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This Train Revised
Sheetmusic to print
14 sheet music found
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1
The Runaway Train
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Ryan Terry
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The Runaway Train
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Ryan Terry
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1440117 Composed by Ryan Terry. 21st Century,Chamber,Classical,Contemporar...
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Brass Quintet Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1440117 Composed by Ryan Terry. 21st Century,Chamber,Classical,Contemporary,Film/TV. 4 pages. Ryan Terry #1020066. Published by Ryan Terry (A0.1440117). An original piece by composer and clarinetist Ryan Terry. This fun, action-packed brass quintet piece paints the picture of a high speed train in the wild west. Fun fact: the main melody that you hear was composed on a train! This work was originally written for a Scoring and Arranging class at Brigham Young University-Idaho during the Fall 2022 semester, and has since been polished and revised, awaiting a new premiere performance. It is short and sweet, so I am willing to return to this piece to lengthen it out if anyone is interested in it being a few minutes longer.Estimated duration of piece: 1 min, 25 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$9.99
This Train Revised by Indigo Girls - Piano/Vocal/Chords
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Piano, Voice
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Indigo Girls
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This Train Revised
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Musicnotes
Performed by: Indigo Girls: This Train Revised Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: Indigo Girls: This Train Revised Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice 1;Piano;Voice 2; 8 pages -- Adult Alternative~~Alternative Pop/Rock~~Folk-Rock
$5.75
This Train Revised by Indigo Girls - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitar notes and tablatures
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Indigo Girls
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This Train Revised
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Musicnotes
Performed by: Indigo Girls: This Train Revised Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: Indigo Girls: This Train Revised Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Backup Vocals;Guitar 1;Guitar 2; 13 pages -- Adult Alternative~~Alternative Pop/Rock~~Folk-Rock
$5.50
18 short variations in F on "Oh my darling Clementine"
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Piano solo
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INTERMEDIATE/ADVANCED
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Flavio Keller
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18 short variations in F on "O
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Flavio Keller
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.939020 Composed by Flavio Keller. Contemporary,Instructional,Standards. Score. 9 pages. Flavio Keller #32...
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Piano Solo - Level 4 - Digital Download SKU: A0.939020 Composed by Flavio Keller. Contemporary,Instructional,Standards. Score. 9 pages. Flavio Keller #3241819. Published by Flavio Keller (A0.939020). 18 short variations in F for piano, on the song Oh, my darling Clementine, intended primarily for study and technique training. This a revised and enlarged version of a previous set of 14 variations.Comments, questions about interpretation etc. can be mailed to:flavio.keller1@gmail.com
$6.00
The Creative Harpist
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Harp
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INTERMEDIATE
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Instructional
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Louise Trotter
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The Creative Harpist
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - Digital Download SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Pu...
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Harp - Level 3 - Digital Download SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afghan Press Music for the Harp (A0.797465). This revised book combines three of Ms. Trotter's popular books: Getting Started in Pop Harp, The Creative Folk Harpist, and Let's Play Country Harp.Included are compilations from workshop presentations into this book which contains repertoire suggestions, ways to tune your harp, scales and chords, intervals, seventh chords and minor scales, diminished chords, voicing, inversions, bass patterns, chord progressions, steps in making an arrangement , introductions, endings, and how to play variations on the melody. To be a creative and versatile pop harpist, classic training is valuable and necessary. However, the habit of playing every note as written is sometimes hard to break when learning to improvise. The act of playing notes spontaneously may be overwhelming to the classically trained harpist. There are more and more written arrangements for popular music available to buy, but is satisfying to have the skills to arrange one's own pieces. It is possible to play popular music from a fake book or by ear, with training. The suggestions in this book should help bridge the gap from classical to pop, and hopefully provide some tools for the improvisation necessary for playing popular music. These ideas come from Louise's own experience, and from workshops with nationally knows pop and jazz harpists. It is hoped that the material presented will open up new avenues for the harpist to arrange and improvise in order to widen opportunities to perform.With simple melodies and uncomplicated harmonies, this book also instructs the harpist on the basics of achieving that country-western sound, as well as techniques on imitating such traditional country western instruments as guitar, banjo, fiddle, string bass, and piano. A good book for any harpist wishing to enlarge their repertoire to include this style of music.
$20.00
Preparing Pianists for Jazz Band - PDF
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Easy Piano
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EASY
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Instructional
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Bradley Sowash
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Preparing Pianists for Jazz Ba
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Bradley Sowash Music
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SheetMusicPlus
Piano Solo, Jazz Ensemble - Intermediate - Digital Download Composed by Bradley Sowash. Jazz, Big Band, Etudes and Exercises, Technique Training. Ind...
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Piano Solo, Jazz Ensemble - Intermediate - Digital Download Composed by Bradley Sowash. Jazz, Big Band, Etudes and Exercises, Technique Training. Individual Part. 50 pages. Published by Bradley Sowash Music
Revised and expanded
How does a pianist move from practicing alone to playing in a jazz band? This PDF explains the skills needed to play in the rhythm section of a large jazz ensemble including how to voice chords, what scales to play when improvising, and stock accompaniments and grooves for the main jazz styles.
50 pages
Level: Late intermediate and up
Download includes a studio license authorizing you to print as many copies as required for you and/or your current students’ use.
$24.95
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 4 "Homage to Beet
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des él
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik ...
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
Debussy/Orledge: Toomai des éléphants for violin and piano, score and part
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Debussy/Orledge: Toomai des é
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534738 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards,World. 19 pages. Musik...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534738 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards,World. 19 pages. Musik Fabrik Music Publishing #6606487. Published by Musik Fabrik Music Publishing (A0.534738). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book 2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€, which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kipling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$11.95
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano solo
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INTERMEDIATE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publish...
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
Toccata for Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Marcos Fernandez-Barrero
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Toccata for Alto Saxophone and
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Marcos Fernandez-Barrero
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classica...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052411. Published by Marcos Fernandez-Barrero (A0.1474794). This is a transcription for alto saxophone of the ‘Toccata for Clarinet and Piano’ done by the composer himself. The original work was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends._________________________________________________Esta es una transcripción para saxofón alto de la ‘Toccata for Clarinet and Piano’ realizada por el compositor. La obra original fue escrita en 2007 y dedicada a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
$14.95
A Billings Triptych - for 8-Part Brass Choir
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,P...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Toccata for Clarinet and Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Marcos Fernandez-Barrero
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Toccata for Clarinet and Piano
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Marcos Fernandez-Barrero
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1474791 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classic...
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1474791 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052407. Published by Marcos Fernandez-Barrero (A0.1474791). ‘Toccata for Clarinet and Piano’ was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends.________________________________________________‘Toccata for Clarinet and Piano’ fue escrita y dedicada en 2007 a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
$14.95
Better Than It Used To Be
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Tommy Johansson, Hjo
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Latin groove
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Better Than It Used To Be
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Tommy Johansson, Hjo
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.949962 Composed by Tommy Johansson, Hjo. Jazz. Score and parts. 62 pages. Tommy Johansso...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.949962 Composed by Tommy Johansson, Hjo. Jazz. Score and parts. 62 pages. Tommy Johansson, Hjo #6341589. Published by Tommy Johansson, Hjo (A0.949962). Better Than It Used To BeFor Big Band composed by Tommy Johansson, Hjo 2011Revised in 2021Duration 3'40'', Key: F-major, Score+parts: 62 pagesBased on the chord changes of I got Rythmtrp. trb. and sax solossaxophone soliSwing & Latin groove.About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements and compositions by this arrangerare to be found at sheetmusicplus.com
$25.00
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