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Trad Chinese
Sheetmusic to print
20 sheet music found
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1
Good Harvest Dance, Trad. Chinese Folk Song
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.857835 Composed by Traditiona…
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String Orchestra - Level 2 - Digital Download SKU: A0.857835 Composed by Traditional. Arranged by Adrian Mansukhani. Contemporary,Holiday,World. Score and parts. 13 pages. Adrian Mansukhani #115569. Published by Adrian Mansukhani (A0.857835). Good Harvest Dance, a traditional Chinese Folk Song Arranged for String Orchestra by Adrian Mansukhani Instrumentation: Violin 1, Violin 2, Violin 3/Viola, Cello, Double Bass, Piano Accompaniment Level: Easy/Moderately Easy Duration: 1:40 Please visit www.ozfiddlermusic.com.au for more products! This work is registered with the Australian Performing Rights Association. www.apraamcos.com.au/.
$24.95
23.05 €
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String Orchestra
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Traditional
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Good Harvest Dance, Trad. Chinese Folk Song
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Adrian Mansukhani
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SheetMusicPlus
Chinese Spring
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1255160 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1255160 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848725. Published by Max Potseluiev (A0.1255160). Chinese Spring is a delicate and soft composition that embodies the essence of a blossoming season in China. With its light and airy demeanor, this piece captures the beauty and grace of springtime in a unique blend of influences, featuring a soft syncopated rhythm reminiscent of a quasi-jazz waltz.The composition transports the listener to a tranquil Chinese garden, where cherry blossoms gently sway in the breeze and fragrant flowers fill the air. The melody dances playfully, painting a vivid picture of nature awakening from its winter slumber. The syncopated rhythm adds a touch of liveliness and whimsy, infusing the piece with a sense of joy and spontaneity.Chinese Spring invites the listener to embrace the serenity of the season, as well as the vibrant energy that comes with the blooming of nature. The soft and gentle nature of the composition creates a calming atmosphere, allowing the listener to immerse themselves in the beauty of the moment.As the piece unfolds, it incorporates elements of quasi-jazz waltz, infusing the traditional Chinese-inspired melodies with a subtle modern twist. The rhythmic interplay between the melody and the syncopated accompaniment creates a lively and captivating atmosphere, evoking a sense of celebration and the spirit of springtime festivities.The composition, with its light and soft character, pays homage to the rich cultural heritage of China while embracing a contemporary musical sensibility. It captures the essence of a season of renewal and growth, encapsulating the beauty and optimism that comes with the arrival of spring.Chinese Spring serves as a musical tribute to the harmonious blend of tradition and innovation, inviting the listener to experience the enchantment of a new beginning and the timeless beauty of a season filled with promise.
$4.99
4.61 €
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Piano solo
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Max Potseluiev
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Chinese Spring
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Max Potseluiev
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SheetMusicPlus
Drei Chinesen mit dem Kontrabass
Voice with piano, accordion, keyboard or guitar (melody instrument ad lib.) - very easy to…
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Voice with piano, accordion, keyboard or guitar (melody instrument ad lib.) - very easy to easy - Digital Download SKU: S9.Q14448 Trad.. Arranged by Christoph Greven. This edition: song book. Downloadable. Schott Music - Digital #Q14448. Published by Schott Music - Digital (S9.Q14448). German.
$2.99
2.76 €
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Drei Chinesen mit dem Kontrabass
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Schott Music - Digital
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835…
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
20.37 €
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
String Orchestra
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th…
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
23.97 €
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String Orchestra
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Lantern Song
Choral 2-part
Choral Choir (SA) - Digital Download SKU: A0.875642 Composed by Trad Chinese. Arran…
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Choral Choir (SA) - Digital Download SKU: A0.875642 Composed by Trad Chinese. Arranged by Caroline Venter. World. Octavo. 2 pages. Caroline Venter #3914595. Published by Caroline Venter (A0.875642). Traditional song for Chinese lantern festival.Translated to English and simple 2 part harmony in the chorus (unison verses).Would suit and elementary school choir.
$8.99
8.31 €
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Choral 2-part
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Trad Chinese
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Lantern Song
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Caroline Venter
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SheetMusicPlus
A Song of Bamboo Hat Hill (lament)
Bagpipe
Bagpipes Solo - Level 3 - Digital Download SKU: A0.1028315 Composed by T M McClella…
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Bagpipes Solo - Level 3 - Digital Download SKU: A0.1028315 Composed by T M McClellan. Celtic,Concert,Contemporary. Individual part. 1 pages. Dr T M McClellan #3482081. Published by Dr T M McClellan (A0.1028315). A Song of Bamboo Hat Hill (2/4 lament), in memoriam Zhong Taimei of Meinong, Taiwan (1911-2008)- Tam Tam the Piping Bam's first ever composition, begun 2009, finished(?) March 2018, a few months after I began first ever formal study of music theory- composition intended to sound like a Gaelic lament in pibrochy style with (pentatonic) elements from trad Chinese music- sample performed by Tommy McClellan on practice chanter.
$1.99
1.84 €
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Bagpipe
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T M McClellan
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A Song of Bamboo Hat Hill
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Dr T M McClellan
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SheetMusicPlus
Kangding Love Song (Grade 2, list B3, from the ABRSM Piano Syllabus 2023 and 2024)
Piano solo
Composed by Trad Chinese. Arranged by Austin Yip. This edition: scorch. Classical. Scor…
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Composed by Trad Chinese. Arranged by Austin Yip. This edition: scorch. Classical. Score. 1 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_23_G2_B3. Published by ABRSM (Associated Board of the Royal Schools of Music)
$2.99
2.76 €
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Piano solo
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Trad Chinese
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Kangding Love Song
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ABRSM
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SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) (Piano Reductions)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1040102 Composed by An-lun Huang. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1040102 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score. 140 pages. DoReMi Edition #644926. Published by DoReMi Edition (A0.1040102). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$19.99
18.47 €
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Piano solo
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An-lun Huang
#
Dream of Dunhuang - Ballet in 3 Acts, O,p.29
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DoReMi Edition
#
SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
27.71 €
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Orchestra
#
An-lun Huang
#
Dream of Dunhuang - Ballet in 3 Acts, O,p.29
#
DoReMi Edition
#
SheetMusicPlus
SINGFOO (OUR HAPPINESS)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1415779 By ROBERT VAN HORNE. By ROB…
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Piano Solo - Level 4 - Digital Download SKU: A0.1415779 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 8 pages. White Piano International Publishing #993491. Published by White Piano International Publishing (A0.1415779). SINGFOO (OUR HAPPINESS) (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo8 pagesDuration approximately 4:15In 1987 while living in Singapore, I aimed to create an album comprising ten piano compositions inspired by Chinese music, which I titled CHINA LOVE.Within this collection, there is a piece titled SINGFOO, a term phonetically pronounced in Mandarin, carrying the meaning of Our Happiness when pronounced with proper accents. In crafting this composition, I drew from the tradition of Chinese music, often reflecting life's trials and triumphs. The essence of SINGFOO (OUR HAPPINESS) encapsulates the sentiment of finally discovering our happiness amidst life's journey.The sheet music for SINGFOO (OUR HAPPINESS) is clearly notated, featuring dynamic markings, articulation indicators, phrasing, pedal suggestions, chord symbols, fingerings, and relevant musical terminology to aid performers.This arrangement caters to advanced intermediate students, professional pianists, and piano instructors alike, providing a rewarding musical experience.For those interested, a complete audio sample with background instruments is included with SINGFOO (OUR HAPPINESS) from Robert’s CHINA LOVE album.Additionally, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, titled TEN MUSICAL THEMES FROM 'CHINA LOVE, can be obtained from: Sheet Music Plus Sheet Music Direct Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
2.76 €
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Piano solo
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ROBERT VAN HORNE
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SINGFOO
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White Piano International Publishing
#
SheetMusicPlus
Jasmine --Duet for Flute and Bassoon
Flute, Bassoon (duet)
Instrumental Duet Bassoon,Flute,Instrumental Duet - Digital Download SKU: A0.1032777
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Instrumental Duet Bassoon,Flute,Instrumental Duet - Digital Download SKU: A0.1032777 Composed by Max Chan. Contemporary,World. Score and parts. 9 pages. Max Chan #5337669. Published by Max Chan (A0.1032777). Jasmine, Mo Li Hua, is not just a flower in Chinese tradition, it is a popular title for Chinese folk songs and tunes. Except for the most famous one which has been internationally acknowledged that I adopted, I picked another Cantonese folk tune also named Jasmine for this composition. In every big historical moment, no matter good or bad, Jasmine is the most crucial tune accompanied by us, we sang, we played it. There have been happening many things recently in Hong Kong. How do we adopt these two tunes in our context?
$1.99
1.84 €
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Flute, Bassoon (duet)
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Max Chan
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Jasmine --Duet for Flute and Bassoon
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Max Chan
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
42.49 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Wunderkammer(konzert)
Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players.…
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Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q23834. Published by Schott Music - Digital (S9.Q23834). This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: ’in this labyrinthine landscape, I found a natural context to construct my own private collection of musical objects, ciphers, and quotations. The volatile and virtuosic textures of the work are created by demanding soloistic agility from each performer. Whilst being required to fit seamlessly together to form complex musical surfaces the musicians are also set belligerently strident and dramatic roles. The concerto form (kammerkonzert) proved a natural arena for such contradictory tensions that seek resolution through metamorphosis.’ (Kenneth Hesketh)1 with B foot(pic).1(ca).0.Acl(bcl).0-0.1.1(tri).0-3perc(crot, vib, mar, tub bells, tri, h.h, 4sus cym, Chinese cym, splash cym, mark tree, 3gong, 2tom-t, b.d, kick b.d, pic timp, 5timp, 2jam blocks, 4granite blocks, egg shaker, desk bell)-pno(cel)-str(1.0.1.1.1).
$47.99
44.34 €
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Kenneth Hesketh
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Wunderkammer(konzert)
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Schott Music - Digital
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SheetMusicPlus
String Quartet《弦樂四é‡å¥ã€‹
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.961998 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.961998 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 49 pages. SpringAutumnmusic #2341873. Published by SpringAutumnmusic (A0.961998). 《弦樂四é‡å¥ã€‹1983å¹´ é€™é¦–é€£æ¨‚ç« é«”å¼çš„å››é‡å¥ï¼Œå¯åˆ†ç‚ºï¼šç”Ÿæ°£è“¬å‹ƒçš„å¿«æ¿ã€åŸè©©èˆ¬çš„æ…¢æ¿ã€å¦‚æŒçš„è¡Œæ¿åŠç”Ÿå‹•æ´»æ½‘的終曲這四部分。在曲åé€²è¡Œä¸Šï¼Œæ¨‚ç« èˆ‡æ¨‚ç« ä¹‹é–“æ˜¯ç›¸é€£ä¸æ–·çš„ï¼Œä¸€ç« çš„çµæŸæ˜¯ä¸‹ä¸€ç« 的開始，在綿延與連繼之間，樂念æµæš¢åœ°ç™¼å±•ä¸‹åŽ»ã€‚ ç¬¬ä¸€æ¨‚ç« æ˜¯ä»¥å¼·è€Œæœ‰åŠ›çš„æ’¥å¥ä¾†æé–‹åºå¹•ï¼Œä¸¦ä¸”以ä¸åœ‹å‚³çµ±çš„鑼鼓節å¥ä¾†é€²è¡Œï¼Œä¹‹å¾Œä¸»é¡Œç”±å¤§æç´å°Žå…¥ã€‚ç¬¬äºŒæ¨‚ç« æ˜¯æ•´æ›²æœ€å¤§çš„å°æ¯”與張力點，是以「åŸè©©ã€çš„æ¨‚å¿µä¾†ç™¼å±•ã€‚ç¬¬ä¸‰æ¨‚ç« æ•´åˆäº†ç¬¬ä¸€ã€ç¬¬äºŒæ¨‚ç« ä¹‹å¾Œï¼Œç™¼å±•åˆ°çµ‚æ›²ã€‚æ•´æ›²åœ¨å…§å®¹ä¸Šï¼Œç¬¬ä¸€ã€ç¬¬ä¸‰èˆ‡ç¬¬å››æ¨‚ç« çš„é—œä¿‚æ˜¯éžå¸¸å¯†åˆ‡ï¼Œå…¶é–“ä¸åŒä¹‹è™•åªæ˜¯ç”±æ–¼ç¶“ç”±å„種手法的變化所致。 éŸ³æ¨‚çš„å…§å®¹å°±æ˜¯ä¸€ç¨®é¢¨æ ¼ï¼Œä½œæ›²è€…åœ¨å½¢å¼çš„ä¾·é™ä¸‹ï¼Œé‹ç”¨æ–°çš„ç†å¿µåŠæ‰‹æ³•ï¼Œå‘ˆç¾äº†å››é‡å¥çš„å¦ä¸€ç¨®å¢ƒç•Œã€‚ ※本曲係文建會委託創作，於1983年完æˆä¹‹ä½œå“，1987年樂èœåˆç‰ˆï¼Œä¸¦æ–¼2016å¹´å†ç‰ˆã€‚ 1985å¹´1月4日首演於å°å¤§å¸ç”Ÿæ´»å‹•ä¸å¿ƒå¤§ç¦®å ‚，由å°å¤§æ„›æ¨‚社主辦之「馬水é¾å®¤å…§æ¨‚之夜ã€ã€‚æ¼”å¥å®¶ç‚ºç¬¬ä¸€å°æç´æ±Ÿç¶ä¸ã€ç¬¬äºŒå°æç´æ´ªåƒè²´ã€ä¸æç´å·«æ˜Žä¿ã€å¤§æç´å«ç¬çŽ²ã€‚ 《String Quartet》（1983） String Quartet is divided into four movements (sections): I. Allegro con brio, II. Dichterisches Adagio, III. Andante cantabile, IV. Lebendiges Finale. The composer designed this piece to play continuously between sections and makes the composition a quasi-single-movement. Due to the continuity, the musical elements and compositional concepts are connected smoothly through out the piece. The vigorous pizzicato opens up the first movement of this piece, imitates the traditional Chinese Gong-and-Drum rhythmic patterns. The cello solo main theme flows in later and develop the music to the following sections. The second movement is inspired from the concept of poetry reading. It is the most intensive section and holds the greatest contrast of this piece. The third movement combines elements from the earlier movments and leads to the fourth movement, Lebendiges Finale. The musical ideas between these four movments of the composition are strongly revelent to each other. The musical content in a composition sets up the style for itself. Even under some restrictions of tradional musical forms, the composer tried to develop few new compositional ideas in order to achieve a new sphere of string quartet with this piece. String Quartet was commissioned by the Council for Cultural Affairs, finished in 1983, premiered on 4th of January 1985 in the National Taiwan University Student Activity Center. It was programed in the event A Night of Shui-Long Ma’s Chamber Music, held by Asian Composers’ League-Taiwan Section and NTU-Philharmonic Club. The premiered musicians were: Wei-Chung Chiang (Violin I), Chin-Kuei Hong (Violin II), Ming-Li Wu (Viola) and Wan-Ling Sun (Cello). The first edition of the score was published in 1987, and the second edition published in 2016.
$18.99
17.54 €
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String Quartet: 2 violins, viola, cello
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Ma Shui Long 馬水é¾
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String Quartet《弦樂四é‡å¥ã€‹
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SpringAutumnmusic
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SheetMusicPlus
Concerto for Orchestra
Orchestra
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: …
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
33.25 €
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Orchestra
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Peach Blossom Promise for small harp
Harp
Harp - Level 2 - Digital Download SKU: A0.849979 Composed by Kun Luo. Arranged by M…
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Harp - Level 2 - Digital Download SKU: A0.849979 Composed by Kun Luo. Arranged by Marilyn Rummel. Film/TV,Multicultural,New Age,World. Score. 4 pages. Demand Music #6247049. Published by Demand Music (A0.849979). This beautiful piece from the romantic Chinese tradition was used in TV show which has English titles of Ten miles of Peach Blossoms or Life Long Love, among other translations. It is lush and sweet, and works surprisingly well on the small harp. The lowest note is an octave below middle C, sometimes known as a 29 or 26 string harp. Key of C, no lever changes.
$4.99
4.61 €
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Harp
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Kun Luo
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Key of C, no lever changes
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Peach Blossom Promise for small harp
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Demand Music
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SheetMusicPlus
Agama
Cello, Piano
Clarinet, violin, cello and piano - difficult - Digital Download SKU: S9.Q16994 …
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Clarinet, violin, cello and piano - difficult - Digital Download SKU: S9.Q16994 For clarinet, violin, violoncello and piano. Composed by Jing Zhou. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q16994. Published by Schott Music - Digital (S9.Q16994). The title of the piece refers to the Agama, a fundamental holy scripture of early Buddhism. The young composer says about it: 'The basic ideas of these writings were a source of my inspiration. The compositional material corresponds to my own musical language and is strongly linked to the spirit and concept of these Buddhist writings.' The result is a very lively and spirited interplay of the musical passages among the different instruments. The piece is a harmonious blend of Chinese contemporary music and distinct reminiscences of tradition.
$40.99
37.87 €
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Cello, Piano
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Jing Zhou
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Agama
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Schott Music - Digital
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SheetMusicPlus
Children's Galop from the Nutcracker for Violin & Cello Duet Music for Two (or Flute or Oboe & Basso
Violin, Cello (duet)
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Daniel Kelley. Childre…
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Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Daniel Kelley. Children, Concert, Romantic Period, Standards. 4 pages. Last Resort Music Publishing #3583321. Published by Last Resort Music Publishing
The Tarantellafrom the Tschaikovsky’s Nutcracker is a very fast dance movement in 6/8 and is traditionallyperformed by a male dancer immediately following the Pas de Deux. Don’t missthis delightful and energetic arrangement!<br> <br> The Children’s Galop from Tschaikovsky’s Nutcracker is anabsolutely delightful movement from Act I and is the perfect addition to any Holidayperformance!<br> <br> Playable by Flute & Cello Duet, Oboe &Cello Duet, Violin & Cello Duet, Flute & Bassoon Duet, Oboe &Bassoon Duet, Violin & Bassoon Duet<br> <br> Each duet is published in score form (both parts on the same page) sothat the players can play from the same part.<br> <br> Don\'t miss our other Nutcracker arrangements including MotherGinger, Chocolate, Clara & the Nutcracker, Pas De Deux, FinalWaltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children\'s Galop,Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March,Overture & Trepak!
$5.95
5.5 €
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Violin, Cello (duet)
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Peter Ilyich Tchaikovsky
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Children's Galop from the Nutcracker for Violin & Cello Duet Music for Two
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Last Resort Music Publishing
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SheetMusicPlus
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