Tiny's Rag for piano solo Sheet Music to download and print

Tiny's Rag for piano solo

#Tiny's Rag for piano solo

Skater's Boogie Piano solo

Piano Solo - Level 5 - Digital Download SKU: A0.1316769 By Jo Ann Castle. By Jo Ann…(+)

Piano Solo - Level 5 - Digital Download SKU: A0.1316769 By Jo Ann Castle. By Jo Ann Castle. Arranged by Timothy Stapay. Christmas,Film/TV,Ragtime,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #905441. Published by Timothy Stapay (A0.1316769). One of the most famous wintery pieces in classical music, The Skatersâ€™ Waltz was written in 1882 and inspired by the sight of Parisians skating on the frozen Seine river. Ã‰mile Waldteufel wrote over 200 works, but this is the piece he is best remembered for.Skater's Boogie is arranged as performed by famous t.v. pianist Jo Ann Castle.Â This piano solo arrangement features all of the excitement and energy of Jo Ann's television performance on the Lawrence Welk Show.Jo Ann Castle is an American honky-tonk pianist, best remembered for appearing on The Lawrence Welk Show.Â She adopted her stage name from the name of an accordion manufacturer, another instrument she played proficiently. She was often referred to as Queen of the Honky-Tonk Piano by Lawrence Welk himself.Â Originally introduced to Welk by Joe Feeney in 1959, Castle became a permanent member of the Welk Family, replacing the departing Big Tiny Little. Â In the 1990s, Castle performed at the Welk-owned Champagne Theater in Branson, Missouri, as well as making a guest appearance for a show with Jimmy Sturr and His Orchestra on RFD TV.
$7.99 7.3 € #Piano solo #Jo Ann Castle #Skater's Boogie #Timothy Stapay #SheetMusicPlus

Only a Baby's Tiny Shoe. Song and Chorus

Only a Baby's Tiny Shoe. Song and Chorus Choral SATB

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.778 Composed by M…(+)

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.778 Composed by Montague Breslin. Sailors, Death, Drownings, Fathers & children, Sadness, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.778). Only a Baby's Tiny Shoe. Song and Chorus. Words by Joseph W. Duffy. Music by Montague Breslin. Published 1886 by Isidore Prager, 132 Canal Street in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Sailors, Death, Drownings, Fathers & children, Sadness, Love. First line reads On the sea sands in the twilight gray, cold and dead a sailor lay.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 5.48 € #Choral SATB #Montague Breslin #Only a Baby's Tiny Shoe. Song and Chorus #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

#Only a Baby's Tiny Shoe. Song and Chorus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplinâ€™s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishersâ€™ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplinâ€™s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.