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You've selected:
euphonium Liszt
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31 sheet music found
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1
26
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instr...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Liszt: Liebestraume for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Franz Liszt
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James M
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Liszt: Liebestraume for Euphon
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550073 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,S...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550073 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592651. Published by jmsgu3 (A0.550073). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
Liszt: Liebestraume for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Franz Liszt
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James M
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Liszt: Liebestraume for Barito
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550072 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,S...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550072 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592641. Published by jmsgu3 (A0.550072). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
Chants du Rhin for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Georges Bizet
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Ralph Sauer
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Chants du Rhin for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. S...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792530 Composed by Georges Bizet. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 52 pages. Gordon Cherry #5008345. Published by Gordon Cherry (A0.792530). The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Méry, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soirée of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohémienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L’aurore serving as an introduction. In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi’s Il trovatore, as well as in Franz Liszt’s Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin’s Sonata in B minor. This version includes parts in B-flat treble clef as well as bass clef.
$22.50
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Air "Cujus Animam" from Rossini’s Stabat Mater for Trombone, Euphonium, Ophicleide, Baritone
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Gioachino Rossini/Franz Liszt
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Sean Brennan
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Air "Cujus Animam" from Rossin
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bl_music
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.842574 Composed by Gioachino Rossini/Franz Liszt....
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.842574 Composed by Gioachino Rossini/Franz Liszt. Arranged by Sean Brennan. Concert,Easter,Romantic Period,Standards. Score and parts. 13 pages. Bl_music #6644627. Published by bl_music (A0.842574). Air Cujus Animam from Rossini’s Stabat Mater for Trombone, Euphonium, Ophicleide, Baritone with Organ/Piano accompaniment.Franz Liszt has transcribed the Rossini Aria Cujus Animam from Stabat Mater for Trombone and Organ. This arrangement is short and very beautiful. Our edition is also suitable for Euphonium, Ophicleide and Baritone
$12.99
Petofi Elegy-Liszt-cornet-euphonium duet
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Classical
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Franz Liszt
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Phil Beaman
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Petofi Elegy-Liszt-cornet-euph
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Cornet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.845107 Composed by Franz Liszt. Arranged by Phil Beaman. Romant...
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Instrumental Duet Cornet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.845107 Composed by Franz Liszt. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 5 pages. Phil Beaman #6168261. Published by Phil Beaman (A0.845107).
$5.99
Ave Maria
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2 Euphoniums and 2 Tubas
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Classical
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Franz Liszt
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Angelo Manzo
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Ave Maria
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba quartet (EETT) - Digital Download SKU: CX.TEP10555 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. 18 pages. Published by Tuba-E...
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Tuba quartet (EETT) - Digital Download SKU: CX.TEP10555 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. 18 pages. Published by Tuba-Euphonium Press (CX.TEP10555).
$15.00
Pater Noster
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2 Euphoniums and 2 Tubas
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Classical
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Franz Liszt
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Angelo Manzo
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Pater Noster
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba quartet (EETT) - Digital Download SKU: CX.TEP10556 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. 10 pages. Published by Tuba-E...
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Tuba quartet (EETT) - Digital Download SKU: CX.TEP10556 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. 10 pages. Published by Tuba-Euphonium Press (CX.TEP10556).
$17.00
Pater Noster
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2 Euphoniums and 2 Tubas
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Franz Liszt
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Angelo Manzo
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Pater Noster
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba quartet (EETT) SKU: TE.TEP10556 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10556)....
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Tuba quartet (EETT) SKU: TE.TEP10556 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10556).
$17.00
Ave Maria
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2 Euphoniums and 2 Tubas
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Franz Liszt
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Angelo Manzo
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Ave Maria
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba quartet (EETT) SKU: TE.TEP10555 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10555)....
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Tuba quartet (EETT) SKU: TE.TEP10555 Composed by Franz Liszt. Arranged by Angelo Manzo. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10555).
$15.00
Romance oubliée (Forgotten Romance) for Euphonium & Piano
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Euphonium, Piano (duet)
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Classical
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Franz Liszt
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Sauer, Ralph
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Romance oubliée
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Cherry Classics
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SheetMusicPlus
Composed by Franz Liszt (1811-1886). Arranged by Sauer, Ralph. Romantic Period. 8 pages. Published by Cherry Classics (S0.138419). - - Romantic Period - Cherry...
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Composed by Franz Liszt (1811-1886). Arranged by Sauer, Ralph. Romantic Period. 8 pages. Published by Cherry Classics (S0.138419). - - Romantic Period - Cherry Classics
$15.00
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Consolation No. 3
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Euphonium, Piano (duet)
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Franz Liszt
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Timofei Dokshitser
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Consolation No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.46662 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts....
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.46662 Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 7 pages. Duration 3'55. Editions Marc Reift - Digital #46662. Published by Editions Marc Reift - Digital (R0.46662).
$11.95
Romance
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Euphonium, Piano (duet)
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Franz Liszt
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Timofei Dokshitser
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Romance
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 2 - Digital Download SKU: R0.40112 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium...
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Euphonium & Piano - Grade 2 - Digital Download SKU: R0.40112 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 8 pages. Duration 4'48. Editions Marc Reift - Digital #40112. Published by Editions Marc Reift - Digital (R0.40112).
$11.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Oh, Quand je Dors
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Euphonium, Piano (duet)
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Classical
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Franz Liszt
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Dan Bachelder
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Oh, Quand je Dors
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SheetMusicPlus
Composed by Franz Liszt (1811- 1886). Arranged by Dan Bachelder. 12 pages. Published by Tuba-Euphonium Press...
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Composed by Franz Liszt (1811- 1886). Arranged by Dan Bachelder. 12 pages. Published by Tuba-Euphonium Press
$17.00
Oh, Quand je Dors
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Franz Liszt
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Dan Bachelder
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Oh, Quand je Dors
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium solo with piano SKU: TE.TEP10554 Composed by Franz Liszt. Arranged by Dan Bachelder. Score. Published by Tuba-Euphonium Press (TE.TEP10554).
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Euphonium solo with piano SKU: TE.TEP10554 Composed by Franz Liszt. Arranged by Dan Bachelder. Score. Published by Tuba-Euphonium Press (TE.TEP10554).
$17.00
HUNGARIAN RHAPSODY NO 2 – BRASS QUARTET
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Classical
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Franz Liszt
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RUSSELL T
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HUNGARIAN RHAPSODY NO 2 – BR
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EMK Music
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.834087 Composed by Franz Liszt. Arranged by RUSSELL T. KING. Romantic Period,Standards. 48 pages. EMK Music #6480545. ...
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Level 5 - Digital Download SKU: A0.834087 Composed by Franz Liszt. Arranged by RUSSELL T. KING. Romantic Period,Standards. 48 pages. EMK Music #6480545. Published by EMK Music (A0.834087). This piece has been arranged for Brass Quartet comprising Trumpet 1 &2 (Bb Cornet/Flugel Horn), Trombone/Euphonium and Bass.  There are alternative parts for F Horn (Trombone/Euphonium), Eb Horn (Trombone/Euphonium), Bb Trombone/Euphonium in Treble and Bass Clef, Eb and Bb Bass in Treble and Bass Clef.One of the most recognizable pieces written for the piano, Liszt's Hungarian Rhapsody No. 2 has remained within popular culture in one way or another since he first penned the work in 1847. Performance time is around 7.30 but may be reduced to 4.50 by cutting the section from letter C to Letter D as indicated by the coda signs.
$14.00
Liebestraume
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Classical
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Franz Liszt
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Kenneth D
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Liebestraume
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KFS Publishing
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.699478 Composed by Franz Liszt. Arranged by Kenne...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.699478 Composed by Franz Liszt. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Score and parts. 9 pages. KFS Publishing #3005371. Published by KFS Publishing (A0.699478). Liszt's famous piano piece arranged for trombone or euphonium and piano.
$15.00
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Concert band
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ADVANCED
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Classical
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 4...
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Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Concert band
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ADVANCED
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Classical
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 2...
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Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99
Dreams of Love No. 3 for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Franz Liszt
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Diego Marani
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Dreams of Love No. 3 for Tromb
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Diego Marani
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1109030 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,St...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1109030 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #711574. Published by Diego Marani (A0.1109030). Liebesträume (German for Dreams of Love) is a set of three solo piano works by Franz Liszt, published in 1850. Liebestraum No. 3 (also called Nocturne) is the last of the three that Liszt wrote and the most popular. This easy/intermediate arrangement for trombone or euphonium with piano is suitable for classroom, repertoire, recital, wedding or simply for a beautiful encore.
$7.99
Les Preludes
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Concert band
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ADVANCED
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Classical
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Franz Liszt
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Adrian Horvath
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Les Preludes
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1503243 Composed by Franz Liszt. Arranged by Adrian Horvath. Classical,Romantic Period. 376 pages. Horv...
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Concert Band - Level 5 - Digital Download SKU: A0.1503243 Composed by Franz Liszt. Arranged by Adrian Horvath. Classical,Romantic Period. 376 pages. Horváth Adrián #1078727. Published by Horváth Adrián (A0.1503243). Visit my website: https://www.hadrian.hu15 minutes, 376 pagesInstrumentation: Full Score (A3 Portrait), Parts (A4 Portrait): Piccolo (Flute 3), Flute 1., 2., Oboe 1., 2., Bassoon 1., 2., Clarinet in Eb, Clarinet in Bb 1., 2., 3., Alto Clarinet in Eb, Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Flugelhorn 1., 2. (opt.), Trumpet in Bb 1., 2., 3., Horn in F 1., 2., 3., 4., Euphonium in C (B.C.), Trombone 1., 2., 3., Tuba 1., 2., Contra Bass, Timpani, Snare Drum, Bass Drum, Cymbals, Orchestral Bells, Vibraphone.Optional parts: Horn in Eb 1., 2., 3., 4., Euphonium in Bb (T.C.), Euphonium in Bb (B.C.), Trombone in Bb (T.C.) 1., 2., 3., Trombone in Bb (B.C.) 1., 2., 3., Tuba in Bb 1., 2. (T.C.), Tuba in Bb 1., 2. (B.C.), Tuba in Eb 1., 2. (T.C.).
$149.99
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