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You've selected:
Tonight, Not Again
Sheetmusic to print
12 sheet music found
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Tonight, Not Again
Guitar notes and tablatures
Guitar - Digital Download SKU: HX.21252 By Jason Mraz. Pop,Rock. Guitar TAB. 8 page…
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Guitar - Digital Download SKU: HX.21252 By Jason Mraz. Pop,Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital (HX.21252).
$4.99
4.49 €
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Guitar notes and tablatures
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Jason Mraz
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Tonight, Not Again
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Hal Leonard - Digital
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SheetMusicPlus
Tonight, Not Again
Lyrics and Chords
Digital Download SKU: HX.317852 By Jason Mraz. Pop,Rock. Guitar Chords/Lyrics. 4 pa…
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Digital Download SKU: HX.317852 By Jason Mraz. Pop,Rock. Guitar Chords/Lyrics. 4 pages. Published by Hal Leonard - Digital (HX.317852).
$1.99
1.79 €
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Lyrics and Chords
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Jason Mraz
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Tonight, Not Again
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Hal Leonard - Digital
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SheetMusicPlus
Tonight, Not Again
Ukulele
Digital Download SKU: HX.318033 By Jason Mraz. Pop,Rock. Ukulele Chords/Lyrics. 4 p…
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Digital Download SKU: HX.318033 By Jason Mraz. Pop,Rock. Ukulele Chords/Lyrics. 4 pages. Published by Hal Leonard - Digital (HX.318033).
$1.99
1.79 €
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Ukulele
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Jason Mraz
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Tonight, Not Again
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Hal Leonard - Digital
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SheetMusicPlus
Jenny Keane: Tonight, Not Again for guitar
Guitar notes and tablatures
Instantly printable sheet music by Jason Mraz for guitar (tablature) of MEDIUM skill level…
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Instantly printable sheet music by Jason Mraz for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
8.07 €
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Guitar notes and tablatures
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Jenny Keane
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Virtualsheetmusic
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Pluck for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.39 €
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Guitar
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Jason Mraz: Tonight, Not Again - ukulele (chords)
Ukulele
Instantly printable sheet music by Jason Mraz for ukulele (chords) of MEDIUM skill level. …
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Instantly printable sheet music by Jason Mraz for ukulele (chords) of MEDIUM skill level. / pop,rock
$4.97
4.47 €
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Ukulele
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Jason Mraz
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Virtualsheetmusic
Jason Mraz: Tonight, Not Again - guitar (chords)
Lyrics and Chords
Instantly printable sheet music by Jason Mraz for guitar (chords) of MEDIUM skill level. /…
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Instantly printable sheet music by Jason Mraz for guitar (chords) of MEDIUM skill level. / pop,rock
$4.97
4.47 €
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Lyrics and Chords
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Jason Mraz
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Virtualsheetmusic
Charleston Times part 1
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1195784 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1195784 Composed by Hanley Macdonald, Mack /Johnson, Donaldson/Kahn. Arranged by Des McNutty. Broadway,Classical,Jazz,Musical/Show,Standards,Wedding. Score and parts. 46 pages. Des Press #794950. Published by Des Press (A0.1195784). Original arrangements for String Quartet (Back Home Again in) Indiana (Hanley/MacDonald) The Charleston (Mack/Johnson) I Wonder Where My Baby Is Tonight (Donaldson/Kahn) Arranged by Des McNutty Charleston Times was first punished by Chugnut Press in 2000 and distributed by SJ Music, following the long-winded and arduous challenges of obtaining licences from various copyright-owners by snail-post. Arrangeme has simplified this process considerably! Thanks! The notes are unchanged; only the layout has been revised. This much-demanded re-issue marks 100 years of that iconic dance, The Charleston, from the Broadway show Runnin' Wild (1923), which entered the public domain in 2019. Indiana and I Wonder Where My Baby Is Tonight are staples of the 1920's canon. These original arrangements are not based on previously-existing versions, although Indiana is mashed up with interpolations of a well-known work from the late 18th-century.... The level is on the easier side of “advancedâ€; quickly rehearsed by professional quartets and an accessible challenge for experienced students.
$12.99
11.68 €
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String Quartet: 2 violins, viola, cello
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Hanley Macdonald, Mack /Johnson, Donaldson/Kahn
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Charleston Times part 1
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Des Press
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.38 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Roll With It
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000097 By Easton Corbin. By Da…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000097 By Easton Corbin. By David Lee, Johnny Park, and Tony Lane. Country. 6 pages. Alfred Music - Digital Sheet Music #00-XS-0000097. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000097). ISBN 9780739075838. UPC: 038081408170.Play the songs that made the year! More than 150 pages of sheet music capture the country soundtrack of 2010 to play and sing for a lifetime. Titles: All About Tonight (Blake Shelton) * All Over Me (Josh Turner) * American Honey (Lady Antebellum) * Consider Me Gone (Reba) * Do I (Luke Bryan) * Eight Second Ride (Jake Owen) * Farmer's Daughter (Rodney Atkins) * For Freedom (4TROOPS) * Gimme That Girl (Joe Nichols) * Groovy Little Summer Song (James Otto) * If I Die Young (The Band Perry) * I'll Just Hold On (Blake Shelton) * A Little More Country Than That (Easton Corbin) * Little White Church (Little Big Town) * Love Like Crazy (Lee Brice) * Makin' Me Fall in Love Again (Kellie Pickler) * Mama's Song (Carrie Underwood) * The Man I Want to Be (Chris Young) * Need You Now (Lady Antebellum) * Our Kind of Love (Lady Antebellum) * Roll With It (Easton Corbin) * Smile (Uncle Kracker) * Temporary Home (Carrie Underwood) * This Ain't Nothin' (Craig Morgan) * Undo It (Carrie Underwood) * Unstoppable (Rascal Flatts).
$3.99
3.59 €
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Piano, Vocal and Guitar
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Easton Corbin
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Roll With It
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
If Only In My Dreams
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327476 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327476 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music by Jon Burr. Arranged by Jon Burr. Contemporary,Country. Score. 15 pages. Cheryl Prazak #915493. Published by Cheryl Prazak (A0.1327476). If Only In My Dreams is a song of longing for a far away spouse sung by soldier stationed far away.Music, arranging and production by Jon BurrThe Lyrics:The moon shines bright, drifting through the pines tonight, The meadow lies blanketed with dew,Stars take their flight, chasing ‘way the lingering night, And I lie here dreaming, dear, of you.Lonely the nights, when I long to hold you tight, In my dreams, I linger and pretend.Ev’ning draws nigh, pensive fantasies take flight,My eyes close, dreamy visions descend.  Nights are cold and lonely; I’m so in love with you.Wrapped up in your arms, I surrender to your charms, If only in my dreams, can I hold you.Mournful day long, I am trying to stay strong.I can only sit here, dear, and dream.  Please play our song, you remember our love song,And together we will dream our dream.The moon gives way, breaking forth another day,And the last star’s twinkle has fade.I see your face, with the dawn of each new day, Morn breaks through, and I’m dreaming again.  Candles in the window, yellow ribbons on the door,When I see the glow and the ribbons I will knowThere you are, I will leave your arms no more.Every day will be a dream, dear, when I am there with you.Although we’re far apart, you linger in my heart, love of my life, my wonderful, amazing wife; my wonderful military wife.
$4.99
4.49 €
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Piano, Voice
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Cheryl Prazak
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If Only In My Dreams
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Cheryl Prazak
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SheetMusicPlus
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