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Yes and Amen - Synthesizer
Sheetmusic to print
172 sheet music found
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151
Yes and Amen - Guitars
Guitar (band part)
Digital Download SKU: HX.413803 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
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Digital Download SKU: HX.413803 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 3 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413803).
$7.00
6.55 €
#
Guitar (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Guitars
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Drums
Drum (band part)
Digital Download SKU: HX.413805 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
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Digital Download SKU: HX.413805 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 3 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413805).
$7.00
6.55 €
#
Drum (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Drums
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Keyboard String Reduction
Piano (band part)
Digital Download SKU: HX.413797 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
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Digital Download SKU: HX.413797 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 4 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413797).
$7.00
6.55 €
#
Piano (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Keyboard String Reduction
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Violin 2
Violin (band part)
Digital Download SKU: HX.413807 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
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Digital Download SKU: HX.413807 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 2 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413807).
$7.00
6.55 €
#
Violin (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Violin 2
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Electric Bass
Electric Bass (band part)
Digital Download SKU: HX.413804 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
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Digital Download SKU: HX.413804 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 2 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413804).
$7.00
6.55 €
#
Electric Bass (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Electric Bass
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Clarinet (sub Viola)
Clarinet (band part)
Digital Download SKU: HX.413795 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
(+)
Digital Download SKU: HX.413795 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 3 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413795).
$7.00
6.55 €
#
Clarinet (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Clarinet
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Violin 1
Violin (band part)
Digital Download SKU: HX.413806 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
(+)
Digital Download SKU: HX.413806 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 2 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413806).
$7.00
6.55 €
#
Violin (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Violin 1
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Cello
Cello (band part)
Digital Download SKU: HX.413796 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
(+)
Digital Download SKU: HX.413796 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 2 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413796).
$7.00
6.55 €
#
Cello (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Cello
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Viola
Viola (band part)
Digital Download SKU: HX.413808 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
(+)
Digital Download SKU: HX.413808 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 3 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413808).
$7.00
6.55 €
#
Viola (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Viola
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Percussion
Percussion (band part)
Digital Download SKU: HX.413800 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
(+)
Digital Download SKU: HX.413800 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 3 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413800).
$7.00
6.55 €
#
Percussion (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Percussion
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes and Amen - Piano
Piano (band part)
Digital Download SKU: HX.413801 By Anthony Brown, Chris McClarney, Chris Tomlin, an…
(+)
Digital Download SKU: HX.413801 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 4 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413801).
$7.00
6.55 €
#
Piano (band part)
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Piano
#
Hal Leonard - Digital
#
SheetMusicPlus
Yes And Amen
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.927068 By Chris Tomlin. By Anthony …
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Easy Piano - Level 1 - Digital Download SKU: A0.927068 By Chris Tomlin. By Anthony Brown, Chris McClarney, and Nate Moore. Arranged by Sylvia Phillips. Christian. Score. 2 pages. Sylvia Phillips #4625079. Published by Sylvia Phillips (A0.927068). Written for easy piano. Can be used as a piano accompaniment or as a solo. .
$4.99
4.67 €
#
Easy Piano
#
Chris Tomlin
#
Yes And Amen
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Sylvia Phillips
#
SheetMusicPlus
Yes and Amen - Full Score
Choral - Digital Download SKU: HX.413799 By Anthony Brown, Chris McClarney, Chris T…
(+)
Choral - Digital Download SKU: HX.413799 By Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore. Arranged by Ed Hogan. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 21 pages. Duration 245. Hal Leonard - Digital #277687. Published by Hal Leonard - Digital (HX.413799).
$7.00
6.55 €
#
Anthony Brown, Chris McClarney, Chris Tomlin, and Nate Moore
#
Yes and Amen - Full Score
#
Hal Leonard - Digital
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Cello (band part)
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry …
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Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
#
Cello (band part)
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
Oboe (band part)
Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry S…
(+)
Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
#
Oboe (band part)
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry S…
(+)
Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
#
Oboe (band part)
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Viola
Viola (band part)
Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry …
(+)
Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
#
Viola (band part)
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Entradora [piano 4 hands]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575 Composed by Juan MarÃa Solare. 20th Century,Jazz,World. Score and parts. 12 pages. Juan Maria Solare #4794271. Published by Juan Maria Solare (A0.596575). About the title: - First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador. - Second, entradora can be understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a more scientific explanation check yor favorite English grammar book). - Third, entradora is a wink to Argentine composer Julián Plaza, who used adjectives as one-word title of several of his milongas and tangos, for instance Nocturna, DanzarÃn, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of. - And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know!The milonga Entradora was composed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan MarÃa Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Second version: for 8 instruments. Premiere: Orquesta No TÃpica, 22 January 2019, theatre of the university of Bremen. Third version: for piano four hands. Bremen, 16 January 2019. Premiere: Selma Hande Gade and Juan MarÃa Solare, Bellapais Spring Music Festival, Kyrenia, Cyprus, 16 April 2019. Video by the composer in his private Studiohttps://www.youtube.com/watch?v=4f89TCd3di8 Entradora is dedicated to Gudrun Zelle.
$4.00
3.74 €
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1 Piano, 4 hands
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Juan MarÃa Solare
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Entradora [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
When We Say Amen
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1304979 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1304979 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #894407. Published by Andrew Mc Donald (Macka Records) (A0.1304979). When We Say Amen is a song about when we bow our heads and close our eyes to pray. The words that we utter at the end of our prayer signifies that we all agree together. Where two or more are gathered in His name there He will be. Amen is the word in which we agree on what we have prayed. This is a pop song for piano and female vocals.
$4.99
4.67 €
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Piano, Vocal and Guitar
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Andrew McDonald
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When We Say Amen
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Andrew Mc Donald
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SheetMusicPlus
Malaguena (for solo guitar) (Standard Notation)
Guitar
Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Digital Download A…
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Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Digital Download Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malagueña, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona’s invention but was taken from the “Malagueña” flamencoform, originating out of Málaga, Spain, in the 19th century. “Malagueña,” andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is “in the style of Sabicas,” a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona’sMalagueña is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.
$6.99
6.54 €
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Guitar
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Malaguena
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Brian Hayes
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SheetMusicPlus
I Saw Her Standing There
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015547 By The Beatles. By John…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015547 By The Beatles. By John Lennon and Paul McCartney. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015547. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015547). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.73 €
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Piano, Vocal and Guitar
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The Beatles
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I Saw Her Standing There
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Live and Let Die
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015542 By Paul McCartney. By L…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015542 By Paul McCartney. By Linda McCartney and Paul McCartney. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015542. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015542). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.73 €
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Piano, Vocal and Guitar
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Paul McCartney
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Live and Let Die
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.47 €
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Orchestra
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.71 €
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Orchestra
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trumpet
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.27 €
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Trumpet
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
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