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Who Can It Be Now?
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Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.4 €
#
Cello, Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.4 €
#
Tuba
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
#
SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.29 €
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Alto Saxophone and Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Alto Sax - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Be Still and Know (in F)
Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by …
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Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99
1.79 €
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
Amazing Grace for descant recorder
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.928812 Composed…
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.928812 Composed by Unknown. Arranged by Shannon Duncan. Christian,Contemporary,Praise & Worship,Wedding. Individual part. 1 pages. Shannon A. Duncan #4616075. Published by Shannon A. Duncan (A0.928812). The traditional theme and two variations. This arrangement is written for solo descant/ soprano recorder but could be played by many C instruments. It is very easy to play, but sounds great making it perfect for beginners who are easily bored by the pieces they are able to play.
$1.99
1.79 €
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Descant (Soprano) Recorder
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Unknown
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Amazing Grace for descant recorder
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Shannon A. Duncan
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SheetMusicPlus
Three Evening Canticles — SATB voices, organ
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
2.7 €
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Choral SATB
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Todd Marchand
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Three Evening Canticles — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Piano solo
Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 …
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
23.38 €
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Piano solo
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Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
American Veteran
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.971615 Composed by Jonathan S. La…
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Concert Band - Level 3 - Digital Download SKU: A0.971615 Composed by Jonathan S. Laflamme. 20th Century,Contemporary,Folk,Instructional. Score and parts. 168 pages. Jonathan S. Laflamme #32513. Published by Jonathan S. Laflamme (A0.971615). American Veteran attempts recreate both the sounds of battle and the vast array of emotions as experienced by those touched by war. This piece represents the complexities yet unpretentious circumstance of American sacrifice. The listener as well as the performers will be confronted with a story of one World War II volunteer soldier in the Pacific Theater whose experience represents that of the thousands of American soldiers over the past 3 centuries. This narrated work embodies fresh arrangements of patriotic themes, as well as original motifs, and innovative uses and placement of percussion to hopefully establish a novel level of aural communication specifically regarding those who have no knowledge of war and the sacrificial perseverance that has shaped America today. Whether it be a Veteran’s Day program, contest/festival setting or any concert American Veteran, with it’s tone poem programmatic format and flexible conductor/ensemble performance practice, will captivate the audience and motivate your ensemble to take ownership of the literature resulting in higher level musical proficiency!
$60.00
53.95 €
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Concert band
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Jonathan S
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American Veteran
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Jonathan S. Laflamme
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SheetMusicPlus
The Girl I Mean To Be
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1282…
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. 14 pages. Alberto Caeiro #874079. Published by Alberto Caeiro (A0.1282836). This arrangement is made for String Quintet, in the original key containing the original form of the musical. It's an easy arrangement that can be performed in different events and performances, having a solo voice. With 2 violins, 1 viola and 1 cello, the arrangement would be too light so, adding the double bass, the arrangement becomes more interesting with more color.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$19.99
17.98 €
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String Quintet: 2 violins, viola, cello, bass
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The Secret Garden Ensemble
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
The Girl I Mean To Be
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden En…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
53.94 €
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Orchestra
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The Secret Garden Ensemble
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
The Girl I Mean To Be
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ense…
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Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$79.99
71.93 €
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Concert band
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The Secret Garden Ensemble
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Prayer to an unknown entity for violin and choral backing
Small Ensemble Choir,Violin,Voice - Level 5 - Digital Download SKU: A0.576103 Compo…
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Small Ensemble Choir,Violin,Voice - Level 5 - Digital Download SKU: A0.576103 Composed by David Warin Solomons. Contemporary,Spiritual. Score and parts. 4 pages. David Warin Solomons #2030547. Published by David Warin Solomons (A0.576103). Prayer for an unknown entity represents a call to the vast unknown. The vocals (which can be live or taped) provide a mantra of repeating chords while the violin swoops up and down, hoping to be heard by the entity. The piece ends a second inversion of uncertainty. The work is dedicated to Daniel Mihai, who performed it in 2013 as part of the 15 minutes of fame event. The pdf file contains score and parts. The video can be seen here: https://www.youtube.com/watch?v=q6F4xvNBMpQ If a violinist requires the pre-recorded vocal backing for download it can be obtained as an mp3 at https://www.sheetmusicplus.com/title/20788061?aff_id=175705
$9.00
8.09 €
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David Warin Solomons
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Prayer to an unknown entity for violin and choral backing
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David Warin Solomons
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SheetMusicPlus
Handel: Largo (from Xerxes) for soprano (descant) recorder and piano
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1311260 Compose…
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Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.1311260 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Individual part. 6 pages. Colin Kirkpatrick Publications #900258. Published by Colin Kirkpatrick Publications (A0.1311260). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for soprano (descant) recorder(s) and piano is in G major and uses the lower and middle register of the instrument.  It could be used with any number of descant recorders. The lowest note is the D just below the treble staff and the highest note is the G just above the top line. The piano part has been kept as simple as possible. Â
$3.95
3.55 €
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Descant (Soprano) Recorder
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G F Handel
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
I May Not Be the One - an original hymn for SATB voices
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701452 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701452 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3125159. Published by Kevin G. Pace (A0.701452). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/BGhqSeLVhqgI may not be the one to brighten your eye, I may not be the one whose heart makes you fly, I may not be the one who shows you His ways, But know I am one who for you prays. I may not be the one who gave everything To bring you back to God, our glorious King, I cannot save your soul or cleanse it or mend, But this I can do, forever be your friend. I may not be the one who knows all the truth. It's true I may have been a faltering youth, But now I know my God, who saved me from sin By sending His Son who let me in. So now I am the one who will testify, And now I am the one who'll reach out to try To bless a friend in need, just as I've been blessed, Until we in heaven find eternal rest.
$1.99
1.79 €
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Choral SATB
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sending His Son who let me in
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Kevin G
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I May Not Be the One - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
God Only Knows
3 Guitars (trio)
Guitar - Level 3 - Digital Download SKU: A0.1414174 By The Beach Boys. By Brian Wil…
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Guitar - Level 3 - Digital Download SKU: A0.1414174 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Derek Hasted. Pop. 19 pages. Derek Hasted #995946. Published by Derek Hasted (A0.1414174). GOD ONLY KNOWS (Beach Boys) - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This is a lovely piece that will appeal to audiences of all ages - theyâ??ll be humming it on the way home!I've arranged this to suit as many guitar ensembles as possible - I've changed the key a little to make the shapes in this piece familiar ones and to make best use of the neck. My arrangement will suit a mixed ability ensemble from early intermediate to intermediate. Guitar 4 has the bottom string tuned down to D.I've arranged this in compound time instead of swing rhythm, and I've included triplet dotted crotchets (¼ notes) instead of three plain crotchets, so that the rhythm is easy to read.The piece finishes with a final chord instead of a fade to nothing, as it usually works better in concert. But if you have a conductor who can help with the fade, you could carry on playing the repeating section at the end until the sound has vanished.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.49 €
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3 Guitars (trio)
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The Beach Boys
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God Only Knows
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Derek Hasted
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SheetMusicPlus
Americana Collection For Band - 1st Alto Saxophone
Concert band
Concert Band - Difficulty: medium SKU: HL.4476008 1st Alto Saxophone. Compos…
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Concert Band - Difficulty: medium SKU: HL.4476008 1st Alto Saxophone. Composed by Various. Band Folio. Americana. Alto saxophone songbook. 32 pages. Rubank Publications #3. Published by Rubank Publications (HL.4476008). UPC: 073999760088. 5.3x6.8 inches.Rubank (with optional Strings) Grades 2-3. Can be played solo or with other books in the series.
Song List: Abide with Me All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) America, the Beautiful The Band Played On Battle Hymn Of The Republic Beautiful Dreamer A Bicycle Built for Two (Daisy Bell) Blow the Man Down Carry Me Back To Old Virginny Columbia, The Gem Of The Ocean (The Red, White And Blue) Come, Ye Thankful People, Come Cradle Song Deck the Hall (I Wish I Was In) Dixie Fairest Lord Jesus Farewell To Thee Finlandia The First Noel For He's a Jolly Good Fellow God Of Our Fathers Good Night Ladies Hail, Columbia Hail, Hail, The Gang's All Here Hail To The Chief Hark! The Herald Angels Sing HOme Sweet Home In the Gloaming It Came Upon the Midnight Clear Jeanie With The Light Brown Hair Jingle Bells Jolly Old St. Nicholas Joy To The World The Last Rose Of Summer Lead, Kindly Light Little Brown Jug Loch Lomond (Deis) Love's Old Sweet Song The Man On The Flying Trapeze Marine's Hymn Maryland, My Maryland A Mighty Fortress Is Our God My Faith Looks Up To Thee My Old Kentucky Home Nearer, My God, to Thee Nobody Knows The Trouble I've Seen Now The Day Is Over O Come, All Ye Faithful (Adeste Fideles) O Little Town of Bethlehem Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Old Hundred Onward, Christian Soldiers Praise God, from Whom All Blessings Flow Rock Of Ages Sailing Short'nin' Bread Silent Night Silver Threads Among The Gold Sweet and Low Swing Low, Sweet Chariot Tramp! Tramp! Tramp! Viennese Refrain When Johnny Comes Marching Home While Shepherds Watched Their Flocks Yankee Doodle Taps Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Auld Lang Syne Home on the Range
$3.99
3.59 €
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Concert band
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Various
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Americana Collection For Band - 1st Alto Saxophone
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Rubank Publications
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SheetMusicPlus
My Song is Love unknown (SSA plus piano or organ)
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.522227 Composed by Colin Ki…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.522227 Composed by Colin Kirkpatrick. A Cappella,Christian,Easter,Sacred. Octavo. 13 pages. Colin Kirkpatrick Publications #4408396. Published by Colin Kirkpatrick Publications (A0.522227). My Song Is Love Unknown is a known best as a hymn by Samuel Crossman, written in 1664. It is predominantly used as a hymn for Good Friday usually in a setting by John Ireland who evidently composed it over lunch one day. This is a completely new SSA setting of Crossman’s wonderful text by Colin Kirkpatrick. In this setting there are opportunities for alto solos though they can be sung tutti if more appropriate. The keyboard part is essential though there is an a capella section in the middle. The highest note in the soprano part is one A flat above the treble staff. This is an accessible arrangement with rich harmonies and soaring melodic lines. It is sure to be a success at Easter occasions. Other SSA titles in this series of three Easter canticles are “Alone Thy goes forth, O Lord (Text by Peter Abelard 1079-1142)†and “A Time to Watch, A time to Pray (Text by John Mason Neale 1818-1866â€. In the audio sample, soprano 1 is played by the flute, soprano 2 by the oboe and alto by the clarinet. 
$2.99
2.69 €
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Choral 3-part
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Colin Kirkpatrick
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My Song is Love unknown
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Colin Kirkpatrick Publications
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SheetMusicPlus
My Song is Love unknown (SATB plus piano or organ)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522224 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522224 Composed by Colin Kirkpatrick. A Cappella,Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Colin Kirkpatrick Publications #4405502. Published by Colin Kirkpatrick Publications (A0.522224). My Song Is Love Unknown is a known best as a hymn by Samuel Crossman, written in 1664. It is predominantly used as a hymn for Good Friday usually in a setting by John Ireland who evidently composed it over lunch one day. This is a completely new SATB setting of Crossman’s wonderful text by Colin Kirkpatrick. In this setting there are opportunities for alto and tenor solos though they can be sung tutti if more appropriate. The keyboard part is essential though there is an a capella section in the middle. The highest note in the soprano part is one A flat above the treble staff. This is an accessible arrangement with rich harmonies and soaring melodic lines. It is sure to be a success at Easter occasions. Other SATB titles in this series of three Easter canticles are Alone Thy goes forth, O Lord (Text by Peter Abelard 1079-1142) and A Time to Watch, A time to Pray (Text by John Mason Neale 1818-1866. In the audio sample, soprano is played by the flute, alto by the oboe, tenor by the clarinet and bass by the bassoon.
$2.99
2.69 €
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Choral SATB
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Colin Kirkpatrick
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My Song is Love unknown
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Colin Kirkpatrick Publications
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SheetMusicPlus
Nessun Dorma for Descant Recorder & Piano
Descent (Soprano) Recorder, Piano
Descant Recorder,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.746822
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Descant Recorder,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.746822 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. 5 pages. Keith Terrett #3579853. Published by Keith Terrett (A0.746822). Nessun Dorma arranged for Descant Recorder & Piano. Nessun dorma (Italian: [nesˈsun ˈdɔrma]; English: None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded. In the aria, Calaf expresses his triumphant assurance that he will win the princess.Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece beyond the opera world in the 1990s following his performance of it for the 1990 World Cup. Both Pavarotti and Plácido Domingo released singles of the aria that topped charts in the United Kingdom, and it appeared on the best selling classical album of all time, The Three Tenors in Concert. Since that time, many crossover artists have performed and recorded it. The aria has been sung often in movies and on television.
$7.99
7.18 €
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Descent (Soprano) Recorder, Piano
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Giacomo Puccini
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Piano
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Nessun Dorma for Descant Recorder & Piano
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Keith Terrett
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - trumpet and piano
Trumpet, Piano
Piano,Trumpet - Level 3 - Digital Download SKU: A0.774079 Arranged by Anthony Giama…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.774079 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657903. Published by Whole Tone Press (A0.774079). Expertly arranged for trumpet and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the trumpet above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the trumpet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.72 €
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Trumpet, Piano
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LORD, WHO THROUGHOUT THESE FORTY DAYS - trumpet and piano
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Whole Tone Press
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.72 €
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Soprano Saxophone and Piano
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LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
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Whole Tone Press
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.774081 Arranged by Anthon…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.774081 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657909. Published by Whole Tone Press (A0.774081). Expertly arranged for alto saxophone and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.72 €
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Alto Saxophone and Piano
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LORD, WHO THROUGHOUT THESE FORTY DAYS - alto saxophone and piano
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Whole Tone Press
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giam…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.774063 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. Score and parts. 23 pages. Whole Tone Press #6638585. Published by Whole Tone Press (A0.774063). Expertly arranged for brass quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the 1st trumpet above the drone of the trombone and tuba. Then the tuba takes the melody, transposing it to G Dorian, then, briefly to A Mixolydian. At the key change, the melody returns to its original form, now taken up by the French horn. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelParticularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.
$8.50
7.64 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Brass Quintet
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Whole Tone Press
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SheetMusicPlus
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