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You've selected:
Tolerate It
Sheetmusic to print
24 sheet music found
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1
Tolerate It
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1320688 By Taylor Swift. By Aaron D…
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Piano Solo - Level 4 - Digital Download SKU: A0.1320688 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Karina DePiano. Country,Folk,Holiday,Pop,Singer/Songwriter. Score. 3 pages. Morgan and Kyle Alm #909168. Published by Morgan and Kyle Alm (A0.1320688). For the ultimate Swiftie, this is the transcription of the introduction that Karina DePiano plays during the Eras Tour and Eras Tour Movie as Taylor Swift lays the table with the fancy dishes and ponders the tension in her relationship. The final measure leads flawlessly into the first bar of tolerate it. Melancholy in timbre, this introduction is used to convey the hopelessly dark message in her song. It includes lush harmonies that are reminiscent of the La La Land soundtrack. In terms of difficulty, it is late intermediate.
$5.99
5.39 €
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Piano solo
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Taylor Swift
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Tolerate It
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Morgan and Kyle Alm
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SheetMusicPlus
Tolerate It
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1494036 By Taylor Swift.…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1494036 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Dr. Mara Plotkin & Morgan Alm. Pop,Singer/Songwriter. Score and part. 16 pages. Mara Plotkin #1070646. Published by Mara Plotkin (A0.1494036). This transcription of Taylor Swift's Tolerate It for clarinet and piano contains beautiful serene yet driving piano rhythms and touching melodies. The level is intermediate to advanced.
$6.99
6.29 €
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Clarinet and Piano
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Taylor Swift
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Tolerate It
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Mara Plotkin
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SheetMusicPlus
Tolerate It
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1450735 By Taylor Swift. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1450735 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Morgan Brook Alm. Film/TV,Folk,Holiday,Pop,Singer/Songwriter. Score. 7 pages. Morgan and Kyle Alm #1030282. Published by Morgan and Kyle Alm (A0.1450735). This is a transcription of the actual piano line used in Taylor Swift's tolerate it, giving vocalists or instrumentalists an immersive experience performing with Aaron Dessner as an accompanist. Most other arrangements are reductions and don't accurately represent the piano line on the album.
$5.55
4.99 €
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Piano, Voice
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Taylor Swift
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Tolerate It
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Morgan and Kyle Alm
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SheetMusicPlus
Tolerate It
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1345197 By Taylor Swift. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1345197 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Taylor Swift. Contemporary,Multicultural,Pop,World. Score. 4 pages. Mr. Lu Lai #930133. Published by Mr. Lu Lai (A0.1345197). Tolerate It Piano score.
$4.99
4.49 €
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Piano, Voice
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Taylor Swift
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Tolerate It
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Mr. Lu Lai
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SheetMusicPlus
Tolerate It
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1345196 By Taylor Swift. By Aaron D…
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Piano Solo - Level 2 - Digital Download SKU: A0.1345196 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Taylor Swift. Contemporary,Multicultural,Pop,World. Score. 4 pages. Mr. Lu Lai #930132. Published by Mr. Lu Lai (A0.1345196). Tolerate It Piano score.
$4.99
4.49 €
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Piano solo
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Taylor Swift
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Tolerate It
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Mr. Lu Lai
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SheetMusicPlus
Tolerate It
Choral SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1243792 By Taylor Swift. B…
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.1243792 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Alex Van den Broek. Folk,Pop. Octavo. 24 pages. Alexandra Van den Broek #838763. Published by Alexandra Van den Broek (A0.1243792). An SSAA arrangement of one of my favourite Taylor Swift songs - it has some intricate rhythms woven throughout (being in 5/4), but a really gorgeous setting of the piece for a treble voiced group. It's worth noting that the lowest note in the Alto 2 part is a low E. **Please note you'll receive both the full score and a PDF for each voice part too.
$3.99
3.59 €
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Choral SSAA
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Taylor Swift
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Tolerate It
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Alexandra Van den Broek
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SheetMusicPlus
Tolerate It
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1376496 By Taylor Swift. By Aaron D…
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Easy Piano - Level 1 - Digital Download SKU: A0.1376496 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Felipe Silveira. Singer/Songwriter. Score. 4 pages. Felipe Silveira de Lima #961022. Published by Felipe Silveira de Lima (A0.1376496). EASY arrangement for piano.
$4.99
4.49 €
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Easy Piano
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Taylor Swift
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Tolerate It
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Felipe Silveira de Lima
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SheetMusicPlus
Tolerate It
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.892323 By Taylor Swift. By Aaron De…
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Piano Solo - Level 3 - Digital Download SKU: A0.892323 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Jin Kay Teo. Pop. Score. 4 pages. Jin Kay Teo #6424929. Published by Jin Kay Teo (A0.892323). Arranged by Jin Kay Teo for solo pianoPerformance on YouTube: https://youtu.be/jZlcgVKXaL8Subscribe for more covers!http://bit.ly/2SBnrTT
$4.99
4.49 €
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Piano solo
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Taylor Swift
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Tolerate It
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Jin Kay Teo
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SheetMusicPlus
Tolerate It
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.831860 By Taylor Swift. By A…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.831860 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Anacrusa. Pop. Score. 5 pages. Anacrusa #6200987. Published by Anacrusa (A0.831860). This arrangement includes fingering to be easily and clearly interpreted.
$4.99
4.49 €
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Piano, Voice
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Taylor Swift
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Tolerate It
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Anacrusa
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SheetMusicPlus
Tolerate It
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.831859 By Taylor Swift. By A…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.831859 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Pave. Pop. Score. 5 pages. Anacrusa #6198865. Published by Anacrusa (A0.831859).
$4.99
4.49 €
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Piano, Voice
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Taylor Swift
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Tolerate It
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Anacrusa
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SheetMusicPlus
tolerate it
Easy Piano
Interactive Download SKU: HX.472719 By Taylor Swift. This edition: Interactive Down…
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Interactive Download SKU: HX.472719 By Taylor Swift. This edition: Interactive Download. Pop. Easy Piano. 5 pages. Duration 7200. Published by Hal Leonard - Digital (HX.472719).
$3.99
3.59 €
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Easy Piano
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Taylor Swift
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tolerate it
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Hal Leonard - Digital
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SheetMusicPlus
tolerate it
Piano, Vocal and Guitar
By Taylor Swift. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 7 page…
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By Taylor Swift. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 7 pages. Duration 7200. Published by Hal Leonard - Digital
$4.99
4.49 €
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Piano, Vocal and Guitar
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Taylor Swift
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tolerate it
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Hal Leonard - Digital
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SheetMusicPlus
tolerate it by Taylor Swift - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Guitar in A Major (Tr…
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Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Guitar in A Major (Transposable). Digital sheet music from Musicnotes. --
$5.79
5.21 €
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Piano, Vocal and Guitar
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Piano/Vocal/Guitar
#
Musicnotes
tolerate it by Taylor Swift - Easy Piano
Easy Piano
Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Chords in C Major. Di…
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Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Chords in C Major. Digital sheet music from Musicnotes. --
$4.99
4.49 €
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Easy Piano
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Easy Piano
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Musicnotes
tolerate it by Taylor Swift - Beginner Notes
Big Note Piano
Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Chords in C Major. Di…
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Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Chords in C Major. Digital sheet music from Musicnotes. --
$3.99
3.59 €
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Big Note Piano
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Beginner Notes
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Musicnotes
tolerate it by Taylor Swift - Leadsheet
Melody line, (Lyrics) and Chords
Sheet Music for tolerate it by Taylor Swift arranged for Leadsheet;Lyrics/Melody/Chords in…
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Sheet Music for tolerate it by Taylor Swift arranged for Leadsheet;Lyrics/Melody/Chords in A Major. Digital sheet music from Musicnotes. --
$3.99
3.59 €
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Melody line, (Lyrics) and Chords
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Leadsheet
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Musicnotes
tolerate it by Taylor Swift - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Chords;Singer Pro in …
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Sheet Music for tolerate it by Taylor Swift arranged for Piano/Vocal/Chords;Singer Pro in A Major (Transposable). Digital sheet music from Musicnotes. --
$5.99
5.39 €
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Piano, Voice
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
March of Defiance
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.921070 Composed by Michael D. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #2846143. Published by Michael D. Blostein (A0.921070). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.
$75.00
67.45 €
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Orchestra
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Michael D
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March of Defiance
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Michael D. Blostein
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SheetMusicPlus
March of Defiance (score only)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #2846149. Published by Michael D. Blostein (A0.921074). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.This selection is the score only. For the score and parts, please select the other work title.
$10.00
8.99 €
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Orchestra
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Michael D
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March of Defiance
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Michael D. Blostein
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SheetMusicPlus
I'm Goin' to the Place
Choral (SATB) SKU: HL.8739846 Composed by Lyle Lovett. Arranged by Jim Lucas. SATB.…
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Choral (SATB) SKU: HL.8739846 Composed by Lyle Lovett. Arranged by Jim Lucas. SATB. Fred Bock Publications. Christian, General Worship, Spiritual, Worship. Octavo. 10 pages. Fred Bock Music Company #BG2473. Published by Fred Bock Music Company (HL.8739846). UPC: 073999983715. 6.75x10.5x0.024 inches.Lyle Lovett's album My Baby Don't Tolerate has been a universal hit, and the sacred world was delighted to hear his winning title, “I'm Goin' to The Place.†Veteran arranger Jim Lucas has arranged it for SATB voices in a manner that could be used by churches and schools alike. Easy, energetic, spirited, and a blast to sing.
$1.80
1.62 €
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Lyle Lovett
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I'm Goin' to the Place
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Fred Bock Music Company
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SheetMusicPlus
Taylor Swift: tolerate it - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill level. / pop
$7.97
7.17 €
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Piano, Vocal and Guitar
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Taylor Swift
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Virtualsheetmusic
Taylor Swift: tolerate it - piano solo
Piano solo
Instantly printable sheet music by Taylor Swift for piano solo of EASY skill level. / pop,…
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Instantly printable sheet music by Taylor Swift for piano solo of EASY skill level. / pop,children
$5.97
5.37 €
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Piano solo
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Taylor Swift
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Virtualsheetmusic
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.16 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Easy Piano
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
$3.99
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Easy Piano
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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SheetMusicPlus
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