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You've selected:
Your Still, Small Voice
Sheetmusic to print
27 sheet music found
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26
Your Still, Small Voice
Choral 2-part
Choir Sacred (2-Part choir) - Grade 4 - Digital Download SKU: JX.00-BSCM02019 Compo…
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Choir Sacred (2-Part choir) - Grade 4 - Digital Download SKU: JX.00-BSCM02019 Composed by Douglas E. Wagner. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Archive Edition. Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-BSCM02019. Published by Jubilate Music Group - Digital (JX.00-BSCM02019). English.In the midst of this frantic, troubled world, where do we find strength? Where do we find help? Where do we find rest? In the still, small voice of the Lord we find strength, we find the peace and serenity we need for everyday life, we find rest.
$2.25
2.01 €
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Choral 2-part
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Douglas E
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Choral Octavo
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Your Still, Small Voice
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Jubilate Music Group - Digital
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SheetMusicPlus
In a Still Small Voice
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1075275 By Calvary Singers…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1075275 By Calvary Singers. By Bryan M. Powell. Arranged by Bryan M. Powell. Praise & Worship,Sacred,Standards,Traditional. Octavo. 11 pages. Composer Bryan M. Powell's Music #679495. Published by Composer Bryan M. Powell's Music (A0.1075275). Looking for a compelling piece to invite your congregation to a closer walk with the Lord, then look no further. In a Still Small Voice calls the believer back to that quiet place where our Lord waits. Use the accompaniment trace or download the Score and parts. Either way, it will be a blessing to your church.
$1.99
1.78 €
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Choral SATB
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Calvary Singers
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In a Still Small Voice
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Composer Bryan M. Powell's Music
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SheetMusicPlus
Still Small Voice(Jazz Band)
Bass Guitar,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.…
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Bass Guitar,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1070676 Composed by Joseph Pugh. Blues,Jazz,Pop,R & B,Rock. Accompaniment. Duration 199. Joseph Pugh #6705997. Published by Joseph Pugh (A0.1070676). This great jazz band arrangement is easy to play and sounds great. Download it today with the sheet music and get practiced up for the spring festivals, fairs and the gigs coming your way..
$2.00
1.79 €
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Joseph Pugh
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Still Small Voice(Jazz Band)
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Joseph Pugh
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SheetMusicPlus
Still Small Voice(Tenor Sax Solo)
Bass Guitar,Drum Set,Tenor Saxophone - Digital Download SKU: A0.1070678 Composed by…
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Bass Guitar,Drum Set,Tenor Saxophone - Digital Download SKU: A0.1070678 Composed by Joseph Pugh. Blues,Jazz,Pop,R & B,Rock. Accompaniment. Duration 190. Joseph Pugh #6705993. Published by Joseph Pugh (A0.1070678). This Tenor Sax solo is easy to play, sounds great, and fits into many various venue formats, pleasing many diverse crowds. Download it today with the sheet music and practice up for the gigs coming your way.
$2.00
1.79 €
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Joseph Pugh
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Still Small Voice(Tenor Sax Solo)
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Joseph Pugh
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SheetMusicPlus
Still Small Voice(Choir))
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855420 Composed by Joseph …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855420 Composed by Joseph Pugh. Jazz,Pop. Octavo. 13 pages. Joseph Pugh #6721959. Published by Joseph Pugh (A0.855420). This choir arrangement by, Joseph Pugh has great close harmonies and rhythmic melody just right for a contemporary choir. Add it to your repertoire today and get the MP3 with horns to practice with.
$1.99
1.78 €
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Choral SATB
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Joseph Pugh
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Still Small Voice(Choir))
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Joseph Pugh
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SheetMusicPlus
The Lord our Rock - voice and harp
Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859370 Composed by R…
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Small Ensemble Harp,Voice - Level 4 - Digital Download SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederveen #3542471. Published by R. Ederveen (A0.859370). The Lord our Rock - voice and harp An old traditional Sabbath melody arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'49'' For information contact via www.reginaederveen.nl This song is part of ''Songs of Peace'', a collection of 4 Biblical songs for voice and harp. Songs of Peace consists of: 1 The Lord our Rock 2 Psalm 34 3 Psalm 121 4 Psalm 150 ''Praise God with the lute and with the harp.'' Songs of Peace - Part 1 - The Lord our Rock The Lord, our Rock Whose bread we've eaten. Eaten our fill and yet there's still, there's still over, yes, there's over as has God instructed us. Thus from the bread. In accord with the word of Adonai. He nourishes His needy world, our Shepherd, Father mine. We've eaten of His bread and drunk His wine. Therefore we will thank Him, we will praise Him and respond again, There's no one holy as our Lord our Adonai. Therefore we will thank Him, we will praise Him and respond hereby, holy our holy Adonai. Have mercy in Your graciousness we pray You, Lord our Rock and do God bless the temple of your flock. The dwelling place, the holy place, the temple Zion thus... David Your servant He will come and will redeem us. Bread of life Messiah King will come and will redeem us. Thus He will come and will redeem us. The Temple will rebuild again restored will City Zion. There we'll sing our praises on and on! The Holy One, the Mighty One, the Shepherd so caressing. Over a glass of wine according to His blessing. The Holy One the Mighty One the Shepherd of His flock. Blessing of Adonai the Rock.
$7.99
7.14 €
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Regina Ederveen
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The Lord our Rock - voice and harp
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R. Ederveen
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SheetMusicPlus
Elijah (Part 3) Tone Poem for Violin and Piano by Stephen R Dalrymple: God's Voice
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By…
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Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 88 pages. Stephen R Dalrymple #3075427. Published by Stephen R Dalrymple (A0.818226). Elijah (Part 3) God’s Voice♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗  2023 Stephen R Dalrymple♫ sequenced by the composer ♫ presentation © 2023 Stephen R Dalrymple♫ After the victory of Yahweh over Ba’al at Mount Carmel, Elijah and the people executed the 450 prophets of Ba’al. For the first time in 3 years, Elijah prays for rain. In the following rainstorm, Elijah outruns Ahab’s chariot returning to Samaria. But the next morning it seems as if nothing has happened. Jezebel still has her 400 prophets. She sends a message to Elijah that he will be killed.♫ Elijah is discouraged and defeated. Did Mt Carmel really mean nothing? He runs for the wilderness, complaining to God. He is so disheartened that he asks God to take his life. He makes a pilgrimage to Mt Horeb where Moses received the Law, fasting for 40 days, still complaining. He yearns for God to answer him. As at Mt Carmel, God had demonstrated His power at Sinai with thunderstorm and lightning. Elijah is evidently expecting large dramatic gestures for God to reveal Himself. But now God will teach Elijah that He also acts in ordinary, quiet ways, as will his continued ministry♫ 8 Themes were used to create this movement: 1. Ahab (based on Movement 2, theme 3) 2. Jezebel (based on Movement 2 Theme 4 – Atonal) 3. Elijah's Excuses (based on Movement 2 Theme 2 in Dorian Mode) 4. Elijah's Depression (Based on Movement 2 Theme 2 in Dorian Mode) 5. God of Abraham, Isaac, and Jacob (based on Movement 1 Theme 1 in Aeolian Mode) 6. Windstorm (Modified Dorian Mode) 7. Earthquake (tritones and clusters) 8. God's Voice - Polytonal (A minor / G major)♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.
$4.50
4.02 €
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Violin and Piano
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Stephen R Dalrymple
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Elijah
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Stephen R Dalrymple
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SheetMusicPlus
I Still Can See Your Face
Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.512519 By Barbra Str…
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Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.512519 By Barbra Streisand And Andrea Bocelli. By Bernie Herms, Charlie Midnight, and Jay Landers. Arranged by David Wright. Contemporary. Score and parts. 4 pages. David Wright #4888413. Published by David Wright (A0.512519). This arrangement is for women's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99
11.6 €
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Barbra Streisand And Andrea Bocelli
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I Still Can See Your Face
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David Wright
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SheetMusicPlus
Come to Christ - four-part choir with simple keyboard support
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1251785 Composed by Jonath…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1251785 Composed by Jonathan David Whitcomb. Christian,Classical,Easter,Religious,Sacred. Octavo. 7 pages. Whitcomb Music #845962. Published by Whitcomb Music (A0.1251785). The music is by Jonathan David Whitcomb, with some of the words from an English translation of an ancient text: mostly in *Third Nephi, what is now designated Chapter 11. Whitcomb added and arranged some words to work musically.Most of the lyrics center around an account of the appearance of Jesus Christ to people of the American continent many centuries ago.*(in the Book of Mormon)PART ONEPress forward: Feast of the word of Christ;Behold you shall have eternal life.Hold to the rod: the word of God;Behold the tree of the love of God.We like sheep had gone astray,Turning from the chosen way.Turn again. Turn to God.While the Shepherd seeks a stray,Father, help us keep to the Way.Now comes a still small voice.Behold my Son, my Beloved Son:Come unto Him for eternal life.Behold His hands, his feet and side:For you he bled and died.Turn to Him. Come unto Christ.Come to Him.PART TWONow comes a man in white.I am Jesus Christ. Come to me.I am the light and the life of the world.I have been slain for the sins of the world.Feel the wounds in my hands and my feet and side.See with your eyes; feel with your hands.Come to me.
$1.99
1.78 €
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Choral SATB
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Jonathan David Whitcomb
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feel with your hands
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Come to Christ - four-part choir with simple keyboard support
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Whitcomb Music
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SheetMusicPlus
Worship at the Keys, Spring, Volume 1
Piano solo
Piano Solo - Digital Download SKU: A0.800519 Composed by Various. Arranged by Jason…
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Piano Solo - Digital Download SKU: A0.800519 Composed by Various. Arranged by Jason W. Krug. Easter,Sacred. Score. 48 pages. Grassy Meadow Music #6321159. Published by Grassy Meadow Music (A0.800519). This collection of arrangements and original tunes is the perfect companion for spring worship, with pieces designed to be played at services in March, April, and May, with an emphasis on Lent, Holy Week, and Easter. Also in the set are five brief Interludes, designed to fill any moment of transition or meditation during the service. Accessible for intermediate pianists, and with styles that run the gamut, these pieces will be a welcome addition to any part of service, as well as a pleasure to play! Titles included:Fanfare for a New DawnWhat Wondrous Love Is ThisInterlude (Before the Dawn)Alas, and Did My Savior BleedA Still, Small VoiceTo Mock Your Reign, O Dearest LordA Lonely WalkInterlude (These Forty Days)Hosanna, Loud HosannaThe Day of ResurrectionInterlude (Ah, Holy Jesus)All Creatures of Our God and KingInterlude (Tranquility)For the Beauty of the EarthInterlude (Alleluias)Permission is granted to broadcast or live-stream performances.
$24.95
22.29 €
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Piano solo
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Various
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Worship at the Keys, Spring, Volume 1
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Grassy Meadow Music
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.02 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
COME FARFALLA - Like butterfly - for Soprano (or Tenor) and mixed quintet
Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 …
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Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 Composed by Renato Tagliabue. Contemporary. Score and parts. 4 pages. Renato Tagliabue #6442851. Published by Renato Tagliabue (A0.724831). COME FARFALLA - Lirycs by Evelina FerrariCi sei, ma ancora nessuno può vederele belle tue ali coi loro colori;nascosta tra le foglie spuntate sul ramo,aspetti il tuo momento per volare in libertà .Sì, ti aprirai e ti mostrerai,tu così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Il tuo mondo finir dovrà ,ma nuovo e più bello, tu sai , comincia già .Chiusa la mente, non trova la via;il cuore è triste e pace non ha,ma Il bruco sa che poi lui rinascerà e,come una farfalla, finalmente volar potrà .Sì, ti aprirai e ti mostreraitu, così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Tutto cambia ed anche per tequalcosa di nuovo e più bello comincia già .-----------------------------Like ButterflyYou are there, but still no one can seeyour beautiful wings with their colors;hidden among the leaves sprouted on the branch,wait for your moment to fly freely.Yes, you will open up and show yourself,you so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Your world will have to end,but new and more beautiful, you know, it already begins.Closed the mind, it does not find the way;the heart is sad and has no peace,but the caterpillar knows that then he will be reborn and,like a butterfly, it will finally fly.Yes, you will open up and show yourselfyou, so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Everything changes and for you toosomething new and more beautiful is already beginning.
$12.90
11.52 €
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Renato Tagliabue
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COME FARFALLA - Like butterfly - for Soprano
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Renato Tagliabue
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SheetMusicPlus
Endless Patchwork For Violin And Horn
Small Ensemble Horn,Violin - Level 4 - Digital Download SKU: A0.889425 Composed by …
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Small Ensemble Horn,Violin - Level 4 - Digital Download SKU: A0.889425 Composed by Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 23 pages. Luis Anjos Teixeira #4283073. Published by Luis Anjos Teixeira (A0.889425). Endless Patchwork for Violin and Horn require quite some level of dexterity to perform but it is still reasonably humane. The Horn plays a „cantabile melody amidst a series of harmonic sequences given by the violin part. Due to its polyphonic and harmonic structure the Violin part can also be performed solo. In different situations it is always wise to adjust some technical details to the performance. I tried to keep the violin part as free as possible from bowing, fingerings and other technical remarks, so that one can easily apply his or her own personal interpretation choices. There are two Violin parts in this volume, one without bowing remarks or much of any other interpretation symbols and the other one with some suggestions -„here and there, but not everywhere. There is no definitive version for this piece Endless Patchwork „For a Dog called Nina „Listen to the wind listen, the sea It is so good to dream. A bird flies in the air and the sky is blue. Another time another sea and it is so good to fly. And the silvered moon and the golden sun. Memories of a planet endless patchwork. Anjos Teixeira Special Thanks to Nina, Stray Queen Mimi, all my Feline Family, Pontinha, Maria Joaninha, Carlinhos, Schwarzenegger and Claudia. Thank you for all the Love and Compassion. Love Forever. Thanks for taking Your time, I hope You liked it… Retalhos de infinito, Ouve o vento, ouve o mar, como é bom sonhar. Uma ave voa no ar e o céu é azul. Outro tempo outro mar e é tao bom voar. E a lua prateada e o sol dourado. Memórias de um planeta, retalhos de infinito. Dedicado a uma cadelinha chamada Nina. Anjos Teixeira Written with Finale. Garritan Instruments where used for the sound file. In memory to Lovely Nina, Stray Queen Mimi, Mary Jane and all voiceless Angels
$12.10
10.81 €
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Anjos Teixeira
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Endless Patchwork For Violin And Horn
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Luis Anjos Teixeira
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SheetMusicPlus
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
4.46 €
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Johann Sebastian Bach
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Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Alm@music
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SheetMusicPlus
Funeral For A Tree
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John P…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
13.39 €
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Choral SATB
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John Powell
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Funeral For A Tree
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as do Ray meflute studio production
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SheetMusicPlus
Chevalier De Sangreal
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1342331 Composed by…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1342331 Composed by Hans Zimmer. Arranged by Ash. 21st Century,Classical,Contemporary,Film/TV,Latin. 12 pages. Music by Ash #927844. Published by Music by Ash (A0.1342331). A unique choral arrangement of Hans Zimmer's gorgeous Chevaliers De Sangreal from The Da Vinci Code film. With latin text from Song of Songs, this TTBB arrangement combines Zimmer's sumptuous melody with a yearning text to meaningful effect.General DetailsTTBB with piano only4 voice parts (T1 divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 3:20Vocal RangesTenor 1: C3-Bb4 (upper T1 to C5)Tenor 2: C3-G4Baritone: A2-F4Bass: A2-D4Latin text from Song of SongsAnima mea liquefacta est, ut dilectus locutus est,Vox enim eius dulcis, et facies eius decora.Labia eius lilia stillantia myrrham primam.English TranslationMy soul melted when my beloved spoke;For his voice is sweet, and his face is lovely.His lips are lilies dripping liquid myrrh.Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com.
$2.50
2.23 €
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Choral TTBB
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Hans Zimmer
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Chevalier De Sangreal
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Music by Ash
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SheetMusicPlus
"Three Labe Sonnets" for mezzo-soprano and piano
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Compos…
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
4.02 €
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Jason A
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"Three Labe Sonnets" for mezzo-soprano and piano
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Call of the Wild Publishing
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SheetMusicPlus
Christ Child's Lullaby (Taladh Chriosda) - Scottish Gaelic Carol-SSAA flute, cello, violin and piano
Small Ensemble Alto Voice,Flute,Medium-Low Voice,Mezzo-Soprano Voice,Piano - Level 2 - Dig…
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Small Ensemble Alto Voice,Flute,Medium-Low Voice,Mezzo-Soprano Voice,Piano - Level 2 - Digital Download SKU: A0.1096993 Composed by Gaelice unknown. Arranged by Connie Boss. Christmas,Holiday. Score and parts. 14 pages. Connie Boss #700960. Published by Connie Boss (A0.1096993). This beautiful Scottish Gaelic Carol is for a SSAA flute and piano with one page flute parts page included. While parts of the melody are still the same, some of it is new. There are other versions as well. Purchase sheet music on sheet music plus or sheet music direct. The lyrics are adapted from the original lyrics - changing only some words to fit the lyrics. For requests or questions email cdboss@cvalley.net Lyrics: Christ Child’s Lullaby (Taladh Chriosda) Scottish Gaelic Christmas Carol Arranged by Connie Boss Refrain: Alleluia alleluia alleluia alleluia Verse 1 You are my Love and darling boy You are my treasure and my joy You are my graceful little son Your life has just begun Refrain: Alleluia alleluia alleluia alleluia Verse 2: You were sent from up above And now you share your father’s love A babe so poor but love so true You have much strength in you Refrain: Alleluia alleluia alleluia alleluia Verse 3: A helpless baby now we sing You truly are the King of Kings You are the true and rightful one For you are God the Father’s son Refrain: Alleluia alleluia alleluia alleluia Alleluia.
$5.99
5.35 €
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Gaelice unknown
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Christ Child's Lullaby
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Connie Boss
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SheetMusicPlus
Christmas Carol Collection
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1315830 By Stewart J Wallace. By …
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C Instrument - Level 2 - Digital Download SKU: A0.1315830 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Advent,Children,Christmas,Holiday,Religious. Lead Sheet / Fake Book. 14 pages. Stewart J Wallace #904605. Published by Stewart J Wallace (A0.1315830). This is a collection of popular Christmas carols arranged for electronic keyboards. Each arrangement has suggested registrations which should make it easy when setting up the keyboard, though these can of course be adapted to suit your taste and model of instrument. The chord symbols have been simplified to a degree, but still retain harmonic interest, and the familiar words underneath the melody will help you read the notes and rhythms. This collection would suit a beginner to intermediate level player and of course live instruments and voices could be added to form a small ensemble - perhaps for school assemblies, church services, or even for busking and informal carol singing. Christmas Morn is a new original carol which would suit junior voices telling the Nativity story or indeed for church congregations who like to try something new.
$9.99
8.92 €
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C Instruments
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Stewart J Wallace
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Christmas Carol Collection
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Stewart J Wallace
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SheetMusicPlus
Sing We and Chant It
Chorus - Digital Download SKU: AX.00-PO-0003478 Sing We and Chant It - 3-Part Mi…
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Chorus - Digital Download SKU: AX.00-PO-0003478 Sing We and Chant It - 3-Part Mixed, a cappella. Composed by Thomas Morley. Arranged by Russell L. Robinson. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003478. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003478). UPC: 038081016740. Michael Grayton.Introduce your 3-part choir to madrigal singing with this wonderful new edition of the Thomas Morley classic designed especially for young singers by Russell Robinson. Reduced to three voice parts, this edition still sounds full and captures all the spirit and joy of madrigal singing. Suitable for large choirs as well as small groups. Add this work to your choral library and use it year after year. An excellent teaching piece...but perform it at concert and festival time, too. This title is available in Music Prodigy.A cappella.
$2.05
1.83 €
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Thomas Morley
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Sing We and Chant It
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Waiting for the Sandman (SSAA, a cappella) - original jazz song by Sarah and Gil Jaysmith
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849286 Composed by Sarah J…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849286 Composed by Sarah Jaysmith. Arranged by Sarah Jaysmith. A Cappella,Holiday,Jazz,Wedding. Octavo. 7 pages. Sarah Jaysmith #4642305. Published by Sarah Jaysmith (A0.849286). This original song has a wonderful jazzy nostalgia feel to it, and the arrangement for SSAA a cappella enhances that. There is a small amount of divisi at the end. The harmonies are mostly homophonic, allowing the warmth of the voices to shine through. The duration is about 3 minutes.It's a simple story - girl meets boy, girl is too shy to ask his name, girl spends sleepless night wishing she had been brave, girl amazingly meets boy the next day (thanks to a little Sandman magic!). This recording is a rehearsal recording, and is a little under tempo, but still gives you the feel of the piece. Try a new song that audiences and your singers will love! Sarah Jaysmith has been arranging and composing choral music for many years. Find her at www.sarahjaysmith.com
$2.50
2.23 €
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Choral SSAA
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Sarah Jaysmith
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Waiting for the Sandman
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Sarah Jaysmith
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SheetMusicPlus
The Candle
Small Ensemble Horn,Piano,Voice - Level 5 - Digital Download SKU: A0.792909 Compose…
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Small Ensemble Horn,Piano,Voice - Level 5 - Digital Download SKU: A0.792909 Composed by J. Richard Dixon. Contemporary. Score and parts. 10 pages. Estes Music Publishers #2550943. Published by Estes Music Publishers (A0.792909). The first of the three part, Time Cycle for tenor voice, horn in F, and piano on a text by John Frederick Freeman. Commissioned by three professional musicians after performing Benjamin Britten's Still Falls the Rain, and--wanting to stay together as an ensemble--realizing that there was little out there written for that voicing. It is advanced in its harmonic structure and is challenging for the pianist. All three performers will find it convenient to read off of full scores. You may make the additional two copies from your original.
$15.00
13.4 €
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J
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The Candle
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Estes Music Publishers
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99
44.66 €
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Piano solo
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
The elephant (Never forget the elephant and he won't forget you) (mp3)
Alto Voice,Multi-Percussion - Digital Download SKU: A0.1059521 Composed by David Wa…
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Alto Voice,Multi-Percussion - Digital Download SKU: A0.1059521 Composed by David Warin Solomons. Arranged by Lorin Nelson. 20th Century,Children,Contemporary. Full Performance. Duration 123. David Warin Solomons #3397205. Published by David Warin Solomons (A0.1059521). A song in honour of the elephant, with a countertenor, a whole chorus of elephants and a band.The elephant has a wrinkly skin This nose is thick and his tail is thin Never forget the elephant and he won't forget you you you The elephant has a very loud song His tail is small and his nose is long Never forget the elephant and he won't forget you you you The elephant lives in a herd His tail is cute but his nose absurd Never forget the elephant and he won't forget you you you The elephant is brave they say His tail will swish and his nose will spray Never forget the elephant and he won't forget you you you The elephant has a sense of fun His tail stands still but his nose takes your bun Never forget the elephant and he won't forget you you you The elephant has floppy ears And he's been around for years and years So never forget the elephant and he won't forget you you you
$2.00
1.79 €
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David Warin Solomons
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The elephant
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David Warin Solomons
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SheetMusicPlus
End Of The Line
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Class…
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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99
6.24 €
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Piano solo
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Isadar
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End Of The Line
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Mainya Music Publishing
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SheetMusicPlus
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