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Viola Spaces
Sheetmusic to print
27 sheet music found
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1
26
Viola Spaces for Two
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2 Violas (duet)
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ADVANCED
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Studies
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Garth Knox
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Viola Spaces for Two
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Schott Music
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SheetMusicPlus
2 violas - difficult - Digital Download Contemporary Viola Studies. Composed by Garth Knox. This edition: performance score. Essential Exercises. Downloada...
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2 violas - difficult - Digital Download Contemporary Viola Studies. Composed by Garth Knox. This edition: performance score. Essential Exercises. Downloadable. Op. Vol. 2. Duration 24 minutes. Schott Music - Digital #Q24051. Published by Schott Music
German - English.
Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the meantime, he gives concerts and teaches courses all over the world.
With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.
Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned.
$39.99
Viola Spaces
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Viola
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ADVANCED
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Studies
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Garth Knox
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Viola Spaces
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Schott Music - Digital
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SheetMusicPlus
Viola - difficult - Digital Download Contemporary Viola Studies. Composed by Garth Knox. This edition: Sheet music. Essential Exercises. Downloadable...
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Viola - difficult - Digital Download Contemporary Viola Studies. Composed by Garth Knox. This edition: Sheet music. Essential Exercises. Downloadable. Op. Vol. 1. Duration 24 minutes. Schott Music - Digital #Q6979. Published by Schott Music - Digital
German - English.
Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the mean time, he gives concerts and teaches courses all over the world.
With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.
Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned.
$24.99
3 New Spaces
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Viola
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ADVANCED
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Contemporary
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Garth Knox
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3 New Spaces
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Schott Music - Digital
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SheetMusicPlus
For viola. Composed by Garth Knox. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q583933. Published by Schott Music - D...
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For viola. Composed by Garth Knox. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q583933. Published by Schott Music - Digital
$9.99
Christmas Joy for Violin and Viola -- 3 Intermediate Arrangements
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Violin, Viola (duet)
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EASY
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Christmas
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John Goss
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Ashley Qurollo
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Christmas Joy for Violin and V
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Ashley Qurollo Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.948874 Composed by John Goss. Arranged by Ashley Qurollo. Christmas...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.948874 Composed by John Goss. Arranged by Ashley Qurollo. Christmas,Holiday,Sacred. Score and parts. 10 pages. Ashley Qurollo Music #6676463. Published by Ashley Qurollo Music (A0.948874). Three traditional Christmas carols (See Amid the Winter's Snow, God Rest Ye Merry Gentlemen, and Away in a Manger) written specifically for violin and viola will delight any audience. The melodies in each piece have been carefully woven with new musical motifs to create movement in each arrangement. These arrangements were written with just strings in mind and no piano, so these arrangements will work well in mobile settings where no piano is available. This Christmas collection is perfect for home, church, recitals, and even outdoor public spaces.Visit https://ashleyqurollo.com/ for more music and ideas.
$4.99
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
Marin Marais Variations
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String Quartet : 4 violas
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ADVANCED
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Contemporary
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Marin Marais Variations
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Schott Music - Digital
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SheetMusicPlus
4 violas - difficult - Digital Download On Folies d'Espagne. Composed by Garth Knox. This edition: score and parts. Viola Library. Downloadable. O...
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4 violas - difficult - Digital Download On Folies d'Espagne. Composed by Garth Knox. This edition: score and parts. Viola Library. Downloadable. Op. Vol. III. Duration 10 minutes. Schott Music - Digital #Q17776. Published by Schott Music - Digital
Many violists know Garth Knox as author of Viola Spaces (ED 20520), the groundbreaking compendium of modern playing techniques on the viola. In this edition, he applies them to variations on the famous 'Folies Espagne' by the French gamba virtuoso Marin Marais. Each variation is dedicated to a certain technique, such as the generation of harmonics, quarter tones, glissando, tremolo and others.
The piece is ideally suited both for lessons and for concert performances. Performers and listeners are going to enjoy it.
Garth Knox is one of the most distinguished violists of his generation. For many years, he was a member of the Arditti Quartet. Today, he gives concerts and lessons all over the world while always performing works of contemporary music.
$17.99
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Heisenberg was looking for a raison d'être (Parts only)
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Piano Quintet: piano, 2 violins, viola, cello
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ADVANCED
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 ...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1129014 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 57 pages. Studio at the Post #729537. Published by Studio at the Post (A0.1129014). Parts only (see A729534 for Score) Duration: 8 minutes, 5 Parts (2 violins, viola, cello, piano) with individual directions, parts averaging 5 – 7 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$5.02
Christ on the Mount of Olive. Recitativo and Aria Tenor
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Ciro Hernández
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Christ on the Mount of Olive.
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Ciro Hernández
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1404095 Composed by Ludwig van Beethoven. Arranged by Ciro Herná...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1404095 Composed by Ludwig van Beethoven. Arranged by Ciro Hernández. 19th Century,Chamber,Opera,Religious,Romantic Period. 37 pages. Ciro Hernández #987273. Published by Ciro Hernández (A0.1404095). I have modified the original score by adding to the strings the parts of the winds when they made a melody or when they supported with rhythms that gave the musical character of the composer. In this adaptation I have added the tenor part to each of the parts so that they can play without a conductor if necessary.The adaptation is faithful in key, text and structure to the original. It is ideal for chamber performances with singers and small concerts in small spaces.Â
$25.00
Wedding march
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String Quartet: 2 violins, viola, cello
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EASY
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Felix Mendelsohn
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Esteban Kellner
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Wedding march
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Esteban Kellner
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1387634 Composed by Felix Mendelsohn. Arranged by Esteban Kellner. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1387634 Composed by Felix Mendelsohn. Arranged by Esteban Kellner. Chamber,Classical,Religious,Wedding. 7 pages. Esteban Kellner #971488. Published by Esteban Kellner (A0.1387634). This arrangement has the target of getting the loudest sound possible of a simple String Quartet in order to reach a huge volume even in open spaces.
$8.00
About Face
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christy L'Esperance
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About Face
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Christy L'Esperance
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1141601 By Christy L'Esperance. By Christy L'Esperance. Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1141601 By Christy L'Esperance. By Christy L'Esperance. Chamber,Classical,Contemporary,Instructional. 5 pages. Christy L'Esperance #741937. Published by Christy L'Esperance (A0.1141601). This short work for string quartet is from a set of Rose Quartets. Light and fresh, like the rose cultivar (About Face) that inspired its composition, the melodic phrases also play on the pitches from the spaces of the treble staff (F-A-C-E) and their about face retrograde.
$8.00
Canon in D
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String Quartet: 2 violins, viola, cello
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EASY
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Classical
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Johann Pachelbel
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Benedikt Brydern
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Canon in D
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ConSordino Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1083463 Composed by Johann Pachelbel. Arranged by Benedikt Brydern....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1083463 Composed by Johann Pachelbel. Arranged by Benedikt Brydern. Baroque,Classical,Wedding. Score and parts. 7 pages. ConSordino Music Publishing #687670. Published by ConSordino Music Publishing (A0.1083463). This shorter version of the famous Canon can be used for ceremonies with smaller wedding parties and event spaces where some of the highlights of the piece appear earlier than playing the original composition. The duration is about 2 min with an optional repeat.
$9.99
Watching And Waiting
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String Quartet: 2 violins, viola, cello
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Rock
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The Moody Blues
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Jeff Tincher
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Watching And Waiting
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1188241 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jef...
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1188241 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock. Score and parts. 13 pages. Jeff Tincher #787842. Published by Jeff Tincher (A0.1188241). Here is one of the most enchanting songs from the group that pioneered the continuous music with no spaces format for LPs. In the original key, this song is the finale from The Moody Blues To Our Children's Children's Children LP. This year (2023) marks the 50th anniversary of this remarkable work. This arrangement includes the live ending from Justin Hayward's 4/4/98 concert from San Juan Capistrano concert. Duration = 4:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Empty Spaces (version II)
String Orchestra,10 Violin 1,10 Violin 2,8 Viola,6 Celli,6 Contrabasses.
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Halloween
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Alvaro José Fernández Lago
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Empty Spaces
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Alvaro José Fernández Lago
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SheetMusicPlus
Composed by Alvaro José Fernández Lago. Contemporary Classical, Movies, Halloween. Score. 11 pages. Published by Alvaro José Fernández Lago (S0.261579). - S...
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Composed by Alvaro José Fernández Lago. Contemporary Classical, Movies, Halloween. Score. 11 pages. Published by Alvaro José Fernández Lago (S0.261579). - Score - Contemporary Classical,Movies,Halloween - Alvaro José Fernández Lago
$60.00
Infinity Suite for String Quartet
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String Quartet: 2 violins, viola, cello
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Contemporary
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Hector Vera
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Infinity Suite for String Quar
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Hector Vera
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.1026476 Composed by Hector Vera. 20th Century,Contemporary. Score and parts. 48 pages. Hector Ve...
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String Quartet String Quartet - Digital Download SKU: A0.1026476 Composed by Hector Vera. 20th Century,Contemporary. Score and parts. 48 pages. Hector Vera #6137703. Published by Hector Vera (A0.1026476). Programatic work for String Quartet that features extended string techniques including glissandos, harmonics and indeterminate notation. Two lovers are lost in Space after a mission failure as a result from spacecraft malfunction. The rest of the crew did not survive the ordeal. Their spacesuits will keep them alive for a while, but soon they will run out of oxygen and must say goodbye to each other. It is in these final moments that they will get to experience the journey of a lifetime, experiencing the complexity of the fabric of Time, traverse a Molecular Cloud and finally come to the somber realization that their journey is over as they float away into the endless Abyss.
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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String Orchestra
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic P...
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Piano Quintet No. 1 - "Palazzo"
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Nigel Lucas Silvester McBain
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Piano Quintet No. 1 - "Palazzo
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Nigel L. S. McBain
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Digital Download SKU: A0.993480 Composed by Nigel Lucas Silvester McBain (1973 - ). ...
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Digital Download SKU: A0.993480 Composed by Nigel Lucas Silvester McBain (1973 - ). 20th Century,Concert,Contemporary,Instructional. Score and parts. 232 pages. Nigel L. S. McBain #3898215. Published by Nigel L. S. McBain (A0.993480). Full Score and PartsAn easy listening Piano Quintet for the same scoring as F. Schubert's Trout Quintet: Piano, Violin, Viola, Violoncello and, Contrabasso. Palazzo is dedicated to the People of Mitchell, South Dakota, USA, The Palace City. The work is conceived as a series of miniatures or vignettes envisaging the great spaces of a baroque palace. The mood is whimsical, reflecting the vagaries of the proceedings at an evening ball. It is my intention here to create a series of songs reflective of the atmosphere in each room. The program of the work runs: Courtyard: A mock-baroque edifice confronts us as we enter the main gates. Terrace: A surprising carnival awaits us on the steps of the terrace as impromptu dancing breaks out. Gallery: Going into the foyer of the palace, we are confronted with some serious and moving artwork. Reception Hall: We await our name to be called out, our heart pounds with nervous excitement.
$21.99
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