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Time in the Past
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1926
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.4 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Jazz Time, 15 Pieces for Piano, easy-intermediate to advanced
Easy Piano
Piano Solo, Easy Piano - Early Intermediate - Digital Download Jazz, Blues, Ragtime, …
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Piano Solo, Easy Piano - Early Intermediate - Digital Download Jazz, Blues, Ragtime, Bossa Nova. Sheet Music Single. 49 pages. Published by Misha Stefanuk
JAZZ TIME is a collection of 15 original Jazz piano pieces representing different styles and eras in Jazz history. The book consists of pieces for easy- intermediate to advanced level pianists. Friendly and charming musical language equally appeals to all age groups from children to adults. Each piece paints a colorful picture of some moment in time, sometimes in the past, other times in the future, and creates a wonderful Jazzy mood. The collection represents Ragtime, Blues, Big Band, Swing, Jazz Waltz, New Age, Funk, Bebop, Boogie Woogie and a Ballad. Titles include Sunny Day Rag, Bluer Than Blue, Doing The Town, Friday Jive, Melancholy Waltz, Water So Clear, Carnaval in Brasil, Necessary Jam, Autumn Dance, Broken Circles, Rocking on Through, Artistry In Rhythm, Flowing Dreams, Canada Rag and Moon Dance.
$11.99
10.96 €
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Easy Piano
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Jazz Time, 15 Pieces for Piano, easy-intermediate to advanced
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Misha Stefanuk
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.6 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Day Time Impressions
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1241720 Composed by Sarah Baker. 21…
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Piano Solo - Level 3 - Digital Download SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
9.13 €
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Piano solo
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Lord of the Wind and the Sea
Piano solo
Piano - Moderately Advanced - Digital Download SKU: LX.70-2365L The Music of Llo…
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Piano - Moderately Advanced - Digital Download SKU: LX.70-2365L The Music of Lloyd Larson Arranged for Solo Piano. Arranged by Lloyd Larson. 64 pages. Lorenz Publishing - Digital Sheet Music #e70/2365L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2365L). You’ve been waiting for this one! Legendary composer Lloyd Larson has taken ten of his most celebrated choral anthems and arranged them for the solo pianist. The music contained in this volume is full of Lloyd's beautiful melodies and compelling harmonies. You've accompanied these anthems many times in the past, and now you have the opportunity to present them as stand-alone piano arrangements with these thrilling new transcriptions!
$22.95
20.98 €
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Piano solo
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Lord of the Wind and the Sea
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
Harpsichord
Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amade…
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Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
3.66 €
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Harpsichord
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Arturo Escorza
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Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Arturo Escorza
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SheetMusicPlus
Back To The Future
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestr…
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Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99
54.85 €
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Concert band
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Alan Silvestri
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Eric Stoltz was cast instead
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Back To The Future
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Graham Boag
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SheetMusicPlus
The Dove
String Quartet: 2 violins, viola, cello
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibe…
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Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
21.02 €
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String Quartet: 2 violins, viola, cello
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.25 €
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Concert band
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.28 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.51 €
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Piano solo
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Piano Waltz in E-flat Major
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1168947 By Franklyn Grace. By Frank…
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Piano Solo - Level 4 - Digital Download SKU: A0.1168947 By Franklyn Grace. By Franklyn Grace. Classical,Contemporary,Romantic Period. Score. 5 pages. Franklyn Grace Creative Arts #769291. Published by Franklyn Grace Creative Arts (A0.1168947). Piano Waltz in E-flat Major is a basic waltz for piano, written by Franklyn Grace in 2020 during her time as a Music Composition Major at Olivet Nazarene University.Performance Notes: Piano waltzes have always held a certain aesthetic appeal for me as both a performer and composer. This, Piano Waltz in E-flat Major, is only one of several waltzes I have written in the past and intend to write in the future. At their most fundamental level, I see them as a basic to which I can always turn back for peace and familiarity, while also finding myself inspired to experiment with new musical ideas and complexities. In much the same way, Piano Waltz in E-flat Major expresses my love for the art of the waltz by starting simply, then growing to explore bolder sounds and more colorful phrasings, before coming around to resolve with the same simplicity as its origination.
$5.00
4.57 €
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Piano solo
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Franklyn Grace
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Piano Waltz in E-flat Major
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Franklyn Grace Creative Arts
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SheetMusicPlus
Time in the Past
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1243384 By Marco William Duranti. By Ma…
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Guitar - Level 3 - Digital Download SKU: A0.1243384 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Full Performance. Duration 151. Marco William Duranti #838345. Published by Marco William Duranti (A0.1243384). Time in the Past This is one of my early works that was originally written back in 1987. It is a well balanced piece with a very strong melody that pleases the ear. It gives the listener a pleasant feeling, something that could have been composed in the Classical period and this explains the title.
$1.99
1.82 €
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Guitar
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Marco William Duranti
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Time in the Past
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Marco William Duranti
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SheetMusicPlus
Time in the Past
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1243377 By Marco William Duranti. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1243377 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Individual part. 2 pages. Marco William Duranti #838338. Published by Marco William Duranti (A0.1243377). Time in the Past This is one of my early works that was originally written back in 1987. It is a well balanced piece with a very strong melody that pleases the ear. It gives the listener a pleasant feeling, something that could have been composed in the Classical period and this explains the title.
$3.49
3.19 €
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Guitar
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Marco William Duranti
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Time in the Past
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Marco William Duranti
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SheetMusicPlus
Other Echoes Inhabit the Garden
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Compo…
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Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00
32 €
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William Grosvenor Neil
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Other Echoes Inhabit the Garden
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M…
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Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
4.56 €
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Piano solo
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
Children of the Heavenly Father/Jesus Loves Me (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-02E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-02E Composed by Anna Laura Page. Ascension, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-02E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-02E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.57 €
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Piano solo
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Anna Laura Page
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Children of the Heavenly Father/Jesus Loves Me
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
In Christ There is No East or West/The Churchs One Foundation (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-03E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-03E Composed by Anna Laura Page. Ascension, Funeral. 4 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-03E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-03E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.57 €
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Piano solo
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Anna Laura Page
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In Christ There is No East or West/The Churchs One Foundation
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
In Christ There Is No East or West (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-05E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-05E Composed by Anna Laura Page. Ascension, Funeral. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-05E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-05E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.57 €
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Piano solo
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Anna Laura Page
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In Christ There Is No East or West
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Legend of Zelda(tm): Ocarina of Time(tm) Title Theme
Piano solo
Piano - Digital Download The Legend of Zeldaâ„¢: Ocarina of Timeâ„…
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Piano - Digital Download The Legend of Zelda™: Ocarina of Time™ - Title Theme. By Nintendo®. By Koji Kondo. Arranged by Shinobu Amayake. Pop/Rock. 1 pages. Alfred Music - Digital Sheet Music #00-PS-0015296. Published by Alfred Music - Digital Sheet Music
ISBN 9780739082966.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this intermediate-advanced piano edition are note-for-note transcriptions of instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of th.
$3.99
3.65 €
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Piano solo
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Nintendo®
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- Title Theme
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The Legend of Zelda(tm): Ocarina of Time(tm) Title Theme
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Legend of Zelda(tm): Ocarina of Time(tm) Lost Woods
Easy Piano
Easy Piano - Digital Download The Legend of Zeldaâ„¢: Ocarina of Time&acir…
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Easy Piano - Digital Download The Legend of Zelda™: Ocarina of Time™ - Lost Woods. By Nintendo®. By Koji Kondo. Arranged by Shinobu Amayake. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015398. Published by Alfred Music - Digital Sheet Music
ISBN 9780739083246.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of the Blue Maiden Restored * The Legend of Ze.
$3.99
3.65 €
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Easy Piano
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Nintendo®
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- Lost Woods
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The Legend of Zelda(tm): Ocarina of Time(tm) Lost Woods
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Legend of Zelda(tm): Ocarina of Time(tm) Gerudo Valley
Easy Piano
Easy Piano - Digital Download The Legend of Zeldaâ„¢: Ocarina of Time&acir…
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Easy Piano - Digital Download The Legend of Zelda™: Ocarina of Time™ - Gerudo Valley. By Nintendo®. By Koji Kondo. Arranged by Shinobu Amayake. Pop/Rock. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015400. Published by Alfred Music - Digital Sheet Music
ISBN 9780739083246.<br> <br> After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of Zeldaa,,C/ video game series. The 33 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of Zeldaa,,C/ Main Theme to The Legend of Zeldaa,,C/: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of NintendoA(r) video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist.<br> <br> Titles: * The Legend of Zeldaa,,C/ Title Theme * The Legend of Zeldaa,,C/ Main Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Title Theme * Zelda IIa,,C/ - The Adventure of Linka,,C/ Palace Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Title Screen * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Hyrule Castle Music * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ Main Theme * The Legend of Zeldaa,,C/: A Link to the Pasta,,C/ The Dark World * The Legend of Zeldaa,,C/: Link's Awakeninga,,C/ Main Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Title Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Princess Zelda's Theme * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Hyrule Field * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Lost Woods (Saria's Song) * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Gerudo Valley * The Legend of Zeldaa,,C/: Ocarina of Timea,,C/ Song of Storms * The Legend of Zeldaa,,C/: Majora's Maska,,C/ Prelude of Majora's Mask * The Legend of Zeldaa,,C/: Majora's Maska,,C/Termina Field * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Main Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Dragon Roost Island * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Ocean Theme * The Legend of Zeldaa,,C/: The Wind Wakera,,C/ Molgera * The Legend of Zeldaa,,C/: Four Swords Adventures Village of the Blue Maiden Restored * The Legend of Ze.
$3.99
3.65 €
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Easy Piano
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Nintendo®
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- Gerudo Valley
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The Legend of Zelda(tm): Ocarina of Time(tm) Gerudo Valley
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.56 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Blest Be the Tie That Binds (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-01E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-01E Composed by Anna Laura Page. Ascension, Funeral. 5 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-01E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-01E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.57 €
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Piano solo
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Anna Laura Page
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Blest Be the Tie That Binds
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Leaning on the Everlasting Arms (Downloadable)
Piano solo
Piano - Easy to Medium - Digital Download SKU: MQ.15-838-06E Composed by Anna Laura…
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Piano - Easy to Medium - Digital Download SKU: MQ.15-838-06E Composed by Anna Laura Page. Ascension, Funeral. 4 pages. MorningStar Music Publishers - Digital Sheet Music #15-838-06E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-838-06E). This collection consists of hymns associated with the church and community, including The Sovereignty of God, The Church Triumphant, and Baptism. They are useful as preludes, offertories, postludes, benedictions, or at other times in the service. Includes:Blest Be the Tie That BindsChildren of the Heavenly FatherThe Churchs One FoundationGod, Whose Giving Knows No EndingIn Christ There Is No East or WestLeaning on the Everlasting ArmsA Mighty FortressO God, Our Help in Ages PastSong of HopeWere Marching to Zion.
$5.00
4.57 €
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Piano solo
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Anna Laura Page
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Leaning on the Everlasting Arms
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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