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You've selected:
This Means War
Sheetmusic to print
409 sheet music found
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This Means War!
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842047 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842047 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 8 pages. Andrew Mc Donald (Macka Records) #3561301. Published by Andrew Mc Donald (Macka Records) (A0.842047). This Means War is a song about war with the enemy the devil. We are trying to win souls for Jesus and gaining territory for Him while the enemy is trying to discourage us. We are at war and we fight not against flesh and blood but we will have the victory. We are soldiers of God and we fight on His behalf plundering the globe until everyone is saved.
$4.99
4.66 €
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Piano, Voice
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Andrew Mc Donald
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This Means War!
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Andrew Mc Donald
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SheetMusicPlus
This Means War
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013501 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013501 By Nickelback. By Chad Kroeger. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013501. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013501). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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This Means War
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
DAYBREAK! A Warm-up for flutes - Version 2 (Harder keys)
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1438155 Composed by Jon Raybo…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1438155 Composed by Jon Raybould. 21st Century,Classical,Instructional,Pop. Score. 21 pages. Jon Raybould Music #1018232. Published by Jon Raybould Music (A0.1438155). This is the same as version 1 - the same happy tune, but a SEMITONE HGHER! This means the journey is through some HARDER keys - up to 6 sharps or flats! Great for intermediate/early advanced flutists - even a quick warm-up with a difference for flutists at the highest level! Maybe!! The keys visited in Version 2 are: F sharp major, A flat major, B flat major, B major, D flat major, E flat major, F major, then G flat major! This is a fun way of learning your keys and key signatures - and helps you with your flute scale practice! Warm up your fingers, and your tone - with this jolly, happy piece which transposes into different keys as you go along. It's composed for 2 flutes, but flute 2 is optional and it sounds great with just flute 1. No piano? No problem. There are 2 backing tracks you can download for free to play along to - Backing track 1: Piano, bass and drums Backing track 2: Piano only. Download the backing tracks from here:https://drive.google.com/drive/folders/1CdpzL__I5r_xmnfB8qJ-DalxOHgSGtOH?usp=sharing.
$6.00
5.6 €
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2 Flutes (duet)
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Jon Raybould
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DAYBREAK! A Warm-up for flutes - Version 2
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Jon Raybould Music
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SheetMusicPlus
DAYBREAK! A Warm-up for flutes - Version 1 (Easier keys)
2 Flutes (duet)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.1438066 By Jon Raybould. By J…
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.1438066 By Jon Raybould. By Jon Raybould. Classical,Instructional,Pop. Score. 20 pages. Jon Raybould Music #1018136. Published by Jon Raybould Music (A0.1438066). This is a fun way of learning your keys and key signatures - and helps you with your flute scale practice! Warm up your fingers, and your tone - with this jolly, happy piece which transposes into different keys as you go along. This is Version 1 - a journey through easier keys - F major, G major, A major, B flat major, C major, D major, E major - and back to F major!It's composed for 2 flutes, but flute 2 is optional and it sounds great with just flute 1. No piano? No problem. There are 2 backing tracks you can download for free to play along to - Backing track 1: Piano, bass and drums ..... Backing track 2: Piano only. Download from here: https://drive.google.com/drive/folders/1JZ8JVpr7XN-wOaKdkzaKuqQlkUIpt22O?usp=sharingIf you like it, check out VERSION 2. It's the same happy tune, but a SEMITONE HIGHER! This means the journey is through some HARDER keys - up to 6 sharps or flats! The keys visited in Version 2 are: F sharp major, A flat major, B flat major, B major, D flat major, E flat major, F major, then G flat major!Watch on YouTube: Version 1: https://youtu.be/cd0fPv7uixQVersion 2: https://youtu.be/2T-d8mhFG7A.
$6.00
5.6 €
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2 Flutes (duet)
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Jon Raybould
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DAYBREAK! A Warm-up for flutes - Version 1
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Jon Raybould Music
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.73 €
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Concert band
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
IN YOUR PRESENCE BY KING EDWARD JNR
Digital Download SKU: A0.1071912 Composed by King Edward Jnr. Arranged by King Edwa…
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Digital Download SKU: A0.1071912 Composed by King Edward Jnr. Arranged by King Edward Jnr. Christian,World. Accompaniment. Duration 367. Edward Kwarteng #5800061. Published by Edward Kwarteng (A0.1071912). This track carries a message to inspire me of my past life as when God saved me and gave me a life and a destiny to accomplish in Him.Its a song that will inspire every individual and the entire body of Christ also to notice the very nature of a man's destiny and how God- the maker of life wants us to cope in making-up/propagating our lives in Him. Surely, its a Biblical truth; that as we seek first, the kingdom of God, the Almighty by all means will cater and care for us in such manner of His promise.
$1.99
1.86 €
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King Edward Jnr
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IN YOUR PRESENCE BY KING EDWARD JNR
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Edward Kwarteng
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SheetMusicPlus
Happy Xmas (War Is Over)
Piano solo
Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1354634 By John & …
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Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1354634 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by AprilChapman/PianoAcademy. This edition: Interactive Download. Christmas. Individual part. 3 pages. Duration 137. AprilChapmanPianoAcademy #4EYHuJInlZWKNBt3X6VAjK. Published by AprilChapmanPianoAcademy (A0.1354634). Key: C major.A beautiful Piano Solo, arranged for Pianists who are looking to enjoy Easy Intermediate arrangements at Christmastime. Part of a collection - Play Piano at Christmas. This collection takes a simple walking octave left hand and repeating chord shapes, which make the accompaniment very achievable and expressive. The simple notation in the right hand means that you can relax and enjoy the familiar festive melody. Perfect for Christmas Recitals and family gatherings.
$4.99
4.66 €
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Piano solo
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John & Yoko Ono W/harlem Comm
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Happy Xmas
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AprilChapmanPianoAcademy
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SheetMusicPlus
A Lady's "No" Means "Yes". Ballad
Piano, Voice
Piano and voice - Digital Download SKU: LV.4316 Composed by Alfred G. Robyn. Courts…
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Piano and voice - Digital Download SKU: LV.4316 Composed by Alfred G. Robyn. Courtship, Love, Marriage proposals. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4316). A Lady's No Means Yes. Ballad. Words by George Cooper. Music by Alfred G. Robyn, Pianist, Emma Abbott Concert Troupe. Published 1878 by William A. Pond & Co., 25 Union Square (Between 15th and 16th Strs.) in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Marriage proposals. First line reads Ah! do not frown my little one, and turn your head away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voice
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Alfred G
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A Lady's "No" Means "Yes". Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Wari (Vicuña) for SATB + string quartet with optional charango
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1315612 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1315612 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 24 pages. Adrienne Inglis (ASCAP) #904350. Published by Adrienne Inglis (ASCAP) (A0.1315612). To celebrate Hispanic and Indigenous peoples, enjoy this easy, catchy tune in the ancient Andean language of Aymara (pronunciation guide included) in the style of an expressive Bolivian yaravà or lament. No worries if you don't have a charango — it can easily be performed with a string quartet.Wari (2023)SATB and string quartet with optional charango, composed in the style of a Bolivian yaravÃText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023Jester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October 21, 2023, Wari for SATB and string quartet with optional charango is written as a lament in the style of a Bolivian yaravÃ. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. Wari means vicuña, a native wild camelid species considered to be the ancestor of the domesticated alpaca. The harsh life of the Andes takes its toll on vicuña young, leaving behind grieving vicuña mothers. The Aymara people suffer similar losses and also cry for their lost loved ones. This yaravà lament includes expressive cadenza sections for both violin and cello, traditional key and rhythm, and a choral setting of Humire’s poignant poetry.
$1.99
1.86 €
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Choral SATB
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Adrienne Inglis
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Wari
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Adrienne Inglis
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SheetMusicPlus
David Warin Solomons: Plappermäulchen for solo guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.533922 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.533922 Composed by David Warin Solomons. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3074557. Published by Musik Fabrik Music Publishing (A0.533922). Plappermäulchen means chatterbox in German. This amusing work takes advantage of the chattering abilities of the guitar
$7.75
7.23 €
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David Warin Solomons
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David Warin Solomons: Plappermäulchen for solo guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chanson de Nuit by Sir Edward Elgar (for string sextet or viola and strings)
String Orchestra
String Orchestra - Digital Download SKU: A0.800223 Composed by Edward Elgar. Arrang…
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String Orchestra - Digital Download SKU: A0.800223 Composed by Edward Elgar. Arranged by Samantha J Bramley. 20th Century,Romantic Period. Score and parts. 13 pages. Samantha Bramley #6445697. Published by Samantha Bramley (A0.800223). This arrangement of the ever-popular Chanson de Nuit is for string sextet - 2 violins, 2 violas, 2 'celli. The melodic interest is largely with the 1st viola which means it could also be used as a solo viola and strings showpiece with the 2nd ‘cello part being played by the basses. Both options are included here. An easily readable arrangement for players of intermediate standard and a great inclusion into any concert programme. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$8.99
8.39 €
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String Orchestra
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Edward Elgar
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Play Strings!
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Chanson de Nuit by Sir Edward Elgar
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Samantha Bramley
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SheetMusicPlus
Trying Not to Love You
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013506 By Nickelback. By Bra…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013506 By Nickelback. By Brad Warren, Chad Kroeger, and Ryan Peake. Pop/Rock. 10 pages. Alfred Music - Digital Sheet Music #00-PS-0013506. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013506). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Trying Not to Love You
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
This Means War by Petra - Piano/Vocal/Chords
Piano, Voice
Performed by: Petra: This Means War Digital Sheetmusic - instantly downloadable sheet musi…
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Performed by: Petra: This Means War Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 9 pages -- CCM~~Christian Rock~~Arena Rock~~Christian~~Rock & Roll
$5.75
5.37 €
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Piano, Voice
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Petra
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Piano/Vocal/Chords
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Musicnotes
This Means War by Nickelback - Authentic Guitar TAB, Guitar TAB/Authentic Guitar TAB;Guitar TAB
Guitar notes and tablatures
Performed by: Nickelback: This Means War Digital Sheetmusic - instantly downloadable sheet…
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Performed by: Nickelback: This Means War Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal/Chords, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Backup Vocals; 7 pages -- Alternative Metal~~Heavy Metal~~Pop Rock~~Post-Grunge
$5.50
5.13 €
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Guitar notes and tablatures
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Nickelback
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Authentic Guitar TAB, Guitar TAB/Authentic Guitar TAB;Guitar TAB
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Musicnotes
Everything I Wanna Do
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013508 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013508 By Nickelback. By Chad Kroeger. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0013508. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013508). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Everything I Wanna Do
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Kiss It Goodbye
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013505 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013505 By Nickelback. By Chad Kroeger, Joey Moi, and Mike Kroeger. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013505. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013505). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Kiss It Goodbye
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
When We Stand Together
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013498 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013498 By Nickelback. By Chad Kroeger, Joey Moi, Mike Kroeger, and Ryan Peake. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0013498. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013498). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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When We Stand Together
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Don't Ever Let It End
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013471 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013471 By Nickelback. By Chad Kroeger. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013471. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013471). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Don't Ever Let It End
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Holding On to Heaven
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013507 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013507 By Nickelback. By Chad Kroeger and Mike Kroeger. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0013507. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013507). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Holding On to Heaven
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bottoms Up
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013500 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013500 By Nickelback. By Chad Kroeger, Joey Moi, and Mike Kroeger. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0013500. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013500). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Bottoms Up
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gotta Get Me Some
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013503 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013503 By Nickelback. By Chad Kroeger and Joey Moi. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0013503. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013503). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Gotta Get Me Some
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Midnight Queen
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013502 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013502 By Nickelback. By Chad Kroeger, Joey Moi, Mike Kroeger, and Ryan Peake. Pop/Rock. 12 pages. Alfred Music - Digital Sheet Music #00-PS-0013502. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013502). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Midnight Queen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lullaby
Guitar notes and tablatures
Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013504 By Nickelback. By Cha…
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Authentic Guitar TAB - Digital Download SKU: AX.00-PS-0013504 By Nickelback. By Chad Kroeger, Chris Tompkins, Craig Wiseman, and Rodney Clawson. Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0013504. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013504). ISBN 9780739088241. UPC: 038081437682.The hardest rocking album yet, by one of the most successful bands of the new millennium. All transcribed in full guitar TAB notation. Titles: This Means War * Bottoms Up * When We Stand Together * Midnight Queen * Gotta Get Me Some * Lullaby * Kiss It Goodbye * Trying Not to Love You * Holding On to Heaven * Everything I Wanna to Do * Don't Ever Let It End.
$2.99
2.79 €
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Guitar notes and tablatures
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Nickelback
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Lullaby
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.39 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
A Talk From True God
Piano solo
Piano - Digital Download SKU: A0.1066793 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066793 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 401. THEMIS KOUTRAS #5214073. Published by THEMIS KOUTRAS (A0.1066793). This is a song that I was communicating with GOD it meaning is more then what is written here in this song it also means that when I heard that evil spirits were attacking heaven and earth and the cosmos I immediately took action and prayed to go into war against these evil spirits to defend GOD and his creation single-handed I fought this spiritual war alone and won it even though I thought that one day I will even give up my salvation that my father JESUS CHRIST might save bless heal perfect the whole cosmos I was then willing to die eternally for this course believing one day in war I will die but then I won it all the power GOD GAVE ME TO WIN IT and GOD said he will save bless heal perfect the creation all of it but will save bless heal perfect me also as he anointed me himself with his sword as KING ye true
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3.72 €
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Piano solo
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THEMIS KOUTRAS
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A Talk From True God
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THEMIS KOUTRAS
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SheetMusicPlus
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