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Words from Two Women
Sheetmusic to print
10 sheet music found
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1
Words from Two Women
Choral SATB
SATB choir a cappella - Medium - Digital Download Composed by Jane Marshall. 3 pages.…
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SATB choir a cappella - Medium - Digital Download Composed by Jane Marshall. 3 pages. MorningStar Music Publishers - Digital Sheet Music #50-6113-E. Published by MorningStar Music Publishers - Digital Sheet Music
$2.15
1.96 €
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Choral SATB
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Jane Marshall
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Words from Two Women
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
You Took The Words Right Out Of My Mouth
Choral SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loa…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together. The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen. Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.  Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.
$3.99
3.63 €
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Choral SSAA
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Meat Loaf
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You Took The Words Right Out Of My Mouth
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MTC Publishing
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SheetMusicPlus
Chansons de Verlaine
Soprano voice, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.2 €
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Soprano voice, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Tanja - Katja II
Female voice and violin - Digital Download SKU: S9.Q5934 Romance in Folk Style
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Female voice and violin - Digital Download SKU: S9.Q5934 Romance in Folk Style. Composed by Rodion Shchedrin. This edition: score and part. Downloadable, Score and part. Duration 8 minutes. Schott Music - Digital #Q5934. Published by Schott Music - Digital (S9.Q5934). Vocalises.Profound Slavonic emotion and thrilling virtuosity distinguish many of Rodion Shchedrin’s compositions. Even though he has long since become a citizen of the world, the composer born in Moscow has held on to his Russian origins and has never lost his ties with Russian musical folklore and poetry. In Tanya - Katya Shchedrin uses the syllabic content of the two women’s names alone to develop a melodic structure that has real emotional depth. A broad arc reaches all the way from the roots of traditional Russian song to the use of contemporary techniques of composition. These “songs without words†create vivid profiles by purely musical means - even though we never really find out who is concealed behind these two mysterious names.
$15.99
14.56 €
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Rodion Shchedrin
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Tanja - Katja II
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Schott Music - Digital
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SheetMusicPlus
Tanja - Katja
Female voice (soprano or Mezzosoprano) and piano - difficult - Digital Download SKU: S9…
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Female voice (soprano or Mezzosoprano) and piano - difficult - Digital Download SKU: S9.Q6034 Romance in Folk Style. Composed by Rodion Shchedrin. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q6034. Published by Schott Music - Digital (S9.Q6034). Vocalises.Profound Slavonic emotion and thrilling virtuosity distinguish many of Rodion Shchedrin’s compositions. Even though he has long since become a citizen of the world, the composer born in Moscow has held on to his Russian origins and has never lost his ties with Russian musical folklore and poetry. In Tanya - Katya Shchedrin uses the syllabic content of the two women’s names alone to develop a melodic structure that has real emotional depth. A broad arc reaches all the way from the roots of traditional Russian song to the use of contemporary techniques of composition. These “songs without words†create vivid profiles by purely musical means - even though we never really find out who is concealed behind these two mysterious names.
$15.99
14.56 €
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Rodion Shchedrin
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Tanja - Katja
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Schott Music - Digital
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SheetMusicPlus
Nächtlicher Himmel
Choral SSAA
Female choir (SSAA) and piano - Digital Download SKU: S9.Q20916 Nach Worten aus …
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Female choir (SSAA) and piano - Digital Download SKU: S9.Q20916 Nach Worten aus einem Brief von Vincent van Gogh. Composed by Rolf Rudin. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 59a. Schott Music - Digital #Q20916. Published by Schott Music - Digital (S9.Q20916). German.With his musical setting Nächtlicher Himmel based on words from a letter by Vincent van Gogh, Rolf Rudin ventures into downright impressionist terrain. Just as the famous painter creates literary images with his letters and knows how to visualize landscapes and frames of mind, the award-winning composer knows how to musically capture such moods and atmospheres. His composition for two- to four-part women's choir (SSAA) and piano lives on dynamic nuances, changes of time, chromaticism and triplet figures as well as harp-like arpeggios which give the work a mystical quality. Due to its chord progressions with great chromaticism, the choral part of this c. 4-minute work contains some intonational obstacles which are worth negotiating while holding out the prospect of a unique sound experience.
$4.99
4.54 €
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Choral SSAA
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Rolf Rudin
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Nächtlicher Himmel
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Schott Music - Digital
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SheetMusicPlus
Mairi's Wedding
Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 2 - Digital Download…
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Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 2 - Digital Download SKU: A0.924287 Arranged by Z.M. Barnes. Celtic,Holiday,Love,Wedding,World. Score and parts. 31 pages. ©Z.M. Barnes & Rising Lark Music #4805127. Published by ©Z.M. Barnes & Rising Lark Music (A0.924287). Looking for music for a celebration, a wedding, or a Celtic reel? Mairi's Wedding, a delightful Mixolydian tune from the Hebrides will fill the bill. With its interesting romantic history -- words (full poems not included) in honor of two women, one a singer, the other a mistress of the distillery craft -- this music is used for the Scottish country dance of the same name. A reel, set for flexible folk ensemble. Score, 13 pp. Tune page with guitar chords. Individual parts. Total 31 pages. About 2-4 min. depending on tempos and repeats. Part of The Lark Sings series.
$10.99
10.01 €
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Mairi's Wedding
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
Der Tag, der ist so freudenreich
Choral SSAA
Female choir (SSAA) a cappella - intermediate - Digital Download SKU: S9.Q19291 Com…
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Female choir (SSAA) a cappella - intermediate - Digital Download SKU: S9.Q19291 Composed by Johannes Eccard. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19291. Published by Schott Music - Digital (S9.Q19291). German.The a cappella choral setting Der Tag, der ist so freudenreich for four-part women's choir written by the 1553-born composer Johannes Eccard from Mühlhausen in Thuringia is, indeed, a real pleasure. The German-language text is borrowed from an old Latin Christmas carol, singing of the miracle of Nativity in two verses. Eccard manages, in an engaging manner, to musically express the joyous atmosphere of this poem. All four female voices (SSAA) join imitatively in the angelic chant of joy one after the other, while central words like 'freudenreich' [joyful], 'Himmelreich' [kingdom of heaven], 'Jungfrau' [virgin] or 'Mutter' [mother] are particularly embellished. This is exhilarating and easy-to-perform utility music for Christmas church services.
$2.99
2.72 €
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Choral SSAA
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Johannes Eccard
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Der Tag, der ist so freudenreich
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Schott Music - Digital
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SheetMusicPlus
What Kind of King Is This
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1397127 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1397127 Composed by Words and Music by Bob Chambers. 20th Century,Advent,Christian,Christmas,Traditional. 8 pages. Bob Chambers #980463. Published by Bob Chambers (A0.1397127). What Kind of King is This? is an Advent or Christmas piece for SATB choir and keyboard with a text that explores the reaction of various groups and individuals to the birth of Christ and, in the final verse, to Christ's eventual death and victory. One listener compared the melody which occurs in all verses to something from Andrew Lloyd Webber. An opening verse for sopranos leads to a homophonic verse for three-part women's voices. Following a verse in which tenors echo and comment of the melody of the basses, the sopranos and altos return with a verse in two-parts. The final verse involves all four parts in a hymn-like conclusion. The difficulty level is moderately easy.
$1.99
1.81 €
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Choral SATB
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Words and Music by Bob Chambers
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What Kind of King Is This
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Bob Chambers
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.54 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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