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You've selected:
Why So Serious
Sheetmusic to print
13 sheet music found
<
1
Why So Serious
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Choral 3-part
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EASY
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Rock
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Alice Merton and Nicolas Rebsc
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Klara Hens
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Why So Serious
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Klara Hens
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SheetMusicPlus
Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1078174 Composed by Alice Merton and Nicolas Rebscher. Arranged by Klara Hens. Pop,Rock. Octav...
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Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1078174 Composed by Alice Merton and Nicolas Rebscher. Arranged by Klara Hens. Pop,Rock. Octavo. 9 pages. Klara Hens #682366. Published by Klara Hens (A0.1078174). Arrangement for intermediate pop choir (3 voices, mixed or treble voices) with accompainment. This arrangement of Alice Mertons hit song Why so serious is very flexible as it can be sung with a mixed choir as well as an all treble voices choir. It is the ideal song for a beginners choir that loves to sing with piano or band accompainment. The song is absolutely fun to sing, has a clear message, is fast to learn and it's easy to get everybody moving. It's perfect for your youth or school choir and adults love to sing it, too! (As inspiration for the accompainment you can use the TV Noir live version of the song).
$2.70
Why So Serious? by Laurie Th berge - Piano Solo
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Piano solo
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Laurie Th berge
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Why So Serious?
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Musicnotes
Sheet Music for Why So Serious? from The Dark Knight arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Why So Serious? from The Dark Knight arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes.
$5.99
The Man Who Laughs
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Percussion Ensemble
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ADVANCED
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
L'ABC de la Guitarra Vol1
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Easy Piano
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BEGINNER
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Professor Mussol
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José Lucas
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L'ABC de la Guitarra Vol1
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Musi...
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C Instrument - Level 1 - Digital Download SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996686. Published by José Lucas (A0.1414957). ABC for Guitar Beginners Vol.1 (Catalan Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
El ABC de la Guitarra Vol.1
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Easy Piano
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BEGINNER
#
Profesor BuÌho
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José Lucas
#
El ABC de la Guitarra Vol.1
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José Lucas
#
SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1414952 By Profesor BuÌho. By José Lucas. Arranged by José Lucas. Children,Classical,Early Mus...
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C Instrument - Level 1 - Digital Download SKU: A0.1414952 By Profesor BuÌho. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996681. Published by José Lucas (A0.1414952). ABC for Guitar Beginners Vol.1 (Spanish Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
ABC KezdÅ‘ Gitárosoknak Vol.1
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Easy Piano
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BEGINNER
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Prof
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José Lucas
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ABC KezdÅ‘ Gitárosoknak Vo
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1415634 By Prof. Bagoly. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,In...
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C Instrument - Level 1 - Digital Download SKU: A0.1415634 By Prof. Bagoly. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #997350. Published by José Lucas (A0.1415634). ABC for Guitar Beginners Vol.1 (Hungarian Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when start using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
Joker Evolution (Epic Piano Mashup) by Samuel Fu - Piano Solo
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Piano solo
#
Film/TV
#
Samuel Fu
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Joker Evolution (Epic Piano Ma
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Musicnotes
Performed by: Samuel Fu: Joker Evolution (Epic Piano Mashup) - (The Joker - Waltz to Death - Why So Serious - Arkham Asylum) Digital Sheetmusic - instantly down...
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Performed by: Samuel Fu: Joker Evolution (Epic Piano Mashup) - (The Joker - Waltz to Death - Why So Serious - Arkham Asylum) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 7 pages -- Soundtrack~~Solo Instrumental~~Movie/TV
$7.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
A Midsummer Night's Dream Wedding March for String Quartet, Op. 61 - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Yoon Jae Lee
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A Midsummer Night's Dream Wedd
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Ondine Press
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1048737 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,R...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1048737 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Romantic Period,Standards,Traditional,Wedding. 10 pages. Ondine Press #652362. Published by Ondine Press (A0.1048737). This is a full score Yoon Jae Lee's arrangement of the wedding march for string quartet. The set of parts is available separately. Mendelssohn’s wedding march is a ubiquitous piece for any seasoned wedding musician. A quick search online reveals that there are more than a few dozen arrangements of this work for string quartet alone! So why create another one? Many of the arrangements currently in circulation are of extremely poor quality, both from a musical and publishing standpoint. Too often they give little regard to what Mendelssohn actually wrote and are rendered as if the arranger was recalling the music by ear. My new arrangement was created with a fresh examination of the original orchestral score. Here are some key highlights: 1. It preserves the structural integrity of the music (i.e. same exact number of bars as the original) 2. Maintains a balance between the original context and rewriting the music idiomatically for string quartet. 3. Aims to be of high artistically yet playable by most string players above an intermediate level (There are double stops and a few triple stops but nothing unmanageable). 4. No unnecessary articulations, bowings or fingerings have been added. The basic spirit of the music is left untouched and skilled musicians can make their own interpretive decisions with fresh insight into the music. 5. A clean, high quality engraving with bar numbers added. An abridged arrangement of the first 29 bars of march is also available so don’t use a cheap, free arrangement online of this important work. If you are a “serious†musician, be sure to have this arrangement of the wedding march always handy in your library! Perusal Score: https://issuu.com/ondinepress/docs/mendelssohn_wedding_march_full.
$8.00
A Midsummer Night's Dream Wedding March for String Quartet, Op. 61 - Set of Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Yoon Jae Lee
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A Midsummer Night's Dream Wedd
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Ondine Press
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1077288 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon J...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1077288 Composed by Felix Bartholdy Mendelssohn. Arranged by Yoon Jae Lee. Classical,Romantic Period,Standards,Traditional,Wedding. Score and parts. 15 pages. Ondine Press #681458. Published by Ondine Press (A0.1077288). This is a set of parts to Yoon Jae Lee's arrangement of the wedding march for string quartet. The full score is available separately. Mendelssohn’s wedding march is a ubiquitous piece for any seasoned wedding musician. A quick search online reveals that there are more than a few dozen arrangements of this work for string quartet alone! So why create another one? Many of the arrangements currently in circulation are of extremely poor quality, both from a musical and publishing standpoint. Too often they give little regard to what Mendelssohn actually wrote and are rendered as if the arranger was recalling the music by ear. My new arrangement was created with a fresh examination of the original orchestral score. Here are some key highlights: 1. It preserves the structural integrity of the music (i.e. same exact number of bars as the original) 2. Maintains a balance between the original context and rewriting the music idiomatically for string quartet. 3. Aims to be of high artistically yet playable by most string players above an intermediate level (There are double stops and a few triple stops but nothing unmanageable). 4. No unnecessary articulations, bowings or fingerings have been added. The basic spirit of the music is left untouched and skilled musicians can make their own interpretive decisions with fresh insight into the music. 5. A clean, high quality engraving with bar numbers added. An abridged arrangement of the first 29 bars of march is also available so don’t use a cheap, free arrangement online of this important work. If you are a “serious†musician, be sure to have this arrangement of the wedding march always handy in your library! Perusal Score: https://issuu.com/ondinepress/docs/mendelssohn_wedding_march_full.
$10.00
Tuba Serenade
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Tuba
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ADVANCED
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Contemporary
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David
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Tuba Serenade
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Modrana Music Publishers Ltd
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers ...
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Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.
$11.99
Kitaran ABC Vol.1
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Easy Piano
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BEGINNER
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Prof
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José Lucas
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Kitaran ABC Vol.1
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1346062 By Prof. Pöllö. By José Lucas. Arranged by José Lucas. Children,Classical,Contempor...
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C Instrument - Level 1 - Digital Download SKU: A0.1346062 By Prof. Pöllö. By José Lucas. Arranged by José Lucas. Children,Classical,Contemporary,Folk,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #930915. Published by José Lucas (A0.1346062). ABC For Guitar Beginners Vol.1Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.1. Learn how to read notes, chords, music theory and interaction with the teacher2. Simple exercises to practice before the kids tackle the pieces/songs3. Rules for how to train a difficult part4. Learn to read left vs. right hand in music5. Learn the differences between strings and frets6. Famous children's songs from around the world7. Visually appealing pages for kids8. Famous pieces from classical music9. Audio to all music in the book on Spotify10. Diploma“This method guides students in mastering the 1st, 2nd, and 3rd strings with whole, half, and quarter notes. Before progressing to the next step, they hone these skills on the 3rd string, 2nd fret, using the long finger (2nd, left hand). For kids, pressing on the 3rd string is made easier. Transitioning to the A note, students can also use the 1st and 3rd fingers (left hand), to prepare themselves for C and D notes on the 2nd string. Mastering C & D paves the way for playing F and G notes. Crucial exercises on each note develop strength in both hands. The book includes helpful audio, ensuring students stay in rhythm and practice independently at home. Along the way, students learn music theory at the right time.†- José Lucas, 2023CONTENTMary had a little lamb (US)The spring song (Hungary)Playful dialogue (Germany)Old MacDonald (US)Björnen sover (Sweden)Au clair de la lune (France)Hänschen klein (Germany)Andantino Op. 59 (Carcassi)Russian theme (Russia)Dog waltz (Germany)Savez-vous planter les choux? (France)Sonata no.11 K331 (Mozart)Brandenburg dance (Germany)Gran vals (Tarrega)Carnevale di Venezia (Italy)Andantino (Küffner)Go to sleep (Germany)The silly song (Irland)El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!
$17.50
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