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CLASSICAL - BAROQUE - ROMANTIC
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1,109 sheet music found
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Variations on a Rossini Theme op.Posth
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Chamber Orchestra
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Classical
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Sco...
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Great Symphonic Themes - Series 5FC - (Key Map Tablature)
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Easy Piano
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INTERMEDIATE
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Classical
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Various
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John M
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Great Symphonic Themes - Serie
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Music Innovators Workshop
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SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 p...
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Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 pages. Music Innovators Workshop #4356973. Published by Music Innovators Workshop (A0.984698). These are easy to play themes from 7 great symphonic works. The themes are placed on key map tablatures that notate the melodies and chords, and provide standard chord symbols as well. Series 5FC - To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
But It Was Just Another Squirrel.
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Classical
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Damien Gauci
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But It Was Just Another Squirr
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1495486 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 5 pages. Damien Gauci #1072003. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1495486 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 5 pages. Damien Gauci #1072003. Published by Damien Gauci (A0.1495486). What a relief! It was just another squirrel all along! Whiskers and the other squirrel are cautious to meet each other but they walk up to each other slowly and carefully, ready to run at any moment in case something happens. Whiskers thinks to himself about all that fear and chaos he felt earlier that was all for nothing, he is very relieved to find out that the scary creature he was so scared about was just another squirrel.Whiskers doesn’t have many other friends so he’s happy to find someone else in these woods to become friends with. The scary abandoned house that they’re in seems to fade away now that he feels comfortable with this other squirrel. What an adventure it has been so far, from finding this abandoned house to running for his life to making a new friend. I wonder what her name is?
$6.00
Whate'er My God Ordains is Right
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Choral SATB
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Classical
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Johann Pachelbel
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Arthur Hardwicke
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Whate'er My God Ordains is Rig
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Sacred Music Press
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SheetMusicPlus
SATB choir (a cappella) SKU: LO.E69 Composed by Johann Pachelbel. Arranged by Arthur Hardwicke. Choral. Sacred Anthem. Octavo. Sacred Music Press #E69. P...
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SATB choir (a cappella) SKU: LO.E69 Composed by Johann Pachelbel. Arranged by Arthur Hardwicke. Choral. Sacred Anthem. Octavo. Sacred Music Press #E69. Published by Sacred Music Press (LO.E69). UPC: 000308015591.
Song List
: Whateer My God Ordains Is Right
$2.95
Heidenröslein: Variations on a Theme by Franz Schubert
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Classical
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
"Joyful, Joyful, We Adore Thee" for 8-note C major diatonic scale Tongue Drum
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Classical
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Sharon Wilson
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Sharon Wilson
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"Joyful, Joyful, We Adore Thee
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Sharon Wilson
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SheetMusicPlus
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569908 By Sharon Wilson. By Ludwig van Beethoven. Arranged by Sharon W...
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569908 By Sharon Wilson. By Ludwig van Beethoven. Arranged by Sharon Wilson. Baroque,Classical,Holiday,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685593. Published by Sharon Wilson (A0.569908). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Then Shall the Eyes of the Blind
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Choral 3-part
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Classical
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Felix Bartholdy Mendelssohn an
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Felix Bartholdy Mendelssohn an
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Then Shall the Eyes of the Bli
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Chorister's Guild - Digital
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SheetMusicPlus
SAB chorus - Digital Download SKU: C7.CGA927 Composed by Felix Bartholdy Mendelssohn and Ronald A Nelson. Arranged by Felix Bartholdy Mendelssohn and Ron...
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SAB chorus - Digital Download SKU: C7.CGA927 Composed by Felix Bartholdy Mendelssohn and Ronald A Nelson. Arranged by Felix Bartholdy Mendelssohn and Ronald A Nelson. General. Mixed Voices. With Piano. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA927. Published by Chorister's Guild - Digital (C7.CGA927). UPC: 749193007358.Commissioned by the Texas Conference Choir Clinic for Music and the Worship Arts in celebration of their 50th Anniversary, this piece was written with middle school unchanged voices in mind. Syncopated rhythms and calypso elements in the refrain drive the piece forward while quiet, meditative verses offer contrast. The frequent sixteenth-note passages in the Flute part require a somewhat advanced player. The anthem is suitable for any occasion where praise and thanksgiving are the themes.
$1.95
What We Used To Know
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Javien Keenan
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What We Used To Know
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Javien Keenan
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1153086 Composed by Javien Keenan. Classical. Score and parts. 28 pages. Javien Keenan #753331. Publish...
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Concert Band - Level 4 - Digital Download SKU: A0.1153086 Composed by Javien Keenan. Classical. Score and parts. 28 pages. Javien Keenan #753331. Published by Javien Keenan (A0.1153086). I've Always had a soft spot for slow pieces. A brighter version of one of my other pieces The Corruption, This shows a brighter side of life and the fondness of life or the things we used to know. I'm tired of hearing people say slow pieces are easy because there slow or there boring because they don't have fast notes. With this piece I hope to change people opinion on slower pieces. What We Used To Know was inspired for my reason I love slow pieces and I hope everyone finds a reason to adore them like I have.
$25.99
Pachelbel - Themes From Canon in D - (Key Map Tablature)
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Piano solo
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INTERMEDIATE
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Classical
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Johann Pachelbel
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John M
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Pachelbel - Themes From Canon
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.984723 Composed by Johann Pachelbel. Arranged by John M. Honeycutt. Baroque. Score. 10 pages. Music Innov...
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Piano Solo - Level 3 - Digital Download SKU: A0.984723 Composed by Johann Pachelbel. Arranged by John M. Honeycutt. Baroque. Score. 10 pages. Music Innovators Workshop #4359461. Published by Music Innovators Workshop (A0.984723). This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.)
$2.00
What ails my Darling for Trombone or Low Brass Trio
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Renaissance
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Classical
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Eric Burger Music
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What ails my Darling for Tromb
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble Bassoon,Euphonium,Trombone - Level 3 - Digital Download SKU: A0.508460 Arranged by Eric Burger Music. Baroque,Renaissance. Score and parts...
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Brass Ensemble Bassoon,Euphonium,Trombone - Level 3 - Digital Download SKU: A0.508460 Arranged by Eric Burger Music. Baroque,Renaissance. Score and parts. 6 pages. Eric Burger Music #3884757. Published by Eric Burger Music (A0.508460). View the score with playback at: ttps://youtu.be/exguMH1y5lg Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$6.00
Beethoven - Ode to Joy Theme in 13 Keys - Demo - (Key Map Tablature)
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Easy Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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John M
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Beethoven - Ode to Joy Theme i
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Music Innovators Workshop
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.984712 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Instructional,Romantic Period,Wor...
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Easy Piano - Level 1 - Digital Download SKU: A0.984712 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Instructional,Romantic Period,World. Score. 16 pages. Music Innovators Workshop #4357657. Published by Music Innovators Workshop (A0.984712). This is a demo of the Ode to Joy theme in all 13 major keys. Each page contains a 2-voice arrangement of the first 8 measures of the piece in a different key. This unit demonstrates how easily one can play in any key, when the music is notated on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00
Handel - Sarabanda - Theme and Variations - (Key Map Tablature)
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Piano solo
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INTERMEDIATE
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Classical
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G
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John M
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Handel - Sarabanda - Theme and
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.984725 Composed by G.F. Handel - Sarabanda - Theme and Variations. Arranged by John M. Honeycutt. Baroque...
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Piano Solo - Level 3 - Digital Download SKU: A0.984725 Composed by G.F. Handel - Sarabanda - Theme and Variations. Arranged by John M. Honeycutt. Baroque. Score. 4 pages. Music Innovators Workshop #4359441. Published by Music Innovators Workshop (A0.984725). This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.)
$2.00
Seht was die Lieber thut! (Look! See What Love Does)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Seht was die Lieber thut!
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818329 By Stephen R Dalrymple. By Johann Sebastian Bach. Arranged by Stephen R Dalrymple (Dalrymple Desig...
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Piano Solo - Level 4 - Digital Download SKU: A0.818329 By Stephen R Dalrymple. By Johann Sebastian Bach. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque,Sacred. Score. 28 pages. Stephen R Dalrymple #6078113. Published by Stephen R Dalrymple (A0.818329). Seht was die Liebe thut! (Look! See What Love Does) ♫ based on the aria ‘Seht, was die Liebe thut’ (See What Love Does) from ‘Ich Bin ein gutter Hirt’ (I am the Good Shepherd) [Cantata 85 movement 5 originally scored for tenor, violins, viola, and continuo] by Johann Sebastian Bach ♫ Chorale prelude for piano solo created / arranged by Stephen R Dalrymple ♫ with The Lord's My Shepherd, I’ll Not Want (Lyric: Scottish Psalter; Melody: CRIMMOND by Jessie Seymour Irvine 1872) ♫ and with Savior Like a Shepherd Lead Us (lyrics attributed to Dorothy A Thrupp 1840) (melody by William B Bradbury 1859) ♫ Taking an aria from a Bach cantata, transcribing it for piano solo, adding 2 hymn tunes and fusing them into the aria with Bach’s musical vocabulary to produce a Baroque Chorale Prelude was a new and exciting experience for me. ♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2020 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 4 files: 1) Letter size piano score of the chorale prelude 2) Small page piano score of the chorale prelude for performing from a 10 inch tablet 3) Letter size transcription of the aria only for piano 4) Small page transcription of aria only for piano. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Banjo
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Classical
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Intermediate
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Cape Breton and Prince Edward
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - D...
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On and Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light and Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange and Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver and Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, and Yet
$24.99
What If Tchaikovsky Wrote Love Lifted Me?
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Howard E
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Theodore A
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What If Tchaikovsky Wrote Love
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Theodore A. Samuels
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SheetMusicPlus
Composed by Howard E. Smith, James Rowe, and Peter Ilyich Tchaikovsky (1840-1893). Arranged by Theodore A. Samuels. 20th Century, Christian, Gospel, R...
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Composed by Howard E. Smith, James Rowe, and Peter Ilyich Tchaikovsky (1840-1893). Arranged by Theodore A. Samuels. 20th Century, Christian, Gospel, Romantic Period, Sacred. Octavo. 17 pages. Theodore A. Samuels #6053787. Published by Theodore A. Samuels
$8.00
What a Blunder! English Theatre Overtures 1760-1800
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Piano solo
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INTERMEDIATE
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Classical
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Charles Dibdin, John Davy, Sam
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Robert Hoskins
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What a Blunder! English Theatr
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1485607 Composed by Charles Dibdin, John Davy, Samuel Arnold, Stephen Storace, Thomas Augustine Arne, Tho...
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Piano Solo - Level 3 - Digital Download SKU: A0.1485607 Composed by Charles Dibdin, John Davy, Samuel Arnold, Stephen Storace, Thomas Augustine Arne, Thomas Linley, and William Shield. Arranged by Robert Hoskins. Classical. Score. 130 pages. Artaria Editions #1062672. Published by Artaria Editions (A0.1485607). The period 1760-1800 was the golden age of English comic opera. Each of the London playhouses – Covent Garden, Drury Lane and the Little Theatre in the Haymarket – employed a resident composer who wrote for plays, pantomimes, three-act mainpiece operas, and one or two-act afterpieces. Successful premieres were followed up with the publication of piano reductions to satisfy the insatiable home entertainment market. This volume includes overtures by all of the major figures of the period, including Dibdin, Arne, Arnold, Shield, Storace and Davy, whose opera What a blunder! provides the title for this fascinating anthology.
$63.00
Matteo Carcassi: Themes and Variations Transcribed for Baritone Ukulele
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Classical
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Matteo Carcassi
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Michael P
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Matteo Carcassi: Themes and Va
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Michael P Walker
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SheetMusicPlus
Small Ensemble Ukulele - Level 2 - Digital Download SKU: A0.810009 Composed by Matteo Carcassi. Arranged by Michael P. Walker. Romantic Period. Score. 68...
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Small Ensemble Ukulele - Level 2 - Digital Download SKU: A0.810009 Composed by Matteo Carcassi. Arranged by Michael P. Walker. Romantic Period. Score. 68 pages. Michael P Walker #5983077. Published by Michael P Walker (A0.810009). Who would have thought you could play classical music on a ukulele? But you can! Here are seven compositions from the 19th Century – the Romantic Era by Matteo Carcassi transcribed for the baritone ukulele. These are short, fairly simple themes followed by numerous delightful variations The compositions are somewhat more complex and are for Intermediate to Advanced players.
$19.95
The Engulfed Cathedral (Brass Choir + 3 Piccolos & Flute)
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Classical
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Richard Byrnes
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Richard Byrnes
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The Engulfed Cathedral
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Richard Byrnes
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SheetMusicPlus
Large Ensemble B-Flat Trumpet,Bass Trombone,Flute,Horn,Piccolo,Tuba - Digital Download SKU: A0.1112934 By Richard Byrnes. By Claude Debussy. Arranged by ...
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Large Ensemble B-Flat Trumpet,Bass Trombone,Flute,Horn,Piccolo,Tuba - Digital Download SKU: A0.1112934 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 53 pages. Richard Byrnes #714884. Published by Richard Byrnes (A0.1112934). This is the 10th Prelude of Volume 1 of Debussy’s Preludes for piano.This piece depicts the rising of a submerged cathedral. It is derived from a Breton myth. The cathedral, according to legend, rises from the sea off the coast of the Island of Ys on clear mornings. After it’s entrance, the cathedral sinks back into the sea. This is a striking example of what is considered musical impressionism – the allusion to an image.This arrangement by Richard Byrnes is for 3 Piccolos, Flute, 4 Trumpets, 2 Horns, 2 Trombones, Bass Trombone, & 2 Tubas.In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$49.99
The Engulfed Cathedral (Clarinet Choir + 3 Piccolos, Flute, & Contrabassoon)
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Classical
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Richard Byrnes
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Richard Byrnes
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The Engulfed Cathedral
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Richard Byrnes
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SheetMusicPlus
Large Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet,Flute,Piccolo - Digital Download SKU: A0.1115473 B...
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Large Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet,Flute,Piccolo - Digital Download SKU: A0.1115473 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 53 pages. Richard Byrnes #717252. Published by Richard Byrnes (A0.1115473). This is the 10th Prelude of Volume 1 of Debussy’s Preludes for piano.This piece depicts the rising of a submerged cathedral. It is derived from a Breton myth. The cathedral, according to legend, rises from the sea off the coast of the Island of Ys on clear mornings. After it’s entrance, the cathedral sinks back into the sea. This is a striking example of what is considered musical impressionism – the allusion to an image.This arrangement by Richard Byrnes is for 3 Piccolos, Flute, 5 Clarinets, 2 Bass Clarinets, Contralto Clarinet, Contrabass Clarinet, & Contrabassoon.In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$49.99
The Engulfed Cathedral (Woodwind Choir)
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Classical
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Richard Byrnes
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Richard Byrnes
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The Engulfed Cathedral
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Digital Download SKU: A0.1121561 By Richard Byrnes. By Claude Debussy. Arranged by Richard ...
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Digital Download SKU: A0.1121561 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 19th Century. 53 pages. Richard Byrnes #722744. Published by Richard Byrnes (A0.1121561). VThis is the 10th Prelude of Volume 1 of Debussy’s Preludes for piano.This piece depicts the rising of a submerged cathedral. It is derived from a Breton myth. The cathedral, according to legend, rises from the sea off the coast of the Island of Ys on clear mornings. After it’s entrance, the cathedral sinks back into the sea. This is a striking example of what is considered musical impressionism – the allusion to an image.This arrangement by Richard Byrnes is for 3 Piccolos, Flute, 2 Oboes, 4 Clarinets, 3 Bassoons & 2 Contrabassoons.In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$49.99
The Engulfed Cathedral (Saxophone Choir + 3 Piccolos, Flute, & 2 Contrabassoons)
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Classical
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Richard Byrnes
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Richard Byrnes
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The Engulfed Cathedral
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Richard Byrnes
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1119561 ...
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Alto Saxophone,B-Flat Bass Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1119561 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 19th Century. 53 pages. Richard Byrnes #720962. Published by Richard Byrnes (A0.1119561). This is the 10th Prelude of Volume 1 of Debussy’s Preludes for piano.This piece depicts the rising of a submerged cathedral. It is derived from a Breton myth. The cathedral, according to legend, rises from the sea off the coast of the Island of Ys on clear mornings. After it’s entrance, the cathedral sinks back into the sea. This is a striking example of what is considered musical impressionism – the allusion to an image.This arrangement by Richard Byrnes is for 3 Piccolos, Flute, 3 Soprano Saxes, 2 Alto Saxes, 2 Tenor Saxes, Baritone Sax, Bass Sax, & 2 Contrabassoons. In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$49.99
The Engulfed Cathedral (String Orchestra + Contrabassoon)
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String Orchestra
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Classical
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Richard Byrnes
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Richard Byrnes
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The Engulfed Cathedral
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Richard Byrnes
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.1103756 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. Romantic Period. 52 pages. Richard ...
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String Orchestra - Digital Download SKU: A0.1103756 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. Romantic Period. 52 pages. Richard Byrnes #707037. Published by Richard Byrnes (A0.1103756).  This is the 10th Prelude of Volume 1 of Debussy’s Preludes for piano.  This piece depicts the rising of a submerged cathedral. It is derived from a Breton myth. The cathedral, according to legend, rises from the sea off the coast of the Island of Ys on clear mornings. After it’s entrance, the cathedral sinks back into the sea.  This is a striking example of what is considered musical impressionism – the allusion to an image.  This arrangement by Richard Byrnes is for 9 Violins, 4 Celli, Bass, & Contrabassoon.  In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$49.99
What ungrateful devil move you
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Voice solo
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Classical
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Daniel Purcell
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Early Music Scores
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What ungrateful devil move you
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1039357 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #644...
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Vocal Solo,Voice - Digital Download SKU: A0.1039357 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #644303. Published by Early Music Scores (A0.1039357). Voice and continuo: composed by Daniel Purcell (c.1664-1717). From Thesaurus Musicus, The Fifth Book, London, 1696. Edited by Felipe Dias. 1 page.
$5.99
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMEDIATE
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Opera
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Classical
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Perio...
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
What a Friend We Have in Jesus guitar fingerstyle
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Guitar notes and tablatures
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EASY
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Classical
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Joseph Scriven, Charles Conver
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PianoSheetNow
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What a Friend We Have in Jesus
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PianoSheetNow
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.556891 Composed by Joseph Scriven, Charles Converse. Arranged by PianoSheetNow. Classical,Romantic Period,Sac...
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Guitar - Level 2 - Digital Download SKU: A0.556891 Composed by Joseph Scriven, Charles Converse. Arranged by PianoSheetNow. Classical,Romantic Period,Sacred. Guitar Tab. 3 pages. PianoSheetNow #6132051. Published by PianoSheetNow (A0.556891). What a Friend We Have in Jesus is a Christian hymn originally written by preacher Joseph M. Scriven as a poem in 1855 to comfort his mother, who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868. The hymn has many renditions by artists as Bing Crosby, Ella Fitzgerald, Aretha Franklin, Ike & Tina Turner, Brad Paisley, Monty Alexander and many more.Guitar and voice. Early intermediate.
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