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You've selected:
Trapped Under Ice
Sheetmusic to print
12 sheet music found
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1
Trapped Under Ice
Bass guitar
By Metallica. Pop, Rock. Bass Tab. 4 pages. Published by Hal Leonard - Digital
By Metallica. Pop, Rock. Bass Tab. 4 pages. Published by Hal Leonard - Digital
$4.99
4.61 €
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Bass guitar
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Metallica
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Trapped Under Ice
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Hal Leonard - Digital
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SheetMusicPlus
Trapped Under Ice by Metallica - Guitar Recorded Versions (with TAB), Guitar TAB/Guitar Recorded Versions (with TAB);Guitar TAB
Guitar notes and tablatures
Performed by: Metallica: Trapped Under Ice Digital Sheetmusic - instantly downloadable she…
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Performed by: Metallica: Trapped Under Ice Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3; 6 pages -- Pop Rock~~Speed Metal~~Hard Rock~~Heavy Metal
$5.50
5.08 €
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Guitar notes and tablatures
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Metallica
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Guitar Recorded Versions (with TAB), Guitar TAB/Guitar Recorded Versions (with TAB);Guitar TAB
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Musicnotes
20,000
Alto Saxophone
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Bran…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
4.61 €
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Alto Saxophone
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
Trapped Under Ice
Lyrics and Chords
By Metallica. By Lars Ulrich, Kirk Hammett, and James Hetfield. Metal. GTRCHD. 3 pages. Pu…
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By Metallica. By Lars Ulrich, Kirk Hammett, and James Hetfield. Metal. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.84 €
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Lyrics and Chords
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Metallica
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Trapped Under Ice
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
James Hetfield: Trapped Under Ice for guitar
Lyrics and Chords
Instantly printable sheet music by Metallica for guitar (chords) of MEDIUM skill level. / …
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Instantly printable sheet music by Metallica for guitar (chords) of MEDIUM skill level. / metal
$3.97
3.66 €
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Lyrics and Chords
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James Hetfield
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Virtualsheetmusic
Lars Ulrich: Trapped Under Ice for guitar
Guitar notes and tablatures
Instantly printable sheet music by Metallica for guitar (tablature) of MEDIUM skill level.…
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Instantly printable sheet music by Metallica for guitar (tablature) of MEDIUM skill level. / metal,rock
$6.97
6.43 €
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Guitar notes and tablatures
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Lars Ulrich
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Virtualsheetmusic
Trapped Under Ice
Guitar notes and tablatures
By Metallica. For guitar. Metal; Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Dig…
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By Metallica. For guitar. Metal; Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Guitar notes and tablatures
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Metallica
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Rock
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Trapped Under Ice
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Medioevo By Jannes Jacobs
Concert band
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contempo…
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Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
13.84 €
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Concert band
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Anastasia: An Opera in One Act
Small Ensemble High Voice,Low Voice,Medium Voice,Multi-Percussion,Piano - Digital Download…
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Small Ensemble High Voice,Low Voice,Medium Voice,Multi-Percussion,Piano - Digital Download SKU: A0.733079 Composed by James Wagner. 20th Century,Opera. Score and parts. 104 pages. Ayotte Custom Musical Engravings #3017785. Published by Ayotte Custom Musical Engravings (A0.733079). For more than a year after abdicating the throne of Russia, Nicholas and his family have been under house arrest. The opera opens with the former Czar lamenting his fall from power and precarious circumstances. His wife, Anexandra, consoles him and they sing of their undying love in the duet, One Love Forever.One by one, the children awake and join them on stage. Anastasia dramatically portrays a dream she has just had. Then, in an upbrat song of hope she explains her optimistic outlook in My Name Is Anastasia. The ensemble joins her at the end, assuring one another they will all soon be rising up to life again. To while away the time, the family pretends they are at the French Ambassador's New Year's Ball.At the height of the ensuing waltz, Comrade Sladislav, Captain of the Red Guard, and a band of revolutionary guards burst it. Sladislav harangues Nicholas and the family. Then, in the vindictive Song of the Revolution, he extols the greatness of la Révolution as the family watches in fear. Nicholas and Alexandra remind each other of their one love forever and the children look for dawn in darkest night. The Captain then marches the family down to the cellar (off-stage), ostensibly to await transport. Thus trapped, they are easy prey for the revolvers of Sladislav and his men. The self-satisfies revolutionary reemerges and makes his closing statements before exiting.Scored for piano and percussion. Dramatis Personæ:Anastasia (soprano) Comrade Sladislav (baritone) Nicholas (baritone) Alexandra (contralto) Olga (soprano) Maria (mezzo-soprano) Alexis (mezzo-soprano) Guards (2 tenors and a baritone)
$29.99
27.68 €
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James Wagner
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Anastasia: An Opera in One Act
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Brass Sextet - Allegro Spiritoso
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
23.07 €
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Mike Lyons
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Brass Sextet - Allegro Spiritoso
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Lyons Music Services
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SheetMusicPlus
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