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A Love Until The End Of Time
Brass Quartet: 2 trumpets, horn, trombone
Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.623760 Com…
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Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.623760 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 11 pages. Exultet Music #4408815. Published by Exultet Music (A0.623760). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$12.99
11.98 €
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Brass Quartet: 2 trumpets, horn, trombone
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Lee Holdridge
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A Love Until The End Of Time
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Exultet Music
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SheetMusicPlus
Camille Saint-Saëns / Giuseppe Garibaldi – Danse macabre Fantaisie transcription
Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1394363 Composed by Camill…
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1394363 Composed by Camille Saint-Saens. Arranged by Helene Schulthess. 19th Century,Chamber,Children,Classical,Halloween. Score and part. 11 pages. Helene Schulthess #977844. Published by Helene Schulthess (A0.1394363). Open configuration optionsDanse macabre (op. 40) is a symphonic poem for orchestra. However, the first version was a song with piano accompaniment. Saint-Saëns himself later made two versions for violin and piano and for two pianos. Further transcriptions were added by other composers, e.g. for solo piano and organ etc. Giuseppe Gariboldi wrote a Fantaisie-Transcription for the flute.The composition is based on the poem by Henri Cazalis. In the 19th century, piano songs with dance of death stories had a special significance. (e.g. F. Schubert: The Death and the Maiden)According to legend, Death appears at midnight every year on Halloween. He calls forth the dead from their graves to dance for him. The skeletons dance for him until the cockerel crows at dawn, then they must return to their graves until the next year.
$18.00
16.59 €
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Flute and Piano
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Camille Saint-Saens
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Camille Saint-Saëns / Giuseppe Garibaldi – Danse macabre Fantaisie transcription
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Helene Schulthess
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SheetMusicPlus
Serenade for flute, horn and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Em…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
27.66 €
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Chamber Orchestra
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Anton Emil Titl
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Serenade for flute, horn and orchestra
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James Strauss
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SheetMusicPlus
Danse Macabre
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1038661 Composed by Camille Saint-Saens. Arranged by Karl Whelan. Classical. Brass Band. 187 pages. Karl Whelan #643646. Published by Karl Whelan (A0.1038661). According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by the solo cornets). His skeletons dance for him until the rooster crows at dawn when they must return to their graves until the next year. Staying as true to the original as possible, with some minor alterations, this piece is sure to liven up any Halloween concert (If they are even a thing!). The piece has been arranged for a full brass band with 3-4 percussionists. Bass Clef parts included for Baritones downwards.
$29.99
27.65 €
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Camille Saint-Saens
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Danse Macabre
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Karl Whelan
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SheetMusicPlus
Danse Macabre op. 40
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.921045 Composed by Camille Sain…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.921045 Composed by Camille Saint-Saens. Arranged by Michael Drennan. Halloween. Score and parts. 101 pages. Drennan Music Publications #6606503. Published by Drennan Music Publications (A0.921045). Based on a French legend, this Symphonic Poem was composed in 1874 for Orchestra. According to this legend, at midnight on Halloween Death calls forth the dead to dance for him while he plays his fiddle. His skeletons dance for him until the rooster crows at dawn, when they must return to their graves until the next year. This is a very challenging arrangement that includes a contrapuntal section, a tricky modulation, and an unusual presentation of the Dies Irae.
$40.00
36.88 €
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Brass ensemble
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Camille Saint-Saens
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Danse Macabre op. 40
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Drennan Music Publications
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SheetMusicPlus
Carlo Farina – Capriccio Stravagante (Score and parts, PDF)
Small Ensemble Cello,Double Bass,Harpsichord,Viola,Violin - Level 4 - Digital Download …
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Small Ensemble Cello,Double Bass,Harpsichord,Viola,Violin - Level 4 - Digital Download SKU: A0.890764 Composed by Carlo Farina. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 48 pages. Sneakwood Editions #4781029. Published by Sneakwood Editions (A0.890764). Farina was born at Mantua. He presumably received his first lessons from his father, who was sonatore di viola at the court of the Gonzaga in that city. Later he got further education probably by Salomone Rossi and Giovanni Battista Buonamente. From 1626 to 1629, he worked as concertmaster in Dresden. In Dresden he worked with Heinrich Schütz, who interested him in composing. From 1629 to 1631, he was a prominent member of the electoral court orchestra in Bonn, until he returned to Italy, where he worked in Parma and later in Lucca until 1635. In 1635 he held position at the court of Carlo I Cybo-Malaspina, Prince of Massa, and between 1636 and 1637 in Gdańsk. From 1638 he lived in Vienna, where he died of the plague probably a year later.He is considered to be one of the earliest violin virtuosos and he made many contributions to violin technique. For example, in his work Capriccio Stravagante (1627) he used the violin to imitate animal sounds like dogs barking or cats fighting. [wikipedia]For further information about the piece you can read
$20.00
18.44 €
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Carlo Farina
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Carlo Farina – Capriccio Stravagante
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Sneakwood Editions
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SheetMusicPlus
Danse Macabre (Brass Band Version)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.790955 Composed by Camille Saint-Saens. A…
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Brass Ensemble - Digital Download SKU: A0.790955 Composed by Camille Saint-Saens. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 74 pages. Kevin P Holdgate #4338385. Published by Kevin P Holdgate (A0.790955). The Versatile Brass Classical CollectionThis is the Full Brass Band ArrangementI did this arrangement originally for Versatile Brass, which we played on a number of concerts. This is not an arrangement for the 'faint of heart'. It is difficult, because the piece is difficult... but what a magnificent piece of music it is. According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by the trumpets). His skeletons dance for him until the rooster crows at dawn, when they must return to their graves until the next year.The original piece opens with a playing a single note, D, played twelve times on the Harp, in my arrangement this is played by Tuba and Tubular Bell (the twelve strokes of midnight). The trumpet enters playing the tritone, which was known as the diabolus in musica (the Devil in music). Out of interest in the original, the solo violin plays this, during the Medieval and Baroque eras, consisting of an A and an Eâ™-in an example of scordatura tuning, the violinist's E string was actually been tuned down to an Eâ™ to create the dissonant tritone., no need for such alterations here.
$39.99
36.87 €
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Brass ensemble
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Camille Saint-Saens
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Danse Macabre
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Kevin P Holdgate
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SheetMusicPlus
Mozart Fantasia in D Minor K. 397 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert. 33 pages. Stephanie Daige #3514337. Published by Stephanie Daige (A0.796886). This Fantasia in D Minor, K. 397, really shows off Mozart's dramatic side. My arrangement of this Fantasy, one of Mozart's most popular piano pieces, gives each instrument the opportunity to play a different character. Fantasia in D Minor opens with somber arpeggios in the bassoon, and then goes to a pleading melody that goes back and forth between the flute and the oboe. The tension builds up until the clarinet breaks out into a wild cadenza. The pleading melodies and wild cadenzas go back and forth a few more times building tension until the final segment, which resolves with a bright, cheerful song-like melody in the horn. Duration is approximately 6 minutes.I had a great time arranging this piece, and I hope you will enjoy playing it. It presents some unique challenges and expressive opportunities, and it is a real crowd-pleaser.
$17.99
16.59 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart Fantasia in D Minor K. 397 for Woodwind Quintet
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Stephanie Daige
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Nova Quadrilha de Contradanças
Solo Guitar - Level 2 - Digital Download SKU: A0.1503889 Composed by Luiz José Mar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1503889 Composed by Luiz José Maria de Oliveira (1821-1883). Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 13 pages. Rui Namora #1079341. Published by Rui Namora (A0.1503889). Luiz José Maria de Oliveira, a man of many trades, was born in Portugal in 1821.He lived until 1883 in Coimbra, where he was a musician and composer, lithographer, merchant and hairdresser. These Variations on a Sentimental Theme, from his guitar magazine O Conimbricense Armónico published between 1848-49 are one of the rare examples of composition for the 6 string guitar in Portugal during the first half of the 19th century. This fingered and revised edition corrects some minor mistakes in the original. It contains all my research and newly discovered informations about this previously unknown composer.Full bio here
$6.99
6.44 €
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Luiz José Maria de Oliveira
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Nova Quadrilha de Contradanças
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Rui Namora
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SheetMusicPlus
A Holiday in Naples: A Sonata for Piano in Five Movements
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1485695 Composed by Andrei Hadap. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Published by Andrei Hadap (A0.1485695). A Holiday in Naples (2021, rev. 2024) I. At the CarnivalII. A Merchant at the Spinning WheelIII. In the BallroomIV. At the Opera V. At the Plaza A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller, on holiday, who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music. The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance. Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece, we hear the agitated merchant spinning the wheel faster, distracted by the carnival, but eventually calms down towards the end. The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as they both stumble frequently. Eventually, he regains his composure and the two dance well into the evening. In the fourth movement At the Opera, the traveller then goes to a nearby opera house where he walks in during a love duet between a tenor and soprano. The final movement At the Plaza, the traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folk dance depicting the involuntary muscle spasms from a venomous spider bite. The traveller joins in and dances with them until sunrise.
$29.99
27.65 €
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Piano solo
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Andrei Hadap
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A Holiday in Naples: A Sonata for Piano in Five Movements
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Andrei Hadap
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SheetMusicPlus
25 Piano Preludes, Volume 2 (Preludes 13–25)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1487260 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 48 pages. Artaria Editions #1064234. Published by Artaria Editions (A0.1487260). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
$46.00
42.41 €
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Piano solo
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Cesar Antonovich Cui
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25 Piano Preludes, Volume 2
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Artaria Editions
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SheetMusicPlus
25 Piano Preludes, Volume 1 (Preludes 1–12)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1487259 Composed by Cesar Antonovich Cui. Arranged by Jeffrey Biegel. Classical. Score. 43 pages. Artaria Editions #1064233. Published by Artaria Editions (A0.1487259). The Preludes by Cesar Cui are a fascinating set of pieces, with a distinctive character for each tonality. The pianistic challenges are equal to any other set composed before, during and after its time, and the musical attributes bring out the tender, passionate and soulful emotions of the human spirit. Beginning and ending in C Major, the structure of the set goes from minor to Major for each tonality, for example, after C major, e minor, then G Major, followed by b minor then D Major, etc. After reaching the most accidentals ('sharp's), the composer uses their enharmonic key signatures with most 'flat' minor and Major key signatures until he is back to one 'flat' and, then 'a minor' and finally, 'C Major' to conclude the set. The Preludes were brought to my attention in the 1980s from Charles Ervin, who frequented international piano competitions, and asked if I had ever encountered the opus.. From microfilm, I printed the Jurgenson edition, edited them, and recorded the first integral set of the 25 Preludes for the Marco Polo label, which was further re-printed for Naxos (8.555557). A military engineer, Cesar Cui was also a General, and composed under the tutelage of Mily Balakirev. Having French and Lithuanian parentage, he was not Russian, yet, because of his relationship with Balakirev, became known as one of the Russian Five (Balakirev, Borodin, Cui, Mussorgsky and Rimsky-Korsakov). His music is often attributed to Robert Schumann, and more French in style than Russian. It is my hope that this set of compositions will become as well known as those by Chopin, Rachmaninov, Scriabin and the like, and performed more frequently by pianists of today and the future.Jeffrey Biegel.
$46.00
42.41 €
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Piano solo
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Cesar Antonovich Cui
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25 Piano Preludes, Volume 1
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Artaria Editions
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SheetMusicPlus
Variations on a Sentimental Theme
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1488584 Composed by Luiz José Mar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1488584 Composed by Luiz José Maria de Oliveira (1821-1883). Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 12 pages. Rui Namora #1065450. Published by Rui Namora (A0.1488584). Luiz José Maria de Oliveira, a man of many trades, was born in Portugal in 1821.He lived until 1883 in Coimbra, where he was a musician and composer, lithographer, merchant and hairdresser. These Variations on a Sentimental Theme, from his guitar magazine O Conimbricense Armónico published between 1848-49 are one of the rare examples of composition for the 6 string guitar in Portugal during the first half of the 19th century. This fingered and revised edition corrects some minor mistakes in the original. It contains all my research and newly discovered informations about this previously unknown composer.Full bio here
$8.99
8.29 €
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Guitar
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Luiz José Maria de Oliveira
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Variations on a Sentimental Theme
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Rui Namora
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SheetMusicPlus
Allegro for Fortepiano & Violin in D (VB 163)
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Editions #1065697. Published by Artaria Editions (A0.1488843). Artaria Editions AE437Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, as well as for pedagogical use at the Royal Swedish Academy of Music, for which he was educational director from 1788 until his death. This brief Allegro for violin and fortepiano was probably written around this time as a work intended for students at the aforementioned institution. This is evident in the use of deliberate devices, such as unison scalar passages and sustained notes in the violin part. Foreshadowing Hindemith's notion of Bildungsmusik from a century and a half later, it is clear that the intent is to create a substantive piece of music for future instrumentalists that not only allows for good compositional style, but both pedagogical function and a relatively easy degree of difficulty for the performers, as well. Allan Badley.
$30.00
27.66 €
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Violin and Piano
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Joseph Martin Kraus
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Allegro for Fortepiano & Violin in D
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Artaria Editions
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SheetMusicPlus
Largo for Cello and Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1427906 Composed by Gaetano Donize…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1427906 Composed by Gaetano Donizetti. Arranged by Fabrizio Capitanio and Michele Galvagno. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and part. 32 pages. Artistic Score Engraving di Galvagno Michele #1008651. Published by Artistic Score Engraving di Galvagno Michele (A0.1427906). Among all opera composers, Gaetano Donizetti (1797–1848) was perhaps the most prolific when it comes to chamber music. He composed sixteen string quartets, countless pages for piano (solo and four-hands), and several fantasia-style pieces for solo instrument and piano. The autograph of the Largo for cello and piano survived to this day thanks to virtuoso cellist Alfredo Piatti (1822—1901), in whose collection it safely rested until it could be unearthed once more. Crafted with meticulous attention to detail, this edition of the Largo brings the piece back to life, providing a comprehensive and accurate representation of the original manuscript. A thorough section of Critical Notes will let you compare the four existing sources and understand why this edition was needed.This edition comes in a bundle of full score and two separate cello part, one unedited, and one with performance suggestions by Michele Galvagno.
$16.00
14.75 €
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Cello, Piano
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Gaetano Donizetti
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Largo for Cello and Piano
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Suite No. 1: for Cello
Cello
Cello Solo - Level 5 - Digital Download SKU: A0.1411445 Composed by Luke Acerra. Cl…
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Cello Solo - Level 5 - Digital Download SKU: A0.1411445 Composed by Luke Acerra. Classical,Contemporary. Individual part. 20 pages. Songburd Music #993710. Published by Songburd Music (A0.1411445). Suite No. 1 for solo cello is a composition that pays homage to Bach's solo cello suites while incorporating its own unique musical narrative, reminiscent of a Hero's Journey. Â Drawing inspiration from the baroque dance forms, each movement reflects both the essence of its namesake and represents a significant chapter within this musical odyssey. At the heart of the suite lies a symbolic motif introduced in the first measure of the Praeludium, serving as the foundation upon which each subsequent movement is written.Moreover, the Praeludium introduces a harmonic tension in measure 9 that is left unresolved until the final bars of the Gigue. This deliberate choice creates a sense of conflict within the Hero's Journey.It is only in the closing bars of the Gigue that this tension finds resolution, symbolizing the Hero's transformative journey throughout the Suite. This musical narrative reflects the theme of personal growth and renewal, akin to the process of self-discovery and transformation found in the Hero's Journey archetype.
$19.99
18.43 €
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Cello
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Luke Acerra
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Suite No. 1: for Cello
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Songburd Music
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SheetMusicPlus
Praeludium
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1411108 Composed by Keiron Anders…
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Concert Band - Level 5 - Digital Download SKU: A0.1411108 Composed by Keiron Anderson. Classical,Contemporary. 83 pages. Songburd Music #993432. Published by Songburd Music (A0.1411108). Praeludium takes the musician and the listener on a tonal journey using multiple key changes throughout the music. Â Beginning with B-Flat Major and using counter-melody to create the thematic material, the music quickly progresses from one key change to another, requiring performers to demonstrate good intonation skills as they develop the melodic and harmonic texture of the opening measures, until the lyrical journey has taken them far from the opening key. Â Yet, as the music brings us to its final key change, the musician turns to discover that the music has faithfully and assuredly returned them back to the key in which it began. Â A technique not so commonly used for wind ensembles after the post-Romantic period.
$115.00
106.02 €
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Concert band
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Keiron Anderson
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Praeludium
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Songburd Music
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SheetMusicPlus
Las Encantadas
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1411062 Composed by Keiron Anders…
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Concert Band - Level 5 - Digital Download SKU: A0.1411062 Composed by Keiron Anderson. Classical,Contemporary. 96 pages. Songburd Music #993408. Published by Songburd Music (A0.1411062). Las Encantadas was the eloquent name bestowed upon the Galápagos Islands by the Dominican friar and Panamanian bishop, Fray Tomás de Berlanga.  He had discovered these enchanted isles quite by chance as the ship he was on, sailing by order of the Holy Roman Emperor, was blown off course hundreds of miles from its Peruvian destination, landing him among the islands of the Columbus Archipelago.  Born in fire and rich with natural beauty Las Encantadas held some mystery for sailors as these isles would seemingly appear, and disappear, from sight, apparently becoming lost in the mists and sea currents that surrounded the islands.  Las Encantadas also held some intrigue for the American author Herman Melville, who in his novella by the same name, included ten fictional short sketches about the Galápagos Islands in The Piazza Tales.Kerion Anderson tells the story of these now well-known islands in his own inimitable way with his work, Las Encantadas, by drawing musical sketches for us that depict the discovery of this archipelago with their sandy warm beaches, their rugged and forbidding coast lines with towering rocks standing as sentinels to the peaceful, blue-watered bays.  When listening to Las Encantadas one can’t help but picture a ship arriving among the isles, with sails unfurled, and sailors standing on deck gazing in wonderment at the strange animals, colorful flora and the exotic birds swirling overhead.  The uplifting spirit of Las Encantadas takes us from island to island until the music bids farewell to these enchanted isles as the ship sails away at the setting of the sun, leaving us with a sense of pathos and wonder.
$115.00
106.02 €
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Concert band
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Keiron Anderson
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Las Encantadas
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Songburd Music
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SheetMusicPlus
Twinkle Twinkle Little Star
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1398210 By Jane Taylor. By Tune by …
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Piano Solo - Level 3 - Digital Download SKU: A0.1398210 By Jane Taylor. By Tune by Wolfgang Amadeus Mozart. Arranged by John Scott. Children. Score. 1 pages. John Scott #981317. Published by John Scott (A0.1398210). This piano arrangement of Twinkle Twinkle Little Star features a soft and gentle atmosphere... gentle enough to calm those energetic little ones and put them to sleep (lullaby). The sweet effect has been heightened through the adaptation of the melody, as well as the harmonising parts, and the introduction of a short interlude in the middle of the piece as a bridge between the first and second verse.The piece is appropriate for intermediate pianists who are starting to learn four-part scores. It is perfect for practising the skill of playing different rythms at the same time. It starts in a simple way with only two simple parts and then it introduces more parts one by one, until four parts are featured. It has also been set to the simple key of C-Major for a less confusing practice session. And of course... the little kids won't be able to help themselves when you play them their favourite song...they will sing along...doesn't get any sweeter...
$2.80
2.58 €
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Piano solo
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Jane Taylor
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Twinkle Twinkle Little Star
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John Scott
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SheetMusicPlus
Wedding March
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1393426
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arranged by Peet du Toit. Romantic Period. 14 pages. Peet du Toit #976937. Published by Peet du Toit (A0.1393426). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.At weddings in many Western countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the Bridal Chorus from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's Prince of Denmark's March, both of which are often played for the entry of the bride.The first time that Mendelssohn's Wedding March was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.An organ on which Mendelssohn gave recitals of the Wedding March, among other works, is housed in St Ann's Church in Tottenham.
$21.00
19.36 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Felix Jakob Ludwig
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Wedding March
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Peet du Toit
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SheetMusicPlus
Jalousie (Tango Tzigane)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1383615 Composed by Jacob Gade. A…
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Concert Band - Level 4 - Digital Download SKU: A0.1383615 Composed by Jacob Gade. Arranged by Andrew Jacobi. Classical. 97 pages. Andrew Jacobi #968066. Published by Andrew Jacobi (A0.1383615). JalousieJalousie is a tango composed by Danish composer Jacob Gade in 1925.  There are two main themes in the composition.  The first is “a temperamental theme†in D minor followed by a lyrical section in D major.  Gade’s composition has two sources of inspiration.  The first was by a violent thunderstorm that surprised him one day while he was out on a walk.  The other source of inspiration came from a jealousy murder, which was much talked about in those days, and was reported in the newspapers.  The first performance was set for September 14, 1925, and Gade himself played the opening violin cadenza of the tango. (Om Jacob Gade 2022)About the ArrangementThis arrangement is written for concert band, but retains the original keys of the music (D minor and D major).  The opening cadenza has many options available for performance.  The score and parts have the complete cadenza split between the flute and clarinet parts and keep it within a more comfortable range on each instrument.  Other options include extra “solo†parts with the entire cadenza written for Flute, Clarinet, Trumpet, and Violin.  If using these parts, the none soloist Flute 1’s and Clarinet 1’s should only play the “tutti†parts until the end of the cadenza.Included PartsFull ScorePiccoloFlute 1Flute 2Oboe 1Oboe 2Bassoon 1Bassoon 2Clarinet in Bb 1Clarinet in Bb 2Clarinet in Bb 3Bass ClarinetContralto ClarinetContrabass ClarinetAlto Sax 1Alto Sax 2Tenor SaxBaritone SaxTrumpet in Bb 1Trumpet in Bb 2Trumpet in Bb 3Horn in F 1Horn in F 2Horn in F 3Horn in F 4Trombone 1Trombone 2Trombone 3EuphoniumBaritone (T.C.)TubaDouble BassTimpaniMalletsSnare DrumBass DrumCymbalsTambourineSolo Flute (Flute 1)Solo Clarinet in Bb (Clarinet 1)Solo Trumpet in Bb (Trumpet 1)Solo Violin (Oboe 1) Om Jacob Gade. Komponist Jacob Gade. (2022, April 13). https://jacobgadeslegat.dk/om-jacob-gade/
$59.99
55.31 €
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Concert band
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Jacob Gade
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Jalousie
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Andrew Jacobi
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SheetMusicPlus
Overture (Suite) No. 3
Chamber orchestra and basso continuo - Digital Download SKU: S9.Q12514 D major
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Chamber orchestra and basso continuo - Digital Download SKU: S9.Q12514 D major. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12514. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12514). Key: D major.From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel, a student at the Thomasschule from 1751, who made copies of Bach's MSS which he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major, recent criticism suggests that it may originally have been written for strings only, and dates, in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices. The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz, Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.
$11.99
11.05 €
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Johann Sebastian Bach
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Overture
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Overture (Suite) No. 2
Flute, strings and basso continuo - intermediate to advanced - Digital Download SKU: S9…
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Flute, strings and basso continuo - intermediate to advanced - Digital Download SKU: S9.Q12513 B minor. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12513. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12513). Key: B minor.From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.
$9.99
9.21 €
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Johann Sebastian Bach
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Overture
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Ode to Joy by Beethoven for Alto Recorder
Treble (Alto) Recorder
Alto Recorder,Recorder Solo - Level 1 - Digital Download SKU: A0.1160394 Composed b…
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Alto Recorder,Recorder Solo - Level 1 - Digital Download SKU: A0.1160394 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Individual part. 6 pages. Woods Only, Arrangements #760677. Published by Woods Only, Arrangements (A0.1160394). This arrangement adapted for alto recorder and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.83 €
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Treble (Alto) Recorder
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Alto Recorder
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Woods Only, Arrangements
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SheetMusicPlus
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