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9976
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.65 €
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Piano, Vocal and Guitar
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Teddy Music
1 Piano, 4 hands
Piano (4 hands) - easy - Digital Download 10 Easy Pieces. Composed by Hermann Regner …
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Piano (4 hands) - easy - Digital Download 10 Easy Pieces. Composed by Hermann Regner (1928-). This edition: performance score. Downloadable. Duration 10 minutes. Schott Music - Digital #Q7193. Published by Schott Music - Digital
Hermann Regner, one of the most successful music teachers of the 20th century and pupil of Carl Orff, was dedicated to the fusion of instrumental education and contemporary music. Thanks to his practical compositions, he helped children, young people and amateur musicians gain access to modern music. 'Teddy Music' is a collection of 10 easy pieces for piano duet. A teddy bear leads the musician through the colourful collection in amusing illustrations. The pieces have been written for pupils and teacher, with the pupil's part being very easy and designed for the first or second year. The teddy bear can do a lot of things: he dances, swings, rides, dreams, tells stories and occasionally gets annoyed. A cheerful collection for the first steps in piano duet playing.
$13.99
12.81 €
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1 Piano, 4 hands
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Hermann Regner
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Teddy Music
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Schott Music - Digital
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SheetMusicPlus
Royal Winter Music
Guitar
Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Compo…
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Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.<br> The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.<br> - Hans Werner Henze.
$19.99
18.31 €
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Guitar
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Hans Werner Henze
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Royal Winter Music
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Tri…
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Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99
20.14 €
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Tsarina the Musical Vocal Music Score
Piano, Voice
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.&q…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Lead Sheet. 90 pages. Published by DJWorks Music
With 90 pages you will love playing and singing through all the songs in this entire musical! It includes all vocal parts (solos, duets, chorus) with chords (lead sheet) including tempo markings and instrumental tags.<br> The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. Perfect for schools and community theatre organizations. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$45.99
42.13 €
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Piano, Voice
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here
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Tsarina the Musical Vocal Music Score
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DJWorks Music
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SheetMusicPlus
Tsarina the Musical Vocal-Piano Score
Piano, Voice
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here&qu…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Piano Reduction, Score. 134 pages. Published by DJWorks Music
With 134 pages you will love playing and singing through all the songs in this entire grand musical! It includes all piano parts written out with chords, tempo markings and vocals. The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$59.99
54.95 €
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Piano, Voice
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here"
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Tsarina the Musical Vocal-Piano Score
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DJWorks Music
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SheetMusicPlus
Through Magic Casements
Piano solo
Piano - difficult - Digital Download SKU: S9.Q19046 For piano solo. Composed…
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Piano - difficult - Digital Download SKU: S9.Q19046 For piano solo. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q19046. Published by Schott Music - Digital (S9.Q19046). The title of this work is a reference to the poem Ode to a Nightingale by John Keats. Important images from the poem are freely connected to suggest musical gestures and contours. Such phrases as perilous seas and plaintive anthem placed musically alongside each other give the work a continuity not suggested by the original poem. The topography in the last verse of the poem also finds its way into the work: Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep The resulting work therefore utilises an organic and associative musical form, one that is dramatic and often capricious in nature. The work evaporates at its close - at Keats' instigation - through the words Fled is that music:- do I wake or sleep?. Through Magic Casements was written for William Cale on the occasion of his final recital at the Royal College of Music. © 2009 KH.
$9.99
9.15 €
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Piano solo
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Kenneth Hesketh
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Through Magic Casements
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Schott Music - Digital
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical)
Children's Choir (Preview CD) SKU: HL.8739104 Composed by Allan Robert Petker and B…
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Children's Choir (Preview CD) SKU: HL.8739104 Composed by Allan Robert Petker and Beth Merrill. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. CD only. Fred Bock Music Company #BG7572. Published by Fred Bock Music Company (HL.8739104). UPC: 073999391046. 5.5x5 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$14.95
13.69 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical)
Children's Choir (director man) SKU: HL.8739103 Composed by Allan Robert Petker and…
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Children's Choir (director man) SKU: HL.8739103 Composed by Allan Robert Petker and Beth Merrill. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. Fred Bock Music Company #BG0971. Published by Fred Bock Music Company (HL.8739103). UPC: 073999970753. 9x12 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$24.95
22.85 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical) - Accompaniment CD
Children's Choir (CD accomp) SKU: HL.8739107 Composed by Allan Robert Petker and Be…
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Children's Choir (CD accomp) SKU: HL.8739107 Composed by Allan Robert Petker and Beth Merrill. Accompaniment CD. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. CD only. Fred Bock Music Company #BGTD0971. Published by Fred Bock Music Company (HL.8739107). UPC: 073999391077. 5x5.5 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$70.00
64.12 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical)
Children's Choir (Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edi…
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Children's Choir (Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD)) SKU: HL.8739102 Composed by Allan Robert Petker and Beth Merrill. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. Fred Bock Music Company #BG0970. Published by Fred Bock Music Company (HL.8739102). UPC: 073999391022. 9x12 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$59.95
54.91 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
Archangel Gabriel's Awesome Adventure (Sacred Musical)
Children's Choir (CD 10-pak) SKU: HL.8739108 Composed by Allan Robert Petker and Be…
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Children's Choir (CD 10-pak) SKU: HL.8739108 Composed by Allan Robert Petker and Beth Merrill. Fred Bock Publications. Christmas, Collection, Elementary, Musicals, Sacred. Fred Bock Music Company #BG7572CP. Published by Fred Bock Music Company (HL.8739108). UPC: 073999391084. 5x5 inches. Petker/Merrill.Gabriel is God's messenger and also one of the most innocently irreverent angels you've ever met. In this children's musical, the Christmas story is told through a delightful and funny text, and six joyful songs. A mingling of well-known carols and new songs make this a fun and easy project. The script, by Rev. Beth Merrill and Allan Petker, is both hilarious and honest, with the message of Christ's birth and salvation clearly in place. Available: Director's Edition (includes full accompanied songs, dialog, costume notes, staging and an optional Bible study), Preview CD (full performance), Accompaniment CD (stereo and split-track accomp.), Preview CD Pak (contains 6 CDs for individual rehearsal at home) and Complete Production Kit (2 Director's Editions, a looseleaf Singer's Edition with a duplication License and a Preview CD). Performance Time: 30 minutes. For Grades 1-6.
$60.00
54.96 €
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Allan Robert Petker and Beth Merrill
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Archangel Gabriel's Awesome Adventure
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Fred Bock Music Company
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SheetMusicPlus
My First Concert
Trumpet
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
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Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.56 €
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Trumpet
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
My First Concert
Trumpet
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
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Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.65 €
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Trumpet
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.97 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
An Brenton
Viola
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1…
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Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Viola Library. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7281. Published by Schott Music - Digital
Hans Werner Henze's output is primarily dominated by large-scale, representative musical genres with a richly differentiated instrumental tonal palette: opera and other forms of musical theatre works, ballet, solo concertos and cantatas and also music for large-scale orchestra or chamber ensemble. In contrast, the chamber music works which Henze has composed throughout his entire compositional career right up to the present day have always remained somewhat on the sidelines. Many of these chamber music works had been composed for specific occasions, chiefly to honour figures who had accompanied him on longer or shorter stretches of his journey through life.<br> <br> Henze composed An Brenton in July 1993 for an event commemorating the Australian violinist Brenton Langbein who had just died. The violinist had been a long-standing leader of the Collegium Musicum Zurich, the orchestra established and conducted by Paul Sacher, and was subsequently also the leader of the Basel Chamber Orchestra [Basler Kammerorchester].He additionally held a violin class at the Music Academy in Basel for a substantial period of his career. Interestingly enough, this piece is not composed for the violinist's instrument, but instead for solo viola. The work was given its first performance on 15 July 1993 by Jurg Dahler, one of the two viola players of the Chamber Musicians of Zurich [KammermusikerZurich]. This ensemble had been formed by Langbein in 1962: it frequently included compositions by Henze in its programmes and had given the premiere of Henze's music for Volker Schlondorffs Film Der junge Torless in its transformation as the Fantasia of the same name for string sextet (1967) in 1968. Langbein was the soloist in the first performance of Henze's Violin Concerto No. 2 in 1972 which had been commissioned by Paul Sacher. Henze had already made acquaintance with Langbein during the 1960s.
$9.99
9.15 €
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Viola
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Hans Werner Henze
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An Brenton
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Schott Music - Digital
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SheetMusicPlus
When You Pass Through the Waters (Downloadable)
Choral Unison
Unison voices or 2-part treble voices or 2-part mixed voices, piano - Moderately Easy - Di…
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Unison voices or 2-part treble voices or 2-part mixed voices, piano - Moderately Easy - Digital Download SKU: MQ.50-0501-E Composed by Paul D. Weber. Baptism of Our Lord, Lent. Instrument part. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-0501-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0501-E). Written for the 2009 Montreat Conference, this anthem is a lyrical setting of Isaiah 43 for unison or two part choir which may also be sung by an assembly with piano and/or guitar accompaniment. Its comforting text makes this song especially appropriate for a baptism, funeral, or memorial service, as well as for general use. The anthem memorializes a long-time church musician and educator, Herbert Nuechterlein, who compassionately and joyfully led his singers and students. Includes a reproducible page for congregation.
$2.65
2.43 €
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Choral Unison
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Paul D
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When You Pass Through the Waters
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
She Used To Be Mine (from Waitress the Musical)
Choral TTBB
TTBB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodo…
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TTBB - Advanced Intermediate - Digital Download By Sara Bareilles. Arranged by Theodore Hicks. Score. 10 pages. Published by Theo Hicks Music
This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.<br> <br> This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.<br> <br> For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.<br> LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/<br> <br> Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com.<br> <br> For more information on Momma's Boys, visit http://mommasboysquartet.com/
$4.50
4.12 €
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Choral TTBB
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Sara Bareilles
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She Used To Be Mine
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Theo Hicks Music
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SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.7 €
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David Catherwood
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Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
68.7 €
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David Catherwood
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Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Looking In Through That Window
Piano, Voice
Digital Download SKU: HX.314236 By John Musto and Mark Campbell. Classical. Piano V…
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Digital Download SKU: HX.314236 By John Musto and Mark Campbell. Classical. Piano Vocal. 4 pages. Published by Peermusic (HX.314236).
$4.99
4.57 €
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Piano, Voice
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John Musto and Mark Campbell
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Looking In Through That Window
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Peermusic
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SheetMusicPlus
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
10.07 €
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
The American Civil War: (the musical) (Piano/Vocal Score)
Choral SATB
Choral Choir,Choral (4-Part) - Level 2 - Digital Download SKU: A0.612111 By Stephen…
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Choral Choir,Choral (4-Part) - Level 2 - Digital Download SKU: A0.612111 By Stephen DeCesare. By Stephen DeCesare. Broadway,Folk,Instructional,Musical/Show,Standards. 197 pages. Exultet Music #3512083. Published by Exultet Music (A0.612111). This exciting musical retells the saga of the American Civil War through song and dialogue. This piece (if performed) can utilize two choirs (one being from the North, the other from the South) and other players portraying leading characters from the war. A Narrator guides the audience through musical.  The libretto is NOT included. If purchasing for performance, please contact the author at: sdecesare@gmail.com or mtapublishing@gmail.com and with proof of purchase, that will grant the buyer a contract for one year to perform the piece and a libretto will be e-mailed to you.  Accessible and appropriate for any school or theatre program. Can be performed as a theatre or concertized piece.
$100.00
91.6 €
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Choral SATB
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Stephen DeCesare
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The American Civil War:
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Exultet Music
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SheetMusicPlus
All Through the Night
Concert band
Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND-30 Composed by Tradition…
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Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND-30 Composed by Traditional. Arranged by Jerry Frazier. All Through the Night is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 27 pages. PDF Band Music #PDF-BAND-30. Published by PDF Band Music (B0.PDF-BAND-30). 8.5 x 11 inches.Arrangement of the lovely Irish melody 'All Through the Night' for very young bands in a way that is both musical and playable. Once beginning students learn the dotted quarter rhythm they will be able to perform the arrangement.
$38.70
35.45 €
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Concert band
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Traditional
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All Through the Night
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PDF Band Music
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SheetMusicPlus
I Heard It Through the Grapevine (Easy/Intermediate Level, Alto Sax, The Overtones)
Alto Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Alto Saxophone
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Marvin Gaye
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Tomplay
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