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9976
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Flute ensemble
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
12.79 €
#
Flute ensemble
#
Kathy Mattea
#
do Ray me "
#
Mary, Did You Know? for flute choir or flute ensemble
#
a " do Ray me " flute studio production
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549530 Composed by Edvard Grieg. A…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549530 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505767. Published by jmsgu3 (A0.549530). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
#
Flute and Piano
#
Edvard Grieg
#
Grieg: Ase's Death from Peer Gynt Suite for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549552 Composed by Edvard Grieg. A…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549552 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507521. Published by jmsgu3 (A0.549552). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.82 €
#
Flute and Piano
#
Edvard Grieg
#
Grieg: Anitra's Dance from Peer Gynt Suite for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549573 Composed by Edvard Grieg. A…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549573 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508701. Published by jmsgu3 (A0.549573). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.82 €
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Flute and Piano
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Edvard Grieg
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Flute & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Flute & Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.551503 Composed by Edvard Grieg. A…
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Flute,Piano - Level 4 - Digital Download SKU: A0.551503 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306331. Published by jmsgu3 (A0.551503). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.83 €
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Flute and Piano
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Edvard Grieg
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Grieg: Peer Gynt Suite Complete for Flute & Piano
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jmsgu3
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Flute Duet
2 Flutes (duet)
Flute Duet - Intermediate - Digital Download Composed by Traditional. Arranged by Dav…
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Flute Duet - Intermediate - Digital Download Composed by Traditional. Arranged by David McKeown. Jewish, Israeli, Klezmer, Wedding, Bar or Bat Mitzvah. Score. 5 pages. Published by David McKeown
Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Flutes.<br> <br> Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast.<br> <br> Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Flutes (duet)
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Traditional
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Silver Wedding, Klezmer Tune for Flute Duet
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Flute Duet
2 Flutes (duet)
Flute, Woodwind Duet, Flute Duet - Early Intermediate - Digital Download Composed by …
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Flute, Woodwind Duet, Flute Duet - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Sacred, General Worship, Repertoire, Easter. Score. 17 pages. Published by David McKeown
16 Favourite Easter Hymns for Flute Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Flute. You can watch and listen to two of the hymns (the Alto Saxophone version), via the YouTube link above.<br> <br> 16 Favourite Easter Hymns for Flute Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Flute Duet useful for building ensemble, reading and rhythmic skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Creatures of Our God and King, (Lasst Uns Erfreuen)<br> <br> · All Hail the Power of Jesus Name, (Coronation)<br> <br> · Before the Throne of God Above, (Before the Throne)<br> <br> · Blessed Assurance, (Blessed Assurance)<br> <br> · Christ the Lord is Risen Today, (Easter Hymn)<br> <br> · Crown Him with Many Crowns, (Diademata)<br> <br> · The Day of Resurrection, (Ellacombe)<br> <br> · Just as I Am, (Woodworth)<br> <br> · I Know that My Redeemer Lives, (Bradford)<br> <br> · It is Well with My Soul, (Ville du Havre)<br> <br> · A Mighty Fortress is Our God, (Ein Feste Burg)<br> <br> · Nothing But the Blood of Jesus, (What Can Wash Away My Sin)<br> <br> · There is a Green Hill Far Away, (The Green Hill)<br> <br> · Thine Be the Glory, (Judas Maccabeus)<br> <br> · Were You There? (Were You There?)<br> <br> · When I Survey the Wondrous Cross, (Hamburg)
$8.99
8.22 €
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2 Flutes (duet)
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Various
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16 Favourite Easter Hymns for Flute Duet
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David McKeown
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SheetMusicPlus
Amazing Grace, Gospel style for Flute Duet
2 Flutes (duet)
Flute Duet - Intermediate - Digital Download Composed by John Newton. Arranged by Da…
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Flute Duet - Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score. 5 pages. Published by David McKeown
This gospel version of Amazing Grace is arranged as a duet for two Flutes. Written in 1773 by John Newton and set to the traditional melody New Britain, Amazing Grace is perhaps the best-known and best-loved hymn in the world.<br> <br> John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style.<br> <br> Amazing Grace is played three times, once in the traditional style in 3/4, then twice in a gospel swing style in 4/4. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.<br> <br> Amazing Grace is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Amazing Grace is perfect for worship and concert performances, both formal and informal.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Flutes (duet)
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John Newton
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Worship
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Amazing Grace, Gospel style for Flute Duet
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David McKeown
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SheetMusicPlus
Handel: Largo from Xerxes for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549375 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492231. Published by jmsgu3 (A0.549375). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.14 €
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Flute and Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Flute & Piano
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jmsgu3
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SheetMusicPlus
Christmas and Carols to download for flute quartet
Flute Quartet: 4 flutes
This is an exclusive arrangements for flute quartet of EASY skill level from the original …
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This is an exclusive arrangements for flute quartet of EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas, etc.,no.3,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival,children
$7.75
7.09 €
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Flute Quartet: 4 flutes
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Christmas and Carols to download for flute quartet
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Virtualsheetmusic
Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Go…
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Flute,Piano - Level 2 - Digital Download SKU: A0.550916 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888273. Published by jmsgu3 (A0.550916). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.14 €
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Flute and Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.82 €
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Flute and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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jmsgu3
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SheetMusicPlus
The Candy Cakewalk, for Flute Duet
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.591145 Composed by David McKe…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.591145 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6284969. Published by David McKeown (A0.591145). The Candy Cakewalk is a fun and original duet written by David McKeown for two Flutes. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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2 Flutes (duet)
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David McKeown
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The Candy Cakewalk, for Flute Duet
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David McKeown
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Flute and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
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SheetMusicPlus
All You Need Is Love, by the Beatles, for Flute Duet
2 Flutes (duet)
Flute Duet - Intermediate - Digital Download By The Beatles. Arranged by David McKeow…
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Flute Duet - Intermediate - Digital Download By The Beatles. Arranged by David McKeown. Score. 5 pages. Published by David McKeown
All You Need Is Love by the Beatles, was written in 1967 especially for the world’s first live satellite TV transmission. John Lennon answered the BBC’s commission to write a positive song with easy-to-understand lyrics for an international audience. All You Need Is Love was recorded live in a TV studio with many famous contemporary artists such as Eric Clapton and Mick Jagger singing along.<br> <br> This version of All You Need Is Love is arranged as a duet for two Flutes.<br> <br> Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around three and a half minutes. The full YouTube performance linked above is the Clarinet version of this duet.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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2 Flutes (duet)
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The Beatles
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All You Need Is Love, by the Beatles, for Flute Duet
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David McKeown
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Flute and Alto Flute Duet
2 Flutes (duet)
Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.589…
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Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.589310 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 5 pages. David McKeown #6022225. Published by David McKeown (A0.589310). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Alto Flute. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Flutes (duet)
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Traditional
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Silver Wedding, Klezmer Tune for Flute and Alto Flute Duet
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David McKeown
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.14 €
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Flute and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Flute & Piano
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jmsgu3
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SheetMusicPlus
When The Party's Over for flute quintet or small flute ensemble
Flute Quintet : 5 flutes
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flut…
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Intermediate - Digital Download By Billie Eilish. Arranged by a " do Ray me " flute studio production, Ray-Michael Kauffman. Individual Part, Lead Sheet, Octavo, Score, Set of Parts, Sheet Music Single, Solo Part. 29 pages. Published by a " do Ray me " flute studio production
When the Party's over for flute quintet or small flute ensemble<br> <br> https://youtu.be/-yE2CbZcCQg<br> <br> https://youtu.be/lP6zqU_irNg<br> <br> <br> <br> by billie eilish, and arranged by me, ray-michael kauffman.<br> this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.<br> When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .<br> I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.<br> To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;<br> https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545<br> and check my website out, www.doRaymeflute.com<br> thank you for taking something so precious, as your time for me and this cause.
$12.99
11.88 €
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Flute Quintet : 5 flutes
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Billie Eilish
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do Ray me "
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When The Party's Over for flute quintet or small flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
3 Irish Folksongs set for 5 Flutes
Flute ensemble
Flute, Woodwind Quintet - Advanced Intermediate - Digital Download Composed by Tradit…
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Flute, Woodwind Quintet - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Charles Stanford, John Gibson. Folk, Celtic, St. Patrick's Day, Recital. Score, Set of Parts. 35 pages. Published by JB Linear
3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.
$15.00
13.72 €
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Flute ensemble
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Traditional
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3 Irish Folksongs set for 5 Flutes
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JB Linear
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.85 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
The Candy Cakewalk, for Flute and Alto Flute Duet
2 Flutes (duet)
Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.591…
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Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.591139 Composed by David McKeown. Easter,Folk,Jazz,Traditional. Score and parts. 4 pages. David McKeown #6284957. Published by David McKeown (A0.591139). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Alto Flute. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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2 Flutes (duet)
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David McKeown
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The Candy Cakewalk, for Flute and Alto Flute Duet
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David McKeown
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SheetMusicPlus
The Marriage of Figaro for Flute Choir 3 Cavatina
Flute ensemble
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.747386 Composed by Wol…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.747386 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 15 pages. Darrell Harrison Goforth #484313. Published by Darrell Harrison Goforth (A0.747386). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. In this Cavatina, Figaro is imagining what he will do foil Count Almaviva in his plot to send Figaro on a tour and force himself on the new bride, Susanna. Contact me with questions or comments at: dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.
$15.99
14.62 €
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Flute ensemble
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Wolfgang Amadeus Mozart
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The Marriage of Figaro for Flute Choir 3 Cavatina
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Darrell Harrison Goforth
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SheetMusicPlus
Bach: Wachet auf BWV 140 for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
24.65 €
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Flute and Piano
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Johann Sebastian Bach
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Bach: Wachet auf BWV 140 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.54 €
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Flute ensemble
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Johann Sebastian Bach
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#
Bach: Wachet auf for Flute Choir
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jmsgu3
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SheetMusicPlus
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