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Turn the World Around - Percussion 2
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Turn the World Around (arr. Roger Emerson)
Choral 2-part
Choral (2-Part) - Digital Download SKU: HX.1180668 By Harry Belafonte. By Harry Bel…
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Choral (2-Part) - Digital Download SKU: HX.1180668 By Harry Belafonte. By Harry Belafonte and Robert Freedman. Arranged by Roger Emerson. Calypso,Caribbean,Folk,Multicultural,Oldies,Pop,Singer/Songwriter,World. Octavo. Duration 298. Hal Leonard - Digital #56447. Published by Hal Leonard - Digital (HX.1180668).
$26.99
24.88 €
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Choral 2-part
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Harry Belafonte
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Turn the World Around
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Hal Leonard - Digital
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SheetMusicPlus
Turn The World Around (arr. Roger Emerson)
Choral 2-part
Choral Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.504262 By Harry Belaf…
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Choral Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.504262 By Harry Belafonte. Arranged by Roger Emerson. This edition: scorch. Folk. Octavo. 11 pages. Hal Leonard - Digital #56447. Published by Hal Leonard - Digital (HX.504262).
$2.25
2.07 €
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Choral 2-part
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Harry Belafonte
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Turn The World Around
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Hal Leonard - Digital
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SheetMusicPlus
The Seed
Choral 2-part
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Glyn Lehmann (A0.510167). What you plant is what you grow.The old saying says 'what you reap is what you sow'. This song turns it around in a way that makes it more accessible to children.A great way to get young minds thinking about how their words and actions affect the world and the people they encounter.SA - Early Intermediate, unison - Easy/BeginnerMy choir's performance of 'The Seed' at the official Grand Opening of the school where I teach was a resounding success! The children loved the song and learnt it quickly.D Taylor, Ontario, CanadaThe SeedWords and music by Glyn LehmannVerse 1There’s a saying that you might knowWhat you reap is what you sowTurn it around and so it goesWhat you plant is what you growMm (hum)ChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growVerse 2A seed of kindness and friendship sownSoon takes root and finds a homeInto the light now it has grownWhat you plant is what you growMmBridgeMeanness is a feral seedKept unchecked a choking weedShuts out the light from those in needWhat you plant is what you growMmChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growTagGrow, growWhat you plant is what you grow© 2014 Glyn Lehmann. All rights reserved.
$2.25
2.07 €
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Choral 2-part
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words and music by Glyn Lehmann
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The Seed
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Glyn Lehmann
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for string quartet (2 violins, cello, viola)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1261986 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 13 pages. Zoran Radanovic #855071. Published by Zoran Radanovic (A0.1261986). This arrangement is for very famous serbian folk song and movie song in BALKAN RUMBA STYLE for string quartet(2 violins, cello, viola) with set of parts. Diese Arrangement ist für sehr berühmtes serbisches Volkslied in BALKAN RUMBA RHYTMUS für String Quartett mit Partitüren. Ovaj aranzman je za vrlo poznatu srpsku narodnu pesmu za gudaÄki kvartet sa partiturama. Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez, a holiday signaling the beginning of spring, occurring on the same day.Goran Bregović's version titled Ederlezi(Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[6] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[7][8] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song.
$6.99
6.44 €
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String Quartet: 2 violins, viola, cello
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Goran Bregovic
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ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for string quartet
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Zoran Radanovic
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SheetMusicPlus
Turn the World Around - F Horn 2
French horn (band part)
Concert band F Horn 2 - Level 3 - Digital Download SKU: HX.293374 By Robert Freedma…
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Concert band F Horn 2 - Level 3 - Digital Download SKU: HX.293374 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293374).
$6.00
5.53 €
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French horn (band part)
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Robert Freedman
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Turn the World Around - F Horn 2
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Bb Trumpet 2
Trumpet (band part)
Concert band Bb Trumpet 2 - Level 3 - Digital Download SKU: HX.293371 By Robert Fre…
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Concert band Bb Trumpet 2 - Level 3 - Digital Download SKU: HX.293371 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293371).
$6.00
5.53 €
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Trumpet (band part)
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Robert Freedman
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Turn the World Around - Bb Trumpet 2
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Bb Clarinet 2
Clarinet (band part)
Concert band Bb Clarinet 2 - Level 3 - Digital Download SKU: HX.293362 By Robert Fr…
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Concert band Bb Clarinet 2 - Level 3 - Digital Download SKU: HX.293362 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293362).
$6.00
5.53 €
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Clarinet (band part)
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Robert Freedman
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Turn the World Around - Bb Clarinet 2
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Eb Alto Saxophone 2
Saxophone (band part)
Concert band Eb Alto Saxophone 2 - Level 3 - Digital Download SKU: HX.293367 By Rob…
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Concert band Eb Alto Saxophone 2 - Level 3 - Digital Download SKU: HX.293367 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293367).
$6.00
5.53 €
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Saxophone (band part)
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Robert Freedman
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Turn the World Around - Eb Alto Saxophone 2
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Trombone 2
Trombone (band part)
Concert band Trombone 2 - Level 3 - Digital Download SKU: HX.293376 By Robert Freed…
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Concert band Trombone 2 - Level 3 - Digital Download SKU: HX.293376 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293376).
$6.00
5.53 €
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Trombone (band part)
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Robert Freedman
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Turn the World Around - Trombone 2
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Bb Bass Clarinet
Concert band
Concert band Bb Bass Clarinet - Level 3 - Digital Download SKU: HX.293365 By Robert…
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Concert band Bb Bass Clarinet - Level 3 - Digital Download SKU: HX.293365 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293365).
$6.00
5.53 €
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Concert band
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Robert Freedman
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Turn the World Around - Bb Bass Clarinet
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - String Bass
Concert band
Concert band String Bass - Level 3 - Digital Download SKU: HX.293380 By Robert Free…
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Concert band String Bass - Level 3 - Digital Download SKU: HX.293380 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293380).
$6.00
5.53 €
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Concert band
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Robert Freedman
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Turn the World Around - String Bass
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Timbales
Choral Instrumental Pak
Digital Download SKU: HX.308954 By Harry Belafonte. Arranged by Mark Hayes. This ed…
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Digital Download SKU: HX.308954 By Harry Belafonte. Arranged by Mark Hayes. This edition: scorch. Calypso,Folk,Pop. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #56447. Published by Hal Leonard - Digital (HX.308954).
$7.00
6.45 €
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Choral Instrumental Pak
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Harry Belafonte
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Turn the World Around - Timbales
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around - Tuba
Concert band
Concert band Tuba - Level 3 - Digital Download SKU: HX.293379 By Robert Freedman. A…
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Concert band Tuba - Level 3 - Digital Download SKU: HX.293379 By Robert Freedman. Arranged by Michael Brown. Calypso,Children,Folk,Pop. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.293379).
$6.00
5.53 €
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Concert band
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Robert Freedman
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Turn the World Around - Tuba
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Hal Leonard - Digital
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SheetMusicPlus
Turn The World Around
Choral 2-part
By Harry Belafonte and Robert Freedman. Arranged by Mark Hayes. For 2-Part choir (2-Part).…
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By Harry Belafonte and Robert Freedman. Arranged by Mark Hayes. For 2-Part choir (2-Part). Choral. Calypso; Folk; Pop. 14 pages. Published by Hal Leonard - Digital Sheet Music
$2.75
2.54 €
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Choral 2-part
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Harry Belafonte and Robert Freedman
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Folk
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Turn The World Around
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Harry Belafonte: Turn The World Around - choir (2-Part)
Choral 2-part
Instantly printable sheet music by Harry Belafonte for choir (2-Part) of MEDIUM skill leve…
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Instantly printable sheet music by Harry Belafonte for choir (2-Part) of MEDIUM skill level. / folk,pop,calypso
$6.73
6.2 €
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Choral 2-part
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Harry Belafonte
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Virtualsheetmusic
The Impossible Dream (The Quest)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1504237 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1504237 Composed by Joe Darion and Mitch Leigh. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show,Pop. 29 pages. John Ivor Holland #1079695. Published by John Ivor Holland (A0.1504237). Man of La Mancha is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel 'Don Quixote'. It tells the story of the 'mad' knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or Don Quixote (Wasserman complained repeatedly about people taking the work as a musical version of Don Quixote). The original Broadway production ran for 2,328 performances and won five Tony Awards, including Best Musical; it has been revived four times on Broadway and there have been mulitple productions in different laguages around the world, becoming one of the most enduring works of musical theatre; it was adapted into a movie in 1972, starring Peter O'Toole. The Impossible Dream is one of the enduring musical themes throughout the show and has also been performed by many diverse artists over the decades, including Frank Sinatra, Shirley Bassey, Tom Jones and Aretha Franklin.
$49.99
46.09 €
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Jazz Ensemble
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Joe Darion and Mitch Leigh
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The Impossible Dream
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John Ivor Holland
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SheetMusicPlus
Gagarin (Beyond Blue Sky)
Choral 2-part
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510157 Composed by Glyn Lehm…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510157 Composed by Glyn Lehmann. 20th Century. Octavo. 8 pages. Glyn Lehmann #3507407. Published by Glyn Lehmann (A0.510157). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.....4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1Gagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
2.3 €
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Choral 2-part
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
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