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You've selected:
Where Are U Now
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26 sheet music found
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Where Are U Now
Bass guitar
Bass Guitar - Digital Download SKU: A0.1329772 By Skrillex & Diplo With Justin Bieb…
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Bass Guitar - Digital Download SKU: A0.1329772 By Skrillex & Diplo With Justin Bieber. By Jason Boyd, Jordan Ware, Justin Bieber, Karl Rubin Brutus, Sonny Moore, and Thomas Pentz. Arranged by Gavin Jackson Music. Pop. Score. 3 pages. Gavin Jackson Music #917761. Published by Gavin Jackson Music (A0.1329772). Jack Ü with Justin Bieber - Where are Ü NowAlbum - Skrillex and Diplo present Jack ÜComplete Bass Transcription Tuning - Standard Tuning / E Standard (5 String Bass).
$4.99
4.52 €
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Bass guitar
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Skrillex & Diplo With Justin Bieber
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Where Are U Now
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Gavin Jackson Music
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SheetMusicPlus
Where Are U Now
Small Ensemble Rhythm Instrument - Level 5 - Digital Download SKU: A0.747920 By Pen…
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Small Ensemble Rhythm Instrument - Level 5 - Digital Download SKU: A0.747920 By Pentatonix. By Jason Boyd, Jordan Ware, Justin Bieber, Karl Rubin Brutus, Sonny Moore, and Thomas Pentz. Arranged by Patrick Sheehan. Contemporary. Score and parts. 78 pages. Patrick Sheehan #4968887. Published by Patrick Sheehan (A0.747920). INSTRUMENTATION: Lead Vocal, Background Vocal, Grand Piano, Shawm Synthesizer, PVC Pipe Synthesizer, 80’s Bender Synthesizer, Strings Synthesizer, Electric Guitar, Synthesizer Bass, Hi-Hat, Electronic Drumset, Electronic Handclaps. All parts transcribed by ear from the single release recording by Jack U and Justin Bieber (2015). ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00
13.6 €
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Pentatonix
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Where Are U Now
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Patrick Sheehan
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SheetMusicPlus
Where Are U Now
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.726818 By Pentatonix. By J…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.726818 By Pentatonix. By Jason Boyd, Jordan Ware, Justin Bieber, Karl Rubin Brutus, Sonny Moore, and Thomas Pentz. Arranged by Ben Bram. Contemporary. Octavo. 5 pages. Ben Bram Music #3560915. Published by Ben Bram Music (A0.726818). The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.Arranged for Pentatonix 
$150.00
136.01 €
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Choral SATB
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Pentatonix
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Where Are U Now
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Ben Bram Music
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SheetMusicPlus
Where Are U Now (featuring Justin Bieber)
Piano, Vocal and Guitar
Interactive Download SKU: HX.349200 By Diplo, Jack Ü, Justin Bieber, and Skrill…
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Interactive Download SKU: HX.349200 By Diplo, Jack Ü, Justin Bieber, and Skrillex. This edition: Interactive Download. Pop,R & B. Piano/Vocal/Guitar (Piano Accompaniment). 2 pages. Published by Hal Leonard Europe (HX.349200).
$4.99
4.52 €
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Piano, Vocal and Guitar
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Diplo, Jack Ü, Justin Bieber, and Skrillex
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Where Are U Now
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Hal Leonard Europe
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SheetMusicPlus
Nobody Like U
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Film/TV,Pop. Score. 9 pages. B. McCormick #645038. Published by B. McCormick (A0.1040259). About this Piano/Vocal/Guitar arrangement of “Nobody like You†Disney's smash hit animation Turning Red was a massive success early in 2022. The sound track was brought to us by none other than Finneas O'connell, Billie Eilish. This arrangement of the main song on the soundtrack, Nobody like U, is for piano, voice and guitar. The key is in Am With this arrangement you will get the piano and vocal part, 7 pages, and the voice part with chords/lyrics separately acting as a lead sheet which is useful for all types of performers who do not necessarily need the whole piano part. This keeps paper usage at minimum and means the whole song can be laid out side by side without the need for page turns. The piano arrangement is very easy, mainly a heavily repeated chordal rhythmic motif. The most difficult part is in the left hand for the change in the bass line. There is also a large section of the song that is purely percussive in the backing. In one instance this is simply marked indicating when the piano drops and the accompanist could clap/beat box in this section if desired or if playing with a drummer just let them have the spot light. The song also finishes with only percussive backing, for this final section to give an idea of this I've changed the rhythm to a simple staccato beat on 2 and 4 so that if this was performed with only a pianist and singer there was some appropriate melodic backing that seemed percussive through the use of the staccato. The vocal part is close to the audio however I have omitted most of the vocal runs that happen between sections. These can be included in the performance should the singer decide to. I have only included the opening vocal run passage. In some areas I have simplified the melody, retaining the rough melodic shape but simplifying the rhythm. These can be sung as written or adjusted to the performers taste. I hope you enjoy this arrangement of Nobody Like U for piano, vocal and guitar and I hope it serves as a versatile arrangement for many purposes. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99
4.52 €
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Piano, Vocal and Guitar
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4 TOWN
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Nobody Like U
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B. McCormick
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SheetMusicPlus
Nothing Compares 2 U
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.993400 By Sinead O'Connor. By Prin…
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Solo Guitar - Level 2 - Digital Download SKU: A0.993400 By Sinead O'Connor. By Prince. Arranged by Clifford Plested. Pop. Individual part. 2 pages. Clifford Plested #3875509. Published by Clifford Plested (A0.993400). This version of Nothing Compares 2U includes guitar chord shapes, as well as 'slash' notation where the guitar should be strummed correctly on the beat. This version is ideal for beginners or novice players who wish to know exactly when to synchronise the strumming with the singing.
$4.99
4.52 €
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Guitar
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Sinead O'Connor
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Nothing Compares 2 U
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Clifford Plested
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SheetMusicPlus
Where Are U Now
Easy Piano
Digital Download SKU: HX.1475064 By Skrillex & Diplo With Justin Bieber. This editi…
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Digital Download SKU: HX.1475064 By Skrillex & Diplo With Justin Bieber. This edition: scorch. Dance,Pop. Really Easy Piano. 2 pages. Duration 255. Hal Leonard - Digital #267838. Published by Hal Leonard - Digital (HX.1475064).
$3.99
3.62 €
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Easy Piano
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Skrillex & Diplo With Justin Bieber
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Where Are U Now
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Hal Leonard - Digital
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SheetMusicPlus
Where Everybody Knows Your Name
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.765537 Composed by Gary Port…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.765537 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score. 12 pages. Jim Farley arrangementsone.com #6718207. Published by Jim Farley arrangementsone.com (A0.765537). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$4.99
4.52 €
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Piano, Voice
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Gary Portnoy and Judy Hart Angelo
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Where Everybody Knows Your Name
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Jim Farley arrangementsone.com
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SheetMusicPlus
Where Everybody Knows Your Name
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voi…
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.765536 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score and parts. 46 pages. Jim Farley arrangementsone.com #6718205. Published by Jim Farley arrangementsone.com (A0.765536). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$40.00
36.27 €
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Gary Portnoy and Judy Hart Angelo
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Where Everybody Knows Your Name
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Jim Farley arrangementsone.com
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SheetMusicPlus
U.S. Field Artillery March - “Caisson Song” - for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1167803 By United States Army. By John Philip Sousa. Arranged by Aaron Hettinga. Classical,Historic,March,Patriotic,Traditional. 9 pages. Aaron Hettinga #768155. Published by Aaron Hettinga (A0.1167803). The official U.S. Army song, commonly known as “The Caissons Go Rolling Along†or “The Army Goes Rolling Along,†predates John Philip Sousa’s version by several years. In 1917, Sousa composed “The U.S. Field Artillery March†containing the Caisson Song’s melody as the basis for the march’s TRIO section.This arrangement makes use of Sousa’s introduction, then remains faithful to his harmonic treatment and the flavors of the melody and accompaniments throughout. While each of the four parts do feature some small technical requirements, they remain at an intermediate level where even less-experienced players should be able to pull them off handily.While originally scored here for SATB Saxophone quartet, a sub part to play the top line on Alto sax is also included.This arrangement is a great vehicle to share some patriotic flair on your patriotic Saxophone quartet program!Note: the live demo recording is made from a brass quintet version of this same basic arrangement.
$19.99
18.12 €
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Saxophone Quartet: 4 saxophones
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United States Army
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U.S. Field Artillery March - “Caisson Song” - for Saxophone Quartet
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Aaron Hettinga
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SheetMusicPlus
Stuck With U
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.900327 By Ariana Grande And Justin …
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Cello Solo - Level 2 - Digital Download SKU: A0.900327 By Ariana Grande And Justin Bieber. By Ariana Grande, Freddy Wexler, Gian Michael Stone, Gian Stone, Justin Bieber, Scooter Braun, Skyler Stonestreet, and Whitney Phillips. Arranged by Liz Lee - Cellomoji. Contemporary. Individual part. 3 pages. Cellomoji #5797273. Published by Cellomoji (A0.900327). Here is a wonderful duet by Ariana Grande and Justin Bieber written out for cello solo. It will be helpful to know your Ab Major scale up to at least 2 octaves. This is the easier version of the song where notes only go up to the high Eb on the a string. If you would like a more challenging version I encourage you to check it out! I purposely wrote this out in the key of the recording so I encourage you to play along with the track. I mainly stuck with the primary melody line here. The last few measures are there because they follow the song, but it is mostly just improvised notes by Ariana in the recording. Hope you enjoy learning this lovely duet!Questions? liz@cellomoji.comCellomoji Website: http://eepurl.com/cOx6H9Cellomoji Youtube: https://www.youtube.com/channel/UCS8SDY7dyqUR4P3t3qRPISgCellomoji Instagram: www.instagram.com/cellomoji
$4.99
4.52 €
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Cello
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Ariana Grande And Justin Bieber
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Stuck With U
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Cellomoji
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SheetMusicPlus
Where Are U Now
Piano, Vocal and Guitar
By Skrillex & Diplo With Justin Bieber. For Piano/Vocal/Guitar (chords only). Pop. Pia…
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By Skrillex & Diplo With Justin Bieber. For Piano/Vocal/Guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
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Piano, Vocal and Guitar
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Skrillex & Diplo With Justin Bieber
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Diplo With Justin Bieber
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Where Are U Now
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Where Are U Now
Piano, Vocal and Guitar
By Pentatonix and Skrillex & Diplo With Justin Bieber. For Piano/Vocal/Guitar (chords …
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By Pentatonix and Skrillex & Diplo With Justin Bieber. For Piano/Vocal/Guitar (chords only). A Cappella; Pop. Piano/Vocal/Guitar (chords only). 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.52 €
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Piano, Vocal and Guitar
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Pentatonix and Skrillex & Diplo With Justin Bieber
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Diplo With Justin Bieber
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Where Are U Now
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.21 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
Saxophone and Guitar
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download …
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (1779-1843). Arranged by Alexander L Burden (b.1989). Graduation,Holiday,Patriotic. Score and parts. 4 pages. Alexander Burden #3573183. Published by Alexander Burden (A0.899869). 2018 Instrumental Arranging Contest EntryGenre: National Anthem, PatrioticLength: 1:20Instrumentation: Alto Saxophone and EuphoniumThe Star-Spangled Banner is the national anthem of the United States. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.The poem was set to the tune of a popular British song written by John Stafford Smith and renamed The Star-Spangled Banner. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.This fun and accessible arrangement is perfect for sporting events, school and corporate functions, parades, private events and any other occasion that calls for use of the Star-Spangled Banner!The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$5.99
5.43 €
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Saxophone and Guitar
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John Stafford Smith
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The Star-Spangled Banner
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Alexander Burden
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SheetMusicPlus
Can't Help Falling In Love
Choral TTBB
Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George D…
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Choral Choir (TTBB) - Digital Download SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.53 €
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Choral TTBB
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Elvis Presley
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Can't Help Falling In Love
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Jonathan Kilhams
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SheetMusicPlus
Flowers for Dorothy
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.62 €
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Piano solo
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Forever 18
Voice solo
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.987122 Composed by Wayne H. C…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.987122 Composed by Wayne H. Christensen III. Classical,Jazz. 5 pages. Wayne Howard Christensen III #484357. Published by Wayne Howard Christensen III (A0.987122). My how time flies. In 1984 I had my whole life ahead of me. Then I graduated high school, went to the U.S.A.F. Academy, and served a 26 year career as an officer and a pilot in the U.S. Air Force active duty and reserves. Now I look back and wonder where all the time went. I wrote this song to depict how I feel about getting to play the piano again at the ripe old age of 49 after such a long absence. For 26 years I did not have a piano so I did not think about playing. Then my mother in law gave me her piano and it was like reuniting with a long lost friend. I am grateful for any opportunity I have to play now. It makes me feel like I am 18 years old again with my whole life ahead of me. But then I have to wake up from my dream and get back to reality. (2015 Steinway/SMP Piano Contest).
$2.19
1.99 €
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Voice solo
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Wayne H
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Forever 18
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Wayne Howard Christensen III
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.78 €
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Tuba ensemble
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Glenn Miller
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
The Corrie Man
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1411462 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1411462 Composed by Traditional Scottish Reel. Arranged by Genevieve Tabby. Classical,Folk,Traditional. 29 pages. Songburd Music #993728. Published by Songburd Music (A0.1411462). Hey fiddlers, One thing we know about old Scottish folk tunes is they never grow old, and even though we may never know who first wrote the delightful melody, “The Corrie Man,†we can tell from its lilting qualities—with its cheerful and spirited flow—that it brings to us images of the u-shaped valleys that are so familiar to the highlands of Scotland. We can easily imagine playing this traditional session tune among the rolling hills and farmlands of Scotland where musicians gather in their favorite places to play—near a tree or brook, on a farmhouse porch, in a sitting room or even in the kitchen.  Not to mention the casual setting of a pub where friends gather to raise a pint and sit in a big circle with an array of other fiddlers and musicians, playing tunes side-by-side enjoying each other’s company! With this backdrop our cellist Genevieve dedicated her time to arrange this artful reel for string quartet as part of our debut album, after which she had the wonderful opportunity to visit Scotland to study and perform with Alisdair Fraser and Natalie Haas, who inspired her to be a part of the rich tradition of preserving and performing Scottish folk music.We hope you will find that same inspiration while playing this piece with your friends and colleagues as much as we do.  It’s always a favorite showstopper!Slà inte Mhath (Cheers)ATLYS.
$30.00
27.2 €
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String Quartet: 2 violins, viola, cello
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Traditional Scottish Reel
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The Corrie Man
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Songburd Music
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SheetMusicPlus
A Day In The Life Of A Fool
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764751 Composed by Butch Baker, James Brown, James Jess R. Brown, Wade A Kirby, and Wade Kirby. Arranged by James Pybus. Contemporary. 16 pages. James Pybus #6688903. Published by James Pybus (A0.764751). Manhã de Carnaval (Carnival Morning) is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. It appeared as the main theme in the 1959 Portuguese-language film Orfeu Negro by French director Marcel Camus. The song has become a jazz standard in the U.S. where it is also known as A Day in the Life of a Fool, Carnival, Theme from Black Orpheus, or simply Black Orpheus. Manhã de Carnaval became one of the first Bossa Nova compositions to gain popularity outside Brazil; it has been recorded by a wide variety of artists worldwide. This arrangement for SATB Saxophone Quartet features the alto in an optional improved solo. It can be used in a variety of concert and performance settings. Duration is 4:13. Contact me at james.pybus56@gmail.com.
$19.99
18.12 €
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Saxophone Quartet: 4 saxophones
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Butch Baker, James Brown, James Jess R
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A Day In The Life Of A Fool
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James Pybus
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SheetMusicPlus
Hop Hop Hop
Medium voice, Piano
Medium Voice,Piano - Level 1 - Digital Download SKU: A0.1175735 Composed by Connie …
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Medium Voice,Piano - Level 1 - Digital Download SKU: A0.1175735 Composed by Connie Boss. Children. Full Performance. Duration 185. Connie Boss #775856. Published by Connie Boss (A0.1175735). This is a cute kid's song about God's creatures that can't walk but have to hop to get around. Frog, bunny, kangaroo and grasshoppers are featured in this song. It is for solo and piano. For questions or requests, email cdboss@cvalley.net. You can purchase sheet music at https://www.sheetmusicdirect.com/en-U... See lyrics below: Hop Hop Hop By Connie Boss Some of God’s creatures Just can walk To get around They have to hop hop hop When they get to hopping They just can’t stop Hop hop hop hop hop There is a little frog who hops on a log He hops off and then hops on He hops to the water and then in a flash He hops in and makes a great big splash Hop, hop, splash A little bunny likes to hop around He can hop all over town His favorite place is a garden bed He knows he will be well fed Hop, hop, munch The kangaroo gets big and is very quick He has big feet and he can kick He hops to get from here to there He can hop most anywhere Hop, hop, kick The grasshopper likes to chew and spit If you catch him you might get wet He hops up and down and is very fast You can find him in tall grass Hop, hop, spit.
$1.99
1.8 €
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Medium voice, Piano
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Connie Boss Some of God’s creatures Just can walk To get around They have to hop hop hop When they get to hopping They just can’t stop Hop hop hop hop hop There is a little frog who hops on a log He hops off and then hops on He hops to the water and then in a flash He hops in and makes a great big splash Hop, hop, splash
A little bunny likes to hop around He can hop all over town His favorite place is a garden bed He knows he will be well fed Hop, hop, munch
The kangaroo gets big and is very quick He has big feet and he can kick He hops to get from here to there He can hop most anywhere Hop, hop, kick
The grasshopper likes to chew and spit If you catch him you might get wet He hops up and down and is very fast You can find him in tall grass Hop, hop, spit
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Connie Boss
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Hop Hop Hop
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Connie Boss
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SheetMusicPlus
The Far North Land: Passages for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.787240…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. Burke & Bagley #48429. Published by Burke & Bagley (A0.787240). Parts for Eb Clarinet, 2 Bb Clarinets and Bass Clarinet in Bb, with alternate 3d Bb Clarinet part in lieu of Eb Clarinet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was 'The Far North Land.' Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I later transcribed the song from that recording and used it as the foundation for this piece. My aunts told me they recalled my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as 'Fletch's song.' It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. The tune is also known in the U.K. as The Road to the Isles. The arrangement for string quartet was premiered by the OdeonQuartet at Seattle's Town Hall on October 21, 2003. The arrangement for clarinet quartet was made in 2013 for the Livas Quartet. The arrangment for string orchestra is available from Imagine Music Publishing.
$14.00
12.69 €
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Clarinet Quartet: 4 clarinets
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Greg Bartholomew
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The Far North Land: Passages for Clarinet Quartet
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Burke & Bagley
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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