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You've selected:
Voce Mea
Sheetmusic to print
30 sheet music found
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26
Measure Me, Sky
SATB with optional orchestra (Orchestra: fl;ob;cl;bn;2hn;tpt;timp;perc;vln1;vln2;vla;vlc;c…
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SATB with optional orchestra (Orchestra: fl;ob;cl;bn;2hn;tpt;timp;perc;vln1;vln2;vla;vlc;cb) - Digital Download SKU: MQ.21-20101-E Composed by James Q. Mulholland. Octavo. 10 pages. Colla Voce Music - Digital #21-20101-E. Published by Colla Voce Music - Digital (MQ.21-20101-E).
$2.10
1.89 €
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James Q
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Measure Me, Sky
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Colla Voce Music - Digital
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SheetMusicPlus
Dominus illuminatio mea
Vocal Solo,Voice - Digital Download SKU: A0.791941 Composed by Bonifazio Graziani. …
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Vocal Solo,Voice - Digital Download SKU: A0.791941 Composed by Bonifazio Graziani. Arranged by Early Music Scores. Baroque,Classical. 8 pages. Early Music Scores #6864259. Published by Early Music Scores (A0.791941). Voice and continuoComposed by Bonifazio Graziani (c.1605-1664). From Il Terzo Libro di Motetti a voce sola, Roma, 1658. Edited by Felipe Dias. 8 pages. .
$6.99
6.28 €
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Bonifazio Graziani
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Dominus illuminatio mea
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Early Music Scores
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SheetMusicPlus
Ambrosia 140 for Percussion a Voce
Small Ensemble Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0…
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Small Ensemble Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0.1083597 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. 8 pages. Duration 50. Father Ambrose Press #169R9UezoiFtIH6rMhpfuB. Published by Father Ambrose Press (A0.1083597). Key: Eb major.A Rube Goldberg device captured in musical sequences of time... the workings of an AFR breakfast system that delivered without me having so much as to order a meal... a lovely, savory confection for the senses...
$16.00
14.37 €
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Celebrity Chamber Players
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Ambrosia 140 for Percussion a Voce
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Father Ambrose Press
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SheetMusicPlus
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINT…
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Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
13.38 €
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Orchestra
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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OE OFICINA
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SheetMusicPlus
Voce Mea
Piano, Voice
Digital Download SKU: HX.333803 By Costanzo Porta. Classical,Inspirational. Piano/V…
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Digital Download SKU: HX.333803 By Costanzo Porta. Classical,Inspirational. Piano/Vocal/Guitar (Piano Accompaniment). 4 pages. Published by Hal Leonard Europe (HX.333803).
$4.99
4.48 €
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Piano, Voice
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Costanzo Porta
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Voce Mea
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Hal Leonard Europe
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SheetMusicPlus
Voce Mea
Choral SATB
Choral (SATB) - Digital Download SKU: HX.362503 By Tarik O'Regan. This edition: sco…
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Choral (SATB) - Digital Download SKU: HX.362503 By Tarik O'Regan. This edition: scorch. Choral. Classical. Octavo. 10 pages. Hal Leonard Europe #70550. Published by Hal Leonard Europe (HX.362503).
$1.70
1.53 €
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Choral SATB
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Tarik O'Regan
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Voce Mea
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Hal Leonard Europe
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SheetMusicPlus
VOCE MEA - G. Croce - For SATB Choir
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.724570 Composed by Giovanni Croce. A…
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Choral Choir (SATB) - Digital Download SKU: A0.724570 Composed by Giovanni Croce. Arranged by Renato Tagliabue. Christian,Renaissance,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue #4357103. Published by Renato Tagliabue (A0.724570). https://www.youtube.com/watch?v=_QK8D7vSasY
$1.99
1.79 €
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Choral SATB
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Giovanni Croce
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VOCE MEA - G. Croce - For SATB Choir
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Renato Tagliabue
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SheetMusicPlus
Fair Warning
Choral 3-part
SSA choir - Digital Download SKU: MQ.21-20206-E Composed by Shirley W. McRae. Octav…
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SSA choir - Digital Download SKU: MQ.21-20206-E Composed by Shirley W. McRae. Octavo. 10 pages. Colla Voce Music - Digital #21-20206-E. Published by Colla Voce Music - Digital (MQ.21-20206-E). Featured at: 2017 Colorado MEA Convention
$2.10
1.89 €
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Choral 3-part
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Shirley W
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Fair Warning
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Colla Voce Music - Digital
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SheetMusicPlus
The Night Wind
SA chorus with flute (Flute part included.) - Digital Download SKU: MQ.21-20549-E C…
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SA chorus with flute (Flute part included.) - Digital Download SKU: MQ.21-20549-E Composed by Mark Patterson. Octavo. 10 pages. Colla Voce Music - Digital #21-20549-E. Published by Colla Voce Music - Digital (MQ.21-20549-E). Featured at: 2014 UT MEA Convention
$2.10
1.89 €
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Mark Patterson
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The Night Wind
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Colla Voce Music - Digital
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SheetMusicPlus
Cindy
Choral SATB
SATB with piano or guitar (Guitar part included.) - Digital Download SKU: MQ.37-21000-E…
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SATB with piano or guitar (Guitar part included.) - Digital Download SKU: MQ.37-21000-E Composed by Carol Barnett. Octavo. 15 pages. Colla Voce Music - Digital #37-21000-E. Published by Colla Voce Music - Digital (MQ.37-21000-E). Featured at: 2014 UtMEA Trade Secrets Summer Workshop 2014 CSU Intl. Choral Education Workshop 2016 WCU Choral Symposium CORRECTION: Measure 14 - Beat 1 - Tenor - Notes should be A and G not B and A (see below).
$2.15
1.93 €
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Choral SATB
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Carol Barnett
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Cindy
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Colla Voce Music - Digital
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SheetMusicPlus
It Don't Mean A Thing (if It Ain't Got That Swing)
Choral SSAATTBB
Choir, SSAATTBB - Advanced - Digital Download By Duke Ellington. Arranged by Ben Parry. …
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Choir, SSAATTBB - Advanced - Digital Download By Duke Ellington. Arranged by Ben Parry. Score. 20 pages. Published by Ben Parry
Originally arranged for The Swingle Singers and sung by VOCES8 and Trinity College Choir Cambridge, as well as many other professional and amateur choral groups around the world. The Swingle Singers' recording appears on their 2002 disc, "Mood Swings".
$4.50
4.04 €
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Choral SSAATTBB
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Duke Ellington
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It Don't Mean A Thing
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Ben Parry
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SheetMusicPlus
Jenny Rebecca
Choral SATB
SATB choir a cappella - Digital Download SKU: MQ.45-21035-E Composed by Carol Hall …
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SATB choir a cappella - Digital Download SKU: MQ.45-21035-E Composed by Carol Hall and Clair T. McElfresh. Octavo. 4 pages. Colla Voce Music - Digital #45-21035-E. Published by Colla Voce Music - Digital (MQ.45-21035-E). This current edition of Jenny Rebecca seeks to correct numerous mistakes that were found in the original 1964 publication. The corrections are as follows: Page 4 - Fourth System - Last Measure (m. 22): Sopranos should have an A-flat on beat 3. Page 5 - First System - Last Measure (m. 26): Basses should have an A-flat. Page 5 - Second System - Last Measure (m. 29): Basses should have an A-flat on beat 3. Page 5 - Third System - First Measure (m. 30): Basses should have an A-flat. Page 5 - Fourth System - First Measure (m. 33): Altos should have a D-flat on beat 4. Page 5 - Fourth System -Third and Fourth Measure (mm. 35-36) - Altos and Basses should have an A-flat on beats 3 and 1, respectively. Page 6 - Fourth System - Second Measure (m. 44/penultimate) - Basses should have an A-flat on beat 3.
$2.05
1.84 €
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Choral SATB
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Carol Hall and Clair T
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Jenny Rebecca
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Colla Voce Music - Digital
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SheetMusicPlus
Alleluia: from "Songs of Faith"
SATB with horn, conga drums, tambourine - Digital Download SKU: MQ.36-20116-E Compo…
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SATB with horn, conga drums, tambourine - Digital Download SKU: MQ.36-20116-E Composed by Paul Basler. Octavo. 21 pages. Colla Voce Music - Digital #36-20116-E. Published by Colla Voce Music - Digital (MQ.36-20116-E). Featured at: 2014 GMEA All-State Sight Reading Chorus
$2.65
2.38 €
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Paul Basler
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Alleluia: from "Songs of Faith"
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Colla Voce Music - Digital
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SheetMusicPlus
Kyrie: "Litaniae Lauretanae" BMV/KV 109/74e
Choral 2-part
SA choir - Digital Download SKU: MQ.18-96810-E Composed by R. Paul Crabb and Wolfga…
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SA choir - Digital Download SKU: MQ.18-96810-E Composed by R. Paul Crabb and Wolfgang Amadeus Mozart. Octavo. 7 pages. Colla Voce Music - Digital #18-96810-E. Published by Colla Voce Music - Digital (MQ.18-96810-E). Featured at: 2014 FMEA Reading Session
$2.10
1.89 €
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Choral 2-part
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R
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Kyrie: "Litaniae Lauretanae" BMV/KV 109/74e
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Colla Voce Music - Digital
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SheetMusicPlus
Auld Lang Syne
Choral SATB
SATB with piano - Digital Download SKU: MQ.34-96820-E Composed by David Francis, Je…
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SATB with piano - Digital Download SKU: MQ.34-96820-E Composed by David Francis, Jeffery Redding, Justine Sasanfar, Mairi Campbell, and Michael Hanawalt. Octavo. 14 pages. Colla Voce Music - Digital #34-96820-E. Published by Colla Voce Music - Digital (MQ.34-96820-E). On New Year’s Eve in many parts of the world, this text is commonly sung to a tune other than the one used in this arrangement. However, the tune used here predates the one used today and is said to have been preferred by Burns himself. The phrase “Auld Lang Syne†literally translates to “old long since,†but paraphrases such as “for old time’s sake†and “to the good old days†more directly capture its spirit and meaning. Above all, the song speaks to the value of old friends, despite the fact that life circumstances and people themselves are ever changing.
$2.15
1.93 €
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Choral SATB
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David Francis, Jeffery Redding, Justine Sasanfar, Mairi Campbell, and Michael Hanawalt
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Auld Lang Syne
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Colla Voce Music - Digital
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SheetMusicPlus
Hommages III. Sonata No. 1 'Gothic'
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99
8.97 €
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Piano solo
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David Fraser
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Hommages III. Sonata No. 1 'Gothic'
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David Fraser
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SheetMusicPlus
Hommages III. Sonata No. 1 'Gothic', 2nd Movement
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1384069 Composed by David Fraser. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.1384069 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 5 pages. David Fraser #968430. Published by David Fraser (A0.1384069). The inspiration for Hommages III. Sonata No. 1 â??Gothicâ??, Movement 2 comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the second movement only of the Sonata which is the third piece from 'Hommages: Suite pour le Piano'. 5 pages. ISMN 979-0-800277-00-9.
$5.99
5.38 €
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Piano solo
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David Fraser
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Hommages III. Sonata No. 1 'Gothic', 2nd Movement
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David Fraser
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flute and Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.37 €
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Flute and Piano
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Jules Demersseman
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Oboe, Piano (duet)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.37 €
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Oboe, Piano (duet)
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Jules Demersseman
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
A I Wa Na Eui Ba Da
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.1260622 By Iu. By Hee Won Kim, Jea…
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Violin Solo - Level 3 - Digital Download SKU: A0.1260622 By Iu. By Hee Won Kim, Jea Whi Kim, and Ji Eun Lee. Arranged by Sotto Voce Music. 21st Century,Film/TV,Multicultural,Pop,Singer/Songwriter,World. 2 pages. Sotto Voce Music #853815. Published by Sotto Voce Music (A0.1260622). My Sea - IUArranged by SV MusicThis is a treble clef solo line part meant to be played by any instrument within the range. It is arranged with the ballad version recording in mind so the performer may play along with the recording if so desired.
$5.99
5.38 €
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Violin
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Iu
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A I Wa Na Eui Ba Da
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Sotto Voce Music
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SheetMusicPlus
Costanzo Porta: Voce Mea - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Costanzo Porta for voice, piano or guitar of MEDIUM ski…
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Instantly printable sheet music by Costanzo Porta for voice, piano or guitar of MEDIUM skill level. / classical,inspirational
$6.97
6.26 €
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Piano, Vocal and Guitar
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Costanzo Porta
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Virtualsheetmusic
In the Bleak Midwinter Earth Stood Hard as Iron (Downloadable)
Baritone voice solo, SATB choir unaccompanied - Moderately Easy - Digital Download SKU:…
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Baritone voice solo, SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3464-E Composed by Gustav Holst and James McCullough. Christmas, African American Heritage. 15 pages. Duration 4 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3464-E. Published by Galaxy Music Corporation - Digital (MQ.1.3464-E). English.This new setting nicely balances the familiar with the creative, all the while treating the beloved Holst tune (and the full five verses of the Rossetti text) in a fully idiomatic manner for unaccompanied SATB chorus (divisi). There are touches of humor in the arrangement (a baritone soloist appears right where you'd hope he'd be, and at one point the basses sing sotto voce Go, angels go!) as well as a clear intention to paint the deeper meaning of the text. This is a great addition to your Christmas repertoire. Duration: 4:30.
$2.85
2.56 €
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Gustav Holst and James McCullough
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In the Bleak Midwinter Earth Stood Hard as Iron
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Symphony no. 6 in F, Op. 68 'Pastorale' - Allegretto (V) - Beethoven (Violin & Cello)
Violin, Cello (duet)
Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.802578 …
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Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.802578 Composed by Ludwig van Beethoven. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5802933. Published by Peet du Toit (A0.802578). The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony, is a symphony composed by Ludwig vanBeethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content (instrumental music that relates a story or portrays a scene), the symphony was first performed in the Theater an der Wien on22 December 1808 in a four-hour concert.The finale, which is in F major, is in 6/8 time. The movement is in sonata rondo form, meaning that the main themeappears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. Like many classical finales, this movement emphasizes a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving.The coda starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus storm instruments)with the first violins playing very rapid triplet tremolo on a high F. There follows a fervent passage suggestive of prayer, marked by Beethoven pianissimo, sotto voce; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic F-major chords.Here is an excerpt of this magic music for Violin and Cello that can be used as a short closer or filler, under the appropriate circumstances.
$13.00
11.67 €
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Violin, Cello (duet)
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Ludwig van Beethoven
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Symphony no. 6 in F, Op. 68 'Pastorale' - Allegretto
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Peet du Toit
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SheetMusicPlus
Dust In The Wind
Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital …
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall. Pop,Rock. 45 pages. Jon Thingvall #952661. Published by Jon Thingvall (A0.1368317). Seeking a modern setting for a French Horn solo? Is the community--or are the students--feeling that classical music is stuffy? Got a budding Guitar Hero with nowhere to play? Want to give the orchestra a break, without stopping the program completely? Need a relaxed, quasi-Adagio for the concert's pacing?This is a record-copy of KANSAS' classic rock ballad, scored for a fairly small ensemble. Most instruments can be substituted: Flute for Alto Flute, Viola or Cello for Violin, Flugelhorn for the Horn part, or 4 Trombone parts instead of 3 with Solo Horn.Acoustic Guitar (will need amp). (Part copied verbatim from the official video, with thanks to Kansas - Dust In The Wind Guitar Lesson Pt.1 - Intro & Verse (youtube.com))French Horn solo--  Steve Walsh's epic, almost-apocalyptic style seemed perfectly suited to the mystique of the French Horn. (Measure 102 is “as though spoken†like in the recording here:  https://youtu.be/tH2w6Oxx0kQ?t=126. If the audience isn't familiar with Steve's style, it may be better left as a quarter- or eighth-note (written F sharp), but if you've got a Hornist with the chops, I’ve tried to put the articulations in to imitate a spoken voice.)3 Trombones-- Mainly triadic pads, with two instances of 9ths in the upper bass clef.1 Tenor Sax / Double on Alto Flute The Sax will sound great sotto voce to the Horn. The Flute should be as soft as possible, and ethereal.Solo Violin  (Could be sectional, instead of solo.)Solo Cello (Ibid.)The official video has bongos at the end, but I felt the sparse score worked well. They could easily be improvised, if needed.
$30.00
26.94 €
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Kansas
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Verse (youtube
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Dust In The Wind
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Jon Thingvall
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
4.45 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Wolfgang Amadeus Mozart
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Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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RayThompsonMusic
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SheetMusicPlus
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