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Whistle Down The Wind - Full Score
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Whistle Down The Wind Main Title
1 Piano, 4 hands
Composed by Malcolm Arnold (1921-2006). Arranged by Daniel Brinsmead. 20th Century, …
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Composed by Malcolm Arnold (1921-2006). Arranged by Daniel Brinsmead. 20th Century, Children, Classical, Film/TV. Score. 5 pages. Daniel Brinsmead #679291. Published by Daniel Brinsmead
$4.99
4.47 €
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1 Piano, 4 hands
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Malcolm Arnold (1921-2006)
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Whistle Down The Wind Main Title
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Daniel Brinsmead
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.48 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Colors Of The Wind
Pennywhistle
Instrumental Solo,Piano,Tin Whistle - Level 3 - Digital Download SKU: A0.1156622 By…
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Instrumental Solo,Piano,Tin Whistle - Level 3 - Digital Download SKU: A0.1156622 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Cindy Blevins. Broadway,Film/TV,Musical/Show. Score and individual part. 15 pages. Cindy Blevins #756946. Published by Cindy Blevins (A0.1156622). This arrangement is for piano and D tin whistle (the most standard key of whistle that most players have). You can use a high D or a low D whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate piano part in case you need it, and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play!
$4.99
4.47 €
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Pennywhistle
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Vanessa Williams
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Colors Of The Wind
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Cindy Blevins
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SheetMusicPlus
Boyzone: No Matter What (from Whistle Down The Wind) - voice & other instruments (fake book)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Andrew Lloyd Webber for voice & other instruments (…
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Instantly printable sheet music by Andrew Lloyd Webber for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,pop
$5.97
5.35 €
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Melody line, (Lyrics) and Chords
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Boyzone
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Virtualsheetmusic
El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Digital Download SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404). The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegrÃa, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.
$4.99
4.47 €
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Gustavo Fuentes
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El cielo en tus ojos
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Gustavo Fuentes
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SheetMusicPlus
Waltz in the Desert
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1258189 By Victor Birkan. By Victor…
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Piano Solo - Level 3 - Digital Download SKU: A0.1258189 By Victor Birkan. By Victor Birkan. Classical. Score. 3 pages. Victor Birkan #851437. Published by Victor Birkan (A0.1258189). Lyrical improvised piano piece.The loneliness of the desert... The whistle of the wind and rustle of sand singing a strange melody... I dance with them... alone... waltz in the desert...
$4.00
3.58 €
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Piano solo
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Victor Birkan
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Waltz in the Desert
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Victor Birkan
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SheetMusicPlus
The Circus Cavalry (score)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.866219 Composed by Jeffrey Ouper.…
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Concert Band - Level 3 - Digital Download SKU: A0.866219 Composed by Jeffrey Ouper. 20th Century,Children,Contemporary. Score and parts. 30 pages. Jeffrey Ouper #3684883. Published by Jeffrey Ouper (A0.866219). Note: This download is for the score formatted for legal size paper. Parts formatted for letter size paper are a separate download.The Circus Cavalry embodies the style of marches and descriptive light-music similar to Leroy Anderson. The Circus Cavalry follows the form of traditional marches, but ends with a descriptive coda in the original key. Listeners can imagine the opening parade of performers, clowns, and animals under the big top circus tent. After the main performance is finished, the coda portrays the clowns’ prolonged merriment, which results in a whip crack from the ringmaster to keep the show on schedule. The Circus Cavalry is perfect for any circus, carnival, or children’s themed band concert!Grade 4Duration: 3:40 Instrumentation:piccolo, flute 1,2, oboe 1,2, english horn (optional), e-flat clarinet, b-flat clarinet 1,2,3, alto clarinet (optional), bass clarinet, bassoon, alto sax 1,2, tenor sax, bari sax, trumpet 1,2,3, horn 1,2,3,4, trombone 1,2,3, euphonium, baritone TC, tuba, double bass (optional) percussion: glockenspiel, timpani, ratchet, vibraslap, bird whistle, bass drum, snare drum, slide whistle, wood block, slapstick, whizzer siren whistle, triangle If percussionists are limited, important slide whistle cues are given for wind players to help. Other percussion events may be given to players in the band not playing in the coda. Other cues for missing instruments are given in strategic areas.
$34.95
31.3 €
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Concert band
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Jeffrey Ouper
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The Circus Cavalry
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Jeffrey Ouper
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SheetMusicPlus
The Munsters Theme
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall…
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Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 pages. KyleMac Music #806702. Published by KyleMac Music (A0.1208594). THE MUNSTERS†was an American sitcom airing on CBS from 1964 to 1966. It depicted the home life of a family of benign monsters. The series was a satire of American suburban life, the wholesome television family fare of the era and traditional monster movies. The music, by Jack Marshall, was described by writer Jon Burlingame as a Bernard-Herrmannmeets-Duane-Eddy sound. This arrangement has fun bass lines, so they will enjoy this and need to work on it sounding creepy. Though not marked throughout, the bass line should be separated and emulate a picked electric bass articulation throughout. The rest of the winds is more suitable for 1st & 2nd-year players. Ex. The 2nd clarinets do not cross the break. The percussion is written for a drum set but can be separated as a traditional part for concert band. As usual, I have included plenty of percussion parts to go around. The tom part can be ad-libbed by a drumkit player if you go with that option. The part itself is optional but does help if splitting the drum part. There are three different mallet parts with the xylophone and marimba carrying the load. Bells can be optional. There are lots of sound effects in the accessories part. Ratchet, Cowbell, Vibra-slap, Tambourine, Whistle, Siren whistle. These can be easily substituted with what you have on hand. I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and criticisms. KyleMac Music
$49.99
44.77 €
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Concert band
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Jack Marshall
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2nd-year players
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The Munsters Theme
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KyleMac Music
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SheetMusicPlus
The Circus Cavalry (parts)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.866220 Composed by Jeffrey Ouper.…
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Concert Band - Level 3 - Digital Download SKU: A0.866220 Composed by Jeffrey Ouper. 20th Century,Children,Contemporary. Score and parts. 101 pages. Jeffrey Ouper #3684975. Published by Jeffrey Ouper (A0.866220). Note: This download is for the parts formatted for letter size paper. The score formatted for legal size paper is a separate download. The Circus Cavalry embodies the style of marches and descriptive light-music similar to Leroy Anderson. The Circus Cavalry follows the form of traditional marches, but ends with a descriptive coda in the original key. Listeners can imagine the opening parade of performers, clowns, and animals under the big top circus tent. After the main performance is finished, the coda portrays the clowns’ prolonged merriment, which results in a whip crack from the ringmaster to keep the show on schedule. The Circus Cavalry is perfect for any circus, carnival, or children’s themed band concert! Grade 4 Duration: 3:40 Instrumentation: piccolo, flute 1,2, oboe 1,2, english horn (optional), e-flat clarinet, b-flat clarinet 1,2,3, alto clarinet (optional), bass clarinet, bassoon, alto sax 1,2, tenor sax, bari sax, trumpet 1,2,3, horn 1,2,3,4, trombone 1,2,3, euphonium, baritone TC, tuba, double bass (optional) percussion: glockenspiel, timpani, ratchet, vibraslap, bird whistle, bass drum, snare drum, slide whistle, wood block, slapstick, whizzer siren whistle, triangle If percussionists are limited, important slide whistle cues are given for wind players to help. Other percussion events may be given to players in the band not playing in the coda. Other cues for missing instruments are given in strategic areas.
$34.95
31.3 €
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Concert band
#
Jeffrey Ouper
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The Circus Cavalry
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Jeffrey Ouper
#
SheetMusicPlus
Andrew Lloyd Webber: Whistle Down The Wind (COMPLETE) for orchestra
Orchestra
Instantly downloadable sheet music by Andrew Lloyd Webber for orchestra of MEDIUM skill le…
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Instantly downloadable sheet music by Andrew Lloyd Webber for orchestra of MEDIUM skill level.
$100.99
90.44 €
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Orchestra
#
Andrew Lloyd Webber
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Virtualsheetmusic
Jim Steinman: Whistle Down The Wind for piano solo
Piano solo
Instantly downloadable sheet music by Jim Steinman for piano solo of EASY skill level.
Instantly downloadable sheet music by Jim Steinman for piano solo of EASY skill level.
$7.99
7.16 €
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Piano solo
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Jim Steinman
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Virtualsheetmusic
The Gates of the Wind Temple
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1212856 Composed by Elizabeth Borow…
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Piano Solo - Level 5 - Digital Download SKU: A0.1212856 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 4 pages. Piano Prodigies #810069. Published by Piano Prodigies (A0.1212856). The ancient and sacred stone temple stands proudly having weathered nearly 2000 years of history to date. We have arrived after a long journey, culminating in a final ascent of 1700 stairs! We take a moment to absorb what we behold: grandiose gates with an imposing volcano in the background. The wind whistles in harmonics as it whips through the gates and taunts us, reminding us that these gates are considered the boundary between people and Gods.
$7.00
6.27 €
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Piano solo
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Elizabeth Borowsky
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The Gates of the Wind Temple
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Piano Prodigies
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SheetMusicPlus
The Enchanted Wanderer
Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q23952…
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q23952 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q23952. Published by Schott Music - Digital (S9.Q23952). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
50.14 €
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
The Enchanted Wanderer
Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q48824…
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q48824 Opera for the concert stage - Russian Edition. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q48824. Published by Schott Music - Digital (S9.Q48824). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
50.14 €
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
The Enchanted Wanderer
Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q7148
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - Digital Download SKU: S9.Q7148 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 85' 0. Schott Music - Digital #Q7148. Published by Schott Music - Digital (S9.Q7148). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly established a solid position in the music scene. Now, Schott has published the study score of the successful and impressive work. Deep Slavonic emotion and riveting virtuosity - this is what characterises this piece as well as many other compositions by Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with Russian musical folklore and poetry has never been severed. The text of this 'opera for the concert stage' is based on a story by the great Russian writer Nikolai S. Leskov. Three solo singers, large choir and orchestra tell the dramatic story in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
50.14 €
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Rodion Shchedrin
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II: Röhrengl
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
The Midnight Circus
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1272817 Composed by Drew Morris. …
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Concert Band - Level 2 - Digital Download SKU: A0.1272817 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 63 pages. Yellow Envelope Publications #865015. Published by Yellow Envelope Publications (A0.1272817). This piece has a bunch of quirky solo and soli opportunities scattered throughout the ensemble (I hope you’ve been practicing your chromatic scales), a chance for trombones to finally dig into some glisses, and here’s your chance to use all those silly sounding instruments in your percussion cabinet! (And I encourage you to add even more chaotic sounds to the mix if you wish)The clarinet, alto saxophone, trumpet, horn, and trombones all have divided parts, while all other winds are single lines. The percussion parts are quite individualized, especially the mallets.InstrumentationFlute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, 2 French Horn, 2 Trombone, Euphonium, Treble Clef Euphonium, Tuba10 Percussionists - Timpani, Snare Drum, Bass Drum, Crash Cymbals,Bike Horn, Ratchet, Vibraslap, Flexatone, Whistle (or any other accessories you wish),Glockenspiel, Vibraphone, Xylophone, Marimba
$55.00
49.26 €
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Concert band
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Drew Morris
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The Midnight Circus
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Yellow Envelope Publications
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SheetMusicPlus
March of the Shadows
Concert band
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wi…
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$8.00
7.16 €
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Concert band
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
March of the Shadows
Concert band
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimm…
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$40.00
35.82 €
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Concert band
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
The Long Journey Home (Tin Whistle & Strings)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.846682 Composed by Elvis Cost…
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String Orchestra - Level 3 - Digital Download SKU: A0.846682 Composed by Elvis Costello & Paddy Moloney. Arranged by Bob Pritchard. Celtic,Irish. Score and parts. 41 pages. Bob Pritchard #6442185. Published by Bob Pritchard (A0.846682). This is a showstopper solo for Tin Whistle in D. An optional Alto Saxophone is also included. The score is set for Strings, Harp, 2 guitars, and Rhythm. The score can be varied to suit existing groups if required. It would be suited to School Ensembles of all levels, Community Groups, University music departments. It is an ideal piece for Woodwind players to get to play a Tin Whistle as the solo instrument.
$50.00
44.78 €
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String Orchestra
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Elvis Costello & Paddy Moloney
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The Long Journey Home
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Bob Pritchard
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SheetMusicPlus
Andrew Lloyd Webber: No Matter What (from Whistle Down the Wind) - violin solo
Violin
Instantly printable sheet music by Andrew Lloyd Webber for violin solo of MEDIUM skill lev…
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Instantly printable sheet music by Andrew Lloyd Webber for violin solo of MEDIUM skill level. / musical/show,broadway
$3.97
3.56 €
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Violin
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Andrew Lloyd Webber
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Virtualsheetmusic
Andrew Lloyd Webber: Whistle Down The Wind - alto saxophone solo
Alto Saxophone
Instantly printable sheet music by Andrew Lloyd Webber for alto saxophone solo of MEDIUM s…
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Instantly printable sheet music by Andrew Lloyd Webber for alto saxophone solo of MEDIUM skill level. / musical/show,broadway
$2.97
2.66 €
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Alto Saxophone
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Andrew Lloyd Webber
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Virtualsheetmusic
Andrew Lloyd Webber: No Matter What (from Whistle Down the Wind) - clarinet solo
Clarinet
Instantly printable sheet music by Andrew Lloyd Webber for clarinet solo of MEDIUM skill l…
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Instantly printable sheet music by Andrew Lloyd Webber for clarinet solo of MEDIUM skill level. / musical/show,broadway
$2.97
2.66 €
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Clarinet
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Andrew Lloyd Webber
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Virtualsheetmusic
Andrew Lloyd Webber: Whistle Down The Wind - flute solo
Flute
Instantly printable sheet music by Andrew Lloyd Webber for flute solo of MEDIUM skill leve…
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Instantly printable sheet music by Andrew Lloyd Webber for flute solo of MEDIUM skill level. / musical/show,broadway
$2.97
2.66 €
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Flute
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Andrew Lloyd Webber
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Virtualsheetmusic
Andrew Lloyd Webber: No Matter What (from Whistle Down the Wind) - tenor saxophone solo
Tenor Saxophone
Instantly printable sheet music by Andrew Lloyd Webber for tenor saxophone solo of MEDIUM …
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Instantly printable sheet music by Andrew Lloyd Webber for tenor saxophone solo of MEDIUM skill level. / musical/show,broadway
$2.97
2.66 €
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Tenor Saxophone
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Andrew Lloyd Webber
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Virtualsheetmusic
Andrew Lloyd Webber: Whistle Down The Wind - tenor saxophone solo
Tenor Saxophone
Instantly printable sheet music by Andrew Lloyd Webber for tenor saxophone solo of MEDIUM …
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Instantly printable sheet music by Andrew Lloyd Webber for tenor saxophone solo of MEDIUM skill level. / musical/show,broadway
$2.97
2.66 €
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Tenor Saxophone
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Andrew Lloyd Webber
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Virtualsheetmusic
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