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Who's Got A Match
Sheetmusic to print
13 sheet music found
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1
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1009195 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1009195 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score and parts. 248 pages. DoReMi Edition #594857. Published by DoReMi Edition (A0.1009195). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl. The attached mp3 is a performance by the Russian Philharmonic, conducted by the composer, 1998. English Text by Rebekah Wong Orchestration: Flauto Piccolo ( Flauto III), 2 Flauti, 2 Oboi (Corno- inglese), 2 Clarinetti in B flat, 2 Fagotti; 4 Corni in F, 2 Trombe in B flat, 3 Tromboni, 1 Tuba; 4 Timpani, Piatti, Tamburo, Trianglo, Companelli, Celesta, Campana, Wood Blocks ,Sonagliera; Violini I, Violini II, Viole, Violoncelli e Contrabassi.
$300.00
275.48 €
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Orchestra
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An-lun Huang
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Ballet, “THE LITTLE MATCH GIRL”, Op.24,
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DoReMi Edition
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SheetMusicPlus
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
18.36 €
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Piano, Vocal and Guitar
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An-lun Huang
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Ballet, “THE LITTLE MATCH GIRL”, Op.24,
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DoReMi Edition
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SheetMusicPlus
He's Got the Whole World In His Hands for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565216 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Traditional. Score and parts. 11 pages. Sharon Wilson #3624203. Published by Sharon Wilson (A0.565216). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided.This arrangement includes two verses. The first verse is easy with just the melody played by the bells. The second verse is intermediate and expands the melody by adding more notes along with the melody. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.5 €
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Sharon Wilson
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He's Got the Whole World In His Hands for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Seabiscuit's Run for solo piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew…
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Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew. 20th Century,Children,Concert,Contemporary. Score. 4 pages. Burke & Bagley #7785. Published by Burke & Bagley (A0.787299). Composed in 2014, SEABISCUIT'S RUN is an homage to the champion racehorse. This one-minute piece is dedicated to Mexican pianist Joel Juan Qui, who will give the premiere performance in 2015. A small horse, Seabiscuit had an inauspicious start to his racing career, but became an unlikely champion and a symbol of hope to many Americans during the Great Depression. He didn't run the leave-'em-in-the-dust races of other famous horses, but liked to intimidate and tease his opponents by looking them in the eye and then finally leaving them behind. He never quit, in spite of his small size, odd gait, and serious injury. Seabiscuit's career culminated in the 1938 Match of the Century against War Admiral at Pimlico Race Course. War Admiral was the favorite but Seabiscuit won by four lengths, and Seabiscuit was named American Horse of the Year for 1938. According to some, he got more press in 1938 than Franklin Roosevelt and Winston Churchill combined. A 2015 Piano Contest feature.
$4.49
4.12 €
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Piano solo
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Greg Bartholomew
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Seabiscuit's Run for solo piano
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Burke & Bagley
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SheetMusicPlus
Who's Got A Match
Guitar notes and tablatures
By Biffy Clyro. By Simon Neil. For guitar. Rock. Guitar TAB. Guitar TAB. 5 pages. Publishe…
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By Biffy Clyro. By Simon Neil. For guitar. Rock. Guitar TAB. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Guitar notes and tablatures
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Biffy Clyro
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Who's Got A Match
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Simon Neil: Who's Got A Match for guitar
Guitar notes and tablatures
Instantly printable sheet music by Biffy Clyro for guitar (tablature) of MEDIUM skill leve…
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Instantly printable sheet music by Biffy Clyro for guitar (tablature) of MEDIUM skill level. / rock
$6.97
6.4 €
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Guitar notes and tablatures
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Simon Neil
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Virtualsheetmusic
Three Lions (Football's Coming Home)
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner an…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here\'s how to play the famous English football anthem \"Three Lions\" on piano! With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano. The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself! It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic. \"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics). \"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England. The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem. The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches. \"Three Lions\" makes for a surprisingly good piano cover! Here are the song\'s full lyrics: It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (We\'ll go on getting bad results) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Verse 1: Frank Skinner] Everyone seems to know the score, they\'ve seen it all before They just know, they\'re so sure That England\'s gonna throw it away, gonna blow it away But I know they can play, \'cause I remember [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Verse 2: David Baddiel] So many jokes, so many sneers But all those \"Oh, so nears\", wear you down through the years But I still see that tackle by Moore and when Lineker scored Bobby belting the ball, and Nobby dancing [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Bridge] England have done it, in the last minute of extra time! What a save, Gordon Banks! Good old England, England that couldn\'t play football! England have got it in the bag! I know that was then, but it could be again [Refrain] It\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (England have done it) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Chorus] (It\'s coming home) Three lions on a shirt (It\'s coming home, it\'s coming) Jules Rimet still gleaming (Football\'s coming home It\'s coming home) Thirty years of hurt (It\'s coming home, it\'s coming) Never stopped me dreaming (Football\'s coming home
$4.99
4.58 €
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Piano, Voice
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Baddiel, Skinner and The Lightning Seeds
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Three Lions
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Mario Stallbaumer
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SheetMusicPlus
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
Percussion
Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Chi…
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Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Published by Sharon Wilson
This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.<br> <br> The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy” with fewer notes. The second verse is “intermediate” and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy” verse, an optional ending is provided or it can be skipped to perform the two verses together.<br> <br> Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.<br> <br> This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, “Chroma-Notes Stick Ons” can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.<br> <br> Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.<br> <br> The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.<br> <br> Other suggestions and uses:<br> * have both parts played by bells or both parts played using only Boomwhackers® <br> * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)<br> * use as part of the music education for children at school, home, or church<br> * these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministries<br> <br> <br> Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples.<br> <br> Titles included in this collection:<br> Alphabet Song<br> Be Kind to Your Loved Ones<br> B-I-N-G-O<br> Doo-dah-day!<br> Good Morning, Merry Sunshine<br> He’s Got the Whole World In His Hands<br> Hickory Dickory Dock<br> Hokey Pokey<br> Hot Cross Buns<br> I Love the Mountains<br> Itsy Bitsy Spider<br> Little Robin Red-breast<br> Old MacDonald<br> On Top of Old Smokey<br> Rain, Rain, Go Away<br> Row, Row, Row Your Boat<br> Simple Gifts<br> Skip to My Lou<br> Take Me Out to the Ball Game<br> The Water Is Wide<br> <br> Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.
$25.00
22.96 €
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Percussion
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Traditional
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Folk Songs for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.58 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Music for Three, Volume 3 Part 2 Viola 50322
Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.5…
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Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.530636 Composed by Various. Arranged by Daniel Kelley. Contemporary,Sacred,Spiritual,Wedding. Score and parts. 50 pages. Last Resort Music Publishing #4854635. Published by Last Resort Music Publishing (A0.530636). Including works by Handel, Massenet & Mozart and titles such as Amazing Grace, Dodi Li & Be Thou My VisionAn incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. Table of Contents My Heart Ever Faithful Aria from Cantata #68 (Bach)Wachet Auf Chorale from Cantata #140 (Bach)Agnus Dei from incidental music to L'Arlesienne (Bizet)Amazing Grace (Early American Melody)Hallelujah Chorus from The Messiah (Handel)Heavens Are Telling, The from The Creation (Haydn)Children's Prayer from Hansel and Gretel (Humperdink)A Mighty Fortress is Our God (Luther)Meditation from Thais (Massenet)On Wings of Song from Op. 34 #2 (Mendelssohn)Alleluia from Exsultate Jubilate, K. 165 (Mozart)Ave Maria (Schubert)SImple Gifts (Shaker Hymn)Deep River (Spiritual)Give Me That Old-Time Religion (Spiritual)Go Tell It on the Mountain (Spiritual)He's Got the Whole World in His Hands (Spiritual)Nobody Knows the Trouble I've Seen (Spiritual)Sometimes I Feel Like a Motherless Child (Spiritual)Swing Low, Sweet Chariot (Spiritual)Were You There? (Spiritual)Battle Hymn of the Republic (Steffe & Howe)Onward Christian Soldiers (Sullivan)Be Thou My Vision (Traditional Irish Melody) Traditional Jewish BashanaDodi Li (Bridal March) Erev Shel Shoshanim (Wedding processional) Hava Nagila and Tsena TsenaJerusalem of Gold (Y'rushalayim Shel Zahov)Od Yeshoma, Version 1 (Wedding recessional)Od Yeshoma, Version 2 (Wedding recessional)Oif'n PripetshokOse Shalom and Hevenu Shalom Aleychem Simon Tov and Chosen Kalle Mazel Tov (Wedding recessional)Yedid Nefesh (Wedding processional)The following parts are available for Music for Three, Volume 350311 Part 1 Flute or Oboe or Violin50313 Part 1 Clarinet in Bb50321 Part 2 Flute or Oboe or Violin50322 Part 2 Viola 50323 Part 2 Clarinet in Bb50331 Part 3 Cello or Bassoon50340 Keyboard or Guitar50399 Score Please visit www.lastresortmusic.com for more titles and information!
$20.00
18.37 €
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Various
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Music for Three, Volume 3 Part 2 Viola 50322
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Last Resort Music Publishing
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SheetMusicPlus
Erlkönig
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Sc…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
13.76 €
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French Horn and Piano
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Franz Schumbert
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Erlkönig
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Songburd Music
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.24 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
50 Favorite Hymns for Solo and Duet Instruments, Volume 2
Flute
Flute - Early Intermediate - Digital Download Arranged by Chris Cooke. Christian, Gos…
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Flute - Early Intermediate - Digital Download Arranged by Chris Cooke. Christian, Gospel, Sacred, Praise & Worship. 79 pages. Published by Chris Cooke
Welcome to Volume 2 of 50 Favorite Hymns for Solo and DuetInstruments. This collection is for the student or church musician—anyone who loves to play hymns. All books in thisseries are written so that instruments can be mixed and matched. One or twoverses are provided with optional duet parts. Arranged at the earlyintermediate level, these selections are suitable for worship or as anaccompaniment to congregational singing. Hymns may vary slightly from their originalhymnal keys. However, since they are written in comfortable instrumental ranges,this makes them easy to sing. The hymns with their concert keys are as follows:<br> <br> <br> <br> Alas and Did My Savior Bleed, E-flat<br> <br> Break Thou the Bread of life, E-flat<br> <br> Brethren We Have Met to Worship, A-flat<br> <br> Bring Them In, A-flat<br> <br> Burdens Rolled Away, F<br> <br> Deeper, Deeper in the Love of Jesus, A-flat<br> <br> Glorious Things of Thee Are Spoken, E-flat<br> <br> Face to Face with Christ My Savior, B-flat<br> <br> Have Thine Own Way Lord, E-flat<br> <br> God Will Take Care of You, B-flat<br> <br> Grace Greater Than Our Sin, F<br> <br> Holy God We Praise Thy Name, F<br> <br> I am Resolved, B-flat<br> <br> I am Thine Oh Lord, A-flat<br> <br> I Gave My Life for Thee, B-flat<br> <br> I need Thee Every Hour, F<br> <br> I Will Sing of My Redeemer, A-flat<br> <br> I Will Sing the Wondrous Story, E-flat<br> <br> Ive Got Peace Like a River, F<br> <br> Jesus Calls Us O’er the Tumult, A-flat<br> <br> Jesus is All the World to Me, A-flat<br> <br> Jesus is Tenderly Calling, B-flat<br> <br> Jesus Keep Me Near the Cross, F<br> <br> Jesus Loves Even Me, A-flat<br> <br> Jesus Paid it All, E-flat<br> <br> Let All Things Now Living, F<br> <br> Let Us Break Bread Together, E-flat<br> <br> Lily of the Valley, the, F<br> <br> Living for Jesus, F<br> <br> Lord I Want to Be a Christian in My Heart, E-flat<br> <br> May the Grace of Christ Our Savior, F<br> <br> More Love to Thee, F<br> <br> Near to the Heart of God, E-flat<br> <br> Oh the Deep, Deep Love of Jesus, G-minor<br> <br> Open My Eyes That I May See, A-flat<br> <br> Rejoice Ye Pure in Heart, F<br> <br> Pass Me Not Oh Gentle Savior, A-flat<br> <br> Rise Up Oh Men of God, F<br> <br> Savior Like a Shepherd Lead Us 1, F<br> <br> Savior Like a Shepherd Lead Us2, D-flat<br> <br> Spirit of God, Descend Upon My Heart, C<br> <br> Take the Name of Jesus With You, A-flat<br> <br> Take Time to Be Holy, F<br> <br> The Church’s One Foundation, E-flat<br> <br> There’s a Wideness in God’s Mercy, G<br> <br> There’s a New Name Written Down in Glory, B-flat<br> <br> Tis So Sweet to Trust in Jesus, F<br> <br> Were Marching to Zion, F<br> <br> We’ve a Story to Tell to the Nations, E-flat<br> <br> Why Do I Sing About Jesus? A-flat<br> <br>
$9.97
9.16 €
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Flute
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Worship
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50 Favorite Hymns for Solo and Duet Instruments, Volume 2
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Chris Cooke
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SheetMusicPlus
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