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Too Much To Ask
SheetMusicPlus
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Not Too Much To Ask
C Instruments
C Instrument - Digital Download SKU: A0.771668 By Mary Chapin Carpenter. By Don Sch…
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C Instrument - Digital Download SKU: A0.771668 By Mary Chapin Carpenter. By Don Schlitz and Mary Chapin Carpenter. Arranged by BryPiot. Country. Lead Sheet / Fake Book. 4 pages. BryPiot #379310. Published by BryPiot (A0.771668). Not Too Much To Ask written by Mary-Chapin Carpenter and Don Schlitz. Appearing on the album Come On Come On. Performed by Mary-Chapin Carpenter and Joe Diffie.
$3.99
3.68 €
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C Instruments
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Mary Chapin Carpenter
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Not Too Much To Ask
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BryPiot
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SheetMusicPlus
Jonathan Blake Ate Too Much Cake ("After the Party") Children's Poem Song
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.930019 Composed by Melissa Bl…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.930019 Composed by Melissa Blanton. Children. 3 pages. Melissa Blanton #5955513. Published by Melissa Blanton (A0.930019). It is so much fun to sing about Jonathan Blake and his over-eating episode! Kids ask me frequently to sing them the song about the boy who ate too much cake!Accompaniment Included!
$2.49
2.3 €
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Melissa Blanton
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Jonathan Blake Ate Too Much Cake
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Melissa Blanton
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SheetMusicPlus
Do you want to build a rocket?
Choral 2-part
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1099392 Composed by Sall…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279. Published by Sally Whitwell (A0.1099392). Do you want to build a rocket? was originally composed for a wonderful group of children I worked with at the Young Music Society Winter School in Canberra. The first day that I went in to meet them, I sat down with them on the floor and asked them what kind of performance they wanted to build. It was around the time that the Disney animated feature Frozen was very popular with kids. Or not, as it turns out, because one little boy’s hand shot up straight away and he said: “Tell you what I don’t wanna build: a stupid snowman!†He suggested we build a rocket instead. So that’s what we did. It’s a song about the wonder and curiosity we feel about the universe, of our desire to explore it, and of the determination and grit required to achieve that dream. It’s some very hard yards to build a rocket and to learn to fly it, but our dreams are always worth the work! I hope you have fun with this song. Teachers, I invite you to get as theatrical as you dare with it. In our original performance we had all these toy instruments, toy toolkits, and painted cardboard boxes. (So many boxes!). Let’s just say, if you think it’s gonna be ‘too much’, it’s probably exactly the right amount. Sally Whitwell August 2022.
$1.99
1.84 €
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Choral 2-part
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Sally Whitwell
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Do you want to build a rocket?
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Sally Whitwell
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SheetMusicPlus
#WeToo
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.84 €
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Choral SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Noeëts Mér Vergaete - Bjorn & Mieke (LVK 2024) - Easy (toontje hoger)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1362179 By Bjorn & Mieke. By Roel…
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Concert Band - Level 2 - Digital Download SKU: A0.1362179 By Bjorn & Mieke. By Roel Gommans & Jules Reivers. Arranged by Scaver Music. 21st Century,Children,Holiday,Pop,Standards. 104 pages. Scaver #946654. Published by Scaver (A0.1362179). ***update***This arrangement isn't the original pitch, but much easier to play. *********Noeëts Mér Vergaete is a carnaval/vastelaovend song by Bjorn & Mieke. It is one of the entries for the Limburgs Vastelaovesleedjes Konkoer (LVK). The song was written by Roel Gommans and Jules Reivers.This arrangement is suitable for concert band (harmonie or fanfare) but also for smaller sections like a joekskapel or Zaate hermenie or sjpaskapel or dweilorkest! Instrument list:FluteSoprano-SaxophoneClarinet Bb 1,2Alt-Saxophone 1,2Trumpet 1,2,3Tenor-Saxophone 1,2Horn F 1,2Euphonium 1,2Trombone 1,2Bariton-SaxophoneBb BassEb BassBass GuitarDrumset.
$15.00
13.85 €
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Concert band
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Bjorn & Mieke
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Mieke
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Noeëts Mér Vergaete - Bjorn & Mieke
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Scaver
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SheetMusicPlus
Five Lyrics of Robert Herrick - Roger Quilter
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
9.23 €
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Choral SATB
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and by
Ye do lie,
Poor girls, neglected
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Roger Quilter
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Five Lyrics of Robert Herrick - Roger Quilter
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Forsyth Brothers Ltd
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SheetMusicPlus
Concertgoers (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158419 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158419 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy,Contemporary. 31 pages. Https://gildedmusicpress.com/ #758705. Published by https://gildedmusicpress.com/ (A0.1158419). This piece was inspired by a post-concert reception with the Sioux City Symphony to which all musicians, season ticket holders, and other select guests were invited. As I found a place to sit down and geek out with some fellow trumpeters, a group of concertgoers began to gather at the adjacent table. Each guest that joined that animated group added more character until they had spilled over into our small gathering. Their conversations also spilled over, including a couple of mild warnings about one final guest who would be joining us, who had already had just a bit too much to drink. Of course, she sat by me—a seasoned Brit with an easy-going love of life. During the course of the evening, several pairs of glasses made their way out of her purse and onto her head. Her friend asked me to take her picture and send it to her. That dignified portrait, textured and filtered with color highlights, became the cover to this work. “Concertgoers†is a musical soundtrack to that memorable evening with the unforgettable group of concertgoers. It begins with the motivic intro in the horn that becomes the main melodic content throughout the work which repeats in allusion to concertgoers joining the festivities one by one until the party blooms in full. Quirky and fun, this piece paints a fitting aural picture of the cacophonous reception and varied chatter of the evening. The use of chromaticism provides much of the quirkiness, along with the use of mixed meter for some of the varieties of that night of entertainment. These modern compositional techniques challenge a good college-level quintet, though it is accessible to the musicians and listenable to the average concertgoer. To program it on a brass quintet concert or recital aptly tips the hat in acknowledgement of the audience, as it is a dedicated piece just for them!
$24.95
23.04 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Concertgoers
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https://gildedmusicpress.com/
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SheetMusicPlus
Imposition for solo bassoon
Bassoon
Bassoon Solo - Level 5 - Digital Download SKU: A0.914140 Composed by Tom Swafford. …
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Bassoon Solo - Level 5 - Digital Download SKU: A0.914140 Composed by Tom Swafford. Contemporary. Individual part. 4 pages. Tom Swafford #3575045. Published by Tom Swafford (A0.914140). Showpiece for solo bassoon that uses the bassoon's full range of pitches, dynamics, and articulations, with a lot of drama, energy, rhythmic drive and some rather extreme contrasts.  The title refers to the fact that I wrote it very quickly, almost like an improvisation. I also called it this because of its difficulty. I thought I might be asking too much of someone if I were to ask them to play it. But someone did play it! It was premiered by Ryan Hare in Seattle in 2002. Ryan went on to record it for his album Intrada (Present Sounds Recordings, 2004). duration: 6 minutes. www.tomswafford.com ASCAP.
$3.00
2.77 €
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Bassoon
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Tom Swafford
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Imposition for solo bassoon
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Tom Swafford
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SheetMusicPlus
Killarney Carnivale
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hud…
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Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
55.41 €
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Concert band
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Too Much To Ask
Piano, Vocal and Guitar
By Niall Horan. This edition: Interactive Download. Pop. PVG. 7 pages. Published by Hal Le…
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By Niall Horan. This edition: Interactive Download. Pop. PVG. 7 pages. Published by Hal Leonard - Digital Sheet Music (HX.391206). - PVG - Pop - Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Vocal and Guitar
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Niall Horan
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Too Much To Ask
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Too Much To Ask
Piano, Vocal and Guitar
By Avril Lavigne. For piano, voice, and guitar (chords only). Pop. 6 pages. Published by H…
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By Avril Lavigne. For piano, voice, and guitar (chords only). Pop. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Vocal and Guitar
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Avril Lavigne
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Too Much To Ask
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Too Much To Ask
Guitar notes and tablatures
By Avril Lavigne. For guitar. Pop; Rock. Guitar TAB. 13 pages. Published by Hal Leonard - …
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By Avril Lavigne. For guitar. Pop; Rock. Guitar TAB. 13 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Guitar notes and tablatures
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Avril Lavigne
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Rock
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Too Much To Ask
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Too Much To Ask
Easy Piano
By Avril Lavigne. For easy piano. Pop. 9 pages. Published by Hal Leonard - Digital Sheet M…
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By Avril Lavigne. For easy piano. Pop. 9 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.68 €
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Easy Piano
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Avril Lavigne
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Too Much To Ask
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Too Much To Ask
Lyrics and Chords
By Avril Lavigne. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Mus…
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By Avril Lavigne. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.84 €
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Lyrics and Chords
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Avril Lavigne
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Rock
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Too Much To Ask
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
EVERYTHING LIKE BEFORE
Piano solo
Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00
4.62 €
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Piano solo
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
Variations on Adeste fideles, Op. 21
Organ
Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Ch…
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Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
7.38 €
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Organ
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Vidas Pinkevicius
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Variations on Adeste fideles, Op. 21
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Vidas Pinkevicius
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SheetMusicPlus
Everything Stays
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.918233 Composed by Rebecca Rea …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.918233 Composed by Rebecca Rea Sugar and Rebecca Sugar. Arranged by Samantha Hogan. Contemporary. Score and parts. 10 pages. Coffee Seal Music #6117737. Published by Coffee Seal Music (A0.918233). This beautiful tune is from the Cartoon Network Show Adventure time and is sung by Marceline The Vampire Queen's mom during the miniseries Stakes.Difficulty: Advanced Intermediate- due to the fact that much of it is exposed part-writing. (ie. solos with only the tuba playing the bass). The parts themselves, for the most part, lie in the intermediate range on their own. It would certainly be accessible to a very good High school group or college level ensemble willing to own their parts.This arrangement for Brass Quintet clocks in at about 2'15'' plus depending on how many times you take the repeat.Purchase includes a Score and Set of Parts,For More Music or to ask questions about this arrangement, please contact me atwww.SamanthaHogan.com
$12.99
12 €
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Brass ensemble
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Rebecca Rea Sugar and Rebecca Sugar
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Everything Stays
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Coffee Seal Music
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.17 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
When I Am an Old Woman, I Shall Wear Purple
Choral SSAA
SSAA choir, Piano - Digital Download SKU: LX.15-2594R Composed by Ruth Watson Hende…
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SSAA choir, Piano - Digital Download SKU: LX.15-2594R Composed by Ruth Watson Henderson. Janet Galván Women's Choral. Concert, General. Octavo. 12 pages. Roger Dean - Digital #e15/2594R. Published by Roger Dean - Digital (LX.15-2594R). Written for Jean Ashworth Bartle and the Toronto Children’s Chorus for Jean’s final concert, this famous poem—“Warning,†by Jenny Joseph—is loaded with humor. As is her hallmark, Ms. Henderson has crafted a piece that stretches young singers to be all that they can be without ever asking too much, with a piano accompaniment that is independent and essential.
$2.95
2.72 €
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Choral SSAA
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Ruth Watson Henderson
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When I Am an Old Woman, I Shall Wear Purple
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Roger Dean - Digital
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.23 €
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String Orchestra
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Talk Is Cheap
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023637 Composed by Jeffre…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023637 Composed by Jeffrey Richard Carter. Contemporary. Octavo. 15 pages. Jeffrey Richard Carter #6209363. Published by Jeffrey Richard Carter (A0.1023637). My friend and former student Jeffery Thyer asked me in 2013 to write something for a choir in NYC. They were doing a concert about money. I chose ten little sentences to set, from Carl Sandburg to the Gospels, Benjamin Franklin to Will Rogers. The set would make a fine concert closer for a decent high school choir, a community chorus, or a collegiate choir. Any of the ten little ditties may be omitted without damaging the whole concept too much. Looking for a humorous choral work? This may be it!
$3.00
2.77 €
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Choral SATB
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Jeffrey Richard Carter
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Talk Is Cheap
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Jeffrey Richard Carter
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SheetMusicPlus
Since First I Saw Your Face
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas F…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.
$4.99
4.61 €
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Piano, Voice
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Thomas Ford
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Since First I Saw Your Face
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Konrad Harley
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SheetMusicPlus
Those Were The Days
Choral Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.817385 By Mary Rice Hopk…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.817385 By Mary Rice Hopkins. By Gene Raskin. Arranged by Vicky Jacobs. Contemporary. Octavo. 1 pages. Victoria Jacobs #6495063. Published by Victoria Jacobs (A0.817385). This is part of a series of leadsheets I've put together for singalongs or as easy, quick songs to do with your choir. This one is in unison in a friendly key and is designed to be easy to read and not create too much photocopying!
$1.99
1.84 €
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Choral Unison
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Mary Rice Hopkins
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Those Were The Days
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Victoria Jacobs
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SheetMusicPlus
No More Pain by Anton
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanla…
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Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
10.15 €
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Piano solo
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Rock - a Roger Jones musical
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
9.23 €
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Choral SATB
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Roger Jones, Alison Fuggle
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
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