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You've selected:
Towa Tei
Sheetmusic to print
17 sheet music found
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1
Groove Is In The Heart
Small Ensemble Bass Guitar,Drums,Electric Guitar,Keyboard - Level 3 - Digital Download …
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Small Ensemble Bass Guitar,Drums,Electric Guitar,Keyboard - Level 3 - Digital Download SKU: A0.1104633 By Deee-Lite. By Dmitry Brill, Herbie Hancock, Kier Kirby, and Towa Tei. Arranged by P Welsh. Pop. Score and parts. 16 pages. Accubass #707860. Published by Accubass (A0.1104633). Parts for 4 piece rhythm section. Matches to karaokeversion.com click track.
$15.00
13.78 €
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Deee-Lite
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Groove Is In The Heart
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Accubass
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SheetMusicPlus
Groove Is In The Heart
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479741 By Deee Lite. By Dmitry Brill, Herbie Hancock, Kier Kirby, and Towa Tei. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 88. Deke Sharon #5m1hV9ZjH5vn6eVQHck97M. Published by Deke Sharon (A0.479741). Key: A minor.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.83 €
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Deee Lite
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Groove Is In The Heart
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Deke Sharon
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SheetMusicPlus
Groove Is In The Heart
Large Ensemble Alto Saxophone,Bass Guitar,Drum Set,Drums,Synthesizer,Tenor Saxophone,Tromb…
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Large Ensemble Alto Saxophone,Bass Guitar,Drum Set,Drums,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.564322 By Deee-Lite. By Dmitry Brill, Herbie Hancock, Kier Kirby, and Towa Tei. Arranged by Austin Ralphson. Contemporary. Score and parts. 34 pages. Austin Ralphson #6508059. Published by Austin Ralphson (A0.564322). Classic disco track from 1990 arranged here for keys, guitar, bass drums and horn parts. You just need to add the vocals! Enjoy!
$15.99
14.69 €
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Deee-Lite
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Groove Is In The Heart
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Austin Ralphson
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SheetMusicPlus
Groove Is In The Heart
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1119631 By Deee-Lite. By Dmitry…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119631 By Deee-Lite. By Dmitry Brill, Herbie Hancock, Kier Kirby, and Towa Tei. Arranged by Jennifer Lindberg. Classical,Funk,Pop. Score and parts. 57 pages. Jennifer Lindberg #721010. Published by Jennifer Lindberg (A0.1119631). Arranged for full orchestra, plus vocals, bass, drums.
$49.99
45.91 €
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Orchestra
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Deee-Lite
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Groove Is In The Heart
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Jennifer Lindberg
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SheetMusicPlus
Towa Tei: Groove Is In The Heart for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Deee-Lite for voice, piano or guitar of MEDIUM skill le…
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Instantly printable sheet music by Deee-Lite for voice, piano or guitar of MEDIUM skill level. / pop,rock
$7.97
7.32 €
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Piano, Vocal and Guitar
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Towa Tei
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Virtualsheetmusic
Ebb Tide
Marching band
Marching Band - Level 2 - Digital Download SKU: A0.1283624 By The Righteous Brother…
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Marching Band - Level 2 - Digital Download SKU: A0.1283624 By The Righteous Brothers. By Carl Sigman and Robert Maxwell. Arranged by Lex Monteiro. 20th Century,Barbershop,Broadway,Musical/Show. Score and Parts. 18 pages. Lex Monteiro #874816. Published by Lex Monteiro (A0.1283624). This rendition of Ebb Tide is arranged for a drum corps hornline but is applicable to any brass ensemble. This is a complete arrangement of the piece save for 2 bars towards the end of the original and an original ending tag in this version. Pages  8Duration  2:35Measure  43Key  D Major, b minor.
$70.00
64.29 €
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Marching band
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The Righteous Brothers
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Ebb Tide
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Lex Monteiro
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SheetMusicPlus
String Quartet #2 - Kwasi's Revenge
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1035263 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1035263 Composed by Burton Goldstein. Contemporary. Score and parts. 39 pages. Burton Goldstein Music #5001045. Published by Burton Goldstein Music (A0.1035263). My second String Quartet was written mainly while I was the composer in residence at the Copland House, in Peekskill, New York. Alone in Copland's studio, far from home, my mind wandered back to an African Music teacher who made a brief but intense impression on me when I had been a composition student at UCLA many decades earlier.The students stood in a circle holding surrounding this intense, squarely-built man. We timidly held our newly-acquired Ghanaian squeeze drums, and he sat with a big drum in between his legs, driving us into ever more complex rhythms. One by one we were made to come into the circle alone with him, and try to hold our oddly syncopated rhythm while staring at his drumsticks as they wove ever more complex solos. It was impossible. He spoke no English except You come! to get us to enter his circle. The only thing worse was the other words of English that he spoke: You ..go!, to indicate we were done.He was a man of great honor in his tribe, where he was the one man who communicated between the king and the gods, using his 'talking drum'. I met Kwasi Badu once on Wilshire Boulevard, while I was waiting for a bus home from UCLA. There weren't many words we could share, so our conversation was brief. But I will always remember the deep sense of confusion as he struggled to maintain his dignity in the face of the immense presence of the canyon of skyscrapers that surrounded us. I fear the school system did not quite reimburse him sufficiently. I went on to become a teacher myself, at the university level for 17 years. I deepened my feeling that teachers are underpaid.So I subtitled my Quartet, Kwasi's Revenge. My interest in having different speeds of music sounding simultaneously is friendly towards the idea of using African rhythms, and some are used in my piece. But many of the rhythms are my made-up extensions of the African rhythms I learned.Only recently did I learn that Kwasi Badu died in 1995, at 63. I wish he could have known that I thought of him while writing this piece.
$14.99
13.77 €
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String Quartet: 2 violins, viola, cello
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Burton Goldstein
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String Quartet #2 - Kwasi's Revenge
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Burton Goldstein Music
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.96 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
'Prelude in D Major' from WTC Book 1 - Bach (Easy Piano)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1428238 By Johann Sebastian Bach. B…
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Piano Solo - Level 2 - Digital Download SKU: A0.1428238 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by PianoForEveryone. Baroque,Classical. Score. 3 pages. PianoForEveryone #1009031. Published by PianoForEveryone (A0.1428238). An easy piano arrangement of Bach's 'Prelude in D Major, BWV 850' from The Well-Tempered Clavier Book 1/Das Wohltemperierte Klavier Teil 1. The key has been transposed to simplify, and the voicing reduced towards the end whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing, aiming for high quality sheet music at a cheap, affordable rate.
$1.99
1.83 €
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Piano solo
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Johann Sebastian Bach
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'Prelude in D Major' from WTC Book 1 - Bach
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PianoForEveryone
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SheetMusicPlus
Your Mother Should Know
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.
$17.95
16.49 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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Your Mother Should Know
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RayThompsonMusic
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SheetMusicPlus
Fraternidad del asombro [piano solo]
Piano solo
Piano Solo - Digital Download SKU: A0.596605 Composed by Juan MarÃa Solare. 20th…
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Piano Solo - Digital Download SKU: A0.596605 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,World. Score. 5 pages. Juan Maria Solare #6091679. Published by Juan Maria Solare (A0.596605). Juan MarÃa Solare: Fraternidad del asombro (Brotherhood of amazement * Bruderschaft des Staunens) A community united by its reverence for wonder, by its tendency towards non-routine, towards the unexpected, towards that perplexity that prompts reflection. The harmony of this piece is based on presenting a chromatic field (the twelve notes) subdivided into three diatonic fields (of 4 notes each). This work was composed in Bremen (Germany) in February 25-26, 2020.Duration: ca. 3:45 Una comunidad unida por su reverencia del asombro, por su tendencia hacia la no rutina, hacia lo inesperado, hacia esa perplejidad que impulsa la reflexión. La armonÃa de esta obra se basa en presentar un campo cromático (las doce notas) subdividido en tres campos diatónicos (de 4 notas). Obra compuesta en Bremen (Alemania), 25-26 febrero 2020. Duración: ca. 3:45 Eine Gemeinschaft, die durch ihre Ehrfurcht vor dem Staunen, durch ihre Tendenz zur Nicht-Routine, zum Unerwarteten, zu dieser Verwirrung, die zum Nachdenken anregt, vereint ist. Die Harmonie dieses Stückes basiert auf der Darstellung eines chromatischen Feldes (die zwölf Noten), das in drei diatonischen Feldern (von jeweils vier Noten) unterteilt ist. Dies Stück entstand in Bremen (Deutschland) vom 25. bis 26. Februar 2020. Dauer: ca. 3:45
$2.50
2.3 €
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Piano solo
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Juan MarÃa Solare
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Fraternidad del asombro [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Holding Out For A Hero
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1339517 By Bonni…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1339517 By Bonnie Tyler. By Dean Pitchford and Jim Steinman. Arranged by Alistair Vennart. 20th Century,Pop,Rock. 24 pages. Ali Vennart #925209. Published by Ali Vennart (A0.1339517). There are LOADS of SQ arrangements of pop-rock Classic, but NONEof them are even nearly as INSANE as this one. Pumping vibes for 4.5 mins (check YT video). GO!  ALL MY QUARTET ARRANGEMENTS ARE BALANCED, INTERESTING AND CHALLENGING (ie not just Violin 1 solo, shoddy inner parts and a Bass line) - suitable for events/weddings etc. OR Concert Performance.Please check out my other arrangements while you're here..p.s there are some Jacob Collier RAD harmonies towards the end of this arrangement. If you are too scared to play these in public, please get in touch for the sanitised version!For commissions/contact, visit www.alistairvennart.com.
$29.99
27.54 €
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String Quartet: 2 violins, viola, cello
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Bonnie Tyler
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Holding Out For A Hero
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Ali Vennart
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SheetMusicPlus
Spring Fireworks
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1026752 Composed by Jackson Lim. 20…
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Piano Solo - Level 3 - Digital Download SKU: A0.1026752 Composed by Jackson Lim. 20th Century,Contemporary. Score. 5 pages. Lim Teik Serng @ Jackson #6410013. Published by Lim Teik Serng @ Jackson (A0.1026752). A short character piece depicting the impression of fireworks during festivals. The rhythmic accompaniment in the bass resembles percussion instruments. With the use of pentatonic scales and harmony involving seconds, the theme is slowly pushed towards the stretto climax before ending again in the theme calmly. .
$1.99
1.83 €
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Piano solo
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Jackson Lim
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Spring Fireworks
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Lim Teik Serng @ Jackson
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SheetMusicPlus
Alone
Handbells
Handbell - Level 3 - Digital Download SKU: A0.917189 By Heart. By Billy Steinberg a…
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Handbell - Level 3 - Digital Download SKU: A0.917189 By Heart. By Billy Steinberg and Tom Kelly. Arranged by Kurt Meyer. 20th Century,Rock. 9 pages. Kurt Meyer Self-Publishing #5326683. Published by Kurt Meyer Self-Publishing (A0.917189). This pop standard by Heart is now available for 3 to 6 octaves Handbells and optional Handchimes. The subtle LV accompaniment during the Verses and signature Refrain stays true to the feeling of the original recording, with the catchy guitar solo towards the end of the song transcribed for Handchimes. A fine selection for a concert or festive occasion. Level 3+.Purchase of this arrangement allows for enough copies to be made for one handbell ensemble.Kurt Meyer Self-Publishing (KMSP) Code: KMSP-0007.
$45.00
41.33 €
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Handbells
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Heart
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Alone
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Kurt Meyer Self-Publishing
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SheetMusicPlus
Glaube, Hoffnung, Liebe - Glaube an die Zukunft
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1097054 Composed by Frank Meyer. …
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C Instrument - Level 2 - Digital Download SKU: A0.1097054 Composed by Frank Meyer. A Cappella,Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Frank Meyer #701008. Published by Frank Meyer (A0.1097054). Since the year 1984 many people meet at the end of the year in Obermarchtal at the Danube/Donau to sing and make music together. Towards the end of the year 2020 it became very clear that the Corona virus would make it impossible to meet first time since more than 35 years. When I realized that, some words an a melody came to my mind and I wrote this canon for the participants of the Neustifter Musikwoche (www.neustifter-musikwochen.de). We met in some video conferences, talked and had fun in spite of the situation. And I gave this song to the participants to sing it and record the own singing. You can hear and see the result in the youtube channel form the Neustifter Musikwochen. Faith, hope an love are the them of the song, according to 1Kor 13,13. Its intention is not to lose hope and confidence, not even in times like these. Also in 2021 we could not meet singing together in Obermarchtal. But were looking forward hopefully. Note: The edition from 2021 published her contains a few small changes compared to the recording from 2020. ...... Seit 1984 treffen sich jährlich zum Jahreswechsel musikbegeisterte Menschen aller Altersstufen im Bildungshaus Kloster Obermarchtal. direkt oberhalb der schönen Donau gelegen, um gemeinsam zu musizieren. Als gegen Ende des Jahres 2020 klar wurde, dass aufgrund der Corona-Pandemie die Musikwoche zum Jahreswechsel erstmals seit über 35 Jahren nicht würde stattfinden können, kamen mir in Anlehnung an die Worte des Paulus im ersten Korintherbrief (1Kor 13,13) die Worte und die Melodie dieses Liedes in den Sinn, und ich schrieb diesen Kanon. Statt in Obermarchtal trafen wir uns einige Tage lang immer wieder in Videokonferenzen, feierten sogar eine kleine Andacht zu Silvester. Ich schickte Noten und die Aufnahme einer Klavierbegleitung an die Teilnehmer, und einige sangen das Lied und schickten mir ihre Aufnahmen. Es entstand eine virtuelle Choraufnahme, die im Youtube-Kanal der Neustifter Musikwochen zu sehen und zu hören ist. Auch im vergangenen Jahr 2021 konnten wir uns nicht zum gemeinsamen Singen treffen. Aber wir blicken weiterhin hoffnungsvoll nach vorne, glauben an die Zukunft, an das Leben und an die Liebe. Anmerkung: Die hier veröffentlichte Notenausgabe von 2021 enthält gegenüber der Aufnahme von 2020 am Ende ein paar kleine Änderungen. Informationen zu unseren Musikwochen unter http://neustifter-musikwochen.de.
$1.99
1.83 €
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C Instruments
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Frank Meyer
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Glaube, Hoffnung, Liebe - Glaube an die Zukunft
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Frank Meyer
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SheetMusicPlus
Squeak Big: Practical Fundamentals for the Successful Clarinetist
Clarinet
Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. …
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Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).
$32.00
29.39 €
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Clarinet
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Phillip Paglialonga
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Squeak Big: Practical Fundamentals for the Successful Clarinetist
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Imagine Music - Digital
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SheetMusicPlus
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