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You've selected:
What Makes You Beautiful - Score Only
Sheetmusic to print
7 sheet music found
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1
What Makes You Beautiful
Piano, Vocal and Guitar
By One Direction. For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar. 6 pa…
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By One Direction. For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Vocal and Guitar
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One Direction
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What Makes You Beautiful
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
What Makes You Different? (Makes You Beautiful)
Piano, Vocal and Guitar
By The Backstreet Boys. For piano, voice, and guitar (chords only). Pop. 6 pages. Publishe…
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By The Backstreet Boys. For piano, voice, and guitar (chords only). Pop. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Vocal and Guitar
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The Backstreet Boys
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What Makes You Different?
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
61.7 €
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Tenor voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cycles of Life
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859659 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Music #2942883. Published by Sydney Stevens, Water Music (A0.859659). Contact: sydneystevenspianostudio@gmail.comCycles of Life: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Loreena McKennitt, Lucy Kaplansky, Giorgia FumantiFrom Album: Cycles of Life Theme: The only constant in life is change. Appropriate for the loss of a loved one.Mood: Contemplative, soulful, reflective.Musical Traits: Strong melody, gorgeous arrangement.Performance Time: 3:55.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be dif.
$4.95
4.63 €
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Alto voice, Piano
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Sydney Stevens
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Cycles of Life
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Sydney Stevens, Water Music
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SheetMusicPlus
Blue Moon
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Rodgers and Har…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Rodgers and Hart. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play the famous jazz ballad "Blue Moon" on piano!<br> <br> It's an accurate, playable piano arrangement of the beautiful song. The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.<br> <br> Of course, you can also use this arrangement to accompany a singer, or sing along yourself - the sheet music includes a system for the singer, as well as the song's full lyrics and chords.<br> <br> "Blue Moon" was written in 1934 by the legendary songwriting duo Richard Rodgers (music) and Lorenz Hart (lyrics). In the same year, it was used as the title song for the film "Manhattan Melodrama".<br> <br> The song became a popular standard and has been recorded by countless great artists - among the most famous are the versions of Billie Holiday, Elvis Presley, Billie Holiday, The Marcels, Rod Stewart & Eric Clapton, Dean Martin, Bob Dylan, and of course Frank Sinatra.<br> <br> While some artists turned the song into a rather fast, some times even rock and roll like tune, others recorded it in a slow swing style.<br> <br> In any case, "Blue Moon" makes for a fantastic piano ballad - time for you to play it!<br> <br> Here are the lyrics to "Blue Moon":<br> <br> Blue moon, you saw me standin' alone<br> Without a dream in my heart, without a love of my own<br> Blue moon, you knew just what I was there for<br> You heard me sayin' a prayer for<br> Someone I really could care for<br> <br> And then there suddenly appeared before me<br> The only one my arms will hold<br> I heard somebody whisper "please adore me"<br> And when I looked, the moon had turned to gold<br> <br> Blue moon, now I'm no longer alone<br> Without a dream in my heart<br> Without a love of my own
$4.99
4.67 €
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Piano, Voice
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Rodgers and Hart
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Blue Moon
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Mario Stallbaumer
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harp
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.54 €
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Harp
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Journey
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Don't Stop Believin'
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SheetMusicPlus
Blue Moon - Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download By Elvis Presley, The Marcels. Arranged …
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Piano Solo - Intermediate - Digital Download By Elvis Presley, The Marcels. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play the famous jazz ballad "Blue Moon" on piano!<br> <br> It's an accurate, playable piano arrangement of the beautiful song. The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.<br> <br> "Blue Moon" was written in 1934 by the legendary songwriting duo Richard Rodgers (music) and Lorenz Hart (lyrics). In the same year, it was used as the title song for the film "Manhattan Melodrama".<br> <br> The song became a popular standard and has been recorded by countless great artists - among the most famous are the versions of Billie Holiday, Elvis Presley, Billie Holiday, The Marcels, Rod Stewart & Eric Clapton, Dean Martin, Bob Dylan, and of course Frank Sinatra.<br> <br> While some artists turned the song into a rather fast, some times even rock and roll like tune, others recorded it in a slow swing style.<br> <br> In any case, "Blue Moon" makes for a fantastic piano ballad - time for you to play it!<br> <br> Here are the lyrics to "Blue Moon":<br> <br> Blue moon, you saw me standin' alone<br> Without a dream in my heart, without a love of my own<br> Blue moon, you knew just what I was there for<br> You heard me sayin' a prayer for<br> Someone I really could care for<br> <br> And then there suddenly appeared before me<br> The only one my arms will hold<br> I heard somebody whisper "please adore me"<br> And when I looked, the moon had turned to gold<br> <br> Blue moon, now I'm no longer alone<br> Without a dream in my heart<br> Without a love of my own
$4.99
4.67 €
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Piano solo
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Elvis Presley, The Marcels
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Blue Moon - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
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