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You've selected:
Two Things Can Be True
Sheetmusic to print
9 sheet music found
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Two Things Can Be True
Piano, Voice
Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1446645 Composed by Cari…
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Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1446645 Composed by Cari Fletcher, Jennifer Erin Decilveo, and Julia Michaels. Arranged by TheBiPianist. This edition: Interactive Download. Pop,Rock. Score. 8 pages. Duration 157. TheBiPianist #63aJymKb8QCoSjVrrxZzgP. Published by TheBiPianist (A0.1446645). Key: Bb major.Piano & vocal arrangement of Fletcher's Two Things Can Be True from the album In Search of the Antidote.
$4.99
4.56 €
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Piano, Voice
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Cari Fletcher, Jennifer Erin Decilveo, and Julia Michaels
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Two Things Can Be True
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TheBiPianist
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SheetMusicPlus
Two Things Can Be True
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1446644 Composed …
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Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1446644 Composed by Cari Fletcher, Jennifer Erin Decilveo, and Julia Michaels. Arranged by TheBiPianist. This edition: Interactive Download. Pop,Rock. Score. 10 pages. Duration 185. TheBiPianist #5HUHrr2DjI1seTgowBYSFb. Published by TheBiPianist (A0.1446644). Key: Bb major.Piano, vocal, and guitar arrangement of Fletcher's Two Things Can Be True from the album In Search of the Antidote, with the melody played in the right hand.
$4.99
4.56 €
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Piano, Vocal and Guitar
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Cari Fletcher, Jennifer Erin Decilveo, and Julia Michaels
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Two Things Can Be True
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TheBiPianist
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SheetMusicPlus
Two Things Can Be True
Level 1 - Interactive Download SKU: A0.1425168 Composed by Cari Fletcher, Jennifer …
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Level 1 - Interactive Download SKU: A0.1425168 Composed by Cari Fletcher, Jennifer Erin Decilveo, and Julia Michaels. Arranged by TheBiPianist. This edition: Interactive Download. Pop. Lead Sheet / Fake Book. 3 pages. Duration 157. TheBiPianist #7QWoeuDpPd0dhQqgRVCgOo. Published by TheBiPianist (A0.1425168). Key: Bb major.Melody and chords for Fletcher's Two Things Can Be True from the album In Search of the Antidote, for C instruments.
$4.99
4.56 €
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Cari Fletcher, Jennifer Erin Decilveo, and Julia Michaels
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Two Things Can Be True
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TheBiPianist
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SheetMusicPlus
The composer game: Two games for teaching early violin
Violin
Violin Solo - Level 2 - Digital Download SKU: A0.773262 Composed by Yoel Epstein. C…
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Violin Solo - Level 2 - Digital Download SKU: A0.773262 Composed by Yoel Epstein. Contemporary,Instructional. 5 pages. Yoel Epstein #57119. Published by Yoel Epstein (A0.773262). When I studied violin, it was strictly a solitary experience. I played by myself, or with my teacher accompanying me; everything I learned – sonatas, concertos, concert pieces – were for solo violin. True, I played in an orchestra, and when I was in high school found my way into a beginning string quartet, but all of my experience with violin pedagogy was solitaire. When I started teaching, I adopted a completely different approach. I believe that music is a social, not a solitary activity. So the first piece my students learn is a duet. And everything thereafter involves playing and learning in groups. These two games are part of a larger work presenting my approach to teaching. It is a work in progress, and I hope to be adding organically to it as my experience grows. If you want to see other teaching materials I have developed, you can find them on this site, by clicking here. If you send me an email at yoelepst@gmail.com, I will keep you informed of new things that I publish. I also have a lot of arrangements for string quartets of American and Israeli folksongs, which you can find on the site.
$9.99
9.13 €
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Violin
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Yoel Epstein
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The composer game: Two games for teaching early violin
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Yoel Epstein
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SheetMusicPlus
Legacy of Valor, Op. 138 (Double Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947. The festivities and ceremonies surfaced throughout the nation all year. This composition was crafted as one of those celebratory creations. “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another. The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter! I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!” It is true that most of my compositional experience is with brass instruments. This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition. It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global. Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
$29.95
27.38 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Legacy of Valor, Op. 138
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https://gildedmusicpress.com/
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmanin…
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Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3601985. Published by Michael Butkus-Bomier (A0.862657). The Prelude in C# minor was the bane of Rachmaninoff's existence as a performer. Audiences could NOT get enough of it, and he could not bear to play it one more time! Such is Fame and Success. Well, we Normal Humans have had to look at the traditional setting of it, in two grand staves, with enough double-accidentals to blind a scribe, and try to emulate The Master from that pirate's treasure map. No longer. Here is a single-grand staff setting, with only the most minor modifications to accommodate the average hand, and spellings that show the true nature of the chords. The single best aspect of our setting here is the Total Elimination of the crossed-hand octaves throughout. When I realized these were only three or four-note triads, and not a pile of interlocking harmonies, I determined to make things clearer, for myself, and other players. The low notes all correspond to Rachmaninoff's bassline, except for one passage near the end. Only TWO octave doublings have been removed to make a smaller leap from the former lower grand staff to the upper. When I was a young student, this sort of music was baffling to my eyes, but not my ears. Now we can all see it and play it for what it is, an early masterwork, based on S.R.'s training in harmony from the Moscow Conservatory. A note can be the root, 3rd, 5th, 7th, and even 9th of some chord. They are all on display here, with a nice summation at the end, in quietude. MBB.
$3.99
3.65 €
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Piano solo
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Sergei Rachmaninoff
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Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
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Michael Butkus-Bomier
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SheetMusicPlus
Yellow
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1033575 Composed by Lynne Cox. Chil…
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Easy Piano - Level 1 - Digital Download SKU: A0.1033575 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638882. Published by Lynne Coc Publications (A0.1033575). In Lynne's new series, 'Box of Paints', features the piano solo/lyrics, 'Yellow'. Each of the six elementary solos in this series explores the different emotions various colors evoke and/or represent. Yellow is one of the 3 primary colors and is cheerful, warm, bright, and promotes laughter. The entire series (6 pieces) would make a grand recital program-especially since they range from primary/early elem. to late elementary. 'Yellow' is a beginner piece in key of C beginning in A section with hands around Middle C (but not in true Middle C position) creating a hands-divided melody with a tiny bit of harmony hands together. To be played 'cheerfully'. First two 4-note phrases are around middle C, then repeats 8va. Form in A B A coda. B section finds bouncing (staccato) broken octaves made easy by hands answering (or repeating) first note in measure (LH) an octave higher with RH. Back and forth they banter for 4 measures and repeat this phrase an octave higher and softer. Dynamic variations throughout the piece add artistry. Coda adds echo effect and ends with rit. and fermata. Touches: student learns legato in A section, staccato in B section. Time signature in common time with rhythmic values: quarter, half, and whole notes. Entire piece is over a 2-octave span (made easy!) As in all of solos in this series, 'Box of Paints', the piece is designed to be open-ended encouraging and inspiring the student to think of things they like in this color and compose their own lyrics, even composing their own music about their favorite color. Lynne Cox also arranged this as an instrumental solo adding many instruments and parts. It can be heard on you tube and other streaming platforms under 'Yellow Instrumental'. You tube link to this is: https://youtu.be/OA4n_0Llafk.
$3.40
3.11 €
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Easy Piano
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Lynne Cox
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Yellow
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Lynne Coc Publications
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SheetMusicPlus
His Memory
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
21.94 €
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Violin and Piano
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
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