - Level 3 - Digital Download SKU: A0.787312 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Score and parts. 42 pages. Burke & Bagley #50567. Published by Burke & Bagley (A0.787312). Scored for Piccolo, Flute 1 & 2, Oboe, Clarinet in Bb 1, 2 & 3, Bass Clarinet in Bb, Bassoon, Alto Saxophone 1 & 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2 & 3, Horn in F 1 & 2, Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, Snare Drum and Marimba. Also available in arrangements for string quartet, string orchestra, clarinet quartet, clarinet choir and flute quartet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was The Far North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I recently transcribed the song from that recording and used it as the foundation for this piece. My aunts tell me they recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch’s song. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. A Back to School 2015 feature.
$19.99
18.41 €
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Concert band
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Greg Bartholomew
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The Far North Land: Passages for Wind Ensemble
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Burke & Bagley
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SheetMusicPlus
Wellerman
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
$12.99
11.96 €
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String Quartet: 2 violins, viola, cello
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Nathan Evans
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Wellerman
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Joel Jacklich
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SheetMusicPlus
Love Story
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1432222 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 25 pages. Sarah Cellobat Chaffee #1012710. Published by Sarah Cellobat Chaffee (A0.1432222). Released as the lead single from Taylor Swift's second studio album in 2009, Love Story is a fun, upbeat country pop song, with lyrics based on the classic tale of Romeo and Juliet -- but with a happy ending instead of tragic! This song helped cement Swift's reputation as one of the biggest names in music, landing in the top 5 on the Billboard charts and becoming one of the worldwide top-selling singles of the year. So you really can't go wrong having this one in your gig books! Originally written for a wedding reception, this Cellobat chart for string quartet is a joyful and exciting take on the original, with beautiful melodies, layered harmonies, and a danceable rhythmic drive throughout. You're sure to get your audience singing along! Rated intermediate -- all parts remain in first position throughout, and this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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Taylor Swift
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Love Story
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Sarah Cellobat Chaffee
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SheetMusicPlus
Halo
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1457596 By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 20 pages. Sarah Cellobat Chaffee #1036618. Published by Sarah Cellobat Chaffee (A0.1457596). Halo, a powerful love ballad with strong spiritual vibes, was released by Beyoncé as a single in 2009 to great acclaim. With a music video depicting a behind-the-scenes look at the singer's everyday life, and lyrics describing the strength that comes from being vulnerable with those who you love, the song was a breath of fresh air on the pop scene. Combined with Beyoncé's massive vocal range and impressive stylistic effects, Halo was a tour de force that resonated with people around the world -- and it soon shot to the top of the charts! After winning several music awards including a Grammy, and earning multiplatinum certification in many countries around the world, it's clear that this song has a place in people's hearts, and it's still a very popular choice for weddings and events to this day. So you definitely can't go wrong adding this to your gig books! This Cellobat arrangement for your string quartet maintains the soaring vocal lines, lush harmonies, and powerful beat of the original for a chart that's sure to get your audience singing along! Rated advanced-intermediate for some tricky rhythms throughout and some higher notes in the violin parts (up to 4th position); this will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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Beyonce
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Halo
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Sarah Cellobat Chaffee
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SheetMusicPlus
Red Wine Supernova
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1461725 By Chappell Roan. By Amy Cuney, Amy Kuney, Anna Rose Schindel, Annie Schindel, Daniel Nigro, Kayleigh Amstutz, Lisa Hickox, and Lixa. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 24 pages. Sarah Cellobat Chaffee #1040474. Published by Sarah Cellobat Chaffee (A0.1461725). Chappell Roan is a truly unique musical artist who, over the last few years, went from living in a Missouri trailer park to taking the world by storm! With influences ranging from synth-pop to Radiohead to drag queens, her infectiously catchy songs and larger-than-life stage persona have captured the hearts of people around the world, and her lyrics about life as a queer woman have also cemented her place in the LGBTQ+ community. Red Wine Supernova is one such anthem, describing the excitement of flirting with an attractive woman in a bar -- and its irreverent lyrics, catchy choruses, soaring vocals, and dance party beat have made it one of Roan's biggest hits! This Cellobat arrangement for your string quartet is truly a bop, maintaining all the lush harmonies and joyful vibes of the original -- you're sure to get your audience singing along! Rated intermediate, this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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Chappell Roan
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Red Wine Supernova
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Sarah Cellobat Chaffee
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SheetMusicPlus
Rushing Water
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.977360 By Sting. By Gavin …
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String Quartet String Quartet - Digital Download SKU: A0.977360 By Sting. By Gavin Brown, Gordon Matthew Sumner, and Martin Kierszenbaum. Arranged by Des McNutty. Contemporary,Pop. Score and parts. 16 pages. Des Press #6611951. Published by Des Press (A0.977360). Rushing Water is a single from Sting's 15th studio album The Bridge, which was released in November 2021 on A&M Records. This arrangement was published before then, so we don't know much more about it. Gordon Matthew Thomas Sumner, better known as Sting is a singer-songwriter from North-East England who first found fame singing and playing bass with chart-topping band The Police from 1977-1984. He went solo in 1985. You can find out a lot more on his official website here: https://www.sting.com/This arrangement for string quartet is a relatively straight-forward idiomatic transcription in the same tonalities as the original recording, so you could even play along with it for fun. The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!
$12.99
11.96 €
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String Quartet: 2 violins, viola, cello
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Sting
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Rushing Water
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Des Press
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.22 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
On Jordan's Stormy Banks - Flex Orchestra
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From South…
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String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
9.2 €
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String Orchestra
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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From Southern Harmony
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On Jordan's Stormy Banks - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
Pie Jesu
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1464007 Composed by Juliette Mari…
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Concert Band - Level 4 - Digital Download SKU: A0.1464007 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Religious,Romantic Period,World. 42 pages. John Ivor Holland #1042718. Published by John Ivor Holland (A0.1464007). Marie-Juliette Olga Lili Boulanger (21 August 1893 – 15 March 1918) was a French composer; her older sister was the noted composer and composition teacher Nadia Boulanger. As a child prodigy born in Paris, Boulanger's talent was apparent at a very young age; at the age of two, she was already singing melodies by ear. Her parents, both of whom were musicians, encouraged their daughter's musical education. In 1912, Boulanger competed in the Prix de Rome but during her performance she collapsed from illness. She returned in 1913 at the age of 19 to win the composition prize for her cantata 'Faust et Hélène', becoming the first woman to win the prize. Boulanger grew up in a time of musical transition and her music fits easily into what was becoming defined as a post-Romantic style. She finished this 'Pie Jesu' (1918) towards the end of her life, but the first of Lili Boulanger's sketches for the Pie Jesu are to be found in a composition book she used between 1909 and 1913. Scholars such as biographer Léonie Rosenstiel and Olivia Mattis speculate that Boulanger intended to write a complete Requiem Mass but did not live to complete it. This arrangement has been created from the original solo voice, string quartet, harp and organ for modern concert band as part of an ongoing project to bring more works by women into the worldwide repertoire.
$59.99
55.24 €
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Concert band
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Juliette Marie Olga
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Pie Jesu
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John Ivor Holland
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SheetMusicPlus
Ain't No Mountain High Enough
String Quartet: 2 violins, viola, cello
By Marvin Gaye & Tammi Terrell. By Nickolas Ashford and Valerie Simpson. Arranged …
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By Marvin Gaye & Tammi Terrell. By Nickolas Ashford and Valerie Simpson. Arranged by Sarah Cellobat Chaffee. Pop, Rock, Standards, Wedding. Score and parts. 18 pages. Sarah Cellobat Chaffee #6598521. Published by Sarah Cellobat Chaffee
Originally written in 1966 by Nickolas Ashford and Valerie Simpson for the Motown record label Tamla, "Ain't No Mountain High Enough" was recorded the following year by the power duo of Marvin Gaye and Tammi Terrell and it became an immediate success. This song is still just as iconic today as it was then, and you really can't go wrong having it in your gig books! This Cellobat arrangement for string quartet features the upbeat groove, back-and-forth vocal verses, and powerful chorus harmonies of the original for a chart that will be just as much fun to play as it is to listen to. You're sure to get your audience singing along! Rated advanced-intermediate mainly for some syncopated rhythms throughout and some high notes in the first violin part (up to 4th position); this will be learnable for students and sightreadable for professionals.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Michael Bublé, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee.
$16.99
15.64 €
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String Quartet: 2 violins, viola, cello
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Marvin Gaye & Tammi Terrell
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Tammi Terrell
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Ain't No Mountain High Enough
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Sarah Cellobat Chaffee
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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51.56 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
You Created It
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.555811 Composed by Scott Camp and Pa…
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Choral Choir (SATB) - Digital Download SKU: A0.555811 Composed by Scott Camp and Patsy Brison. Christian,Sacred,Spiritual. Octavo. 42 pages. Scott Camp #3109243. Published by Scott Camp (A0.555811). 2017 Choral Contest EntryHauntingly beautiful ode to the miracle of creation and the wonder of nature.Instrumental parts for flute, oboe, violin, and string quartet are included.Poignant and beautiful nature photography accompany this truly moving composition. If you're not moved by the end, check your pulse. : )YouTube link is:https://youtu.be/id3wj2KeQEYScott Camp (BA, BM, MM) University of Tennessee, New England Conservatory of Music has played piano, taught piano, and directed choirs.Patsy Brison composes beautiful poetry and enjoys singing in choirs of all types.
$1.99
1.83 €
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Choral SATB
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Scott Camp and Patsy Brison
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You Created It
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Scott Camp
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SheetMusicPlus
Chanson D'amour
Woodwind Ensemble Flute - Level 1 - Digital Download SKU: A0.774779 By The Manhatta…
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Woodwind Ensemble Flute - Level 1 - Digital Download SKU: A0.774779 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. Contemporary. 10 pages. Sandra Milliken #6642787. Published by Sandra Milliken (A0.774779). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is also available for saxophone quintet and string ensemble.
$16.99
15.64 €
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The Manhattan Transfer
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Chanson D'amour
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Sandra Milliken
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SheetMusicPlus
Chanson D'amour
Saxophone Quintet: 5 Saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.774780 By The Manhattan Transfer. By Michel Paul Fugain and Wayne Shanklin. Arranged by Sandra Milliken. Contemporary. 10 pages. Sandra Milliken #6645909. Published by Sandra Milliken (A0.774780). Chanson d'Amour (sometimes referred to as The Ra-Da-Da-Da-Da Song) is a popular piece written by the American singer, songwriter and producer, Wayne Shanklin. In 1958 Shanklin had suggested the song to a California lounge circuit duo Art and Dotty Todd. They liked the song and produced a demo recording, which was later released as a single by Era Records. Then, almost 20 years later, in 1976, the vocal jazz quartet The Manhattan Transfer came across a demo on cassette and decided to record a remake of Chanson d'Amour for their Coming Out album. The track featured Janis Siegel singing lead with an Edith Piaf sound.Whilst overlooked in the United States in its single release, Manhattan Transfer's version became a hit across Europe in Germany, the Netherlands, France, Norway and Switzerland. In the English-speaking world it was a chart topper in the UK and Ireland as well as in Australia, New Zealand and South Africa.The song had become Manhattan Transfer's most widespread international success.This arrangement is also available for flute choir and string ensemble.
$16.99
15.64 €
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Saxophone Quintet: 5 Saxophones
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The Manhattan Transfer
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Chanson D'amour
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Sandra Milliken
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SheetMusicPlus
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