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You've selected:
Trois Chansons
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Sheetmusic to print
30 sheet music found
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26
Trois Chansons (Three Songs) for Trombone Quartet
Brass Quartet: 4 trombones
Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1226911 Composed …
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Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1226911 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. 52 pages. Gordon Cherry #822920. Published by Gordon Cherry (A0.1226911). Trois Chansons (Three Songs) is a work by Maurice Ravel originally composed for a cappella choir written in 1915 in the spirit of nursery rhymes, with a Renaissance almost archaic sounding atmosphere.Ravel composed the Three Songs (Nicolette, Trois beaux oiseaux du Paradis and Ronde) in response to World War I while he was waiting to be drafted and he dedicated the songs to three people who might help him enlist in the military. The common theme in all the Songs is loss.Mr. Sauer has beautifully arranged the Trois Chansons for 4 Trombones. They are appropriate for advanced performers and total about 7-minutes in length.
$30.00
27.17 €
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Brass Quartet: 4 trombones
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Maurice Ravel
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Trois Chansons
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Gordon Cherry
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SheetMusicPlus
Trois Chansons (Three Songs) for Horn Quartet
Brass Quartet: 4 horns
Horn - Level 5 - Digital Download SKU: A0.1291756 Composed by Maurice Ravel. Arrang…
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Horn - Level 5 - Digital Download SKU: A0.1291756 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. 28 pages. Gordon Cherry #882365. Published by Gordon Cherry (A0.1291756). Trois Chansons (Three Songs) is a work by Maurice Ravel originally composed for a cappella choir written in 1915 in the spirit of nursery rhymes, with a Renaissance almost archaic sounding atmosphere.Ravel composed the Three Songs (Nicolette, Trois beaux oiseaux du Paradis and Ronde) in response to World War I while he was waiting to be drafted and he dedicated the songs to three people who might help him enlist in the military. The common theme in all the Songs is loss.Mr. Sauer has beautifully arranged the Trois Chansons for Four Horns. They are appropriate for advanced performers and total about 7-minutes in length.
$30.00
27.17 €
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Brass Quartet: 4 horns
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Maurice Ravel
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Trois Chansons
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Gordon Cherry
#
SheetMusicPlus
Trois Chansons Folkloriques Françaises
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.758030 Composed by J.L. Batman an…
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Concert Band - Level 1 - Digital Download SKU: A0.758030 Composed by J.L. Batman and traditional. Arranged by James Bicigo. Concert,Folk,Instructional,Standards. Score and parts. 69 pages. Polar Publications #6304151. Published by Polar Publications (A0.758030). This is a nice suite of three French folksongs. Perfect for any school program, and especially for Francophone schools. It includes A Mon beau Chateau, Au Clair De La Lune, and Aux Marches du Palais.C'est une belle suite de trois chansons folkloriques françaises. Parfait pour tout programme scolaire, et particulièrement pour les écoles francophones. Il comprend A Mon beau Château, Au Clair De La Lune et Aux Marches du Palais.
$50.00
45.28 €
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Concert band
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J
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Trois Chansons Folkloriques Françaises
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Polar Publications
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SheetMusicPlus
Trois chansons
Choral SATB
SATB chorus - Digital Download SKU: BJ.1202 Composed by Clement Janequin. Arranged …
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SATB chorus - Digital Download SKU: BJ.1202 Composed by Clement Janequin. Arranged by Bo Holten. Michaeli Early Music Series. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1202. Published by Bo Ejeby Forlag - Digital (BJ.1202). 8.27 x 11.7 inches.Three renaissance chansons with lyrics in both Swedish and original, old French. Swedish lyrics by Eva Sommestad Holten.Contents: Le chant du rossignol (Min naktergal) Mais que ce fust secretement (Om blott det sker i hemlighet) De ta bouche tant vermeille (Ah! Fran dina roda lappar)Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.
$2.80
2.54 €
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Choral SATB
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Clement Janequin
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Trois chansons
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Chansons de Bilitis (2024)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405088 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405088 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 129 pages. Thomas Oboe Lee #988125. Published by Thomas Oboe Lee (A0.1405088). Debussy's Trois Chansons de Bilitis was one of the works we studied in a seminar taught by Professor Earl Kim when I was a graduate student at Harvard University, 1977 to 1981. I then recently discovered that Debussy took twelve of the 158 poems from Pierre Louÿs' Les Chansons de Bilitis and wrote Musique de scéne pour les chansons de bilitis.' The texts in this version is not sung but recited by a narrator accompanied by two flutes, two harps and celesta. I immediately thought wouldn't it be cool if I took the same texts and set them to music for soprano and piano. That is exactly what I did ... I. Chant Pastoral II. Les Comparaisons III. Les Contes IV. Chanson (Ombre du bois) V. La Partie d'Osselets VI. Bilitis VII. Le Tombeau sans nom VIII. Les Courtisanes Égyptiennes IX. L'Eeau pure du bassin X. La Danseuse aux crotales XI. Le souvenir de Mnasidika XII. Le pluie au matin.
$9.99
9.05 €
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Piano, Voice
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Thomas Oboe Lee
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Chansons de Bilitis
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Thomas Oboe Lee
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SheetMusicPlus
Chansons de Bilitis (2024) piano vocal score
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405090 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1405090 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 83 pages. Thomas Oboe Lee #988127. Published by Thomas Oboe Lee (A0.1405090). Debussy's Trois Chansons de Bilitis was one of the works we studied in a seminar taught by Professor Earl Kim when I was a graduate student at Harvard University, 1977 to 1981. I then recently discovered that Debussy took twelve of the 158 poems from Pierre Louÿs' Les Chansons de Bilitis and wrote Musique de scéne pour les chansons de bilitis.' The texts in this version is not sung but recited by a narrator accompanied by two flutes, two harps and celesta. I immediately thought wouldn't it be cool if I took the same texts and set them to music for soprano and piano. That is exactly what I did ... I. Chant Pastoral II. Les Comparaisons III. Les Contes IV. Chanson (Ombre du bois) V. La Partie d'Osselets VI. Bilitis VII. Le Tombeau sans nom VIII. Les Courtisanes Égyptiennes IX. L'Eeau pure du bassin X. La Danseuse aux crotales XI. Le souvenir de Mnasidika XII. Le pluie au matin.
$9.99
9.05 €
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Piano, Voice
#
Thomas Oboe Lee
#
Chansons de Bilitis
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Thomas Oboe Lee
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SheetMusicPlus
G. Pierné-Les trois chansons,in F Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393405 Composed by Gabriel …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393405 Composed by Gabriel Pierne. Arranged by OSM Press. Classical. Score. 3 pages. Open Cloud #976892. Published by Open Cloud (A0.1393405).
$1.99
1.8 €
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Piano, Voice
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Gabriel Pierne
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G. Pierné-Les trois chansons,in F Major
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Open Cloud
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SheetMusicPlus
Germaine Tailleferre: Trois Chansons de Jean Tardieu for voice and piano
Medium voice, Piano
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.534460 Composed by Ger…
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.534460 Composed by Germaine Tailleferre. 20th Century,Children,Concert,Standards. 7 pages. Musik Fabrik Music Publishing #3507339. Published by Musik Fabrik Music Publishing (A0.534460). Three songs for medium voice and piano that express a child's view of the World.: Texts in French1. Récatonpilu2. Petite Flamme3. LEternel Enfant
$11.95
10.82 €
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Medium voice, Piano
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Germaine Tailleferre
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Germaine Tailleferre: Trois Chansons de Jean Tardieu for voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trois chansons de campagne: Score
String Orchestra
String Orchestra - Digital Download SKU: AX.98-DST6113S Arranged by David Shaffer. …
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String Orchestra - Digital Download SKU: AX.98-DST6113S Arranged by David Shaffer. Score. 11 pages. Alfred Music - Digital Sheet Music #98-DST6113S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6113S). UPC: 674398220328.
$5.00
4.53 €
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String Orchestra
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Trois chansons de campagne: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Trois Chansons de Guerre (miniatures sur des poèmes de Guillaume Apollinaire) (Downloadable)
Choral SATB
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8080-E Composed by Fra…
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8080-E Composed by Frank Ferko. Funeral. 9 pages. Duration 3 minutes, 36 seconds. E. C. Schirmer Music Company - Digital #8080-E. Published by E. C. Schirmer Music Company - Digital (MQ.8080-E). French.Composed at the request of the choral ensemble Sospiri, the work is in three short movements:I. La Grace ExiléeII. Les Feux du BivouacIII. L'Adieu du CavalierThe 1915 texts are by the French poet Guillaume Apollinaire. Since he served in the French military, his poetry on the aspects of life in time of war is from first-hand experience. Graceful, charming, and varied, the music paints the text with elegance. A memorable concert piece for an a cappella SATB ensemble. Duration: 3:36.
$2.25
2.04 €
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Choral SATB
#
Frank Ferko
#
Trois Chansons de Guerre
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Trois Chansons
2 Euphoniums and 2 Tubas
Tuba quartet (EETT) - Digital Download SKU: CX.TEP10219 Composed by Claude Debussy.…
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Tuba quartet (EETT) - Digital Download SKU: CX.TEP10219 Composed by Claude Debussy. Arranged by Jeremy Lane. Score and parts. 44 pages. Published by Tuba-Euphonium Press (CX.TEP10219).
$18.00
16.3 €
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2 Euphoniums and 2 Tubas
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Claude Debussy
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Trois Chansons
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Tuba-Euphonium Press
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SheetMusicPlus
Three Songs (Trois Chansons)
Small Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.700491 Composed …
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Small Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.700491 Composed by Maurice Ravel. Arranged by Kenneth D. Friedrich. 20th Century,World. Score and parts. 30 pages. KFS Publishing #6214561. Published by KFS Publishing (A0.700491). Arranged for tuba ensemble (EETT).NicoletteThree Lovely Birds from ParadiseRoundelay
$18.50
16.75 €
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Maurice Ravel
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Three Songs
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KFS Publishing
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SheetMusicPlus
Three Songs (Trois Chansons)
Saxophone ensemble
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,T…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.825325 Composed by Claude Debussy. Arranged by Gary Bricault. Romantic Period. 31 pages. Gary Bricault #6620709. Published by Gary Bricault (A0.825325). Arrangement for Saxophones. 1. Dieu! qu'il la fait bon regarder - Performance time 1’15 (S A T B)(Lord! lovely haste thou made my dear!)2. Quant j'ai ouy le tabourin - Performance time 1'45 (S 3A T 2B)(When'er the tambourine I hear)3.Yver, vous n'estes qu'un villain - Performance time 3'08 (S A 2T B)(Cold winter, villain that thou art)
$9.99
9.05 €
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Saxophone ensemble
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Claude Debussy
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Three Songs
#
Gary Bricault
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SheetMusicPlus
Trois Chansons
Choral SATB
Composed by Maurice Ravel (1875-1937). This edition: choral score. Schott Chamber Ch…
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Composed by Maurice Ravel (1875-1937). This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 8 minutes. Schott Music - Digital #Q8371. Published by Schott Music - Digital
$9.99
9.05 €
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Choral SATB
#
Maurice Ravel (1875-1937)
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Trois Chansons
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Schott Music - Digital
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SheetMusicPlus
Trois chansons et danses
Guitar
By Takashi Ogawa. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
By Takashi Ogawa. For solo guitar. Level 3. Published by Les Productions d'OZ - Digital
$7.95
7.2 €
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Guitar
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Takashi Ogawa
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Trois chansons et danses
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Les Productions d'OZ - Digital
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SheetMusicPlus
Trois Chansons
2 Euphoniums and 2 Tubas
Tuba quartet (EETT) SKU: TE.TEP10219 Composed by Claude Debussy. Arranged by Jeremy…
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Tuba quartet (EETT) SKU: TE.TEP10219 Composed by Claude Debussy. Arranged by Jeremy Lane. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10219).
$18.00
16.3 €
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2 Euphoniums and 2 Tubas
#
Claude Debussy
#
Trois Chansons
#
Tuba-Euphonium Press
#
SheetMusicPlus
Variations sur trois vieilles chansons d'Alsace
Orff-instruments - Digital Download SKU: S9.Q5592 Composed by Marie-Therese Gaertne…
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Orff-instruments - Digital Download SKU: S9.Q5592 Composed by Marie-Therese Gaertner. This edition: score. Downloadable, Score. Schott Music - Digital #Q5592. Published by Schott Music - Digital (S9.Q5592).
$9.99
9.05 €
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Marie-Therese Gaertner
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Variations sur trois vieilles chansons d'Alsace
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Schott Music - Digital
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SheetMusicPlus
Sainte Cécile - for SAB Choir, Flute, Clarinet, Viola and Violoncello
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888876 Composed by Natalie …
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888876 Composed by Natalie Goossens. Concert,Contemporary. Octavo. 42 pages. Natalie Goossens #6327521. Published by Natalie Goossens (A0.888876). 'Sainte Cécile' is the second song of 'Trois Chansons d’Attente' - 'Three Songs of Expectation', composed by Natalie Goossens on a poem by Mallarmé. The songs are written for SAB Choir, Flute, Clarinet, Viola (Optional Violin) and Violoncello. The PDF includes: Full Score/ Parts: Flute, Clarinet, Viola (Optional Violin), Violoncello/ SAB Choir parts (with piano reduction) for the whole choir. Duration: 3’54
$29.99
27.16 €
#
Choral 3-part
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Natalie Goossens
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Sainte Cécile - for SAB Choir, Flute, Clarinet, Viola and Violoncello
#
Natalie Goossens
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SheetMusicPlus
L' Attente - for SAB Choir, Flute, Clarinet, Viola and Violoncello
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888877 Composed by Natalie …
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888877 Composed by Natalie Goossens. Concert,Contemporary. Octavo. 49 pages. Natalie Goossens #6327529. Published by Natalie Goossens (A0.888877). 'L’Attente' is the third song of 'Trois Chansons d’Attente' - 'Three Songs of Expectation', composed by Natalie Goossens on a poem by Rilke. The songs are written for SAB Choir, Flute, Clarinet, Viola (Optional Violin) and Violoncello. The PDF includes: Full Score/ Parts: Flute, Clarinet, Viola (Optional Violin), Violoncello/ SAB Choir parts (with piano reduction) for the whole choir. Duration: 4’09
$29.99
27.16 €
#
Choral 3-part
#
Natalie Goossens
#
L' Attente - for SAB Choir, Flute, Clarinet, Viola and Violoncello
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Natalie Goossens
#
SheetMusicPlus
CHANSON D'AUTOMNE
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1286452 By E…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1286452 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella. 12 pages. Eduardo A. Malachevsky #877507. Published by Eduardo A. Malachevsky (A0.1286452). CHANSON D'AUTOMNEThird piece of the Cycle TROIS CHANSONS TRISTES? with lyrics by Paul VerlaineFinalist Score of the 1 ° Concorso Internazionale di Composizione Corale C-. Seghizzi, Gorizia, Italy 2003 Voicing: SATB (divisi) a capella  |  Durata Circa: 4 min  |  Language: French | Lyrics: Paul Verlaine | Score's pages: 7  |  Score's meassures: 52 Score Preview & info  | Video Excerpt  | YouTube's Composer Channel
$3.50
3.17 €
#
Choral SATB
#
EAM
#
CHANSON D'AUTOMNE
#
Eduardo A. Malachevsky
#
SheetMusicPlus
LE CIEL EST PAR-DESSUS LE TOIT
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1286446 By E…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1286446 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella. 10 pages. Eduardo A. Malachevsky #877499. Published by Eduardo A. Malachevsky (A0.1286446). LE CIEL EST PAR-DESSUS LE TOITFirst piece of the Cycle TROIS CHANSONS TRISTES? with lyrics by Paul Verlaine Voicing: SATB (divisi) a capella  |  Durata Circa: 3 min 30  |  Language: French  | Score's pages: 5  |  Score's meassures: 34  Score Preview & info  | YouTube's Composer Channel
$3.50
3.17 €
#
Choral SATB
#
EAM
#
LE CIEL EST PAR-DESSUS LE TOIT
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Eduardo A. Malachevsky
#
SheetMusicPlus
IL PLEURE DANS MON COEUR
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1286449 By E…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1286449 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella. 12 pages. Eduardo A. Malachevsky #877504. Published by Eduardo A. Malachevsky (A0.1286449). IL PLEURE DANS MON COEURSecond piece of the Cycle TROIS CHANSONS TRISTES? with lyrics by Paul Verlaine1st. Prix of Tomas Luis de Victoria Polyphonic Music Composition Contest, City of Avila, Spain 2003 Voicing: SATB (divisi) a capella  |  Durata Circa: 4 min  |  Language: French  | Score's pages: 6  |  Score's meassures: 70 Score Preview & info  |  Video Excerpt  | YouTube's Composer Channel
$3.50
3.17 €
#
Choral SATB
#
EAM
#
IL PLEURE DANS MON COEUR
#
Eduardo A. Malachevsky
#
SheetMusicPlus
Pensées d'Automne - for SAB Choir, Flute, Clarinet, Viola and Violoncello
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888875 Composed by Natalie …
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888875 Composed by Natalie Goossens. Concert,Contemporary. Octavo. 45 pages. Natalie Goossens #6327509. Published by Natalie Goossens (A0.888875). 'Pensées d'Automne' is the first song of 'Trois Chansons d’Attente' - 'Three Songs of Expectation', composed by Natalie Goossens on a poem by Bourget. The songs are written for SAB Choir, Flute, Clarinet, Viola (Optional Violin) and Violoncello. The PDF includes: Full Score/ Parts: Flute, Clarinet, Viola (Optional Violin), Violoncello/ SAB Choir parts (with piano reduction) for the whole choir.Duration: 4’03
$29.99
27.16 €
#
Choral 3-part
#
Natalie Goossens
#
Pensées d'Automne - for SAB Choir, Flute, Clarinet, Viola and Violoncello
#
Natalie Goossens
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Madrigal Pavane / Timburibá
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
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