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Brass Quintet: 2 trumpets, horn, trombone, tuba
3
Trombone ensemble
1
Brass quartet : 2 trumpets, trombone, tuba
1
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You've selected:
Two Sacred Pieces for Trombone Ensemble Choir
Sheetmusic to print
5 sheet music found
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Two Sacred Pieces for Trombone Ensemble Choir
Trombone ensemble
Trombone Ensemble Choir - Advanced Intermediate - Digital Download Composed by Heinri…
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Trombone Ensemble Choir - Advanced Intermediate - Digital Download Composed by Heinrich Schutz (1585-1672). Arranged by Kenneth Biggs. Baroque Period, Renaissance, Early Music, Sacred. Score, Set of Parts. 32 pages. Published by Cherry Classics Music
Heinrich Schütz (1585-1672) wrote the Musikalische Exequien, opus 7 (SWV 279-281) for the funeral of Prince Heinrich Posthumus von Reuss (1572-1635). Prince Heinrich’s widow and sons commissioned the work upon his death and provided Schütz with Bible verses as the text, which were also inscribed on the prince’s coffin.<br> <br> Two of the three parts of the Musikalische Exequien have been arranged for 8-part Trombone Ensemble in two different choirs. The first piece, Motet is reminiscent of Gabrieli's Sonatas. The second piece, Canticum Sineonis is dense, rich, and evokes deep spiritual suffering and loss.<br> <br> Two Sacred Pieces have been exquisitely edited and arranged by Kenneth Biggs for moderately advanced performers and work very well with 2 Alto Trombones, 4 Tenor Trombones, and 2 Bass Trombones.
$32.50
29.96 €
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Trombone ensemble
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Heinrich Schutz (1585-1672)
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Two Sacred Pieces for Trombone Ensemble Choir
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Cherry Classics Music
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
32.25 €
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Brass quartet : 2 trumpets, trombone, tuba
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William Billings
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Miserere Mei Deus - Gregorio Allegri - Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.943870 Composed by Gregorio All…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.943870 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred,World. Score and parts. 24 pages. Tim Brehaut #4582325. Published by Tim Brehaut (A0.943870). Allegri's Miserere adapted for Brass Quintet.Program Notes:Miserere mei, Deus (Latin for Have mercy on me, O God) is a setting of Psalm 51 by Italian composer Gregorio Allegri and is one of the most recorded pieces from the Renaissance. It was composed during the reign of Pope Urban VIII, probably during the 1630s for use in the Sistine Chapel. Originally composed for two choirs (one of 5 voices, one of 4 voices) this adaptation has been arranged for brass quintet.Performance Notes:Optional repeat included to match the original 5 verses. Without the accompanying lyrics, minor liberties have been taken with the repeated rhythms beginning each verse. Interpretation adapted from the 1824 manuscript by Anton Friedrich Justus Thibaut. This arrangement is also available for horn quintet. I hope you enjoy this arrangement!Instrumentation:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneBass Trombone (or Tuba)
$9.99
9.21 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gregorio Allegri
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Miserere Mei Deus - Gregorio Allegri - Brass Quintet
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Tim Brehaut
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SheetMusicPlus
Miserere Mei, Deus - Gregorio Allegri - Horn Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.943871 Composed by Gregorio All…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.943871 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred,World. Score and parts. 20 pages. Tim Brehaut #4592809. Published by Tim Brehaut (A0.943871). Allegri's Miserere adapted for Horn Quintet.Program Notes:Miserere mei, Deus (Latin for Have mercy on me, O God) is a setting of Psalm 51 by Italian composer Gregorio Allegri and is one of the most recorded pieces from the Renaissance. It was composed during the reign of Pope Urban VIII, probably during the 1630s for use in the Sistine Chapel. Originally composed for two choirs (one of 5 voices, one of 4 voices) this adaptation has been arranged for horn quintet.Performance Notes:Optional repeat included to match the original 5 verses. Without the accompanying lyrics, minor liberties have been taken with the repeated rhythms beginning each verse. Interpretation adapted from the 1824 manuscript by Anton Friedrich Justus Thibaut. This arrangement is also available for brass quintet. I hope you enjoy this arrangement!Instrumentation (written range):Horn 1 (D4-C6)Horn 2 (E4-Eb5) Horn 3 (G3-D5)Horn 4 (Eb3-G4)Horn 5 (F3-C5)
$8.99
8.29 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gregorio Allegri
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Miserere Mei, Deus - Gregorio Allegri - Horn Quintet
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Tim Brehaut
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SheetMusicPlus
Miserere Mei, Deus - Gregorio Allegri - Tuba Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.943873 Composed …
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Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.943873 Composed by Gregorio Allegri. Arranged by Tim Brehaut. Baroque,Christian,Renaissance,Sacred. Score and parts. 21 pages. Tim Brehaut #4596701. Published by Tim Brehaut (A0.943873). Allegri's Miserere adapted for Tuba Quintet.Program Notes:Miserere mei, Deus (Latin for Have mercy on me, O God) is a setting of Psalm 51 by Italian composer Gregorio Allegri and is one of the most recorded pieces from the Renaissance. It was composed during the reign of Pope Urban VIII, probably during the 1630s for use in the Sistine Chapel. Originally composed for two choirs (one of 5 voices, one of 4 voices) this adaptation has been arranged for tuba quintet.Performance Notes:Optional repeat included to match the original 5 verses. Without the accompanying lyrics, minor liberties have been taken with the repeated rhythms beginning each verse. Interpretation adapted from the 1824 manuscript by Anton Friedrich Justus Thibaut. This arrangement is also available for brass quintet. I hope you enjoy this arrangement!Instrumentation:Euphonium 1Euphonium 2Euphonium 3 or TubaTuba 1Tuba 2.
$8.99
8.29 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Gregorio Allegri
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Miserere Mei, Deus - Gregorio Allegri - Tuba Quintet
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Tim Brehaut
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SheetMusicPlus
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