Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
9
Digital
Sheet Music
35
Sheet Music
Books
13
Music
Equipment
0
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
5
PIANO & KEYBOARDS
Piano solo
6
Piano, Voice
4
Organ
1
1 Piano, 4 hands
1
2 Pianos, 4 hands
1
GUITARS
4 Guitars (Quartet)
2
Guitar notes and tablatures
1
VOICE
Choral SATB
2
Choral 3-part
1
WOODWIND
WOODBRASS
STRINGS
Violin and Piano
1
Cello, Piano
1
String Quartet: 2 violins, viola, cello
1
PERCUSSION & ORCHESTRA
Marching band
3
Orchestra
2
Percussion Ensemble
1
Chamber Orchestra
1
Concert band
1
OTHERS
You've selected:
Workin' for a Livin': Score
Sheetmusic to print
35 sheet music found
<
1
26
Workin' for a Livin': Score
Marching band
Marching Band - Digital Download SKU: AX.00-PR-0004918 Score. Composed by Bi…
(+)
Marching Band - Digital Download SKU: AX.00-PR-0004918 Score. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0004918. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004918). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$9.00
8.2 €
#
Marching band
#
Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
#
Workin' for a Livin': Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Mario Cipollina: Workin' for a Livin' - marching band (full score)
Marching band
Instantly printable sheet music by Mario Cipollina for marching band (full score) of MEDIU…
(+)
Instantly printable sheet music by Mario Cipollina for marching band (full score) of MEDIUM skill level. / instructional
$8.99
8.19 €
#
Marching band
#
Mario Cipollina
#
Virtualsheetmusic
Mario Cipollina: Workin' for a Livin' (COMPLETE) - marching band
Marching band
Instantly printable sheet music by Mario Cipollina for marching band of MEDIUM skill level…
(+)
Instantly printable sheet music by Mario Cipollina for marching band of MEDIUM skill level. / instructional
$69.99
63.73 €
#
Marching band
#
Mario Cipollina
#
Virtualsheetmusic
Garth Brooks: Workin' for a Livin ' - piano, voice or other instruments
Piano, Voice
Instantly printable sheet music by Garth Brooks for piano, voice or other instruments of E…
(+)
Instantly printable sheet music by Garth Brooks for piano, voice or other instruments of EASY/MEDIUM skill level. / country
$7.97
7.26 €
#
Piano, Voice
#
Garth Brooks
#
Virtualsheetmusic
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30 €
#
2 Pianos, 4 hands
#
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois Études for two pianos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.42 €
#
Chamber Orchestra
#
Sy Brandon
#
Legacy for Chamber Orchestra
#
Sy Brandon
#
SheetMusicPlus
Legacy for Clarinet, Violin, Cello, and Piano
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023
(+)
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
13.65 €
#
Sy Brandon
#
Legacy for Clarinet, Violin, Cello, and Piano
#
Sy Brandon
#
SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
(+)
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
22.76 €
#
Christine Southworth
#
Heavy Metal for Balinese gamelan and chamber ensemble
#
Airplane Ears Music
#
SheetMusicPlus
Ain't No Rest For The Wicked
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1235771 By Cage The Elephant. By …
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1235771 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and Matthew Schultz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and Parts. 44 pages. Music Arrangement Services Inc. #831282. Published by Music Arrangement Services Inc. (A0.1235771). Performed by Cage The Elephant. Â This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. . Â This song is about no rest for the wicked (or eternal work for evil doers). Â The song refers to money not growing on trees, working unethically to make money, making a living any way possible, a girl offering company, a man attempting to rob, a preacher robbing from the church. Â This arrangement includes a dance break and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:00.
$49.99
45.52 €
#
Concert band
#
Cage The Elephant
#
Ain't No Rest For The Wicked
#
Music Arrangement Services Inc.
#
SheetMusicPlus
Wounded For Me I Stand Amazed - piano solo arrangement by Stephen R Dalrymple
Piano solo
Piano Solo - Digital Download SKU: A0.818323 Arranged by Stephen R. Dalrymple (Dalr…
(+)
Piano Solo - Digital Download SKU: A0.818323 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score. 14 pages. Stephen R Dalrymple #6011219. Published by Stephen R Dalrymple (A0.818323). Piano solo arrangement of 2 hymns, Wounded for Me and My Savior's Love by Stephen R Dalrymple. William Gilbert Jones Ovens (1870-1945) conducted seaside missions in Northern Ireland for over 30 years. Following World War I, Owens saw a wounded veteran limping past him on the street and he thought He was wounded for me. Gladys Dobson Roberts, a missionary in India, wrote 4 additional verses (Dying for me, Risen for me, Living for me, Coming for me.) Charles Hutchinson Gabriel (1856 -1932) taught himself to play the family’s reed organ, growing up on a farm in Iowa. He was teaching singing school by age 16. He served as music director in Grace Methodist Episcopal Church in San Francisco for 2 years beginning in 1890. In 1912 he began working with Homer Rodeheaver’s publishing company. He edited 43 song books, 7 men’s chorus books, 19 anthem collections and 23 cantatas. He wrote the lyrics for 63 hymns and the tunes for 218 hymns. I used to like to tease the pastor of the Nazarene Church we were attending at that time whenever he chose this song. Responding to the lyrics I stand amazed in the presence of Jesus the Nazarene, I would remind him that Jesus wasn’t a Nazarene; He is THE Nazarene.Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score letter size 2) piano score - small page format for performing from 10.1 inch tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.1 €
#
Piano solo
#
He is THE Nazarene
#
Wounded For Me I Stand Amazed - piano solo arrangement by Stephen R Dalrymple
#
Stephen R Dalrymple
#
SheetMusicPlus
Ain't No Rest For The Wicked
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1235765 By Cage The Elepha…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1235765 By Cage The Elephant. By Daniel Tichenor, Donald Schultz, Jared Champion, Lincoln Parish, and Matthew Schultz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Octavo. 11 pages. Music Arrangement Services Inc. #831276. Published by Music Arrangement Services Inc. (A0.1235765). Performed by Cage The Elephant. Â This song is about no rest for the wicked (or eternal work for evil doers). Â The song refers to money not growing on trees, working unethically to make money, making a living any way possible, a girl offering company, a man attempting to rob, a preacher robbing from the church. Â This arrangement includes a dance break and is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment also available. Â Performance time is 3:00.
$3.99
3.63 €
#
Choral SATB
#
Cage The Elephant
#
Ain't No Rest For The Wicked
#
Music Arrangement Services Inc.
#
SheetMusicPlus
The Living Sculptures Of Pemberley (from the Motion Picture 'Pride and Prejudice') for Piano Solo
Piano solo
Piano Solo - Intermediate - Digital Download By Dario Marianelli. Arranged by Flavio …
(+)
Piano Solo - Intermediate - Digital Download By Dario Marianelli. Arranged by Flavio Regis Cunha. Score. 6 pages. Published by Flavio Regis Cunha
Pride & Prejudice is a 2005 film based on the popular Jane Austen novel of the same name. This second major motion-picture, Academy Award-nominated version was produced by Working Title Films, directed by Joe Wright and based on a screenplay by Deborah Moggach. It was released on September 16, 2005 in the UK and on November 11, 2005 in the US.<br> <br> The soundtrack to the 2005 film Pride & Prejudice was composed by Dario Marianelli and performed by Jean-Yves Thibaudet (piano) and the English Chamber Orchestra.<br> <br> Marianelli received an Oscar nomination for Best Achievement in Music Written for Motion Pictures, Original Score and two World Soundtrack Academy nominations.<br> <br> "A Postcard To Henry Purcell" is based on a theme from Henry Purcell's incidental music for Abdelazar, also used by Benjamin Britten in The Young Person's Guide to the Orchestra.<br> <br> This arrangement was wirtten for Piano.
$5.99
5.45 €
#
Piano solo
#
Dario Marianelli
#
The Living Sculptures Of Pemberley
#
Flavio Regis Cunha
#
SheetMusicPlus
Mini Concerto For Alex (Cello and Piano Arrangement)
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Den…
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00
8.2 €
#
Cello, Piano
#
Geraldine
#
Mini Concerto For Alex
#
Geraldine
#
SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.42 €
#
Orchestra
#
Geraldine
#
Mini Concerto For Alex
#
Geraldine
#
SheetMusicPlus
You're My Best Friend for Guitar Ensemble
4 Guitars (Quartet)
Guitar Quartet with Optional Chords - Intermediate - Digital Download By Queen. Arran…
(+)
Guitar Quartet with Optional Chords - Intermediate - Digital Download By Queen. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts. 18 pages. Published by danjonesguitarist.com
You’reMy Best Friend<br> <br> composed by John Deacon as played by Queen<br> <br> Arranged for Guitar Quartet with optional Chords andoptional bass guitar<br> <br> by DanJones<br> <br> Thisarrangement of You’re My Best Friend hasbeen made for intermediate-levelguitarists<br> <br> <br> <br> <br> Guitar1 is the main vocal line, as sung by Freddie Mercury<br> <br> Guitars2 & 3 contain many of the backing-vocal figures plus the electric guitarriffs and solo as played by Brian May<br> <br> Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. Chord symbols are given in this part allowingchords to be added should the ensemble want these.<br> <br> Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).<br> <br> A film of this arrangement will be available by the end of January 2020<br> <br> It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:<br> <br> www.danjonesguitarist.com<br> <br> Readabout my life as a guitarist working and living in rural France here:<br> <br> www.danjonesauthor.com<br> <br> Thankyou! Please be in touch.
$6.95
6.33 €
#
4 Guitars (Quartet)
#
Queen
#
You're My Best Friend for Guitar Ensemble
#
danjonesguitarist.com
#
SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
(+)
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30 €
#
Carson Cooman
#
Carson Cooman: The Revelations of Divine Love
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Forest
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942396 Composed by Adam Gr…
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.942396 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200493. Published by Adam B. Grim (A0.942396). Forest is a quartet/quintet for marimba, melody instrument, and optional cajon. Written with amadinda/akadinda playing in mind, this interlocking piece uses layered rhythms and melody to make the ensemble come to life with motion. Written and recorded during the 2020 COVID-19 Pandemic in the living room of my parents house, while I was working on my master’s degree.
$25.00
22.76 €
#
Percussion Ensemble
#
Adam Grim
#
Forest
#
Adam B. Grim
#
SheetMusicPlus
Rock - a Roger Jones musical
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
9.1 €
#
Choral SATB
#
Roger Jones, Alison Fuggle
#
Rock - a Roger Jones musical
#
Christian Music Ministries
#
SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.63 €
#
Piano solo
#
Eric Paul Nolte and Felix Le Couppey
#
Etude in C, Le Couppey-Nolte
#
Eric Paul Nolte
#
SheetMusicPlus
'Largo' from 'New World Symphony' - Piano solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1152600 Composed by Antonin Dvorak.…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1152600 Composed by Antonin Dvorak. Arranged by Marcus Martin. 19th Century,Classical. Score. 6 pages. Cornelius Edition (uk) #752825. Published by Cornelius Edition (uk) (A0.1152600). The “ Largo †from New World Symphony, is a popular orchestral work by Bohemian composer AntonÃn Dvořák, Written while Dvořák was living and working in New York City, the symphony purportedly incorporated the composer’s reflections on his American setting. The entire movement is transcribed for Piano Solo.
$4.99
4.54 €
#
Piano solo
#
Antonin Dvorak
#
'Largo' from 'New World Symphony' - Piano solo
#
Cornelius Edition
#
SheetMusicPlus
Legacy
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
45.48 €
#
Orchestra
#
Sy Brandon
#
Legacy
#
Sy Brandon
#
SheetMusicPlus
Three Preludes on Occitan Songs for Solo Guitar
Guitar notes and tablatures
Guitar Tab - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemp…
(+)
Guitar Tab - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemporary Classical, World, European. Solo Part, Tablature. 19 pages. Published by danjonesguitarist.com
Three Preludes on Occitan Songs<br> <br> The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.<br> <br> In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).<br> <br> Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.<br> I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.<br> <br> The Cancion de Hialara translates as ‘The Spinner’sSong’. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.<br> <br> Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.<br> <br> Lò NostreAse translatesas ‘Our Donkey’. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.<br> <br> For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.<br> <br> This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.<br> <br> Thankyou and I hope you enjoy Three Preludes on Occitan Songs.
$6.95
6.33 €
#
Guitar notes and tablatures
#
Dan Jones
#
Three Preludes on Occitan Songs for Solo Guitar
#
danjonesguitarist.com
#
SheetMusicPlus
Until Autumn...
Choral 3-part
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.781585 Composed by Luke Fly…
(+)
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.781585 Composed by Luke Flynn. 20th Century,Contemporary,World. Octavo. 15 pages. Luke Flynn Publishing #539475. Published by Luke Flynn Publishing (A0.781585). Commissioned by the Haiku International Association, Japan for the 30th Annual Japan National Cultural Festival (Kagoshima, Japan). For SSA + Piano (women's chorus). Set to ancient Japanese poetry by Lady Izumi Shikibu.Luke Flynn (b. 1988) is a composer and conductor living in Los Angeles, CA. In the media music industry, Flynn is a highly active force, composing the scores for a variety of films and video games, and working on film scores for the biggest composers in the industry, including John Williams, James Newton Howard, and Danny Elfman. His Hollywood music department credits include some of the biggest movies in the world, including Star Wars: The Last Jedi, Disney's The Jungle Book, Ghostbusters (2016), and many others. As a concert composer, his music is regularly performed and commissioned by major symphony orchestras, choirs, and ensembles throughout the world. Flynn’s works also consistently win or place as a finalist in international composition contests, including the Sydney Australia Contemporary Orchestra call for scores, the South Korea Busan Maru International Composition Contest (orchestra), the Minnesota Orchestra Composer Institute, the CSUN Orchestra Northridge Composition Prize, and the Young New Yorkers’ Chorus Composition Competition. Flynn holds a Master of Music Composition degree from Butler University, where he studied with Michael Schelle, a Bachelor of Arts in Music Composition from Clarke University, where he studied with Amy Dunker, and has also had the privilege of being the first ever American student to study music composition at 鹿å…島国際大å¦, the International University of Kagoshima in Japan, where he studied with Tadashi Kubo.www.LukeFlynnCompositions.com
$1.99
1.81 €
#
Choral 3-part
#
Luke Flynn
#
Until Autumn...
#
Luke Flynn Publishing
#
SheetMusicPlus
Apache as played by Hank Marvin & The Shadows
4 Guitars (Quartet)
Guitar Quartet - Intermediate - Digital Download By The Shadows (written by Jerry Lor…
(+)
Guitar Quartet - Intermediate - Digital Download By The Shadows (written by Jerry Lordan). Arranged by Dam Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 22 pages. Published by danjonesguitarist.com
Apachecomposed by Jerry Lordan, as playedby The Shadows<br> <br> Arranged for Guitar Quartet by Dan Jones<br> <br> Thisarrangement of Apache has been madewith real-world guitar teachers and ensembles in mind.<br> <br> Perhapsour instrument’s greatest joy is the fact that it exists in so many forms andstyles of music. Some players prefer the electric guitar and read from TAB,others have a classical background and are therefore more familiar with notes;others still prefer reading from chord charts with fretboard diagrams.<br> <br> Thisdownload considers all of these musicians.<br> <br> Guitar1 is the main tune, as played by Hank Marvin in The iconic recording made byThe Shadows. The music is provided in both notes and TAB.<br> <br> Guitar 2is a part with chords. This is given with chord symbols, fretboard diagrams andrhythm patterns.<br> <br> Guitar3 is designed to include the less-experienced player. It is in open positionand the part, being easy to read, is given in notes. This is an optional part.<br> <br> Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. It is in simple positions and is given in notesonly.<br> <br> Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).<br> <br> It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:<br> <br> www.danjonesguitarist.com<br> <br> Readabout my life as a guitarist working and living in rural France here:<br> <br> www.danjonesauthor.com<br> <br> A split screen video showing all of the parts of the arrangement being performed can be viewed anytime at www.danjonesguitarist.com.
$5.95
5.42 €
#
4 Guitars (Quartet)
#
The Shadows
#
Apache as played by Hank Marvin & The Shadows
#
danjonesguitarist.com
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
