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You've selected:
When the Tide Comes In
Sheetmusic to print
10 sheet music found
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1
Abide With Me, 'Tis Eventide/Silent Night
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.932672 Composed by Franz Gruber, H…
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Piano,Viola - Level 4 - Digital Download SKU: A0.932672 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. Score and part. 6 pages. Julie Jacobson #6609441. Published by Julie Jacobson (A0.932672). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Both viola and piano parts are advanced intermediate. Climax features double stops in the viola part that can easily be simplified with little sacrifice to expression.
$1.99
1.83 €
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Viola, Piano
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Franz Gruber, Harrison Millard
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Abide With Me, 'Tis Eventide/Silent Night
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Julie Jacobson
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SheetMusicPlus
Abide With Me, 'Tis Eventide/Silent Night
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.932676 Composed by Harrison…
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Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.932676 Composed by Harrison Millard, Franz Gruber. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. 6 pages. Julie Jacobson #6626031. Published by Julie Jacobson (A0.932676). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. This version is arranged for two vocalists of average range and ability.
$1.99
1.83 €
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Vocal duet, Piano
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Harrison Millard, Franz Gruber
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Abide With Me, 'Tis Eventide/Silent Night
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Julie Jacobson
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SheetMusicPlus
Abide With Me, 'Tis Eventide/Silent Night
Cello, Piano
Cello,Piano - Digital Download SKU: A0.932673 Composed by Franz Gruber, Harrison Mi…
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Cello,Piano - Digital Download SKU: A0.932673 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. Score and part. 6 pages. Julie Jacobson #6609465. Published by Julie Jacobson (A0.932673). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Originally for viola, this arrangement has been transcribed for advanced intermediate cello. Piano part is advanced intermediate.
$1.99
1.83 €
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Cello, Piano
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Franz Gruber, Harrison Millard
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Abide With Me, 'Tis Eventide/Silent Night
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Julie Jacobson
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SheetMusicPlus
Abide With Me, 'Tis Eventide/Silent Night
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.932674 Composed by Franz Gruber, …
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Piano,Violin - Level 4 - Digital Download SKU: A0.932674 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. 6 pages. Julie Jacobson #6640793. Published by Julie Jacobson (A0.932674). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Originally for viola, this arrangement has been transcribed for advanced intermediate violin. Piano part is advanced intermediate.
$1.99
1.83 €
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Violin and Piano
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Franz Gruber, Harrison Millard
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Abide With Me, 'Tis Eventide/Silent Night
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Julie Jacobson
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SheetMusicPlus
When the Tide Comes In
Piano, Voice
Composed by Harrison Millard. Love, Farewells, Sailors, Storms, Shipwrecks, Corpses, Death…
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Composed by Harrison Millard. Love, Farewells, Sailors, Storms, Shipwrecks, Corpses, Death. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4645). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.5 €
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Piano, Voice
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Harrison Millard
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When the Tide Comes In
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Harrison Millard's Favorite Songs. When the Tide Comes In
Piano, Voice
Composed by Harrison Millard. Roses, Trellises, Farewells, Love, Storms, Shipwrecks, Corps…
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Composed by Harrison Millard. Roses, Trellises, Farewells, Love, Storms, Shipwrecks, Corpses, Death. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4644). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.5 €
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Piano, Voice
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Harrison Millard
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Harrison Millard's Favorite Songs. When the Tide Comes In
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Rest A While Longer
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.
$50.00
45.91 €
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Choral SSAA
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Alan Wagstaff
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Rest A While Longer
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Alan Wagstaff
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SheetMusicPlus
Lesbia mi dicit semper male
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00
1.84 €
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Choral SATB
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.58 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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