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You've selected:
Work Is A Four Letter Word
Sheetmusic to print
12 sheet music found
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1
Work Is A Four Letter Word
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Lyrics and Chords
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Rock
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The Smiths
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Work Is A Four Letter Word
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Smiths. Rock. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By The Smiths. Rock. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
Guy Woolfenden: Work Is A Four Letter Word for guitar
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Lyrics and Chords
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INTERMEDIATE
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Rock
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Guy Woolfenden
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Virtualsheetmusic
Instantly printable sheet music by The Smiths for guitar (chords) of MEDIUM skill level. / rock
Instantly printable sheet music by The Smiths for guitar (chords) of MEDIUM skill level. / rock
$3.97
Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band Version Score and Parts PD
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Concert band
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INTERMEDIATE
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Contemporary
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Brendan Elliget MAGA 537
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Shades of Eltham
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #43198...
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Concert Band - Level 3 - Digital Download SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by BJE Music (A0.750863). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about the two thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way.I hope you enjoy my musical tribute to the Shades. The MP3 was recorded with NotePerformer.Now available as an orchestral arrangement as well. See Related Scores.
$30.00
Shades of Eltham - Orchestra
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Orchestra
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Contemporary
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Brendan Elliget
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Shades of Eltham - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by ...
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Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.750708). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about two-thirds of the way into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the Shades.The MP3 has been recorded with Note Performer.Grade = 4 Duration = 7:20 Mins
$30.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Springtime jaunt for clarinet and classical guitar (mp3)
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András Csáki
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Springtime jaunt for clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506746 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Cent...
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506746 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 181. David Warin Solomons #1082117. Published by David Warin Solomons (A0.1506746). This jaunty number in swing time was originally a satirical song for alto and piano or alto and guitar (Looking just looking at the personal ads) - which is also available on this site. I decided that the music on its own without words (but with a few variations) would also work well... so here is Springtime jaunt.The words of the original song are:Young man, twenty four,lookin' for a soul mate:slim dark handsome versatile.Who will answer?Will it be the man of my dreams?Will he be the one,will he write to me,will he like my style,will we get on?Looking, just lookingat the personal ads,can we find true love?Are they the peoplewaiting only for us?Waiting for a letter,waiting for a letter,looking, looking.Kindly lady, thirty eight,cuddly butch and lively,likes a laugh and country walks.Who will answer?Will it be the girl of my dreams?Will she be the one,will she write to me,will she like my style,will we get on?[Chorus]Leather wearing, fifty four,into whips and bondage:genuine answers only, please!Who will answer,will it be the whip of my dreams?Will he be the one,will he write to me,will he like my style,will we get on?[Chorus]Grey panther ninety two,into older women,cuddle to my Zimmerframe,Who will answer,will it be the crutch of my dreams?Will she be the one,will she write to me,will she like my style,will we get on?[Chorus].
$5.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Silent Night Prelude for five marimbas
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Christmas
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Pharaoh Publications
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Silent Night Prelude for five
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Marimba - Level 2 - Digital Download SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Phar...
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Small Ensemble Marimba - Level 2 - Digital Download SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications #5363017. Published by Pharaoh Publications (A0.935384). Silent Night Prelude for five marimbas arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and keyboard parts require only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At letter D, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 2:20. A recording of this arrangement scored for percussion octet is available under the listing for Silent Night Prelude for Percussion Octet. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Christmas Songs for Piano Primer Plus
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Easy Piano
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BEGINNER
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Christmas
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Liz Nedela
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Liz Nedela
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Christmas Songs for Piano Prim
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Liz Nedela
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.938019 Composed by Liz Nedela. Arranged by Liz Nedela. Children,Christmas,Holiday,Instructional,Tradition...
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Easy Piano - Level 1 - Digital Download SKU: A0.938019 Composed by Liz Nedela. Arranged by Liz Nedela. Children,Christmas,Holiday,Instructional,Traditional. Score. 24 pages. Liz Nedela #6195155. Published by Liz Nedela (A0.938019). Christmas Songs for Piano Primer Plus , is a collection of songs chosen by and arranged for my primer students. Ranging from early to extended primer. Using letters and finger numbers, and advancing through several positions, students work through the challenge to enjoy playing and singing the songs! They love sharing them with family and friends! The songs can be adapted to many teaching styles and method books. The positions range from middle C position, C position, and a variety of positions to accommodate the melody of each song. Words have been added to help the student adapt rhythm to the way the words are sung. Flexible rhythm gives hints to the student of what is to come in future lessons, and teachers can adapt them accordingly. Eighth notes are used in some instances where the feel of the rhythm dictates, making them a necessity. Jolly Old St. Nicholas - Two versions: Letters and finger numbers; Middle C position Jingle Bells - Chorus only in Middle C position; Verse and Chorus in Middle C position with flexible RH-5 Up on the Housetop - Middle C position We Wish you a Merry Christmas - RH: 1 on C; LH: 1 on B Silent Night - RH: 1 on A; LH: 1 on G O, Christmas Tree - RH: 1 on D; LH: 1 on C Joy to the World - Four-Finger position each hand Twelve Days of Christmas - RH: 1 on D; LH: 1 on C; repeats, segno, coda, text adapted to music NOTE: PRINT 2-PAGE SONGS FACING PAGES; PRINT IN LANDSCAPE
$6.50
Adagietto from Symphony No. 5 for 8-part Trombone Ensemble
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Trombone ensemble
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ADVANCED
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Classical
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Gustav Mahler
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Randall Malmstrom
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Adagietto from Symphony No. 5
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.1078970 Composed by Gustav Mahler. Arranged by Randall Malmstrom. Romantic Period. Score and...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.1078970 Composed by Gustav Mahler. Arranged by Randall Malmstrom. Romantic Period. Score and parts. 40 pages. Gordon Cherry #683167. Published by Gordon Cherry (A0.1078970). Mahler's Adagietto from Symphony No. 5 is the fourth movement of a giant work of great profundity. Recent scholarship is reasonably sure that this movement expresses Mahler's undying love for his wife Alma. The long sweeping lines are a love letter without words to the woman he idolized. Randall Malmstrom has brilliantly arranged this 8-minute movement for an 8-part Trombone Ensemble of advanced performers.
$37.50
innocence (Downloadable)
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Tenor voice, Piano
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Juliana Hall
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innocence
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice and piano - Moderately Difficult - Digital Download SKU: MQ.8850-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital...
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Tenor voice and piano - Moderately Difficult - Digital Download SKU: MQ.8850-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8850-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8850-1E). English.Commissioned by Lynx Project for its 2017 Autism Advocacy Project which sets the words of four individuals with autism to music in newly commissioned art songs. It received its premiere performance by tenor Steven Humes and pianist Florence Mak on October 27, 2017 at the Mason Middle School in Mason, Ohio, and October 28, 2017 at the Cincinnati Art Museum in Cincinnati, Ohio.Sameer Dahar is a young, autistic man who is primarily non-verbal, but communicates by pointing to letters on a board in a process called the Rapid Prompting Method. Using this method, Sameer created beautiful poems that inspired composer Juliana Hall to create a song cycle for tenor and piano based on Sameer’s work. The texts of these songs possess mystery and deeply beautiful images, as imagined through Sameer’s experience of living with autism. Duration: 6:00Contents:innocenceTraversing Great SolitudeYour Music Emerges.
$4.00
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