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276
Romantic Sonata - Poems of Light
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
20.16 €
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Flute and Piano
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Jeffrey Hoover
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Romantic Sonata - Poems of Light
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Musicart Publications
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SheetMusicPlus
A Musical Anthem - Inspired by the closing of theatres due to Corona Virus
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.751443 Composed by Joel Goodman. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.751443 Composed by Joel Goodman. Contemporary. Octavo. 17 pages. Joel Goodman #5372155. Published by Joel Goodman (A0.751443). A Musical Anthem - Inspired by the closing of theatres due to Corona VirusComposed by Joel Goodman for the amazing work of Stephen King providing students with free lessons during the Corona Virus lockdown period in the UK March - Unknown 2020.
$4.99
4.58 €
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Choral SATB
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Joel Goodman
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A Musical Anthem - Inspired by the closing of theatres due to Corona Virus
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Joel Goodman
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SheetMusicPlus
Easter Anthem (William Billings) — brass quintet, timpani
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.77 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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William Billings
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Easter Anthem
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Con Spirito Music
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SheetMusicPlus
Traumerei from "Album For The Young" for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527661…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527661 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 10 pages. Diego Marani #3068577. Published by Diego Marani (A0.527661). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.99
9.17 €
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Clarinet Quartet: 4 clarinets
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R
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Traumerei from "Album For The Young" for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
Traumerei from "Album For The Young" for Brass Quartet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527662
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527662 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and parts. 9 pages. Diego Marani #3068943. Published by Diego Marani (A0.527662). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$9.99
9.17 €
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Brass quartet : 2 trumpets, trombone, tuba
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R
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Traumerei from "Album For The Young" for Brass Quartet
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Diego Marani
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SheetMusicPlus
Traumerei from "Album For The Young" for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.527660 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 9 pages. Diego Marani #3068523. Published by Diego Marani (A0.527660). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for sax quartet includes the following parts: Bb Soprano or Eb Alto (lead), Eb Alto, Bb Tenor, Eb Baritone.
$9.99
9.17 €
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Saxophone Quartet: 4 saxophones
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R
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Traumerei from "Album For The Young" for Saxophone Quartet
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Diego Marani
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SheetMusicPlus
Traumerei from "Album for the Young" for Saxophone Ensemble
Saxophone ensemble
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Le…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.527681 Composed by R. Schumann. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 19 pages. Diego Marani #3087549. Published by Diego Marani (A0.527681). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for sax choir includes the following parts: Eb Sopranino, Bb Soprano 1-2, Eb Alto 1-2-3, Bb Tenor 1-2-3, Eb Baritone 1-2, Bb Bass.
$14.99
13.76 €
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Saxophone ensemble
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R
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Traumerei from "Album for the Young" for Saxophone Ensemble
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Diego Marani
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SheetMusicPlus
Traumerei from "Album For The Young" for Brass Quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527663
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527663 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and parts. 9 pages. Diego Marani #3068957. Published by Diego Marani (A0.527663). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$12.90
11.85 €
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Brass quartet : 2 trumpets, trombone, tuba
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R
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Traumerei from "Album For The Young" for Brass Quintet
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Diego Marani
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SheetMusicPlus
Traumerei from "Album For The Young" for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.527664 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and parts. 8 pages. Diego Marani #3069073. Published by Diego Marani (A0.527664). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for string quartet includes the following parts: Violin I, Violin II, Viola, Cello.
$9.99
9.17 €
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String Quartet: 2 violins, viola, cello
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R
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Traumerei from "Album For The Young" for String Quartet
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Diego Marani
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SheetMusicPlus
The King of Glory
Choral SATB
SATB chorus - Digital Download SKU: C7.CGA198 Composed by Austin C Lovelace. Advent…
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SATB chorus - Digital Download SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA198. Published by Chorister's Guild - Digital (C7.CGA198). UPC: 749193004128.Here we have a practical setting of the familiar hymn tune TRURO that combines children's and adult choirs. The text is based on Psalm 24 and is equally suitable for use during the Advent season or on Palm Sunday when nearly all children's choirs participate in the worship service. Further, it is written so that all ages of choirs could participate. The hymn tune is punctuated by the powerful dialogue from the Psalm: 'Who is the King of Glory' The Lord of hosts, He is the King of Glory!' This ties very well the Psalm ideas to Weissel's paraphrase, and then the closing stanza concludes with a personal response EUR to open the portals of one's heart. Another feature of the anthem s that the entire congregation can join in the singing at the appropriate places by either singing directly from the hymnal or by printing the words in a bulletin (permission is granted). The work can, of course, be used as an anthem, or as an elaborated congregational hymn in addition to another 'anthem' for the day.
$1.95
1.79 €
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Choral SATB
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Austin C Lovelace
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The King of Glory
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Chorister's Guild - Digital
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SheetMusicPlus
Last Of The Summer Wine Theme
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazle…
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Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
$50.00
45.91 €
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Orchestra
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Ronald Hazlehurst
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Last Of The Summer Wine Theme
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Kevin Riley
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SheetMusicPlus
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
$5.00
4.59 €
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Guitar
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Jeremiah Lawson
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Guitar Sonata on Themes by Thomas Commuck
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Jeremiah Lawson
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SheetMusicPlus
The Sophisticated Hippy
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Compo…
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
9.17 €
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Horace Silver
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
The Star-Spangled Banner (SATB, a cappella)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.773663 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.773663 Composed by John Stafford Smith. Arranged by Anthony Giamanco. A Cappella,Concert,Holiday,Patriotic. Octavo. 5 pages. Whole Tone Press #3433717. Published by Whole Tone Press (A0.773663). This festival arrangement of The Star-Spangled Banner is scored for SATB choir (divisi) a cappella. The lush choral writing breathes new life into this old gem, and offers some unexpected harmonies. The piece begins in the key of B major. At measure 25, it modulates to G major, quite by surprise, and becomes more broad, returning to B major for the rousing finale. In addition to 4th of July celebrations, this work can be programmed as an opening or closing number on any spring concert. Ideal for community and college choirs! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.25
2.07 €
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Choral SATB
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John Stafford Smith
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The Star-Spangled Banner
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Whole Tone Press
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SheetMusicPlus
Local Hero - Wild Theme
2 Guitars (duet)
Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1275335 By Dire Strai…
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Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1275335 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 14 pages. Derek Hasted #867218. Published by Derek Hasted (A0.1275335). LOCAL HERO - WILD THEME - 2 GUITARS Performance Version Primarily for classical guitar but also suits acoustic or electric guitars.Derek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for classical guitar exploits the soft tones of the nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. Each player takes the lead part in turn, and my arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune.There’s left hand fingering in a few places where the accompaniment is only comfortable in one position. There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...My duet arrangement comes in 2 formats... This one is a performance version (in which the workload is shared equally and there’s an effortless switching of parts in the middle), set in score only, for two advanced intermediate players.A separate arrangement (for student and teacher) comprises a student melody line (set in score and score+tab) and an arpeggio teacher's accompaniment, set in score only.The student line is early intermediate, and the teacher's part is advanced intermediate.To find the other version easily, visit my website (below) and look for my list of guitar duets.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.58 €
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2 Guitars (duet)
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Dire Straits
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
Feieromd (End of Work) - Traditional German Song for Trombone Quartet
Brass Quartet: 4 trombones
Brass Ensemble,Trombone Quartet - Level 3 - Digital Download SKU: A0.798637 Compose…
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Brass Ensemble,Trombone Quartet - Level 3 - Digital Download SKU: A0.798637 Composed by Anton Günther. Arranged by Jörg Richter. Folk,Traditional. Score and parts. 6 pages. Jörg Richter #4786403. Published by Jörg Richter (A0.798637). Feieromd is one of the most famous folk songs of the Erzgebirge wich are mountains in East Germany on the Czech border. It was written by the folk poet Anton Günther in 1903. The text written in typical Erzgebirge dialect is widely used in many terms. The author Anton Günther himself wrote the title first Feieromd, later Feierohmd, and smoothed it for the book edition of his songs ultimately to Feierobnd. The song deals with the closing time. The stanzas describe the environment and how it feels (from: Wikipedia)
$4.99
4.58 €
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Brass Quartet: 4 trombones
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Anton Günther
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Feieromd
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Jörg Richter
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SheetMusicPlus
Feieromd (End of Work) - Traditional German Song for French Horn Quartet
Brass Quartet: 4 horns
French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.798645 Composed by An…
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French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.798645 Composed by Anton Günther. Arranged by Jörg Richter. Folk,Traditional. 6 pages. Jörg Richter #4792295. Published by Jörg Richter (A0.798645). Feieromd is one of the most famous folk songs of the Erzgebirge wich are mountains in East Germany on the Czech border. It was written by the folk poet Anton Günther in 1903.The text written in typical Erzgebirge dialect is widely used in many terms. The author Anton Günther himself wrote the title first Feieromd, later Feierohmd, and smoothed it for the book edition of his songs ultimately to Feierobnd.The song deals with the closing time. The stanzas describe the environment and how it feels (from: Wikipedia)
$4.99
4.58 €
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Brass Quartet: 4 horns
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Anton Günther
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Feieromd
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Jörg Richter
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SheetMusicPlus
Feieromd (End of Work) - Traditional German Song for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.798647 Composed by Anton Günther. Arranged by Jörg Richter. Folk,Traditional. 6 pages. Jörg Richter #4792319. Published by Jörg Richter (A0.798647). Feieromd is one of the most famous folk songs of the Erzgebirge wich are mountains in East Germany on the Czech border. It was written by the folk poet Anton Günther in 1903.The text written in typical Erzgebirge dialect is widely used in many terms. The author Anton Günther himself wrote the title first Feieromd, later Feierohmd, and smoothed it for the book edition of his songs ultimately to Feierobnd.The song deals with the closing time. The stanzas describe the environment and how it feels (from: Wikipedia)
$4.99
4.58 €
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Saxophone Quartet: 4 saxophones
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Anton Günther
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Feieromd
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Jörg Richter
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SheetMusicPlus
Local Hero - Wild Theme
2 Guitars (duet)
Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1275338 By Dire Strai…
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Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1275338 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 17 pages. Derek Hasted #867221. Published by Derek Hasted (A0.1275338). LOCAL HERO - WILD THEME - Student/Teacher GUITAR DUETPrimarily for Classical Guitar but also suitable for acoustic or electric guitars.Derek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for classical guitar exploits the soft tones of the nylon strings and works well at a slightly more modest pace compared to the original. Iâ??ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. Each player in the ensemble takes the lead part in turn, and my arrangement includes one or two little bits of Mark Knopflerâ??s quasi-improvised variations on the tune.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home... My duet arrangement comes in 2 formats... This one (for student and teacher) comprises a melody line set in both score and score tab and a teacher's accompaniment set in score only. The student line is early intermediate and the teacher's part is advanced intermediate.A separate performance version (in which the workload is shared equally and thereâ??s a truly effortless switching of parts in the middle), set in score-only for two advanced intermediate players.To find the other version easily, visit my website (below) and look for my list of guitar duets.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.58 €
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2 Guitars (duet)
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Dire Straits
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
The Pink Panther
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1386172 Composed by Henry Mancini. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1386172 Composed by Henry Mancini. Arranged by Mario Stallbaumer. Film/TV,Jazz. Score. 3 pages. Mario Stallbaumer #970120. Published by Mario Stallbaumer (A0.1386172). With this sheet music, you can play The Pink Panther Theme on the piano!It's an accurate, carefully created piano arrangement of the legendary jazz theme by Henry Mancini. Mancini wrote the piece as the title theme for the 1963 film The Pink Panther by Blake Edwards (starring Peter Sellers as Inspector Jacques Clouseau). The Pink Panther cartoon character originally appeared in the opening and closing credit sequences of the film. It became so popular that a whole franchise (including many short films) was built around it − always accompanied by the famous theme song!The Pink Panther Theme remains one of the most recognizable film scores ever written, and it makes for a fantastic piano piece!If you want to see more of my work, you can visit my YouTube channel!
$4.99
4.58 €
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Piano solo
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Henry Mancini
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The Pink Panther
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Mario Stallbaumer
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SheetMusicPlus
WE GO TOGETHER (from Grease) - for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet - Advanced Intermediate - Digital Download By Olivia Newton-John, John…
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String Quartet - Advanced Intermediate - Digital Download By Olivia Newton-John, John Travolta, Grease cast. Arranged by Ivan Marini. Score, Set of Parts. 14 pages. Published by Ivan Marini
Accurate transcription and well-changing arrangement of this world-famous hit.<br> All the colors, melodic details and shadings of the original recording are present in this version, including also the Tenor Sax solo and the rousing final polyphony.<br> Ideal for every concert and, first of all, as thrilling closing piece or encore!<br> <br> Complete set with score and parts for Violin I and II, Viola and Cello.<br> <br> Duration approx 2', 14 pages.<br> <br> Feel free to contact me at info@dalsegno.eu for any other setting!<br> Please, check my other works at<br> https://www.sheetmusicplus.com/publishers/ivan-marini/7964?aff_id=606631<br> or visit<br> www.dalsegno.eu
$12.99
11.93 €
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String Quartet: 2 violins, viola, cello
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Olivia Newton-John, John Travolta, Grease cast
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WE GO TOGETHER
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Ivan Marini
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SheetMusicPlus
The Lost Lady Found
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12515…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539). Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.For Info:Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.
$17.99
16.52 €
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Arr
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The Lost Lady Found
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RayThompsonMusic
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Light And Tuneful (Wimbledon Opening Theme)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansf…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. Published by Kevin Riley (A0.1468652). Keith Mansfield (born 1941 in London, England) is a British composer and arrangerknown for his creation of prominent television theme tunes, including the Grandstandtheme for the BBC.Mansfield's works include The Young Scene (the original 1968 theme to The Big Match), Light and Tuneful (the opening theme for the BBC's coverage of the Wimbledon Tennis Championships), World Champion (the closing theme for NBC's coverage of the same tournament), and World Series (used for the BBC's athletics coverage). One of his library music recordings, Teenage Carnival, was used as the theme to the cult 1960s ITV children's television series Freewheelers. He has also composed film scores for British movies such as Loot (1970) and Taste of Excitement (1970), and the western Three Bullets for a Long Gun (1971). He also scored the start-up and shutdown themes for Granada Television in 1978, which were used for ten years before it switched to 24-hour television.
$50.00
45.91 €
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Orchestra
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Keith Mansfield
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Light And Tuneful
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Kevin Riley
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SheetMusicPlus
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