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Where Dorian Ends Up
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Where Dorian Ends Up
Concert band
Concert Band Alto Saxophone,Bells,Clarinet,Euphonium,Flute,Percussion,Tenor Saxophone,Trom…
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Concert Band Alto Saxophone,Bells,Clarinet,Euphonium,Flute,Percussion,Tenor Saxophone,Trombone,Trumpet - Interactive Download SKU: A0.485432 Composed by Robert E. Carter. This edition: Interactive Download. Classical. Score and parts. 26 pages. Duration 102. Published by Robert E Carter (A0.485432). This piece's title has two meanings refers to the Dorian mode that it is written in with frequent measures that end on upbeats. It also refers to the fate of Dorian Gray, the subject of the classic story by Oscar Wilde. It is highly recommended that a G rated retelling of the story be summarized for the intended performers, as it is intended for performance by second year players.
$29.99
27.44 €
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Concert band
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Robert E
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Where Dorian Ends Up
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Robert E Carter
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SheetMusicPlus
Jig
5 saxophones (SAATBar) - intermediate to advanced - Digital Download SKU: S9.Q40418…
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5 saxophones (SAATBar) - intermediate to advanced - Digital Download SKU: S9.Q40418 From St. Paul's Suite, op. 29. Composed by Gustav Holst. Arranged by Albert Loritz. This edition: score and parts. Saxophon - Quintett - Blasinstrument. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40418. Published by Advance Music GmbH - Digital (S9.Q40418). The Jig is the first of the four movements of the “St Paul’s Suite†(op.29, No. 2) written by the British composer Gustav Holst in 1912. Holst composed this work for the string orchestra of the St Paul’s Girls’ School in Hammersmith where he had already been holding the position of Director of Music for seven years. The suite premiered in 1913. This vibrant and vivacious piece immediately captivates the listener. The folcloristic character of the theme and the playful use of the motivic material turn the Jig into a truly “catchy tuneâ€. Even meter and harmony both hold a whole series of charming little surprises. The original version of the composition is characterized by an exquisite setting for string orchestra, which draws the rich and mellow quality of its overall sound especially from those many double stops – mostly played as drones on open strings. Holst’s composition starts from the key of D dorian and finally ends in C mixolydian. The arrangement on hand converts the string setting into a five-part saxophone setting, translating the characteristic features of the original’s folcloristic style as best as possible to the new tone color. By transposing the piece one whole-tone down, the arrangement starts in a register which is very comfortable for saxophones to play in. The piece, however, would end up in a key and/or register in the last part (measure 170 of the original version), which could not be mastered by the saxophone instrumentation chosen for this arrangement. Therefore, the five-bar modulation leading from measure 165 to measure 169 in the original composition has been extended – true to Holst’s style – by two more bars (up to measure 171). This way, the Jig in its arrangement for saxophone quintet now starts in C dorian but finishes in G mixolydian.
$19.99
18.29 €
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transposing the piece one whole-tone down, the arrangement starts in a register which is very comfortable for saxophones to play in
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Gustav Holst
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Jig
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Advance Music GmbH - Digital
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SheetMusicPlus
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