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With All That I Am - Accompaniment Download
Sheetmusic to print
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All That I Am
Choral SATB
SATB choir, Piano - Digital Download SKU: LX.15-3751H Composed by Michael Ryan. Gen…
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SATB choir, Piano - Digital Download SKU: LX.15-3751H Composed by Michael Ryan. General. Octavo. 12 pages. Heritage Music Press #e15/3751H. Published by Heritage Music Press (LX.15-3751H). ISBN 9780787770006.All that I am, and all that I will ever be, is in my hands today. All that I need to live and to succeed, I have within me now. A light rhythmic style carries this affirmative message of personal caring, focusing on what really matters in life, and connecting with the world around us. Easy to teach and effective, it is a nice choice for moving-on ceremonies.
$2.50
2.31 €
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Choral SATB
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Michael Ryan
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All That I Am
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Heritage Music Press
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SheetMusicPlus
I Sit Here on the Barren Hill
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.92 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.61 €
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Piano, Voice
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
There'll Be Peace In The Valley For Me (tra.arr.)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1240614 Composed by John R Cash. Ar…
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Piano Solo - Level 4 - Digital Download SKU: A0.1240614 Composed by John R Cash. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #835999. Published by Timothy Stapay (A0.1240614). This arrangement of There'll Be Peace In The Valley For Me is arranged in a traditional country-style. Sung by many famous country artists, including Johnny Cash. Also known on the song credits as John R Cash.Johnny Cash on his 1969 At San Quentin live album (he recorded the studio version in 1962 and released it as a single).Lyrics:Oh well, I'm tired and so wearyBut I must go aloneTill the lord comes and calls, calls me away, oh yesWell the morning's so brightAnd the lamp is alightAnd the night, night is as black as the sea, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for meWell the bear will be gentleAnd the wolves will be tameAnd the lion shall lay down with the lamb, oh yesAnd the beasts from the wildShall be lit by a childAnd I'll be changed, changed from this creature that I am, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for me
$5.99
5.53 €
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Piano solo
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John R Cash
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There'll Be Peace In The Valley For Me
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Timothy Stapay
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SheetMusicPlus
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.86 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Ah, but shall I not long?
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by Karen E. Peace (KE Peace). Contemporary,Holiday,Love. Octavo. 8 pages. Pax Multimedia #2894557. Published by Pax Multimedia (A0.919010). Love poem by the composer. SSAATTBB with piano for rehearsal only.Text: Ah, but shall i not long for you? Shall I, in obeisance to your scruples , then banish my love to a dark cell and express not its insistent call? It is you who have loved me and made me love -- Now I am as Prometheus, who, seeing fire, could never after forget its light and for that, submitted to burning pain for love of fire and love of human kind. And, captive to its eternally mesmerizing call, consented his liver to be consumed. And so my heart for you. Each ray of the setting sun that lures my essence outside its boundaries Each sparkle reflected on my solitary walls, each note that calls the soul to absent itself from form each subtle intimation of immortality -- at each my soul cries out for you, who has captured and entranced, plundered and bound, myself, in love, to you.
$1.99
1.84 €
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Choral SATB
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Karen E
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Ah, but shall I not long?
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Pax Multimedia
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SheetMusicPlus
Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.914315 Composed by James Mountain a…
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Piano Solo - Level 5 - Digital Download SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6273063. Published by Songs of Praise (A0.914315). This advanced piano arrangement features a hymn (Like a River Glorious) and an American Spiritual (We Shall Walk through the Valley in Peace) on the theme of God's Peace. Written in the style of Chopin's Nocturne in F Major, Op. 15, No. 1, it features a simple melodic line with a LH triplet bass. The middle section changes key and mood as the spiritual begins, with more intensity and motion. The opening section repeats and then continues to the final coda. The piece is suitable for piano solo, church prelude, or recital piece. It reflects on the reassuring peace of knowing God.Like a river glorious is God's perfect peace // Over all victorious in its bright increase;//Perfect, yet it floweth fuller ev'ry day;// Perfect, yet it groweth deeper all the way.//Stayed upon Jehovah, Hearts are fully blest // Finding as He promised, Perfect peace and rest.The spiritual gives the simple, but profound truth that Jesus will help us through the valleys of life.We shall walk through the valley in peace; we shall walk through the valley in peace.Refrain: If Jesus himself shall be our leader, we shall walk through the valley in peace.I am an independent composer, piano teacher, and church pianist. This is one of many arrangements I have written for church. I would love to hear your feedback on my arrangements!
$3.99
3.69 €
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Piano solo
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James Mountain and American Spiritual
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Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
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Songs of Praise
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SheetMusicPlus
i feel the hurt
Piano solo
Piano - Digital Download SKU: A0.1066610 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066610 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 381. THEMIS KOUTRAS #4782797. Published by THEMIS KOUTRAS (A0.1066610). This is how it is with me many times i felt the pain suffering of our LORD even more when i watch the gospel it is like withing my heart i am feeling the same pain and suffering he went through very much like sting martyred but not physically i feel it spiritually withing my heart ye true but when he then is risen acceding i then remember this and feel the exact joy he feels i feel it for him been happy that he now lives again forever ye true.
$4.99
4.61 €
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Piano solo
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THEMIS KOUTRAS
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i feel the hurt
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THEMIS KOUTRAS
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SheetMusicPlus
I Am He, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1246776 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1246776 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #841407. Published by Kevin G. Pace (A0.1246776). A dramatic, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:“I am He†was His response to evil captors there.“I am who ye seek today; let other lives be spared.â€Roman soldiers, drenched in spite, voiced threat’nings very clear.Then Peter, with his sword unsheathed, removed a Roman’s ear.Jesus gently touched that ear for Malchus to be healed.‘Stead of using pow’r to live, pure mercy was His shield.Showing Father’s love for all, He walked a diff’rent pathBy granting miracles to each when met with bitter wrath.Standing in for Peter, too, pure Jesus healed this wound,Saving him from punishment and further mortal gloom.Then the captors took Him hence to die for all men’s sins,Yet, He would live triumphantly . . . the miracle is Him.“I am He†He claims to all, for Jesus is our Lord.“O, I am who ye seek today. Come closer, I implore.â€â€œI am He; I’m called the Christ. I live so all can seeMy heav’nly pow’rs displayed with love and mercy. I am He.â€.
$1.99
1.84 €
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Choral SATB
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granting miracles to each when met with bitter wrath
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Kevin G
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let other lives be spared
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I Am He, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Yes, I know!
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940065 Composed by Jacob E…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940065 Composed by Jacob Evans. Christian,Gospel,Sacred. Octavo. 9 pages. JDE FORCHRISTMUSIC #3374747. Published by JDE FORCHRISTMUSIC (A0.940065). This piece of music is a statement of faith. The chorus states, Yes, I know, the Lord, He loves me so! It is a fun, bright song that is perfect for many different occasions.Lyrics:Verse 1Every day through life we're faced with sin and strife,We see that the heart of men is black;They say that they all know the way,They think they're satisfied with what they have.When at first we see that Jesus set us free,Our selfish self says we know what's right.But since we are filthy we must turn to the light.ChorusYes, I know, The Lord, he loves me so;He saved me from bondage deep within.I know where I'm going; I'm assured of that home,The new earth that is free from death and sin!Oh yes, I know, the Lord, he loves me so,For he took my sin and changed it for his love.Since I made him me guide I now feel certain insideThat I am going to heaven above!Verse 2None can know that day that he will showHimself to this world he made so well;He'll stand and say who chose the way of sinOr who on right things chose to dwell.If he came today, would you stand in dismayAnd say that you're not ready to depart?Be willing, accept himAs Lord into your heart.Chorus.
$2.99
2.76 €
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Choral SATB
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Jacob Evans
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Yes, I know!
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JDE FORCHRISTMUSIC
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SheetMusicPlus
I Am He, sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1270639 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1270639 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #863012. Published by Kevin G. Pace (A0.1270639). Dramatic, sacred choral composition. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:“I am He†was His response to evil captors there.“I am who ye seek today; let other lives be spared.â€Roman soldiers, drenched in spite, voiced threat’nings very clear.Then Peter, with his sword unsheathed, removed a Roman’s ear.Jesus gently touched that ear for Malchus to be healed.‘Stead of using pow’r to live, pure mercy was His shield.Showing Father’s love for all, He walked a diff’rent pathBy granting miracles to each when met with bitter wrath.Standing in for Peter, too, pure Jesus healed this wound,Saving him from punishment and further mortal gloom.Then the captors took Him hence to die for all men’s sins,Yet, He would live triumphantly . . . the miracle is Him.“I am He†He claims to all, for Jesus is our Lord.“O, I am who ye seek today. Come closer, I implore.â€â€œI am He; I’m called the Christ. I live so all can seeMy heav’nly pow’rs displayed with love and mercy. I am He.â€.
$1.99
1.84 €
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Choral SATB
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granting miracles to each when met with bitter wrath
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Kevin G
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let other lives be spared
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I Am He, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
16 Jazz Ballads
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1032610 Composed by Norman M…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1032610 Composed by Norman Mathews. Broadway,Jazz,Musical/Show. Score. 83 pages. Eburn Press #5026519. Published by Eburn Press (A0.1032610). This collection of ballads (six instrumental and ten vocal) was composed over a period of thirty years. I place these works together because the ballad is my favorite genre of song. All the songs are presented in lead-sheet format. The vocal pieces, however, are in addition given in their original arrangements. Some of these songs in the arranged form are not truly jazz inflected. I believe, though, that an inventive pianist may give them a jazz feel using the lead-sheets as blueprints. With some of the vocal works, I have transposed them up in order to make them more comfortable on the keyboard. The arrangements remain in their original keys. The vocal pieces are from either my Dorothy Parker musical, You Might as Well Live (which has been performed by Tony-Award-Winner Michele Pawk and Broadway star Karen Mason) or from a cabaret revue, entitled Somebody Write Me a Song (which has been performed by Tony-Award-Winner Debbie Gravitte and Tony-Nominee Liz Callaway). The vocal pieces are suitable for cabaret performances or audition purposes. The instrumental pieces are designed for jazz performers. The first piece, Anders' Theme, was originally written for sax. The recording of this can be heard on ht e AudioClip. I am an ASCAP composer. For more information, visit my website: https://normanmathewsauthor.comMost of the vocal songs can be heard at the following SoundCloud links:https://soundcloud.com/user-240336285/sets/you-might-as-well-livehttps://soundcloud.com/user-240336285/sets/somebody-write-me-a-song
$8.00
7.39 €
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Piano, Voice
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Norman Mathews
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16 Jazz Ballads
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Eburn Press
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SheetMusicPlus
Yesterday, When I Was Young (hier Encore)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Az…
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Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
5.53 €
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Piano solo
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Roy Clark
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Soon We Will Be Done (Downloadable)
Choral SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle …
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
2.96 €
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Choral SATB
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Just As I Am (Downloadable)
Organ
Organ - Moderately Easy - Digital Download SKU: MQ.10-456-14E Composed by Charles E…
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Organ - Moderately Easy - Digital Download SKU: MQ.10-456-14E Composed by Charles E. Callahan Jr. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-456-14E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-456-14E). Perfect for the pianist-turned-organist, 14 well-known hymns are given creative treatments requiring no use of the feet! How well they sound on the organ belies the simplicity of the writing, no surprise given that such things are this composer's strength! Pieces are two to three pages each, but could easily be extended by repeating sections with registration changes.Contents:And Can It Be Awake, My Soul Come, Thou Almighty King Dear Lord and Father of Mankind Faith of Our Fathers For the Beauty of the Earth It Is Well with My Soul Jesus, the Very Thought of Thee Just As I Am Lo, He Comes with Clouds Descending My Shepherd Will Supply My Need O Worship the King Praise to the Lord, the Almighty Sing Praise to God.
$5.00
4.62 €
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Organ
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Charles E
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Just As I Am
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Be Still, And Know That I Am God - an original hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702021 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702021 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #4719709. Published by Kevin G. Pace (A0.702021). An original hymn with music by Kevin G. Pace and text by Mary Ann Snowball below:
$1.99
1.84 €
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Choral SATB
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Kevin G
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Be Still, And Know That I Am God - an original hymn
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Kevin G. Pace
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SheetMusicPlus
Robe Yourself with Joy and Gladness (4-part hymn-style)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1245807 Composed by Words:…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1245807 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. Arranged by Lyndell Leatherman. Advent,Christian,Religious,Sacred. Octavo. 1 pages. Leatherman Music Services #840637. Published by Leatherman Music Services (A0.1245807). This is the four-part hymn-style edition of this Eucharistic hymn, to facilitate congregational singing. As far as I am concerned, you may purchase the minimum amount of copies that SheetMusicPlus will allow, and then freely duplicate the song sheet for inclusion in worship bulletins. Other editions are available:A FESTIVAL CHOIR arrangement of this hymn is available here: https://www.arrangeme.com/title/436143A PIANO/ORGAN Duet of the hymn is available here: https://www.arrangeme.com/title/436144Here are some program notes: Johann Franck (1618-1677) was born in Guben, Germany, the son of a lawyer. Like his father, Johann studied law at the University of Konigsburg, where–in addition to his studies–he developed a warm friendship with a group of hymnists and poets. Returning home, he began his law practice and eventually became mayor of Guben. As an avocation, the Lutheran politician wrote poems–and soonbecame known as one of the leading hymnists of his time, ranked only behind Gerhard. He is credited for the creation of a group of so-called Jesus hymns, building the foundation for the pietistic hymn movement that would later sweep through Europe. Franck once wrote that poetry should be the nurse of piety, the herald of immortality, the promoter of cheerfulness, the conqueror of sadness, and a foretaste of heavenly glory. Indeed, his hymns echoed his own spirit of encouragement.Lyndell Leatherman (b. 1953) was born into a Nazarene parsonage in southeast Kansas. After studying church music and composition at Olivet Nazarene University (Kankakee, Illinois) and Illinois State University (Bloomington-Normal, Illinois), he launched into a life of music ministry. Since 1977 he has enjoyed a diverse career as church musician, editor, accompanist, composer, and arranger. In 1998 he became aware of Franck’s eucharistic / Advent hymn, translated either Deck Thyself with Joy and Gladness (Mattes) or Deck Thyself, My Soul, with Gladness (Winkworth). Because the text was unique in its unusually exultant treatment of the sacrament of holy communion, Lyndell felt that the hymn was worthy of renewed consideration in the third millennium of Christian worship. So he updated the language and gave it the new musical setting used here. ************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$1.99
1.84 €
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Choral SATB
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Words: Johann Franck, tr
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some were not
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Robe Yourself with Joy and Gladness
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Leatherman Music Services
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.16 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Do You Really Love Me
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rh…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages. Ken Potter #6460921. Published by Ken Potter (A0.888082). This arrangement originally for female quartet (SAI) was originally written by Ruby Rhea. This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285). .
$5.00
4.62 €
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Choral TTBB
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Ruby Rhea/Ken Potter
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Do You Really Love Me
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Ken Potter
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SheetMusicPlus
Alleluia
Choral SATB
SATB chorus a cappella - Digital Download SKU: BJ.1444 Composed by Henrik Dahlgren.…
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SATB chorus a cappella - Digital Download SKU: BJ.1444 Composed by Henrik Dahlgren. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1444. Published by Bo Ejeby Forlag - Digital (BJ.1444). 8.27 x 11.7 inches.The single word alleluia is used as the basis for harmonic exploration as the slowly moving pulsed a cappella harmonies build and diminish. Feature a soprano soloist or the section on an ethereal descant that elevates the texture to sublime heights.This piece came about for two different reasons. The initial musical idea evolved while I was working on a short study for piano, so the piece was strictly instrumental.The other idea stemmed from a discussion with my friend and mentor Dr Phillip Cooke, about why the word “Alleluia is so commonly used in choral music. Apart from the obvious reasons – “Alleluia being a significant word in the sacred music tradition, and so on – we discussed the multiple possibilities a composer has with a word like that, in the sense that different syllables can be stressed, such as alleluia, alleluia or alleluia.This was something I used as the other structural building block in the composition, and I added “Alleluia as the only word, but with the emphasis moving to different syllables throughout the piece. For me, the setting of a single word like “Alleluia is far from any texts I usually set. The word, however, has a strong anchorage in musical tradition and composers have always set this word in all kinds of different ways.In this composition, I am interested in the word itself, the build-up of the word, the structure of the music, and adding something to the musical tradition of setting this famous word to music.This piece was premiered by the University of Aberdeen Chapel Choir at King’s College Chapel in Aberdeen, Scotland. The performance was conducted by their Director of Chapel and Ceremonial Music, Stuart Muir. – Henrik Dahlgren.
$3.60
3.33 €
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Choral SATB
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Henrik Dahlgren
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Alleluia
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Down with the Smokers for voice and guitar
Vocal duet
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Wari…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00
7.39 €
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Vocal duet
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David Warin Solomons
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Down with the Smokers for voice and guitar
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David Warin Solomons
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SheetMusicPlus
I'm In Love
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841631 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841631 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3472873. Published by Andrew Mc Donald (Macka Records) (A0.841631). I'm In Love is a song from me to Jesus telling him that I am in love with him. We should love him with all our heart soul and mind and this is what I am communicating.
$4.99
4.61 €
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Piano, Voice
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Andrew Mc Donald
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I'm In Love
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Andrew Mc Donald
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) Women's trio A Cappella
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801781 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801781 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. A Cappella,Celtic,Easter,Irish,Sacred. Score. 2 pages. Connie Boss #6719735. Published by Connie Boss (A0.801781). This wonderful song is for a vocal trio with lyrics for Lent. It is an A Cappella piece for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
5.08 €
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Horatius Bonar, John B
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Lyrics Below
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
All I Want For Christmas Is You
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady A…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00
18.48 €
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String Quartet: 2 violins, viola, cello
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Lady Antebellum
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
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