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Three for Three
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9976
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trumpet
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
(+)
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.55 €
#
Trumpet
#
Keith Terrett
#
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
#
Keith Terrett
#
SheetMusicPlus
Show Pieces for Contrabassoon
Contrabassoon and Bassoon Trio - Intermediate - Digital Download SKU: F2.FM161 Arra…
(+)
Contrabassoon and Bassoon Trio - Intermediate - Digital Download SKU: F2.FM161 Arranged by Robert Rainford. Score and parts. 17 pages. Forton Music - Digital #FM161. Published by Forton Music - Digital (F2.FM161). ISBN 9790570480609.A chance for the contrabassoon to step to the fore! Three pieces showcasing the largest of the double reed family, accompanied by three bassoons. Focussing on the lower range of the instrument, reaching up to the heady heights of (written) middle C, these will make a humorous addition to any concert; l'Elephant from Carnival of the Animals by Saint-Saens, Dance of the Hours by Ponchielli, and The Policeman's song by Arthur Sullivan. The bassoon parts are rhythmically easier, but do reach top B in places.
$12.95
11.79 €
#
Show Pieces for Contrabassoon
#
Forton Music - Digital
#
SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata for Three Flutes
Oboe trio 3 oboes/ 2 oboes and 1 cor anglais - Intermediate - Digital Download SKU: F2.…
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Oboe trio 3 oboes/ 2 oboes and 1 cor anglais - Intermediate - Digital Download SKU: F2.FM016 Composed by James Hook. Arranged by Robert Rainford. Score and parts. 23 pages. Forton Music - Digital #FM016. Published by Forton Music - Digital (F2.FM016). ISBN 9790708085157.Oboe Trio 3 Oboes (optional Cor Anglais part replacing oboe 3) A charming work in three movements. Not technically demanding, but the first movement requires some stamina, and the second movement is in the more awkward key of F minor. Suitable for players of about grade 3-4 standard.
$10.95
9.97 €
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James Hook
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Sonata for Three Flutes
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Forton Music - Digital
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
273.17 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
136.59 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
Clarinet - Level 3 - Digital Download SKU: A0.1341848 Composed by Various. Arranged…
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Clarinet - Level 3 - Digital Download SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00
18.21 €
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Various
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Intermediate Music for Three Christmas - Part 2 Clarinet #53123
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Music for Three Clarinets, Vol. 1 (Easy)
Clarinet
Clarinet SKU: HL.4474550 Composed by Various. Edited by H. Voxman. Arranged by H. V…
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Clarinet SKU: HL.4474550 Composed by Various. Edited by H. Voxman. Arranged by H. Voxman. Ensemble Collection. Classical, Collection. 40 pages. Rubank Publications #RUBL273. Published by Rubank Publications (HL.4474550). ISBN 9781423444985. UPC: 073999745504. 9.0x12.0x0.101 inches.Easy clarinet trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Billings, Corelli, Faber, Grieg, Handel, Mozart, Schubert, Tchaikovsky and others.
Song List
: Allemande Gavotte Sweet Betsy From Pike The Three Kings Song Sailor's Dance Menuet(Div.In D K334) Mozart Allegro (Mozart) Minuet (Buttstedt) Begone, Dull Care Bourree(Ry.Fireworks Handel) Ecossaise (Hummel) Entr'acte (Rosamunde) Schubert Farewell To Forest (Mendelssohn) Gaillarde March (Fischer) March (Part.In F Faber) March In C (Kranz) May Dance Menuet (Trio #3op.57 Bouffil) Minuet (Faber) Sarabande (Schleswig) Three Old Dutch Dances Two Early American Airs Valse Lent (Kranz) Warily! (Ramann) Come, Companions (Round) Glass Was Just Tim'd,The (Catch) Great Apollo & Bacchus (Catch) Haste Thee, Nymph (Round) German Dance Chester Old French Song, Op. 39, No. 16 Come, Follow Me (Round) Scale, The (Round) Soldier's March (Soldatenmarsch), Op. 68, No. 2 Watchman's Song, Op. 12, No. 3 Drink To Me Only With Thine Eyes
$8.99
8.19 €
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Clarinet
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Various
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Chamber Music for Three Clarinets, Vol. 1
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Rubank Publications
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.51 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
We Three Kings (of Orient Are) - Fingerstyle Ukulele - Traditional Christmas Carol
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.560229 Composed by John Henry Hopkins …
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Ukulele - Level 1 - Digital Download SKU: A0.560229 Composed by John Henry Hopkins Jr. Arranged by Yuri Noronha. Christmas,Classical,Holiday,Instructional,Traditional. Score. 2 pages. Yuri Noronha #169664. Published by Yuri Noronha (A0.560229). We Three Kings of Orient Are is a Christmas Carol. This arrangement was written for Fingerstyle Ukulele. Ideal for beginners (very easy fingerstyle ukulele). Level is very easy! 2 Pages. #christmas #carols #ukulele #easy #uke #fingerstyle #fingerstyleukulele #howtoplayukulele #traditional #wethreekings #wethreekingsoforientare.
$1.99
1.81 €
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Ukulele
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John Henry Hopkins Jr
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We Three Kings
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Yuri Noronha
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.5 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.87 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Three Riddles
Digital Download SKU: OX.9780193701540 Composed by Richard Causton. Score. 11 pages…
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Digital Download SKU: OX.9780193701540 Composed by Richard Causton. Score. 11 pages. Oxford University Press Digital #9780193701540. Published by Oxford University Press Digital (OX.9780193701540). ISBN 9780193701540.For three-part upper-voice choir. This is a witty and ingenious work, scored for three-part upper voices (either unaccompanied or with instruments doubling the voices). The three riddles each explore ideas of balance and symmetry, whether through the use of canon, inversion, or palindrome, and the result is an intriguing and unusual concert piece.
$3.65
3.32 €
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Richard Causton
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Three Riddles
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Oxford University Press Digital
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SheetMusicPlus
Three folk-songs for upper voices from The Sprig of Thyme
Choral SATB
Composed by John Rutter (1945-). Sheet music. 12 pages. Oxford University Press Digi…
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Composed by John Rutter (1945-). Sheet music. 12 pages. Oxford University Press Digital #9780193550476. Published by Oxford University Press Digital
ISBN 9780193550476.<br> <br> A suite of eleven folk-song settings. 6 of the songs are for SATB, 3 for unison upper voices, and 2 for men's voices. The folk-songs may be performed individually, in groups, or as a complete suite.
$3.65
3.32 €
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Choral SATB
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John Rutter (1945-)
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Three folk-songs for upper voices from The Sprig of Thyme
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Oxford University Press Digital
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SheetMusicPlus
Bohemian Folk Song, for three violins and piano
Violin and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.909588 Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 4 pages. Christopher A. Sforza #4894489. Published by Christopher A. Sforza (A0.909588). Dobrú noc, má milá known by many simply as Bohemian Folk Song is a hauntingly beautiful lullaby which translates to Goodnight my Dear. This arrangement for three violins is perfect to teach and reinforce low second fingers and can be performed in a multitude of ways; solo with piano, duo with piano, trio with piano, unaccompanied duet, and unaccompanied trio. Included is the piano and violin scores.
$2.25
2.05 €
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Violin and Piano
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Bohemian Folk Song, for three violins and piano
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Christopher A. Sforza
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SheetMusicPlus
Chamber Music for Three Flutes
Flute SKU: HL.4474540 Composed by Various. Edited by H. Voxman. Arranged by H. Voxm…
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Flute SKU: HL.4474540 Composed by Various. Edited by H. Voxman. Arranged by H. Voxman. Ensemble Collection. Classical. 32 pages. Rubank Publications #RUBL272. Published by Rubank Publications (HL.4474540). ISBN 9781423444978. UPC: 073999745405. 9.0x12.0x0.111 inches.Easy to medium level flute trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Bach, Corelli, Faber, Handel, Haydn, Mozart, Quantz, Schubert and others.
Song List
: Allegro (Mozart) Adagio Cantabile (Haydn) Air From Sonata Iii (Mattheson) Allegro Scherzando (Bach Cpe) Andantino (Trio In D Hook) At Christmastide Bourree (Part. In F Faber) Canon At 2nd (Mozart) Canon At Unison & Octave (Mozart) Christ Lay In Bonds Of Death (Bach) Gigue(Son. Iii Mattheson) Largo & Minuetto (Trio D) Quantz Let Every Heart Be Merry (Vecchi March (Son.Iii Mattheson) March In B Flat (Handel) Menuet Antique (Scheurer) Romanze (Div. V Mozart) Sarabande In D Minor Scherzino (Metzger) Sonata Iii (Mattheson) Theme-Fl.Trio,Op.37 (Walckiers) Three American Folk Songs German Dance Adagio
$7.99
7.28 €
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Various
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Chamber Music for Three Flutes
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Rubank Publications
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SheetMusicPlus
A Little Threeness
Ob. Cl. Bsn. - Advanced - Digital Download SKU: F2.FM501 Composed by David S. Berns…
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Ob. Cl. Bsn. - Advanced - Digital Download SKU: F2.FM501 Composed by David S. Bernstein. Oboe Clarinet and Bassoon. Score and part. 32 pages. Forton Music - Digital #FM501. Published by Forton Music - Digital (F2.FM501). ISBN 9790570484003.A Little Threeness was composed in March of 1989 and had it's premiere at the nternational Double Reed Convention in Manchester, England on August 14th 1989. The compostion is approximately nine and a half minutes in length and explores different combinations, ranges and character effects that are possible with the oboe, clarinet and the bassoon. My intention was to write a relatively light work that would require a high degree of rhythmic precision and dialogue between the players. Colour, dynamics and articulation are prime aspects for musical development. I was interested not only in the combination of these instruments as a trio grouping, but also in solo and duet combinations. Consequently there is a duet for oboe and clarinet, a duet for oboe and bassoon, and a movement for solo bassoon. There is one area of the work that uses borrowed material and that is the second movement which, essentially, is a parody on the opening phrases of the hymn tune 'Come, Ye Thankful People, Come'.
$12.95
11.79 €
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David S
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A Little Threeness
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Forton Music - Digital
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SheetMusicPlus
Three Old English Carols
Choral SATB
SATB chorus unaccompanied - Digital Download Edited by John Rutter. Sheet music. Octa…
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SATB chorus unaccompanied - Digital Download Edited by John Rutter. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193541856. Published by Oxford University Press Digital
ISBN 9780193541856.<br> <br> For SATB unaccompanied. Three jewels of English carols from the fifteenth and sixteenth centuries in practical editions.
$3.25
2.96 €
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Choral SATB
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Three Old English Carols
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Oxford University Press Digital
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SheetMusicPlus
I saw three ships
Choral SATB
Composed by John Rutter (1945-). Sheet music. 8 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 8 pages. Oxford University Press Digital #9780193556492. Published by Oxford University Press Digital
ISBN 9780193556492.<br> <br> For SATB and piano or orchestra or brass ensemble. Also available in Carols for Choirs 3 and 100 Carols for Choirs. The accompaniments for orchestra and brass ensemble are available on hire. There is a separate arrangement in 6/8 time, with its own orchestral accompaniment, only in Eight Christmas Carols Set 2.
$3.25
2.96 €
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Choral SATB
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John Rutter (1945-)
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I saw three ships
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Oxford University Press Digital
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SheetMusicPlus
Morceau Vaguement en Forme de Sonate
3Fl. Afl. BFL. - Intermediate-Advanced - Digital Download SKU: F2.FM656 Composed by…
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3Fl. Afl. BFL. - Intermediate-Advanced - Digital Download SKU: F2.FM656 Composed by Alexandra Lehmann. Mouvement Vaguement en Forme de Sonate was composed during the summer of 2016 in Eastbourne with the aim of experimenting; and at times playing around with the established sonata form, hence the title. There are two themes, both moulded from three ascendi. Score and Parts. 28 pages. Forton Music - Digital #FM656. Published by Forton Music - Digital (F2.FM656). ISBN 9790570485550.
$12.95
11.79 €
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Alexandra Lehmann
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Morceau Vaguement en Forme de Sonate
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Forton Music - Digital
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SheetMusicPlus
Past three a clock
Choral SATB
Composed by John Rutter (1945-). Sheet music. 8 pages. Oxford University Press Digit…
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Composed by John Rutter (1945-). Sheet music. 8 pages. Oxford University Press Digital #9780193556386. Published by Oxford University Press Digital
For SATB (with divisions) and piano or small orchestra. Originally published in Carols for Choirs 2, Rutter's arrangement of this well-known carol is energetic and joyful. The memorable and buoyant melody is supported and driven by lively piano accompaniment, making it well-suited for Christmas concerts and services.
$3.25
2.96 €
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Choral SATB
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John Rutter (1945-)
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Past three a clock
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Oxford University Press Digital
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SheetMusicPlus
I saw three ships
Choral SATB
Composed by John Rutter (1945-). Sheet music. 19 pages. Oxford University Press Digi…
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Composed by John Rutter (1945-). Sheet music. 19 pages. Oxford University Press Digital #9780193550384. Published by Oxford University Press Digital
ISBN 9780193550384.<br> <br> For SATB and four-piece ensemble (flute, oboe, harp, piano). Four-piece chamber ensemble accompaniment to Rutter's arrangement in 2/2 time. Pack includes full score and set of parts. Compatible with the mixed voices leaflet, as well as the versions in in 100 Carols for Choirs and Carols for Choirs 3.
$43.25
39.38 €
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Choral SATB
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John Rutter (1945-)
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I saw three ships
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Oxford University Press Digital
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SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587862 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031039. Published by David McKeown (A0.587862). 16 Favourite Easter Hymns for Saxophone Quartet AAAT is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Alto and one Tenor Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet AAAT are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet AAAT useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.1 €
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Saxophone Quartet: 4 saxophones
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Various
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16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
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David McKeown
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SheetMusicPlus
Three Kings of Orient
Choral SATB
SATB choir & piano or orchestra - Digital Download Arranged by John Rutter. Sheet…
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SATB choir & piano or orchestra - Digital Download Arranged by John Rutter. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193537484. Published by Oxford University Press Digital
ISBN 9780193537484.<br> <br> For SATB choir & piano or orchestra In this highly original arrangement of the popular Christmas carol, dark and mysterious verses contrast with warm, joyful choruses. This setting can also be found in Rutter's Christmas collection Joy to the World. Scores and parts for the orchestral accompaniment are available on sale.
$3.25
2.96 €
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Choral SATB
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Three Kings of Orient
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Oxford University Press Digital
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SheetMusicPlus
Three kings of Orient
Choral SATB
Composed by John Rutter (1945-). Sheet music. 19 pages. Oxford University Press Digi…
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Composed by John Rutter (1945-). Sheet music. 19 pages. Oxford University Press Digital #9780193550568. Published by Oxford University Press Digital
ISBN 9780193550568.<br> <br> For SATB and four-piece ensemble (flute, oboe, harp, organ). Four-piece chamber ensemble accompaniment to Rutter's carol arrangement. Pack includes full score and set of parts. Compatible with the accompanied version, available as a leaflet or in the carol collection Joy to the World.
$43.25
39.38 €
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Choral SATB
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John Rutter (1945-)
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Three kings of Orient
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Oxford University Press Digital
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SheetMusicPlus
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