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Time Go A cappella advanced
Sheetmusic to print
6 sheet music found
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Sometimes In Winter
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Jazz
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Rock
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Blood Sweat and Tears
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Paul William Stewart
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Sometimes In Winter
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Paul William Stewart
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SheetMusicPlus
Choral Alto Saxophone,Baritone Saxophone,Bass Clarinet,Soprano Saxophone,Tenor Drum (SATB) - Level 5 - Interactive Download SKU: A0.1249536 By Blood Swea...
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Choral Alto Saxophone,Baritone Saxophone,Bass Clarinet,Soprano Saxophone,Tenor Drum (SATB) - Level 5 - Interactive Download SKU: A0.1249536 By Blood Sweat and Tears. By Steve Katz. Arranged by Paul William Stewart. This edition: Interactive Download. Jazz,Rock. Octavo. 15 pages. Duration 177. Paul William Stewart #3DqlZjeD83jyqtmTS31edp. Published by Paul William Stewart (A0.1249536). Key: A major.A hauntingly beautiful, but often forgotten, song by Blood, Sweat, & Tears, this arrangement will provide a worthwhile challenge to your advanced vocal jazz or pop a cappella ensembles. It includes a repeatable section for improvised solos, but you can also just go straight through. SATBB divis a cappella.
$1.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
Go The Distance
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Choral 3-part
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INTERMEDIATE
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Michael Bolton
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Robert Lane
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Go The Distance
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Robert Lane
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1276996 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Robert Lane. A Cap...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1276996 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Robert Lane. A Cappella,Contemporary,Film/TV. 9 pages. Robert Lane #868702. Published by Robert Lane (A0.1276996). A 3-part treble arrangement (SSA w/solo) for advanced intermediate singers. The arrangement opens and closes with only ensemble, but the middle section has a chance to feature a soloist. Rob Lane was a high school choral director for 14 years and arranged for his groups throughout that time. Find full length recordings and more of Rob's arrangements and at rob-lanearranging.com.
$2.50
Iris
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Choral SATB
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INTERMEDIATE/ADVANCED
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The Goo Goo Dolls
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Scott Logan
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Iris
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Scott Logan
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1490850 By The Goo Goo Dolls. By John Rzeznik. Arranged by Scott Logan. 20th ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1490850 By The Goo Goo Dolls. By John Rzeznik. Arranged by Scott Logan. 20th Century,A Cappella,Contemporary,Film/TV,Pop. 13 pages. Scott Logan #1067635. Published by Scott Logan (A0.1490850). For advanced choirs, this a cappella setting of the Goo-Goo Dolls' 1998 hit will not disappoint. Overall, this is a mellower rendition than the original, capturing the sadness of saying goodbye to someone before it was their time to go. The middle section builds to a shimmering 8-voice wall of sound and then tapers off to a mysterious, somber ending. For choirs learning to sing pop a cappella and vocal jazz, this is a powerful ballad that you'll want to include on your program!
$2.99
World O World
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jacob Collier
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Kerry Marsh
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World O World
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Kerry Marsh
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1402916 By Jacob Collier. By Jacob Collier. Arranged by Kerry Marsh. 21st Cen...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1402916 By Jacob Collier. By Jacob Collier. Arranged by Kerry Marsh. 21st Century,A Cappella,Contemporary,Jazz,Pop. 13 pages. Kerry Marsh #986141. Published by Kerry Marsh (A0.1402916). Demo recording and a full suite of vocal part-learning tracks (All Tracks Pack) now available at KerryMarsh.com.Just in time for your advanced choir to learn for graduation ceremonies and year-end concerts!***Jacob Collier's glorious finale to his epic four-album Djesse collection is available for the first time for choirs everywhere to perform!This setting begins in four parts and builds over the course of six minutes to sixteen parts, carefully organized and laid out in open score (with rehearsal piano reduction), and with dynamic markings capturing the expression of the recorded performance on Djesse: Vol. 4 by The Aeolians from Oakwood University (conducted by Jason Max Ferdinand). The maximum is SSSSSAAAAATTTBBB, with the staves laid out as S1a/b, S2, S3a/b, A1a/b, A2a/b, A3, T1/2, T3/B1, B2/3. The use of a/b divisi is due to the fact that the those parts only go to divisi for a new chords at the end of the piece. There is also plenty of part-doubling throughout the arrangement, and this has been carefully considered to aid both balance and voice-leading, although the former is given priority. Collier pulls no punches emotionally or technically with this piece, which features Bass 3 singing C1 in a few places and Soprano 1 singing D6 in the final moments. Choirs without the lowest bass notes can safely omit them and sing the Bass 2 parts instead.
$1.99
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