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What is Water?
Sheetmusic to print
77 sheet music found
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Calm Waters
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.761954 Composed by Louis Landon. Co…
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Easy Piano - Level 1 - Digital Download SKU: A0.761954 Composed by Louis Landon. Concert,Contemporary,Instructional,New Age,Standards. Score. 2 pages. Landon Creative, Inc. #6370987. Published by Landon Creative, Inc. (A0.761954). Calm Waters was released on March 19, 2021. It is a single from the upcoming album, Nighttime Piano for Relaxation and Deep Sleep. Calm Waters show us the way. With no ripples or waves in the water, serenity and peace occur. In the same way, when we go with the flow and don't fight what is, we are like calm waters. We let nothing blow us out of our personal orbit. We are centered, relaxed and peaceful in gratitude and acceptance. It is available for streaming on Spotify, Apple Music and Pandora Radio It is also available for downloading at Amazon, iTunes, and Bandcamp Recorded at the Peace Palace, Sedona, AZ on a Steinway B in November, 2020. All music produced, arranged, composed & performed by Louis Landon All music published by Landon Creative, Inc. BMI Louis Landon is a Steinway Artist Music mastering by Michael McDonald, Syntharts, Eugene, OR Cover design and photo by Louis Landon
$5.25
4.84 €
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Easy Piano
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Louis Landon
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Calm Waters
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Landon Creative, Inc.
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SheetMusicPlus
WaterFreeFall
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1151156 Composed by Robert Chamberl…
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Piano Solo - Level 4 - Digital Download SKU: A0.1151156 Composed by Robert Chamberlin. Classical,Contemporary. Score. 6 pages. Robert Chamberlin #751336. Published by Robert Chamberlin (A0.1151156). This advanced intermediate piano solo is an attempt to describe what it might feel like to fall freely through a waterfall. Frequent hand crossings are featured throughout the piece. Also included are a few meter and tempo changes.
$3.99
3.68 €
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Piano solo
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Robert Chamberlin
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WaterFreeFall
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Robert Chamberlin
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SheetMusicPlus
'Tis a Fearful Thing (to Love What Death Can Touch)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1024991 Composed by Brent …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1024991 Composed by Brent Johnson. Contemporary. Octavo. 8 pages. WaterTower Music #4571365. Published by WaterTower Music (A0.1024991). This is a tender setting of the beautiful ancient text which has been used recently in films and television shows. It's a stirring text of sorrow and joy, and the music reflects the uplifting, contemplative sentiments it contains. It sounds more complex than it is and is accessible for Intermediate to Advanced chorus.
$2.49
2.3 €
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Choral SATB
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Brent Johnson
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'Tis a Fearful Thing
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WaterTower Music
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SheetMusicPlus
What'll We Do on a Saturday Night (When the Town Goes Dry)
Piano, Voice
Piano and voice - Digital Download SKU: LV.24070 Composed by Harry Ruby. Couples, M…
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Piano and voice - Digital Download SKU: LV.24070 Composed by Harry Ruby. Couples, Motion pictures, Entertainment, Prohibition, Courtship, Alcoholism, Organized crime. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24070). What'll We Do on a Saturday Night (When the Town Goes Dry). By Harry Ruby. Published 1919 by Waterson, Berlin & Snyder Co., Strand Theatre, Broadway at 47th in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Motion pictures, Entertainment, Prohibition, Courtship, Alcoholism, Organized crime. First line reads We all save our pennies up for Saturday night, cause that is the night that we go out upon a spree.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Harry Ruby
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Harry Ruby
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What'll We Do on a Saturday Night
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
In the Waters Shimmering
Flute Quartet: 4 flutes
Flute quartet - Digital Download SKU: IZ.IMF188 Composed by Daniel Baldwin. Score a…
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Flute quartet - Digital Download SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digital (IZ.IMF188). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$12.00
11.06 €
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Flute Quartet: 4 flutes
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Daniel Baldwin
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In the Waters Shimmering
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Imagine Music - Digital
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SheetMusicPlus
Still Waters (variant 9)
Flute
Flute Solo - Digital Download SKU: A0.1001245 Composed by Edigles Guedes. Christian…
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Flute Solo - Digital Download SKU: A0.1001245 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Individual part. 3 pages. Edigles Guedes #6433693. Published by Edigles Guedes (A0.1001245). The present musical piece is a compositional study. We tried to capture the mood of the waters. What would your mood be like? Now icy, now vivid, would he be like that? It is suitable for intermediate-level flute students. Duration of work: 6 min. Inspired by the biblical verse: He maketh me to lie down in green pastures: he leadeth me beside the still waters. (Psalms 23:2).
$2.99
2.76 €
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Flute
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Edigles Guedes
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Still Waters
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Edigles Guedes
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SheetMusicPlus
Caught in a Watercolor Painting
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1514867 By Kalynn Fleischman. By Ka…
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Piano Solo - Level 5 - Digital Download SKU: A0.1514867 By Kalynn Fleischman. By Kalynn Fleischman. Arranged by Kalynn Fleischman. 21st Century,Contemporary,Instructional,Romantic Period. Score. 4 pages. Kalynn Fleischman #1089360. Published by Kalynn Fleischman (A0.1514867). Here is a somewhat fantastical little piano composition for advanced players. The left hand pattern is a bit tricky at first but isn't too hard to master with some practice. Overall, this is a very expressive and passionate composition.
$5.99
5.52 €
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Piano solo
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Kalynn Fleischman
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Caught in a Watercolor Painting
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Kalynn Fleischman
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SheetMusicPlus
By the Waters
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0003198 By the Waters - SATB. Compos…
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Chorus - Digital Download SKU: AX.00-PO-0003198 By the Waters - SATB. Composed by Jean Perry. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003198. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003198). UPC: 038081487403. Dave Perry.A haunting, minor-mode melody is passed through the choir in this fugue treatment of an expressive psalm text. What begins as artful simplicity develops into lush polyphony. By the waters of Babylon, we sat down and wept.
$1.90
1.75 €
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Choral SATB
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the Waters - SATB
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Jean Perry
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By the Waters
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By the Waters
Choral 3-part
Chorus - Digital Download SKU: AX.00-PO-0003200 By the Waters - SSA. Compose…
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Chorus - Digital Download SKU: AX.00-PO-0003200 By the Waters - SSA. Composed by Jean Perry. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003200. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003200). UPC: 038081487427. Dave Perry.A haunting, minor-mode melody is passed through the choir in this fugue treatment of an expressive psalm text. What begins as artful simplicity develops into lush polyphony. By the waters of Babylon, we sat down and wept.
$1.90
1.75 €
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Choral 3-part
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the Waters - SSA
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Jean Perry
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By the Waters
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By the Waters
Choral 3-part
Chorus - Digital Download SKU: AX.00-PO-0003199 By the Waters - SAB. Compose…
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Chorus - Digital Download SKU: AX.00-PO-0003199 By the Waters - SAB. Composed by Jean Perry. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003199. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003199). UPC: 038081487410. Dave Perry.A haunting, minor-mode melody is passed through the choir in this fugue treatment of an expressive psalm text. What begins as artful simplicity develops into lush polyphony. By the waters of Babylon, we sat down and wept.
$1.90
1.75 €
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Choral 3-part
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the Waters - SAB
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Jean Perry
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By the Waters
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Master, the Tempest is Raging (SATB)
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723296 Composed by Mary An…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
$2.25
2.07 €
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Choral SATB
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Mary Ann Baker, H
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Master, the Tempest is Raging
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Lagom Music
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SheetMusicPlus
Let The Lower Lights Be Burning (BQ)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Christian,Contemporary,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6519003. Published by Joseph Pugh (A0.855268). This is an arrangement of the Hymn my Mother told about as our Church Choir rehearsed, years ago.  At the mouth of Cleveland harbor, there were two lights, one at each side of the bay, called the upper and lower lights; and to enter the harbor safely by night, vessels must sight both of the lights. A ship can try to make for the harbor, but they may crash against the rocks if they don't see the lights upon the shore. Very few escape. The great majority find a watery grave. Why? Simply because the lower lights going out. Now, with us the upper lights are all right. Christ Himself is the upper light, and we are the lower lights, and the cry to us is, keep the lower lights burning; that is what we have to do. He will lead us safe to the sunlit shore of Canaan, where there is no more night._ D.L. Moody.
$9.99
9.21 €
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Brass quartet : 2 trumpets, trombone, tuba
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Philip P
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Let The Lower Lights Be Burning
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Joseph Pugh
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 34 (Songs 892-918)
Acoustic Guitar,Instrumental Solo - Digital Download SKU: A0.1167701 Composed by Tr…
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Acoustic Guitar,Instrumental Solo - Digital Download SKU: A0.1167701 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #768069. Published by Socrates Arvanitakis (A0.1167701). This is the thirtieth-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 34 (Songs 892-918)Villikins and his DinahWaltzing MatildaWark o’ the Weavers (the)Water of Tyne (the)Watercress Girl (the)Watts’s Cradle Song 1Watts’s Cradle Song 2Watts’s Cradle Song 3We Wish You A Merry ChristmasWe’ve been a while a-wanderingWealthy Young Farmer (the)Weaver (the)Westering HomeWhat is the life of a manWhat You Gonna Call Yo’ Pretty Little BabyWhen Adam was First CreatedWhen Jones’s Ale was NewWhile Shepherds Watched (Liverpool)Whilst The Gamekeepers Lie SleepingWhite CockadeWhite Hare (the)Who will you give me to sail awayWho’ll be King but CharlieWho’s the fool nowWiddecombe FairWild Moor (the)Wild White Rose (the).
$25.00
23.05 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 34
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Socrates Arvanitakis
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SheetMusicPlus
Pitt Street Bridge - for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAlliste…
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Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAllister. Contemporary,Folk,Instructional,Standards. Score and parts. 52 pages. John McAllister #6665567. Published by John McAllister (A0.778226). Pitt Street Bridge was commissioned by the Moultrie Middle School Band to be premiered at the 2020 SCMEA Conference. The remains of the Pitt Street Bridge lie in the Intercoastal Waterway and in what is now called Pickett Bridge Recreation Area. It is within walking distance from the middle school, and it is an integral part of Mt. Pleasant’s history. Originally designed as a trolley bridge that connected Sullivan’s Island and Mount Pleasant, Pitt Street Bridge is now a haven for recreation and relaxation. The lively melodies throughout the piece depict the festive activities that take place on Pitt Street Bridge. The piece opens as though one is standing on the Pitt Street Bridge, gazing out at the immensely beautiful surroundings. Slow and serene as the sun blankets the harbor and the marsh. The bridge has a tremendous history, dating back to the revolutionary war, which is where the melody begins. Deconstructed from part of Sir Peter Parker, a song about the Battle of Sullivan’s Island. A distant memory, this melody will find itself in many ways throughout (three notes rising diatonically followed by a falling 3rd). The woodwinds pattern in the opening (which also appears throughout), represents the ripples in the water, flowing gently back and forth. The military past of the bridge is hinted at in two ways. The snare in the opening, reminiscent of the rudimental style and several harmonies throughout that hint at an Americana style. As the piece picks up tempo, the hustle and bustle of 1920s Charleston comes to life. Harmonically, everything is still built off of the foundation of the original tune, but now we’re in bright and joyous times and people are transported to and from the island in the Roarin’ 20s. The optimism abounds until the climax of the piece as the bridge (musically speaking), fades into the past. At the finale, one is standing on the bridge with the distant melody still played on the flute.
$40.00
36.88 €
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Concert band
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John McAllister
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Pitt Street Bridge - for Concert Band
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John McAllister
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SheetMusicPlus
Sharktooth Frenzy
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.61 €
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Psalm Prelude Miniature #2 (from Psalm 23), for Organ
Organ
Organ - Level 2 - Digital Download SKU: A0.763801 Composed by Nigel Williams. Sacre…
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Organ - Level 2 - Digital Download SKU: A0.763801 Composed by Nigel Williams. Sacred. Score. 3 pages. Nigel Williams #6504219. Published by Nigel Williams (A0.763801). He shall feed me in a green pasture, and lead me forth beside the waters of comfort. The second verse of Psalm 23 provides the inspiration for this gentle and contemplative chorale with three short variations, The melodic and harmonic language is both modal and modern. The same solo stop can be used for each of the three variations, alternatively, as Carson Cooman demonstrates in this youtube recording, different registrations can be used, depending on what is available. Ideal repertoire in a service of worship where a reflective mood is required. If this music appeals, you might also enjoy browsing my organ arrangements published by The Lorenz Corporation.
$4.99
4.6 €
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Organ
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Nigel Williams
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Psalm Prelude Miniature #2
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Nigel Williams
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SheetMusicPlus
Rustic Serenade
String Quartet: 2 violins, viola, cello
String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Sc…
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String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.
$28.00
25.81 €
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String Quartet: 2 violins, viola, cello
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Kenneth Piotrowski
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Rustic Serenade
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Imagine Music - Digital
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SheetMusicPlus
He Leadeth Me
Digital Download SKU: A0.1068482 Composed by 1862, 1864, Music – William B. …
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Digital Download SKU: A0.1068482 Composed by 1862, 1864, Music – William B. Bradbury, and Words – Joseph H. Gilmore. Arranged by Pat Holmberg. Christian,Gospel. Full Performance. Duration 110. Patricia Tanttila Holmberg #1966913. Published by Patricia Tanttila Holmberg (A0.1068482). This is a familiar Christian hymn, played here on the piano. Here are the words, if you want to sing along, or just enjoy listening. He leadeth me! O blessed thought! O words with heav’nly comfort fraught Whate’er I do, where’er I be, Still ‘tis God’s hand that leadeth me. Chorus: He leadeth me, he Leadeth me, By His own hand He leadeth me, His faithful foll’wer I would be, For by His hand He leadeth me. Sometimes ‘mid scenes of deepest gloom,Sometimes where Eden’s bowers bloom,By waters still,’er troubled sea, Still ‘tis His hand that leadeth me! Repeat Chorus after each stanza. Lord, I would clasp Thy hand in mine, Nor ever murmur nor repine; Content, whatever lot I see, since ‘tis my God that leadeth me! And when my task on earth is done, When by Thy grace the vict’ry’s won, E’en death’s cold wave I will not flee, Since God thru Jordan leadeth me. BMI www.patholmberg.com.
$1.99
1.83 €
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His own hand He leadeth me, His faithful foll’wer I would be, For by His hand He leadeth me
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1862, 1864, Music – William B
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He Leadeth Me
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Patricia Tanttila Holmberg
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SheetMusicPlus
Cascades for Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed…
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Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.
$15.00
13.83 €
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Flute ensemble
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Sy Brandon
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Cascades for Flute Choir
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Sy Brandon
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SheetMusicPlus
Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.06 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Herbie
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859667 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.
$4.95
4.56 €
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Alto voice, Piano
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Sydney Stevens
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Herbie
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Sydney Stevens, Water Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Fugue Study in Em
Guitar notes and tablatures
Guitar - Level 4 - Digital Download SKU: A0.1017653 Composed by Oliver Waterman. 20…
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Guitar - Level 4 - Digital Download SKU: A0.1017653 Composed by Oliver Waterman. 20th Century,Baroque,Contemporary. Guitar Tab. 5 pages. Oliver Waterman #6212365. Published by Oliver Waterman (A0.1017653). My Fugue Study in Em, is a sneak peak into a collection of studies for guitar that I've composed called Classically Different. They are not meant for the beginner student, but they are pedagogical. They are the result of imagining what it would have been like to have the 6 string guitar a common place instrument during the 18th century. Would there have been powerhouse guitarist/composers like Sor and Giuliani of the 19th century? Would they have performed and composed like Bach Vivaldi and Weiss? Would Bach have composed a suite for it? I originally composed this Fugue for keyboard in my counterpoint class. As I started to arrange it for guitar and learn to play it, I realized that I was running into similar problems that guitarists have experienced since Tarrega first started transcribing Bach. I coincidentally rewrote a number of sequences and entrances of the subject to make it more guitar logical. There are still leaps by a 7th sprinkled in to continue a low melody an octave higher due to the range limitations of the 6 string guitar. I wonder if perhaps this would have been a useful mechanism for the hypothetical guitarists of the 18th century, or if they would have just composed for the instruments range. It is quite apparent to me that a great deal of Baroque music arranged for guitar makes great use of this without degradation to the original line. I use both tablature and standard notation for my scores with perhaps an overabundance of fingerings. I want to make it as easy as possible to understand the music for as many players as possible. .
$1.99
1.83 €
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Guitar notes and tablatures
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Oliver Waterman
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Fugue Study in Em
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Oliver Waterman
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SheetMusicPlus
Viaje al Atardeser
Concert band
Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score…
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Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
$60.00
55.31 €
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Concert band
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
A Jamestown Trilogy: Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001808_BBC1 Baritone B.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0001808_BBC1 Baritone B.C.. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001808_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001808_BBC1). UPC: 038081349701.A Jamestown Trilogy is a three-movement suite inspired by the story of Captain John Smith and his crew, who sailed from England on December 20, 1606 in three small ships, the Discovery, Susan Constant and Godspeed. They first landed at Cape Henry on April 26, 1607 and then sailed up the James River where, on May 14, 1607, they landed on a site they named Jamestown. In 1608, Smith was captured by the Powhatan Indians. Legend has it that he was considered a threat to the Indians because of his interest in metals and in searching for a waterway west. Smith was sentenced to death and placed on a stone alter to be killed when a twelve year old Indian Princess rescued him. Matoaka, nicknamed Pocahontas (Playful One), the daughter of Powhatan, chief of the confederacy, threw her body across Smith's and saved his life.Concert/Contest.
$3.00
2.77 €
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Concert band
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Gary Fagan
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A Jamestown Trilogy: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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