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You've selected:
andE's Song Cycle
Sheetmusic to print
61 sheet music found
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1
26
51
andE's Song Cycle (MP3)
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Contemporary
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Nelson Octavio Dellamaggiore
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Nelson Octavio Dellamaggiore
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andE's Song Cycle
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NODellamaggiore
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SheetMusicPlus
Digital Download SKU: A0.1072094 Composed by Nelson Octavio Dellamaggiore. Arranged by Nelson Octavio Dellamaggiore. Contemporary. Full Performance. Dura...
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Digital Download SKU: A0.1072094 Composed by Nelson Octavio Dellamaggiore. Arranged by Nelson Octavio Dellamaggiore. Contemporary. Full Performance. Duration 664. NODellamaggiore #5774251. Published by NODellamaggiore (A0.1072094).
$2.00
andE's Song Cycle (score & 6 parts)
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Violin
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Contemporary
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Nelson Octavio Dellamaggiore
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Nelson Octavio Dellamaggiore
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andE's Song Cycle
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NODellamaggiore
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SheetMusicPlus
Violin Solo - Digital Download SKU: A0.1021096 Composed by Nelson Octavio Dellamaggiore. Arranged by Nelson Octavio Dellamaggiore. Contemporary. 126 page...
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Violin Solo - Digital Download SKU: A0.1021096 Composed by Nelson Octavio Dellamaggiore. Arranged by Nelson Octavio Dellamaggiore. Contemporary. 126 pages. NODellamaggiore #5774209. Published by NODellamaggiore (A0.1021096).
$53.00
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Choral TTBB
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INTERMEDIATE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Tr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Choral TTBB
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INTERMEDIATE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Tr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
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Choral TTBB
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INTERMEDIATE
#
Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Tr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Dandelion Music Press
#
#
I Would Rock My Child to Sleep
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion M...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
#
Traditional Irish
#
Laurie Betts Hughes
#
#
Old Beggarman from "Lost Songs
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
#
Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
#
Laurie Betts Hughes
#
#
Lost Songs of Ancient Ireland
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
Four Hispanic Children’s Songs for Trumpet in Bb or Clarinet in Bb and Piano
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Traditional
#
William Pagan-Perez
#
#
Four Hispanic Children’s Son
#
William Pagan-Perez
#
SheetMusicPlus
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933818 Composed by Traditional. Arranged by William Pagan-P...
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933818 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3024441. Published by William Pagan-Perez (A0.933818). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: the MP3 Sound is from the flute and piano arrangement...
$8.95
Four Hispanic Children’s Songs for Tuba and Piano
#
Tuba and Piano
#
EASY
#
Traditional
#
William Pagan-Perez
#
#
Four Hispanic Children’s Son
#
William Pagan-Perez
#
SheetMusicPlus
Piano,Tuba - Level 2 - Digital Download SKU: A0.933819 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and pa...
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Piano,Tuba - Level 2 - Digital Download SKU: A0.933819 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024447. Published by William Pagan-Perez (A0.933819). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 Sound if from the Trombone arrangement...
$8.95
Four Hispanic Children’s Songs for Alto Sax. in Eb and Piano
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Alto Saxophone and Piano
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EASY
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s Son
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William Pagan-Perez
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Sc...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024439. Published by William Pagan-Perez (A0.933817). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. ------------------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 sound is the midi version for flute and piano.
$8.95
Four Hispanic Children’s Songs for Flute or Oboe and Piano
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Flute and Piano
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EASY
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s Son
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William Pagan-Perez
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Chi...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases.
$8.95
Lines from a Wanderer
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Baritone voice, Piano
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John Casken
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Lines from a Wanderer
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Schott Music - Digital
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SheetMusicPlus
Baritone voice and piano - Digital Download SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadabl...
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Baritone voice and piano - Digital Download SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q47100. Published by Schott Music - Digital (S9.Q47100). English.John Casken's 2009 setting of the Robert Browning poem 'Night and Morning' for tenor and piano was the starting point for a new song cycle, Lines from a Wanderer, exploring man’s desire to travel, to escape and be alone. This search for inner peace is contrasted with a deep nostalgia for places and people left behind in settings of two poems from W.B. Yeats, 'The Lake Isle of Innisfree' and 'The Song of Wandering Aengus', as well as Thomas Hardy's 'The Discovery' and Robert Browning's 'The Italian in England'.
$15.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. T...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Ich bin der Welt abhanden gekommen (I am lost to the world)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Classical
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Gustav Mahler
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Felix Linsmeier
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Ich bin der Welt abhanden geko
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Felix Linsmeier
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.985734 Composed by Gustav Mahler. Arranged by Felix Linsmeier. 2...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.985734 Composed by Gustav Mahler. Arranged by Felix Linsmeier. 20th Century,Classical,Opera,Romantic Period. Score and parts. 13 pages. Felix Linsmeier #591393. Published by Felix Linsmeier (A0.985734). Ich bin der Welt abhanden gekommen is the third song of Gustav Mahler's famous cycle Rückert-Lieder. Rückert-Lieder (Songs after Rückert) is a collection of five Lieder for voice and orchestra or piano, based on poems written by Friedrich Rückert. The first four songs were premiered on 29 January 1905 in Vienna, Mahler himself conducting, together with his Kindertotenlieder (also on poems by Rückert). The set of songs was not intended as a cycle: the Lieder were originally published independently from each other, connected only by the poetry and common themes. However, they were later published together and most often have been performed together and come to be known as the Rückert-Lieder, although Mahler did set more texts of Rückert. This arrangement for brass quintet puts the singer's part for flugelhorn solo with the rest of the ensemble playing an adaption of the original's orchestra accompaniment. Using combination of mutes and open playing this arrangement archieves a differentiated sound that makes the complicated late-romantic harmony and counterpoint work really well in the stripped-down instrumentation.
$30.00
Das Wandern for Euphonium and Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Franz Schubert
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Brandon S Killen
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Das Wandern for Euphonium and
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Brandon S Killen
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1031048 Composed by Franz Schubert. Arranged by Brandon S Killen. Romantic Period,Standards. Score a...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1031048 Composed by Franz Schubert. Arranged by Brandon S Killen. Romantic Period,Standards. Score and part. 5 pages. Brandon S Killen #2857065. Published by Brandon S Killen (A0.1031048). This arrangement of Schubert's famous song makes careful use of original sources to convey the articulation and phrasing of the original vocals. Great for early intermediate players looking for accessible classical repertoire.Inspired by a set of poems by German poet Wilhelm Müller, Franz Schubert wrote and published the song cycle Die schöne Müllerin (The Lovely Maid of the Mill) in 1824. Das Wandern, the first song of the cycle, is a cheerful, optimistic song that captures the spirit of youth. Simple harmonic movement, the unsettled energy of the piano accompaniment, and the spritely leaps of the melody all serve to convey a sense of restless wanderlust.
$3.99
Quarry Songs
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Vocal duet, Piano
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ADVANCED
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Brett L
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Quarry Songs
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Sonata Grendel Publishing
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SheetMusicPlus
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contempor...
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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
$51.06
Shells of Ocean, or, I Wander'd on the Sea-Beat Shore. A Song
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Piano, Voice
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J
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J
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Shells of Ocean, or, I Wander'
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.17730 Composed by J.W. Cherry. Children, Time, Human life cycle, Symbols. Lester S. Levy Collection. 4 pages. ...
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Piano and voice - Digital Download SKU: LV.17730 Composed by J.W. Cherry. Children, Time, Human life cycle, Symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17730). Shells of Ocean, or, I Wander'd on the Sea-Beat Shore. A Song. Written By J.W. Lake. The Music Composed By J.W. Cherry. Published [n.d.] by Miller & Beacham in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Children, Time, Human life cycle, Symbols. First line reads One summer eve, with pensive thought, I wander'd on the seabeat shore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When You and I Were Young, Maggie. Song and Chorus
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Choral SATB
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J
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When You and I Were Young, Mag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4067 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4067 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4067). When You and I Were Young, Maggie. Song and Chorus. Words by George W. Johnson. Music by J.A. Butterfield. Published 1866 by J.A. Butterfield, 37 Crosby Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. First line reads I wandered today to the hill, Maggie, to watch the scene below.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When You And I Were Young Maggie. Song & Chorus
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Choral SATB
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J
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When You And I Were Young Magg
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3905 Composed by J.A. Butterfield. Aged persons, Fences, Mills, Silhouettes, Spires, Dr...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3905 Composed by J.A. Butterfield. Aged persons, Fences, Mills, Silhouettes, Spires, Dreaming, Nostalgia, Couples, Courtship, Love, Time, Youth, Human life cycle. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3905). When You And I Were Young Maggie. Song & Chorus. Music by J.A. Butterfield. Words by Geo. W. Johnson. Published 1866 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Aged persons, Fences, Mills, Silhouettes, Spires, Dreaming, Nostalgia, Couples, Courtship, Love, Time, Youth, Human life cycle. First line reads I wandered today to the hill, Maggie, to watch the scene below.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
When You and I Were Young, Maggie. Song and Chorus
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Choral SATB
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J
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When You and I Were Young, Mag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4068 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4068 Composed by J.A. Butterfield. Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4068). When You and I Were Young, Maggie. Song and Chorus. Words by George W. Johnson. Music by J.A. Butterfield. Published 1866 by J.A. Butterfield, 22 West Wash. St. in Indianapolis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Aged persons, Time, Human life cycle, Love, Devotion, Youth, Nostalgia. First line reads I wandered today to the hill, Maggie, to watch the scene below.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Abendlied (Evening Song)
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Robert Schumann
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James Pybus
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Abendlied
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James Pybus
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano Accompaniment,Soprano Saxophone - Level 4 - Digital Download SKU: A0.764673 Composed by Robert Schumann (1810-1856). ...
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Small Ensemble Alto Saxophone,Piano Accompaniment,Soprano Saxophone - Level 4 - Digital Download SKU: A0.764673 Composed by Robert Schumann (1810-1856). Arranged by James Pybus. Contest,Festival,Romantic Period. Score and parts. 6 pages. James Pybus #3112961. Published by James Pybus (A0.764673). Abendlied (Evening Song) is from a cycle of 12 piano duets, Op. 85, written in 1849, a particularly prolific year of composition for Schumann. The great Hungarian violinist Joseph Joachim took the final number, consisting merely of a completely unpianistic one-handed melody with chordal accompaniment for two hands, and arranged it for violin, oboe or flute. The present arrangement expands that list of instruments to include the Soprano Saxophone, in its infancy at the time the piece was composed. An alternate part for Alto Saxophone is also included. The soaring, free melody is reminiscent of Schumann’s Manfred music, written around the same time. This piece is very demanding in terms of breath control and phrasing. It is an excellent choice for a college or university recital programme and is also accessible for an advanced high school player. Duration: 2:30. Contact me at james.pybus56@gmail.com.
$15.00
Mein!
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Choral 3-part
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INTERMEDIATE
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Classical
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Franz Schubert
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D
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Mein!
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1349293 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,In...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1349293 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 16 pages. Tully Road Music #934042. Published by Tully Road Music (A0.1349293). Franz Schubert’s song cycle Die schöne Müllerin (“The Lovely Maid of the Millâ€) was completed in 1823. All 20 songs in the cycle are based on texts by German lyric poet Wilhelm Müller, who would also provide the inspiration for Schubert’s later Winterreise cycle in 1828. The cycle follows the journey of a young wandering miller who falls in love with another miller’s daughter, but his love is ultimately unrequited. In this the eleventh song of the cycle, the young man’s obsession has reached a point of delusion as he brazenly declares to himself that the maiden is “his,†though she has given him almost no reason to feel such confidence in his romantic prospects. He begins lashing out at everything around him for its apparent failure to match or understand his dubious enthusiasm. This arrangement preserves Schubert’s original piano part as well as places the melody prominently in the top soprano voice. The lower voices provide supporting harmonies informed by the accompaniment, moving largely in parallel motion, but with their own counter-melodic value. The arrangement is also available in a version for TTB voices.
$2.00
Mein!
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Choral 2-part
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INTERMEDIATE
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Classical
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Franz Schubert
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D
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Mein!
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1349296 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Ins...
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Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1349296 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 16 pages. Tully Road Music #934045. Published by Tully Road Music (A0.1349296). Franz Schubert’s song cycle Die schöne Müllerin (“The Lovely Maid of the Millâ€) was completed in 1823. All 20 songs in the cycle are based on texts by German lyric poet Wilhelm Müller, who would also provide the inspiration for Schubert’s later Winterreise cycle in 1828. The cycle follows the journey of a young wandering miller who falls in love with another miller’s daughter, but his love is ultimately unrequited. In this the eleventh song of the cycle, the young man’s obsession has reached a point of delusion as he brazenly declares to himself that the maiden is “his,†though she has given him almost no reason to feel such confidence in his romantic prospects. He begins lashing out at everything around him for its apparent failure to match or understand his dubious enthusiasm. This arrangement preserves Schubert’s original piano part as well as places the melody prominently in the top tenor voice. The lower voices provide supporting harmonies informed by the accompaniment, moving largely in parallel motion, but with their own counter-melodic value. The arrangement is also available in a version for SSA voices.
$2.00
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