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Wind It Up
Sheetmusic to print
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THE WIND-UP TOY
Small Ensemble - Digital Download SKU: A0.865230 Composed by Chris Cooke. Contempor…
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Small Ensemble - Digital Download SKU: A0.865230 Composed by Chris Cooke. Contemporary. Score and parts. 3 pages. Chris Cooke #2071025. Published by Chris Cooke (A0.865230). This joyful windup toy hums merrily along in the key of G major. It begins to lose steam in the E minor section and finally crawls to a stop. Then, someone winds it up again, and off in goes, repeating the first section with a scale for its happy ending. This is within reach of the 2nd year student. It features a variety of dynamics, some slurred phrasing, staccatos, and simple grace notes for the wind-up sound effect.
$2.97
2.67 €
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Chris Cooke
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THE WIND-UP TOY
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Chris Cooke
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SheetMusicPlus
Chopin: Prelude No 6 in B Minor Op.28 No.6 (Transposed into C minor) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1474513 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Religious,Romantic Period. 8 pages. RayThompsonMusic #1052138. Published by RayThompsonMusic (A0.1474513). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is no 6 in B minor.I have transposed it up to C minor, to fit the range of the Bb clarinet.Check out my original version In Bminor which has a Clarinet in A partIt is quite short - 28 bars longThis prelude was played at Chopin's funeral on organ.Its melancholy melody is primarily given to the pianist's left hand.Rather than giving the melody to the bassoon, I have given it primarly to the clarinet, with the 8 bar middle section given to the bassoonArranged here for wind quintetNOTE: CLARINET PART IS FOR CLARINET IN BbCheck out my other Chopin arrangements of some of his other Preludes (including Raindrop) and of Nocturne No.2.Arranged wind quintet.
$3.95
3.56 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Frederic Chopin
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Chopin: Prelude No 6 in B Minor Op.28 No.6
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RayThompsonMusic
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SheetMusicPlus
Wind It Up
Guitar - Level 3 - Interactive Download SKU: A0.1356836 Composed by written by Ron …
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Guitar - Level 3 - Interactive Download SKU: A0.1356836 Composed by written by Ron Calabrese. This edition: Interactive Download. Classical,Folk,Jazz. 22 pages. Duration 195. Ron Calabrese #7Xph4maX9vSeWOaopjzYQw. Published by Ron Calabrese (A0.1356836). Key: F major.Introduction: Wind It Up is a fun piece that can round out any performance. It has numerous twists and turns making it pleasant to listen to and exciting to play. Part Descriptions: Guitar 1: The Guitar Part 1 (for the most part) harmonizes with the Guitar Part 2 to form the primary “hook†of the song. It features a written-out solo that can optionally be improvised. Note that Guitar Part 1 employs multiple trills during the more intense passages. It is suggested to use the fifth position to get the best sound from the part. Guitar 2: The Guitar 2 Part provides the lead melody for the tune. Guitar 3 & 4: These parts provide an alternate melody and harmonize with each other. Note that there are multiple soli’s within each of the parts. Guitar 5: This part is the bass line. Chords names are included for advanced players who wish to improvise the bass lines. Rhythm: This is the optional rhythm part for the piece.
$19.99
18 €
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written by Ron Calabrese
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Wind It Up
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Ron Calabrese
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SheetMusicPlus
Wind It Up
Banjo,Trombone,Tuba - Level 3 - Interactive Download SKU: A0.1356765 Composed by wr…
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Banjo,Trombone,Tuba - Level 3 - Interactive Download SKU: A0.1356765 Composed by written by Ron Calabrese. This edition: Interactive Download. Jazz. 23 pages. Duration 221. Ron Calabrese #4Et53nJ0sEyX3WGCY09NEF. Published by Ron Calabrese (A0.1356765). Key: Eb major.Introduction: Wind It Up is a fun piece that can round out any performance. It has numerous twists and turns making it pleasant to listen to and exciting to play. Part Descriptions: Bb Clarinet: The Clarinet part (for the most part) harmonizes with the Bb Trumpet to form the primary “hook†of the song. It features a written-out solo that can optionally be improvised. Note that the Clarinet part employs multiple trills during the more intense passages. Bb Trumpet: The Bb Trumpet part provides the lead melody for the tune. It features a written-out solo that can optionally be improvised. Trombone 1/Trombone 2: These parts provide an alternate melody and harmonize with each other. Banjo/Guitar: This part could be played by a Banjo and/or a Guitar player and provides essential rhythms to the song performance. Tuba: The Tuba part is a very special part and features numerous short solos that add humor and texture to the song.
$19.95
17.97 €
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written by Ron Calabrese
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Wind It Up
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Ron Calabrese
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.4 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bela Bartok (1881-1945)
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
For He's a Jolly Good Fellow - Folk Song and Toast - Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital Download Composed by Traditional. Arranged by Thomas Graf. Father's Day, Anniversary, Birthday, Wedding, Funeral. Score, Set of Parts. 20 pages. Published by Thomas Graf - the-hit-factory.com
The famous folk song is the best choice for any celebration party: Birthday, Wedding, Holiday, ….- This exceptional arrangement features all parts. I can be played by a small concert band as it consists of mainly of 5 melodic parts and rhythm. While beginning with a festive introduction it ends up with a melodic modulation: The best way, to say: “thank you” to a really “Jolly good fellow“! Players and audience will love it! Enjoy! <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon
$11.99
10.8 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Traditional
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For He's a Jolly Good Fellow - Folk Song and Toast - Wind Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Autumn Wind
Oboe, Piano (duet)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.859674 Composed by Sydney Stevens. Concert,Contemporary,Jazz,New Age. Score and parts. 10 pages. Sydney Stevens, Water Music #3089181. Published by Sydney Stevens, Water Music (A0.859674). Contact: sydneystevenspianostudio@gmail.comAutumn Wind (from Seasons Suite): The Gorge winds ever soar..Soaring, energetic, exciting instrumental. Arranged for Piano & Oboe. Full score & part scores included with download.Composed by Sydney Stevens (ASCAP).Sounds like: Paul Winter Consort, Oregon, Ira Stein & Russel Walder, A la Windham HillFrom Album: Seasons Theme: Music that portrays the energy and movement associated with Autumn such as swirlingwinds.Mood: Happy, energetic, forward moving, flowing, passionate.Musical Traits: Driving left hand eighth notes in piano with mixed meter give a forward movingtexture. Oboe part is flowing and graceful. Some Jazzy rhythms.Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 2:45Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttps://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons Suite by Kathy Parsons (mainlypiano.com):The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing! In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite.
$6.95
6.26 €
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Oboe, Piano (duet)
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Sydney Stevens
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Oboe. Full score &
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Autumn Wind
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Sydney Stevens, Water Music
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SheetMusicPlus
Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.52 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
The Long And Winding Road
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.893584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 9 pages. RayThompsonMusic #499880. Published by RayThompsonMusic (A0.893584). Arranged standard wind quintet (fl.ob.cl.bsn and hn)The Long and Winding Road is a song by the English rock band The Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney.When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and last number-one hit on the Billboard Hot 100 chart in the United States. The YouTube Link  is my brass quintet arrangement.
$17.95
16.17 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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The Long And Winding Road
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RayThompsonMusic
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SheetMusicPlus
Let It Be
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards. 12 pages. RayThompsonMusic #863874. Published by RayThompsonMusic (A0.1271473). Arranged standard wind quintet.The melody is taken first by the clarinet, then horn and then the flute. The guitar break is given to the oboe and flute.The melody reprise is taken by all 4 top instruments.Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.YouTube Link is my brass quintet arrangement.
$19.95
17.97 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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Let It Be
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RayThompsonMusic
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
15.76 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
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Slide Ride
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SheetMusicPlus
Mozart: Divertimento No. 2 in D Major (in E-flat for Woodwind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.747424 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. Score and parts. 88 pages. Darrell Harrison Goforth #5018999. Published by Darrell Harrison Goforth (A0.747424). At the age of 16, young Wolfgang was being dragged from Salzburg to Italy by his father, hoping to learn Italian opera. While in Italy, Mozart took a few minutes to write this little Divertimento. It is light and entertaining and, overall, fun to play. It does seem a little heavy on repeats, but I will leave it up to the performer as to whether to use them or not.
$24.99
22.51 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart: Divertimento No. 2 in D Major
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Darrell Harrison Goforth
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SheetMusicPlus
You Cannot Pass the Mother By (Part 3 of Second Suite from Razumov) for wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787233 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787233 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 11 pages. Burke & Bagley #48413. Published by Burke & Bagley (A0.787233). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Greg Bartholomew
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You Cannot Pass the Mother By
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Burke & Bagley
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SheetMusicPlus
Ah, My Children (part 1 of Second Suite from Razumov) for wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787230 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787230 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 24 pages. Burke & Bagley #41307. Published by Burke & Bagley (A0.787230). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Greg Bartholomew
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Ah, My Children
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Burke & Bagley
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SheetMusicPlus
Interlude (Part 2 of Second Suite from Razumov) for wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787231 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787231 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. 18 pages. Burke & Bagley #45587. Published by Burke & Bagley (A0.787231). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Greg Bartholomew
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Interlude
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Burke & Bagley
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SheetMusicPlus
Satie: Sports et Divertissements 8. Le Yachting - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1289652 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #880358. Published by RayThompsonMusic (A0.1289652). Sports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie.The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. Sports originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraphy. The latter three were provided by Satie in his exquisite handwritten scores, which were printed in facsimile. This is my arrangement for wind quintet of:8. Le Yachting (Yachting) - Modéré (Moderately.) (In half-notes, bass octaves). Legato. Satie's prose:Quel temps !Le vent souffle comme un phoque.Le yacht danse.Il a l'air d'un petit fou.La mer est démontée.Pourvu qu'elle ne se brise pas sur un rocher.Personne ne peut la remonter.Je ne veux pas rester ici, dit la jolie passagère.Ce n'est pas un endroit amusant.J'aime mieux autre chose.Allez me chercher une voiture.A stern ostinato in the lower reaches of the piano summons up a wind-blown sea as it tosses about members of a yachting party.A pretty lady passenger is not amused by the rough weather. I'd rather do something else, she pouts. Go fetch me a car. The sea ostinato returns to end the piece.Arranged standard wind quintetCheck out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket) and Sonatina Bureaucratique.
$2.99
2.69 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: Sports et Divertissements 8. Le Yachting - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1109428 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 18 pages. RayThompsonMusic #711872. Published by RayThompsonMusic (A0.1109428). Arranged standard wind quintet. I have spread the voices around, so there is NOT a constant tutti of all 5 players The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is no 4 of the Sequenz Recordare At 130 measures, the Recordare (Remember) is the work's longest movement, as well as the first in triple meter the movement is a setting of no fewer than seven stanzas of the Dies irae. The form of this piece is somewhat similar to sonata form, with an exposition around two themes (mm. 1–37), a development of two themes (mm. 38–92) and a recapitulation (mm. 93–98). It suits the wind quintet. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
4.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart: Requiem in D minor K626 III.Sequenz No.4 Recordare - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Debussy: Danse bohémienne - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95
13.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Debussy: Danse bohémienne - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Wind Quintet - Courtly Dances
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767471 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #4610379. Published by Lyons Music Services (A0.767471). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
$10.99
9.9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - Courtly Dances
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Lyons Music Services
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SheetMusicPlus
Holst: Lullay My Liking (4 Carols for A Capella Choir Op.34 No.2) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1323763 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Religious. 10 pages. RayThompsonMusic #911949. Published by RayThompsonMusic (A0.1323763). Lullay, mine liking is a Middle English lyric poem or carol of the 15th century which frames a narrative describing an encounter of the Nativity with a song sung by the Virgin Mary to the infant Christ. The refrain is an early example of an English lullaby; the term lullaby is thought to originate with the lu lu or la la sound made by mothers or nurses to calm children, and by or bye bye, another lulling sound (for example in the similarly ancient Coventry Carol)There are a number of surviving medieval English verses associated with the birth of Jesus which take the form of a lullaby, of which this is probably the most famous example. Written by an anonymous hand, the text is found uniquely in Sloane MS 2593, a collection of medieval lyrics now held in the British Library.My arrangement is transcribed from Gustav Holst's setting of the text, which he calls Lullay, My Liking.It is number 2 from Holst's 4 Carols for Unaccompanied Choir Op.34Arranged wind quintetThe solo verses are played by oboe, flute, clarinet,oboe and bassoon together and finally horn.The refrain has been arranged in a differnt instrumental line up each time it is played.
$9.95
8.96 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Gustav Holst
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Holst: Lullay My Liking
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RayThompsonMusic
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SheetMusicPlus
The Elephant from the Carnival of the Animals (Wind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.818011 Composed by Camille Saint-Saens. Arranged by Matt Lax. Children,Romantic Period. 10 pages. Matthew Lax #3053967. Published by Matthew Lax (A0.818011). The Elephant from Saint-Saens Carnival of the Animals. A feature for bass clarinet accompanied by the rest of the wind quintet. Transposed to make it most suitable for the bass clarinet this arrangement tests the range of the bass both right down to low C# and into upper registers in the middle to give a striking contrast in tone. There are a couple of places where some bars may need to be taken up the octave if your bass clarinet doesn't go down to low C# but don't let this stop you - it will still sound great.The accompanying parts are straight forward and would suit an intermediate ensemble.Check out my other publications here:http://www.sheetmusicplus.com/publishers/matthew-lax/5267If you like my arrangement please let me know by submitting a review.Thank you.
$14.00
12.61 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Camille Saint-Saens
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The Elephant from the Carnival of the Animals
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Matthew Lax
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SheetMusicPlus
Beethoven: Piano Sonata No.8 in C Minor Op.13 "Sonata Pathetique" Mvt.II Adagio- wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553501 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553501 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Standards. 10 pages. RayThompsonMusic #2998471. Published by RayThompsonMusic (A0.553501). One of Beethoven's well known and popular tunes.Arranged for wind quintet and transposed up to Bb major I have attempted to arrange it as the composer would have done using the horn available during his lifetime. The horn part is  therefore written for natural horn in Bb basso.  (I  also enclose a horn in F part.) The Bb basso part is there for your horn player's delight!! (or not!!) I have taken some sympathetic liberties with the broken chords and added other notes of a sustaining nature. I have changed some of the bars containing triplet semiquavers to give a less heavy feel. I feel this gives a better classical soundCheck out my other Beethoven arrangements (mostly for wind quintet, but some string quartet) : various Piano Sonata mvts, Symphony movts, Turkish March, Fur Elise, Trio and Sextet
$11.95
10.76 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ludwig van Beethoven
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Beethoven: Piano Sonata No.8 in C Minor Op.13 "Sonata Pathetique" Mvt.II Adagio- wind quintet
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RayThompsonMusic
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SheetMusicPlus
Holst: "Chrissemas Day in the Morning" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1314697 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Folk. 13 pages. RayThompsonMusic #903440. Published by RayThompsonMusic (A0.1314697). Gustav HOLST: Chrissemas Day in the MorningArranged wind quintetSomething different for your wind quintet Christmas gig!A short piano piece loosely based on Dame , get up and bake your piesIt does have a similar feel to Percy Grainger's arrangement of There was a pig went out to dig.
$14.95
13.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Gustav Holst
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Holst: "Chrissemas Day in the Morning" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
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