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Were You There? - violin
Sheetmusic to print
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Were You There
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.885499 Composed by America…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.885499 Composed by American Spiritual. Arranged by Gerard Willmes. Christian,Easter,Sacred,Spiritual. Octavo. 4 pages. Gerard Willmes #5208951. Published by Gerard Willmes (A0.885499). An ethereal setting of this favourite spiritual. Arranged for one or two solo voices and four part choir, invite your congregation into a time of reflection with this setting of this Lenten classic. This title is also available for three part choir.
$2.59
2.39 €
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Choral SATB
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American Spiritual
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Were You There
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Gerard Willmes
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SheetMusicPlus
Were You There
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.885498 Composed by American…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.885498 Composed by American Spiritual. Arranged by Gerard Willmes. Christian,Easter,Sacred. Octavo. 4 pages. Gerard Willmes #5207373. Published by Gerard Willmes (A0.885498). An ethereal setting of this favourite spiritual. Arranged for one or two solo voices and three part choir, invite your congregation into a time of reflection with this setting of this Lenten classic.
$2.59
2.39 €
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Choral 3-part
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American Spiritual
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Were You There
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Gerard Willmes
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SheetMusicPlus
The Nearness Of You
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. Jazz. Score and parts. 5 pages. S. W. Lussing #3126013. Published by S. W. Lussing (A0.923852). Many venerable songs were written in the age before computers and midi synthesizers. A musical score or lead sheet was intended to be interpreted for style and tempo, and while some of those interpretations may not necessarily have been wrong, quite often they weren't always what the author intended, but face it, it's just plain hard to write music exactly in the way that the song is intended to be sung. Enter the computer age, and the ability for performers to understand that the interval of a note is an absolute time interval which puts the natural rhythm, or beat, of a musical arrangement at about 25% faster than a beat per second, which is why I arrange music to be performed at ~ 80 BPM, which means, approximately 80 beats per minute. That is not etched in stone, but it does represent the comfort zone to which the performer should subscribe when singing or playing a song. Contemporary jazz singers are, in my opinion, therefore obligated to re-arrange the songs that they intend to record, to avoid the embarrassment of getting it wrong. It happens. Timing is of the essence. Many of those old jazz classics are well served with a rewrite for the contemporary artist.The Nearness of You was written in 1938 by Hoagy Carmichael, with lyrics by Ned Washington, and was performed in the 1938 Paramount movie, Romance in the Dark, by Gladys Swarthout of the Metropolitan Opera. It has been recorded numerous times over the years, and it maintains its popularity today. The guitar chording for this arrangement is targeted toward the experienced and more advanced players, but I encourage the experienced intermediate level player to take up the challenge of learning to play this song. It will be a rewarding experience.
$4.99
4.6 €
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George Shearing
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The Nearness Of You
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S. W. Lussing
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SheetMusicPlus
Sam, You Made The Pants Too Long
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.864794 Composed by Sam M. Lewis and…
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Piano Solo - Level 4 - Digital Download SKU: A0.864794 Composed by Sam M. Lewis and Victor Young. Arranged by Dan Severino. Contemporary. Score. 6 pages. Piano Teacher Press #5216007. Published by Piano Teacher Press (A0.864794). Sam, You Made the Pants Too Long is a very humorous song about a tailor that made a client a perfect outfit except for one minor detail, ..... the pants were too long!! This song follows the pattern of a Recitative-Aria. The first dozen bars are rather declamatory exclaiming the problem. This story is immediately elaborated in the shuffle rhythm of the song.This arrangement tries to capture the humor and irony of the lyrics. A good performance will require a lot of wit and dynamism. The Recitative can be done very freely, but the Song (Aria) need to keep a steady rhythm with a lot of punch at the climax points. Play the middle section of the song in a more relaxed manner and in the final repetition of the main theme be your most expressive. End strong. This arrangement therefore has a lot of teaching value making students use their imagination in crafting a good interpretation and telling a story. Sam , You Made the Pants Too Long is a great novelty piece for a number that would especially stand out at a recital. It's also a great piece for a social gathering.
$4.99
4.6 €
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Piano solo
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Sam M
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Sam, You Made The Pants Too Long
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Piano Teacher Press
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SheetMusicPlus
Only You
Choral SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1269265 By Yazoo. By Vince…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1269265 By Yazoo. By Vince Clarke. Arranged by Karen Wilson. A Cappella,Contemporary,Pop. Octavo. 5 pages. Karen Wilson #861803. Published by Karen Wilson (A0.1269265). Alison Moyet sang this song in the key of A major. As we all know, she has a beautiful, low voice. I arranged it in A major, but we found all the parts were on the low side, so I therefore transposed it up a minor third (to C major). Obviously, it'll depend on your voices as to which key you decide upon. Good luck!
$1.99
1.83 €
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Choral SSAA
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Yazoo
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Only You
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Karen Wilson
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SheetMusicPlus
Mozart's At the Window [Two-Part Treble]
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.891216 Composed by Wolfgang …
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.891216 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 14 pages. Dandelion Music Press #3106871. Published by Dandelion Music Press (A0.891216). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level treble choirs and treble community choirs, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in SATB voicingMusic abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Choral 2-part
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Wolfgang Amadeus Mozart
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Mozart's At the Window [Two-Part Treble]
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Dandelion Music Press
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SheetMusicPlus
Mozart's At the Window [SATB]
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus …
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Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 18 pages. Dandelion Music Press #3106157. Published by Dandelion Music Press (A0.891208). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level HS choirs and community choirs with adult choral beginners, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in Two-Part Treble voicing.Music abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$3.25
3 €
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Choral SATB
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Wolfgang Amadeus Mozart
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Mozart's At the Window [SATB]
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Dandelion Music Press
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SheetMusicPlus
Memorial (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
23 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
The Wearing of the Green
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1296241 Composed by Behren. Arrange…
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Piano Solo - Level 3 - Digital Download SKU: A0.1296241 Composed by Behren. Arranged by Paul Taylor. Holiday,Multicultural,Patriotic,Traditional,World. Score. 2 pages. Paul Taylor #886486. Published by Paul Taylor (A0.1296241). This tune, although light-hearted in spirit was banned by the British for creating fervor for Irish Nationalism. Wearing green indicated that a citizen was in support of the Irish rebellion. Many people did so and were hanged by the British authorities. Nowadays on St. Patrick's day, the wearing of the green seems to have lost its notoriety and is described as a safeguard to prevent leprechauns from seeing you, thereby making you immune to their pranks:).
$1.99
1.83 €
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Piano solo
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Behren
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The Wearing of the Green
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Paul Taylor
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.83 €
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Arthur Le Clerq
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99
1.83 €
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Piano, Voice
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Arthur Le Clerq
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Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea
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Kim Kirkman
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SheetMusicPlus
Parting, a love song for vocal duet
Voice Duet Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1518584 C…
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Voice Duet Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1518584 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Celtic,Contemporary,Irish,New Age,Pop,Romantic Period. 13 pages. Kevin G. Pace #1092685. Published by Kevin G. Pace (A0.1518584). A lovely, heart-felt vocal duet for soprano and tenor. Music by Kevin G. Pace. Text by Mark R. Fotheringham.Text:BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt cannot hide our fears.HEI will not be gone forever.No, I’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYou will not be gone forever.No, you’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt may not dispel our fears.HEThough my love is far away, her love is a constant.I see her face in ev'ry flower I see.I hear her voice, in ev'ry stream; It flows to my yearning sea.I carry on because she waits for me.SHEWhat would I do without his loveThe shadows would be too deepHis love is like the starry nightThat bids me sle-ep.HEThen in my dreams, when ev'rything seemsSo bright at her ev'ry touch, oh ma-y INe-ver awake to see the morn. In- dreams never can I miss her.SHEThough my love is gone away,His love is ever in my heart.So, I wait for him to come homeWith arms wide open for me.Kisses to assure me of his love.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now our love has weathered ev'ry storm,And conquered all our fears.SHEOh, you were not gone forever.No, you were not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYes, I was not gone forever.No, I was not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now as love has weathered ev'ry storm,Love will last through all our years.
$5.99
5.52 €
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Kevin G
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It flows to my yearning sea
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Parting, a love song for vocal duet
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Kevin G. Pace
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SheetMusicPlus
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Piano solo
Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 …
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
23.97 €
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Piano solo
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Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Gathering - an original hymn for SATB voices
Voice solo
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701527 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3224905. Published by Kevin G. Pace (A0.701527). An original hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/c9lVXglYbCoTeaching His children, Jesus spoke softly, Gathering all of His followers there. He taught the kingdom of God on this earth Was as man sewing good seeds in fields with great care. Then, while sleeping at night, an enemy came And sowed the tares among the wheat in shame. Soon when the wheat grew, showing great promise, Tares also covered the space all around. Knowing the young roots were tender and new, Then the man, in great wisdom, approached his good ground. Let them both grow together. Harvest time waits. The tares and wheat then gathered to their fates. Now is the harvest. Gather together All the elect from the quarters of earth. Those who will call on the Savior in faith, And in places of holiness stand with true worth. For the angels are waiting for their command. Come gather close to reach His outstretched hand.
$1.99
1.83 €
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Voice solo
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Kevin G
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Gathering - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
5 Scale Forms for Guitar
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
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1.83 €
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Guitar notes and tablatures
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Bethlehem Angel and The First Noel
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Compos…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
4.6 €
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Ginny Saltzman
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Bethlehem Angel and The First Noel
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Ginny's House of Music
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SheetMusicPlus
A Virgin Most Pure (English carol) - brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726016
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726016 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 15 pages. Con Spirito Music #2957889. Published by Con Spirito Music (A0.726016). A Virgin Most Pure is an English traditional carol that appeared in Davies Gilbert's A Collection of Ancient Christmas Carols, with the Tunes to which they were formerly sung in the West of England (London, 1822). The first verse and refrain are as follows:A virgin most pure, as the prophets do tell, / Hath brought forth a baby, as it hath befell; / To be our Redeemer from death, hell, and sin, / Which Adam's transgression had wrapped us in.[Refrain] Aye, and therefore be merry; / Rejoice, and be you merry; / Set sorrow aside; / Christ Jesus our Saviour was born on this tide.The tune is built upon the Mixolydian scale (seventh mode), having the same sequence of tones and semitones as a major scale but with a lowered seventh degree. In this arrangement, the occasional addition of the flat seventh to the tonic chord and its use as a leading tone in some harmonic progressions emphasizes the modal quality of the tune.©Copyright 2013 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
13.83 €
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Brass quartet : 2 trumpets, trombone, tuba
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Traditional English Carol
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A Virgin Most Pure
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Con Spirito Music
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SheetMusicPlus
Goldberg Variations, BWV 988, Aria and Variations 1 - 5
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1466171 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque. 32 pages. Darrell Harrison Goforth #1044794. Published by Darrell Harrison Goforth (A0.1466171). J. S. Bach's work, The Goldberg Variations, BWV 988 are here arranged for Woodwind Quintet.Originally written for Johann Gottlieg Goldberg, the Goldberg Variations were originally published in 1741 and may have been initially performed publically by Herr Gottlieb.This work consists of an Aria and 30 variations. I have included in this effort the Aria and Variations 1 through 5. I will publish therest of the variations at a later date. I think it sounds rather interesting for this ensemble and I hope you enjoy playing it.The cover portrait, as you may have noticed, is not of either Bach or Goldberg. It is, rather, of a little known younger brother of Johann Sebastian named Robert Feliux Bach. Bob was neither a composer or musician, but was known as a champion mouser in Hamburg.As always, comments an suggestions are always welcome at darrell.goforth2@gmail,com.
$24.99
23.04 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Goldberg Variations, BWV 988, Aria and Variations 1 - 5
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Darrell Harrison Goforth
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SheetMusicPlus
Two Hebrew pieces for choir
Choral SATB
Mixed choir (SATB) a cappella - Digital Download SKU: S9.Q7182 Composed by Viktor U…
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Mixed choir (SATB) a cappella - Digital Download SKU: S9.Q7182 Composed by Viktor Ullmann. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 5 minutes. Schott Music - Digital #Q7182. Published by Schott Music - Digital (S9.Q7182). Hebrew.Viktor Ullmann composed his choral arrangements of Hebrew, Yiddish and Chassidic songs in the ghetto of Theresienstadt in 1943/1944. In the function of “Head of the Studio for New Musicâ€, Ullmann made a significant contribution to the so-called “leisure activities†in the ghetto. The works were evidently intended for the repertoire of the various choirs at Theresienstadt, including children’s choirs such as the Karel Vrbas Youth Choir in which Ullmann’s son Max also sang. There is no evidence to confirm that Ullmann’s choral works were actually performed in Theresienstadt, for example in one of the frequent concerts given by Rafael Schächter’s choir of up to a hundred voices (cf. Milan Kuna, Musik an der Grenze des Lebens, 21998. p.313). The German translations below first appeared in the song book Makkabi-Liederbuch published in Berlin in 1930 (2nd edition 1935) which was available to Viktor Ullmann as a source for the melodies and text orthography for his choral arrangements in Theresienstadt.
$3.99
3.68 €
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Choral SATB
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Viktor Ullmann
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Two Hebrew pieces for choir
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Schott Music - Digital
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SheetMusicPlus
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCor…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Alto voice, Piano
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Release
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010. Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010. This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show. We sung it as best we could with so little practice time and in a key way too high. This version is transposed down a fifth. Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here. If inspired, support your local elder and/or hospice organizations. I love my children to be happy. What’s new with you Mom? Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.
$2.99
2.76 €
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Alto voice, Piano
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Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics
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Release
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William R Taylor
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SheetMusicPlus
À vos guitares, prêts, jouez! Vol. 4
Guitar
This fourth booklet is dedicated to ensemble playing through five trios and three quartets…
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
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1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (étude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
9.17 €
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Guitar
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À vos guitares, prêts, jouez! Vol. 4
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.83 €
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Guitar notes and tablatures
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Frederic Chopin
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Berceuse for Pianoforte
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedric…
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Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedrich Franz Burgmüller. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Romantic Period. Score. 4 pages. Keith Terrett #1022775. Published by Keith Terrett (A0.1442839). Johann Friedrich Franz Burgmüller, generally known as Friedrich Burgmuller (4 December 1806 – 13 February 1874) was a German pianist and composer[1] during the Romantic period. He is perhaps best known for his three collections of children's etudes (or teaching pieces) for the piano, particularly his Op. 100 25 Études faciles et progressives (25 Easy and Progressive Studies) for early intermediate students. The other two collections, for more advanced students, were Op. 105 and 109.Life: Friedrich Burgmüller was born in Ratisbon (at that time part of the Principality of Regensburg, Confederation of the Rhine). His father Friedrich August Burgmüller and his younger brother Norbert Burgmüller were also composers. His mother was pianist and singer Therese von Zandt.He moved to Kassel in 1829 to study with Ludwig Spohr and Moritz Hauptmann. There he appeared as a pianist for his first concert, January 14, 1830.Burgmüller moved to Paris in 1832 (at age 26 ), where he stayed until his death. Norbert Burgmüller, his brother, made plans to join him in Paris, in 1835. However, he drowned in a spa in Aachen during an epileptic seizure a year later. In Paris, Burgmüller adopted Parisian music and developed his trademark (light) style of playing. He wrote many pieces of salon music for the piano and published several albums. Burgmüller also went on to compose piano études intended for children. He died in Paris on February 13, 1874.Works:Burgmüller composed piano pieces, waltzes, nocturnes, polonaises and two ballets. His Peasant Pas de Deux was added to Adolphe Adam's ballet Giselle for its 1841 premiere. This music was originally titled Souvenirs de Ratisbonne.
$1.99
1.83 €
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Piano solo
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Johann Friedrich Franz Burgmüller
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Berceuse for Pianoforte
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Keith Terrett
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SheetMusicPlus
Phaethon for Solo Viola and Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.771526 Composed by David F Wainwri…
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Piano,Viola - Level 5 - Digital Download SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwright #4352641. Published by D F Wainwright (A0.771526). PHAETHON was a youthful son of Helios who begged his father let him drive the chariot of the sun. The god reluctantly conceded to the boy's wishes and handed him the reigns. But his inexperience proved fatal, for Phaethon quickly lost control of the immortal steeds and the sun-chariot veered out of control setting the earth ablaze. Zeus, appalled by the destruction, smote the boy with a thunderbolt, hurling his flaming body into the waters of the River Eridanos. Phaethon's sisters, the Heliades, gathered on the banks and in their mourning were transformed into amber-teared poplar trees. This piece, written for my daughter, Penny, for her 2nd year recital at university, depicts the story of Phaethon, through to his destruction. The second piece, Tears of the Heliad, written for her degree recital and also published on SMP, finishes the story with the lamenting of the Heliades and their tears eventually turning to drops of golden amber
$10.99
10.13 €
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Viola, Piano
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David F Wainwright
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Phaethon for Solo Viola and Piano
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D F Wainwright
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SheetMusicPlus
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