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You've selected:
West Point March
Sheetmusic to print
19 sheet music found
<
1
West Point March
Piano solo
Piano - Digital Download SKU: LV.16246 Composed by Julius Metz. Lester S. Levy Coll…
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Piano - Digital Download SKU: LV.16246 Composed by Julius Metz. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16246). West Point March. Composed by Julius Metz. Published [n.d.] by James L. Hewitt, No.137 Broadway in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano solo
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Julius Metz
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West Point March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The West Point March Two-Step
Piano solo
Piano - Digital Download SKU: LV.16431 Composed by Rudolph O. Goldsmith. Daggers & …
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Piano - Digital Download SKU: LV.16431 Composed by Rudolph O. Goldsmith. Daggers & swords, Cannonballs, Bayonets. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16431). The West Point March Two-Step. By Rudolph O. Goldsmith, 189. Published 1895 by The Goldsmith Publishing Co. in Bennington, Vermont. Composition of sectional with piano instrumentation. Subject headings for this piece include Daggers & swords, Cannonballs, Bayonets. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano solo
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Rudolph O
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Rudolph O
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The West Point March Two-Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The West Point Cadets Quick March, A Spanish Dance
Piano solo
Piano - Digital Download SKU: LV.16430 Composed by M. E. Metz. Lester S. Levy Colle…
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Piano - Digital Download SKU: LV.16430 Composed by M. E. Metz. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16430). The West Point Cadets Quick March, A Spanish Dance. Composed by M.E. Metz. Published [n.d.] by James L. Hewitt & Co., No.36 Market Street in Boston. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano solo
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M
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The West Point Cadets Quick March, A Spanish Dance
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Texas Symphony, Movement IV. West Texas, Fort Davis
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.885228 Composed by Kathryn Ellis.…
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Concert Band - Level 3 - Digital Download SKU: A0.885228 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Ellis #3620139. Published by Ellis (A0.885228). West Texas, Fort Davis, is the fourth movement of A Texas Symphony, and depicts a day in the life of a Texas Buffalo cavalry soldier, riding out on patrol. The music opens with a trumpet solo, representing an original bugle theme. The opening music is rhythmic with overlapping themes that depict activity on the parade field of the fort. As the soldiers ride out, the percussion switches from snare to claves and tambourine, and the rhythm switches from march-like to gigue-like symbolizing the cavalry riding out. At one point, a chase ensues, then the opening themes return with the soldiers' return to the fort. Length is approximately 12 minutes.
$50.00
45.86 €
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Concert band
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Kathryn Ellis
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Texas Symphony, Movement IV. West Texas, Fort Davis
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Ellis
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SheetMusicPlus
Zacatecas March (for Clarinet Quartet)
Clarinet Quartet: 4 clarinets
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515062 Composed by Genaro Co…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515062 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 13 pages. LINCOLN MUSIC PUBLICATIONS #4635421. Published by LINCOLN MUSIC PUBLICATIONS (A0.515062). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Clarinet Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
11.91 €
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Clarinet Quartet: 4 clarinets
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Zacatecas March (for Saxophone Quartet SATB or AATB)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515063 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515063 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 18 pages. LINCOLN MUSIC PUBLICATIONS #4635425. Published by LINCOLN MUSIC PUBLICATIONS (A0.515063). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Saxophone Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
11.91 €
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Saxophone Quartet: 4 saxophones
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Zacatecas March (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.515061 Composed by …
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.515061 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 17 pages. LINCOLN MUSIC PUBLICATIONS #4635411. Published by LINCOLN MUSIC PUBLICATIONS (A0.515061). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Brass Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
12.83 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Zacatecas March (for Woodwind Quartet)
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.515066 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 14 pages. LINCOLN MUSIC PUBLICATIONS #4635437. Published by LINCOLN MUSIC PUBLICATIONS (A0.515066). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Woodwind Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
11.91 €
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Flute, Oboe, Clarinet, Bassoon
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Zacatecas March (for String Quartet)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.515065 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 13 pages. LINCOLN MUSIC PUBLICATIONS #4635433. Published by LINCOLN MUSIC PUBLICATIONS (A0.515065). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for String Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
11.91 €
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String Quartet: 2 violins, viola, cello
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Zacatecas March (for Saxophone Quintet SATTB or AATTB)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515064 Com…
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Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515064 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 18 pages. LINCOLN MUSIC PUBLICATIONS #4635429. Published by LINCOLN MUSIC PUBLICATIONS (A0.515064). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Saxophone Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
12.83 €
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Saxophone Quintet: 5 Saxophones
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Zacatecas March (for Woodwind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.515067 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 17 pages. LINCOLN MUSIC PUBLICATIONS #4635443. Published by LINCOLN MUSIC PUBLICATIONS (A0.515067). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Woodwind Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
12.83 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On and Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light and Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange and Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver and Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, and Yet
$24.99
22.92 €
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Banjo
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Intermediate
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Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Official West Point March by Philip Egner - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Philip Egner - The Official West Point March Digital Sheetmusic plus an interactive, downl…
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Philip Egner - The Official West Point March Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Holiday & Special Occasion~~March~~Patriotic~~Special Use~~Americana~~Military
$5.50
5.04 €
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Piano, Vocal and Guitar
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Piano/Vocal/Guitar
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Musicnotes
The Official West Point March
Piano, Vocal and Guitar
(Popular Standard). By Philip Egner; Alfred H. Parham. For piano, vocal & chords. Key …
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(Popular Standard). By Philip Egner; Alfred H. Parham. For piano, vocal & chords. Key of Eb-Major. Traditional Pop. Score. Text Language: English. 7 pages. Published by Shapiro Bernstein Organization
$3.99
3.66 €
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Piano, Vocal and Guitar
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Philip Egner; Alfred H
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Alfred H
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The Official West Point March
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Shapiro Bernstein Organization
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.35 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
To Rise Again
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Al…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
36.69 €
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Trombone and Piano
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.55 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Stop The Cavalry
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1496708 By Jona Lewie. By Jona Lewie. Arranged by Harry Sargeant. Advent,Christmas,Holiday,March,Pop. 18 pages. Harry Sargeant #1073222. Published by Harry Sargeant (A0.1496708). A wonderful Christmas tale told by 1914 soldiers of the Western Front.In this arrangement everyone gets the tune at some point, which makes it fun for all involved!
$12.99
11.91 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Jona Lewie
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Stop The Cavalry
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Harry Sargeant
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SheetMusicPlus
Trumbull Sketches
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
55.03 €
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Orchestra
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
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