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You've selected:
Thought Force
Sheetmusic to print
51 sheet music found
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Thought Force
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279764 By Hollinying. By Ho…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279764 By Hollinying. By Hollin Ying. 21st Century,Classical,Instructional,Singer/Songwriter,Spiritual. Score. 16 pages. Hollin Ying #871206. Published by Hollin Ying (A0.1279764). A song about the power of thoughts and words, about love, hope, and destiny.
$3.99
3.67 €
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Piano, Voice
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Hollinying
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Thought Force
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Hollin Ying
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SheetMusicPlus
Thought Force
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1279751 By …
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1279751 By Hollinying. By Hollin Ying. This edition: Interactive Download. Classical. Score. 16 pages. Duration 188. Hollin Ying #3zxsqSY1D2awulUmQGFj0y. Published by Hollin Ying (A0.1279751). Key: F minor.A song about the power of thoughts and words, about love, hope, and destiny.
$3.99
3.67 €
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Hollinying
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Thought Force
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Hollin Ying
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SheetMusicPlus
Etude No. 4 for "G" Flute - Floating Day Thoughts
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021341 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021341 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047621. Published by Salvadorian Boy Productions (A0.1021341). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.56 €
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Flute and Piano
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Enoch Chapman
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Etude No. 4 for "G" Flute - Floating Day Thoughts
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Salvadorian Boy Productions
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SheetMusicPlus
Etude No. 4 for "F#" Flute - Floating Day Thoughts
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021342 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021342 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047619. Published by Salvadorian Boy Productions (A0.1021342). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.56 €
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Flute and Piano
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Enoch Chapman
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Etude No. 4 for "F#" Flute - Floating Day Thoughts
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Salvadorian Boy Productions
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SheetMusicPlus
Etude No. 4 for "A" Flute - Floating Day Thoughts
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1021338 Composed by Enoch Chapman.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1021338 Composed by Enoch Chapman. Instructional,World. Score and part. 8 pages. Salvadorian Boy Productions #6047617. Published by Salvadorian Boy Productions (A0.1021338). This is the ORIGINAL COMPOSITION of Etude No. 4 for Native American Flute entitled Floating Day Thoughts from composer Enoch Chapman. This Etude focuses on the Lower Hand to reinforce the Performers skills.
$4.95
4.56 €
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Flute and Piano
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Enoch Chapman
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Etude No. 4 for "A" Flute - Floating Day Thoughts
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Salvadorian Boy Productions
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SheetMusicPlus
Thought Force
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1306159 By …
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1306159 By Hollin Ying. By Hollin Ying. This edition: Interactive Download. Classical. Score. 16 pages. Duration 188. Hollin Ying #6QF8IKJZHrYY5A1jTvz3Sh. Published by Hollin Ying (A0.1306159). Key: F minor.
$2.99
2.75 €
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Hollin Ying
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Thought Force
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Hollin Ying
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SheetMusicPlus
Snare Force One
Snare drums
Percussion - Multiple Levels - Digital Download Composed by Chip Ritter. Rock. E-book…
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Percussion - Multiple Levels - Digital Download Composed by Chip Ritter. Rock. E-book and online video. 52 pages. Mel Bay Publications - Digital Sheet Music #30039MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119581.<br> <br> This book and companion video are a comprehensive guide to playing the snare drum. The material teaches you how to read music notation, play and practice in time, and how to accelerate your progress at any grade level for symphonic and marching bands. Mission Summary Check Points have been strategically placed along the way, letting you know when to progress. With this book, drummers at any skill level can take their speed, clarity and power to higher levels than ever thought possible. More advanced players will enjoy the Delta section, which includes unique proven chop building exercises that are specifically designed to help increase hand speed, clarity, and power in all drumming aspects. The video also includes a special guest appearance and lesson from Scott Johnson, the renowned drum instructor for the 2012 World Champion Concord Blues Devils. Includes access to online video.
$14.99
13.8 €
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Snare drums
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Chip Ritter
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Snare Force One
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.2 €
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Trombone and Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
60.73 €
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Tenor voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rondo in C
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th…
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Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise. I thought nuance was not getting into her playing yet (as with most beginning students).  I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
$9.00
8.29 €
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Piano solo
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Ric Price
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Rondo in C
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Richard J Price
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SheetMusicPlus
Cygnus X-1 Book Ii: Hemispheres
Bass guitar
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, …
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99
5.52 €
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Bass guitar
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Rush
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Cygnus X-1 Book Ii: Hemispheres
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Tracy Dean McCallum
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SheetMusicPlus
Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.533513 Composed by Therese Bren…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533513 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 66 pages. Musik Fabrik Music Publishing #3006617. Published by Musik Fabrik Music Publishing (A0.533513). I. Dans l’harmonie de la force et de l’amour 3’30â€II. Scintillement 1’35â€III. Un immense chant d’espérance 3’10â€IV. Andante 2’05â€V. Un élan de violence 1’00â€VI. Les cycles infinis de la beauté et de la grâce 3’10â€durée totale/total duration : 14’30â€In this work, the author expresses her aim of mediation, of mysticalthought and sometimes even cosmic thought, through a her searchfor contrasting orchestral couleurs, which offer to a composer aseemingly infinite and boundless choice.orchestration: 2(pic)222/4330/timp/2perc/glock/cel/hp/stringsparts on rental from the publisher
$25.95
23.9 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Interiores
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.994728 Composed by Darian Stavans. …
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Piano Solo - Level 4 - Digital Download SKU: A0.994728 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 47 pages. Music Studio #4331355. Published by Music Studio (A0.994728). Interiores.Interiores - Piano Music / Album Interiores by Darian Stavans.Interiors is an album that speaks about the wonder of our interior life. Outside, everything is technical, and therefore every one of our movements begins in our interior world. What makes us distinct as human beings? It is our capacity to feel and our awareness of that capacity; later we act, we work, we pray and go about the tasks that provide for us and illuminate us. Light and shadow exist inside us in an infinite erotic discourse immersed in continuous scenes and encounters. Time and space are also values of our main existential conflicts and as such live within us. As we come to terms with this existential sense that sustains thought in our interior world, we touch upon the exact and reliable force of our own existence. Once we are familiar with it we can tap the credibility of our interior world, its immense wealth and the generosity with which it nurtures our every step.1.- Interiores I2.- Luz y Sombra3.- Erótica4.- MelodÃas de Amor y Desamor5.- Escenas / Encuentros6.- Tiempo y Espacio7.- Nostalgia8.- Interiores II45 pages.Piano Music work.Duration: 50:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
18.41 €
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Piano solo
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Darian Stavans
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Interiores
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Music Studio
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SheetMusicPlus
I Am An Important Person
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.889114 Composed by hugh goodrdge.…
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Concert Band - Level 3 - Digital Download SKU: A0.889114 Composed by hugh goodrdge. African,Contemporary. Score and parts. 4 pages. Goodridge & Huvon Music Publishing #2035979. Published by Goodridge & Huvon Music Publishing (A0.889114). This is a timely chorus, a driving force for any institution. This was the theme or motto used at J.W. Coleman school around 2,001 in District 23. This was the creation of Rosemarie Sinclair, the principal at that time. I thought I would share this song with the general public and to places beyond the borders of the United States of America. The message is powerful, and it shows that once we believe in ourselves, we can climb mountains and reach all our goals. The music has a foot tapping movement. The result, everyone will stand and break into singing.
$2.99
2.75 €
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Concert band
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hugh goodrdge
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I Am An Important Person
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Goodridge & Huvon Music Publishing
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SheetMusicPlus
Down to the River to Pray: A Song of Celebration (Downloadable Piano/Choral Score)
Choral SATB
SATB choir and piano or brass quintet and percussion - Medium - Digital Download SKU: M…
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SATB choir and piano or brass quintet and percussion - Medium - Digital Download SKU: MQ.8476-E Composed by Gwyneth W. Walker. 21st Century, Americana, Baptism, Faith, Folk Song. Downloadable piano/choral score. 13 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8476-E. Published by E. C. Schirmer Music Company - Digital (MQ.8476-E). English.Down to the River to Pray originates as an American gospel song with a simple message of faith and baptism, going 'down to the river.' However, it is thought that the song was composed by a slave, with reference to the river and the 'starry crown' (North Star) as a route and guide to freedom. Usually the song is performed a cappella, and slowly, prayerfully. However, the walking aspect of the lyrics might suggest a different approach – one of swing rhythm in duple meter. Here the focus is on the journey, the joy of the pilgrimage, and the hope for freedom. The accompaniment (either piano, or brass and percussion) plays a featured role, especially as rhythmic force. The song now becomes one of triumphant progression, hastening on the 'good old way!'-Gwyneth WalkerDuration: 3:30.
$2.25
2.07 €
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Choral SATB
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Gwyneth W
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Down to the River to Pray: A Song of Celebration
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
We're Gonna Hang Out The Wash On The Siegfried Line
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.791035 Composed by Jimmy Kennedy and Mich…
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Brass Ensemble - Digital Download SKU: A0.791035 Composed by Jimmy Kennedy and Michael Carr. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 20 pages. Kevin P Holdgate #4889985. Published by Kevin P Holdgate (A0.791035). Versatile Brass 'Old Time Favourites' CollectionWe're Going to Hang out the Washing on the Siegfried Line is a popular song by Ulster songwriter Jimmy Kennedy, written whilst he was a Captain in the British Expeditionary Force during the early stages of the Second World War, with music by Michael Carr. It was first published in 1939The Siegfried Line was a chain of fortifications along Germany's Western border, analogous to the Maginot Line in France.At the first big wartime variety concert organized by ENSA, which was broadcast by the BBC from RAF Hendon in North London on 17 October 1939, Adelaide Hall performed the song accompanied by Mantovani and his orchestra. A rare newsreel of this concert exists, and the footage is thought to be the earliest surviving film of a performer singing the song.The song was used as a morale-booster during the war, particularly up to and during the Battle of France.This is a simple arrangement of the song with a vocal line added if required.
$12.99
11.96 €
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Brass ensemble
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Jimmy Kennedy and Michael Carr
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We're Gonna Hang Out The Wash On The Siegfried Line
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Kevin P Holdgate
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SheetMusicPlus
The Invincible Eagle
Brass Quintet: 2 trumpets, horn, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.546726 Co…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.546726 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 28 pages. Matthew Nunes Music #156659. Published by Matthew Nunes Music (A0.546726). Written during a train ride, The Invincible Eagle was dedicated to the 1901 Pan-American Exposition in Buffalo. Though Sousa thought it would rival The Stars and Stripes Forever, it has curiously been chosen as the U.S. Space Force official march. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Invincible Eagle was composed in 1901, and the referenced edition was made Public Domain in 2018. The piece is catalogued as Volume 4, No. 59.
$1.99
1.83 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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John Philip Sousa
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The Invincible Eagle
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Matthew Nunes Music
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SheetMusicPlus
A Night With The Aristocrats
Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 122 pages. Silver Sickle Publications #6332819. Published by Silver Sickle Publications (A0.942105). A Night with The Aristocrats (a concertante work of plucking, blowing and bowing)Versions for Clarinet/SopranoSax/Violin with Guitar and Strings The guitar part came inspirational first to me as one of my 24 Studies that I wrote few years ago. For a while though I wondered if a melodic part should be added to this part and form eventually a duo. A request from my dear colleague Corey Whitehead, for a duo plus strings led me to orchestrate it in this version.The work starts with a meditative introduction before the main part unfolds a dance idea between the two instruments and the string orchestra, almost humoresque which hands over a pensive thought in the soprano sax/clarinet/solo violin that repeats itself almost as an unanswered question. Could please anyone answers? The Strings do play an important part in terms of balance and the one of an extra third corresponding force.My composition language is sometimes folklorist around my Greek heritage, sometimes around tonal centers, and sometimes simple within a few key notes, evolves around programmatic ideas that I get from every day living. Apostolos Paraskevas
$45.00
41.44 €
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Apostolos Paraskevas
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A Night With The Aristocrats
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Silver Sickle Publications
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SheetMusicPlus
#WeToo
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.83 €
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Choral SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Short Stories
Piano solo
Piano Solo - Digital Download SKU: A0.966219 Composed by John Carbon. 20th Century,…
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Piano Solo - Digital Download SKU: A0.966219 Composed by John Carbon. 20th Century,Contemporary. Score. 92 pages. John Carbon #3586213. Published by John Carbon (A0.966219). The 24 pieces contained in my Short Stories for piano were composed between 2013-2018. I had originally grouped the pieces into a collection titled The Well-Blended Primer (subsequently withdrawn). I substantially revised, in some cases reconceived, the entire collection in 2017-18. Because my original intention was to include pieces that exhibited pitch centricity around each of the 24 possible major and minor keys, the earlier title, refering to J. S. Bach's 2-volume Das wohltemperierte Klavier, seemed to fit. As in Bach's work, some of the pieces in my collection exhibited a pronounced contrapuntal attitude. During the development of the work I had planned to alternate prelude and fugue-like pieces, but the end result was more of a hybrid collection that could be thought of as being influenced by Bach, but even more so by Chopin's group of 24 one-of-each-key Preludes, and systematically key-centered contrapuntal collections by Hindemith and Shostakovich. I was also influenced by shorter character pieces by composers such as Schumann, Debussy and Prokofiev that exhibit a more lyrical, narrative nature, to name only a few composers. In Short Stories, my plan to alternate preludes and fugues, or at least to systematically vary the degree of contrapuntal density, isn't readily perceived. There is certainly enforced variety in pitch centricity, but this feature isn't arranged symmetrically, and there is a range of tonal, modal, chromatic and atonal languages explored in the collection. Stylistically, there are many influences to be heard here. In fact, some of the titles of the individual pieces refer to other piano composers (for example Tea with Claude and Maurice, Czerny's Id, George Sand's Dream and Joplin's Tick). The name of the present work, Short Stories, describes these modest narratives better than the original title and the revised collection is less abstract than the 2013 version. From a pianist's standpoint, I would venture to say, these reconceived pieces are more concerned with color, register and voicings particular to the instrument. Some of the more extensive revisions I made to the original pieces were stylistic ones involving changes in the harmonic language and articulation. In other cases I fleshed out sketch- like miniatures into more substantially developed portraits, or conversely, I deleted what I thought might be considered to be extraneous material that obscured the abbreviated sketch-like nature of the narration. John Carbon
$12.99
11.96 €
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Piano solo
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John Carbon
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Short Stories
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John Carbon
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SheetMusicPlus
Edelweiss
Brass Quintet Baritone Horn TC,Trumpet,Tuba - Digital Download SKU: A0.1460706 By V…
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Brass Quintet Baritone Horn TC,Trumpet,Tuba - Digital Download SKU: A0.1460706 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Will Corbin. Broadway,Musical/Show. 18 pages. Will Corbin #1039612. Published by Will Corbin (A0.1460706). No, it's not the Austrian national anthem, although anyone who has seen The Sound Of Music thinks so. (For that reason, most Austrians are merely mildly aggravated by what is otherwise a lovely tune.) The tiny edelweiss (it means noble white) flower is indeed a prominent symbol of Austria, present on many things Austrian you would find in any souvenir store across the country. Edelweiss was a late addition to the Sound Of Music score; Richard Rodgers thought Capt. Von Trapp needed a song to sing to his country as he fled the Nazis. It was also the last song of the Rodgers and Hammerstein collaboration before Hammerstein died. This arrangement features an echoic yodeling at beginning and end. It's scored for two trumpets, horn, baritone TC (trombone is more forceful than necessary, although I've included the part with this package) and tuba.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.81 €
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Various Artists
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Richard Rodgers thought Capt
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Edelweiss
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Will Corbin
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SheetMusicPlus
Jacques Leguerney: String Quartet in D for two violins, viola and cello
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
35.87 €
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String Quartet: 2 violins, viola, cello
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
32.23 €
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Flute and Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
The Glow Worm
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000275 Composed by Johnny Merc…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000275. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000275). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99
3.67 €
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Piano, Vocal and Guitar
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Johnny Mercer and Paul Lincke
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The Glow Worm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Any Place I Hang My Hat is Home
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000276 Composed by Harold Arle…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000276. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000276). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99
3.67 €
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Piano, Vocal and Guitar
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Harold Arlen and Johnny Mercer
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Any Place I Hang My Hat is Home
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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