Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
510
Digital
Sheet Music
464
Sheet Music
Books
2,205
Music
Equipment
77
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
81
PIANO & KEYBOARDS
Piano solo
72
Easy Piano
25
Organ
15
Piano, Voice
9
Piano, Vocal and Guitar
3
C Instruments
2
1 Piano, 6 hands
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
5
Guitar
2
Mandolin
1
Melody line, (Lyrics) and Chords
1
Dulcimer
1
VOICE
Choral SATB
24
High voice
14
Choral 2-part
11
Choral 3-part
5
Choral Unison
4
Choral
2
Voice solo
2
Baritone voice, Piano
1
Choral TTBB
1
Vocal duet
1
Instrumentations suivantes
Retracter
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7
Alto Saxophone and Piano
7
Flute and Piano
6
Clarinet
4
Saxophone Quartet: 4 saxophones
4
Soprano Saxophone and Piano
3
2 Clarinets (duet)
3
Oboe, Piano (duet)
3
Flute
3
Clarinet Ensemble
3
Tenor Saxophone and Piano
3
2 Flutes (duet)
3
Clarinet and Piano
3
3 Clarinets (trio)
2
Clarinet Quartet: 4 clarinets
2
Saxophone (band part)
2
Flute, Oboe, Clarinet, Bassoon
2
Clarinet, Violin (duet)
1
Recorder
1
Oboe, Clarinet (duet)
1
Flute, Violin
1
Bass Clarinet
1
Flute, Saxophone (duet)
1
Flute, Clarinet (duet)
1
Saxophone, Clarinet (duet)
1
Flute Trio: 3 flutes
1
2 Saxophones (duet)
1
Alto Saxophone
1
Tenor Saxophone
1
3 Saxophones (trio)
1
Clarinet, Cello (duet)
1
Saxophone ensemble
1
Clarinet and Viola
1
Flute, Oboe, Clarinet (trio)
1
Bass Clarinet, Piano
1
Flute Quartet: 4 flutes
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet
5
Brass quartet : 2 trumpets, trombone, tuba
4
Trombone
3
Brass Quintet: 2 trumpets, horn, trombone, tuba
3
French Horn and Piano
3
3 Trombones (trio)
2
Tuba and Piano
2
Trombone and Piano
2
Brass Quartet: 4 trombones
1
Trumpet, Saxophone (duet)
1
Tuba and Organ
1
Trumpet, Trombone (duet)
1
Tuba
1
Brass Quartet: 2 trumpets, horn, trombone
1
2 Trombones (duet)
1
Trumpet, Piano
1
Instrumentations suivantes
Retracter
STRINGS
Cello, Piano
7
Violin and Piano
6
Violin
5
String Quartet: 2 violins, viola, cello
5
Double bass, Piano (duet)
3
Viola, Piano
3
2 Violins (duet)
2
Violin, Cello (duet)
2
2 Violas (duet)
2
String Trio: 3 cellos
1
Cello (band part)
1
Viola, Cello (duet)
1
Cello
1
Violin, Viola (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
String Orchestra
9
Orchestra
6
Brass ensemble
5
Percussion Ensemble
4
Chamber Orchestra
2
Handbells
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
fourteen
Sheetmusic to print
464 sheet music found
<
1
26
51
....
451
fourteen
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.954269 Composed by Adam Sc…
(+)
Percussion Ensemble - Level 3 - Digital Download SKU: A0.954269 Composed by Adam Scott Neal. 20th Century,Contemporary,Pop. Score and parts. 41 pages. Adam Scott Neal #2807645. Published by Adam Scott Neal (A0.954269). Program note:fourteen, for percussion ensemble, is a mellow piece for a rainy day.Performance note:fourteen is written for early high school level percussion ensemble. While rhythmically simple, the players are encouraged to focus on the small details and changes in their parts, as well as the ways in which their parts work together. Seven players: glock/chimes, vibraphone, marimba, woodblock/cowbell, snare/tom, cymbals, cymbals.
$17.99
16.81 €
#
Percussion Ensemble
#
Adam Scott Neal
#
fourteen
#
Adam Scott Neal
#
SheetMusicPlus
Fourteen Carat Mind
Guitar notes and tablatures
Electric Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1402587 By G…
(+)
Electric Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1402587 By Gene Watson. By Dallas Frazier and Larry Lee. Arranged by Manuel Guinand. Blues,Country,Folk,Singer/Songwriter. 13 pages. Aumaitre Guinand #985814. Published by Aumaitre Guinand (A0.1402587). Arrangement for two guitars of Gene Watson's song Fourteen Carat Mind as performed by The Don Kelley Band. Original key. Ideal for intermediate players.
$20.00
18.68 €
#
Guitar notes and tablatures
#
Gene Watson
#
Fourteen Carat Mind
#
Aumaitre Guinand
#
SheetMusicPlus
Fourteen Angels (Downloadable Guitar/Choral Score)
Choir and various instruments - Digital Download SKU: MQ.8461B-E Composed by Jeffre…
(+)
Choir and various instruments - Digital Download SKU: MQ.8461B-E Composed by Jeffrey Van. Part. 7 pages. E. C. Schirmer Music Company - Digital #8461B-E. Published by E. C. Schirmer Music Company - Digital (MQ.8461B-E). UPC: 600313600197.
$2.25
2.1 €
#
Jeffrey Van
#
Fourteen Angels
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Fourteen Angels (Downloadable Harp Part)
Choir and various instruments - Digital Download SKU: MQ.8461A-E Composed by Jeffre…
(+)
Choir and various instruments - Digital Download SKU: MQ.8461A-E Composed by Jeffrey Van. Guitar part. 3 pages. E. C. Schirmer Music Company - Digital #8461A-E. Published by E. C. Schirmer Music Company - Digital (MQ.8461A-E). UPC: 600313600180.
$5.00
4.67 €
#
Jeffrey Van
#
Fourteen Angels
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Fourteen Angels (Downloadable Harp [Piano]/Choral Score)
Choral SATB
SATB choir and harp (or piano) or guitar - Moderately Easy - Digital Download SKU: MQ.8…
(+)
SATB choir and harp (or piano) or guitar - Moderately Easy - Digital Download SKU: MQ.8461-E Composed by Jeffrey Van. Advanced/Collegiate. Christmas, Memorial, 21st Century, Hope/Assurance, Lament/Grief/Sorrow. Guitar/choral score. 8 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8461-E. Published by E. C. Schirmer Music Company - Digital (MQ.8461-E). UPC: 600313484612. English.The intertwining of friendship and the guitar engendered this composition. Christine and Jerry da Silva are close friends of Kurt Wolf, with whom Jerry studies guitar; Kurt is my close friend, who studied with me for his MM in classical guitar at the University of Minnesota. Following the tragic loss of their infant daughter, Elena, at the age of one month, Kurt commissioned this work for chorus and guitar to offer his friends the gift of something lasting in the face of impermanence. As requested, I incorporated the Catalan carol, El Noi de la Mare, which is also famous as a guitar solo. It was always the father's intention that this gift would eventually be placed in service as a soothing lullaby, one
$2.25
2.1 €
#
Choral SATB
#
Jeffrey Van
#
Fourteen Angels
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
"In Fourteen Hundred Ninety-Two..."
Piano solo
Digital Download SKU: HX.438055 Edited by William L. Gillock. Classical. Educationa…
(+)
Digital Download SKU: HX.438055 Edited by William L. Gillock. Classical. Educational Piano. 3 pages. Published by Hal Leonard - Digital (HX.438055).
$4.99
4.66 €
#
Piano solo
#
"In Fourteen Hundred Ninety-Two..."
#
Hal Leonard - Digital
#
SheetMusicPlus
Fourteen Aubades
Piano solo
Piano - Digital Download SKU: S9.Q3357 Composed by Peter Racine Fricker. This editi…
(+)
Piano - Digital Download SKU: S9.Q3357 Composed by Peter Racine Fricker. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q3357. Published by Schott Music - Digital (S9.Q3357).
$9.99
9.33 €
#
Piano solo
#
Peter Racine Fricker
#
Fourteen Aubades
#
Schott Music - Digital
#
SheetMusicPlus
Fourteen/Fifteen
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028335 Composed…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028335 Composed by Elecktra Dawn. Contemporary. Score and parts. 13 pages. Elecktra Dawn #3506389. Published by Elecktra Dawn (A0.1028335).
$8.00
7.47 €
#
String Quartet: 2 violins, viola, cello
#
Elecktra Dawn
#
Fourteen/Fifteen
#
Elecktra Dawn
#
SheetMusicPlus
Fourteenth Sonata for Piano Solo in D-do
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.976231 Composed by Henry Pool. 20th…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.976231 Composed by Henry Pool. 20th Century,Contemporary. Score. 42 pages. Viola Editions #443461. Published by Viola Editions (A0.976231). A brilliant sonata you'll want to play again and again.
$6.90
6.45 €
#
Piano solo
#
Henry Pool
#
Fourteenth Sonata for Piano Solo in D-do
#
Viola Editions
#
SheetMusicPlus
Fourteenth Sunday in Ordinary Time B (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-114E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-114E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-114E). English. Psalms 123.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.34 €
#
Choral SATB
#
Luke Mayernik
#
Fourteenth Sunday in Ordinary Time B
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Fourteenth Sunday in Ordinary Time C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-115E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-115E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-115E). English. Psalms 66.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.34 €
#
Choral SATB
#
Luke Mayernik
#
Fourteenth Sunday in Ordinary Time C
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Fourteenth Sunday in Ordinary Time A (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-113E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-113E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-113E). English. Psalms 145.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.34 €
#
Choral SATB
#
Luke Mayernik
#
Fourteenth Sunday in Ordinary Time A
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Fourteenth Contradanza: Blowball
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.665631 By Domina Petric. By Domina …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.665631 By Domina Petric. By Domina Petric. Arranged by Domina Petric. Contemporary,Jazz,Multicultural,Traditional,World. Score. 2 pages. Domina Petric #274653. Published by Domina Petric (A0.665631). Contradanza Blowball, from album Contradanzas, contemporary-jazz-traditional fusion.
$3.33
3.11 €
#
Piano solo
#
Domina Petric
#
Fourteenth Contradanza: Blowball
#
Domina Petric
#
SheetMusicPlus
Fourteenth Century Counterpoint: Chantilly Codex
Guitar
By Various. Arranged by Colin McAllister. For solo guitar. Level 3. 12 pages. Published by…
(+)
By Various. Arranged by Colin McAllister. For solo guitar. Level 3. 12 pages. Published by Les Productions d'OZ - Digital
$6.95
6.49 €
#
Guitar
#
Various
#
Fourteenth Century Counterpoint: Chantilly Codex
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Prelude No. 9 in D minor, Op. 20 by Juozas Naujalis (1869–1934)
Organ
Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1251259 By Vida P…
(+)
Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1251259 By Vida Prekerytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 3 pages. Nacionaline vargonininku asociacija #845537. Published by Nacionaline vargonininku asociacija (A0.1251259). 14 Preludes, Op. 20. Fourteen pieces for organ, dedicated to a “beloved friend, Fr. Teodoras Brazys,†presents the largest collection of works for this instrument in Naujalis’ oeuvre. Like Naujalis, Brazys was the graduate of the Church Music School in Regensburg. These fourteen preludes for organ appear to be written in expression of deep affinity and gratitude to a like-minded friend who shared similar values. Some of Naujalis’ organ preludes have been included in music collections abroad – by Mieczysław Surzyński in Warsaw and Joseph Joubert in Paris. Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$4.99
4.66 €
#
Organ
#
Vida PrekerytÄ—
#
Prelude No. 9 in D minor, Op. 20 by Juozas Naujalis
#
Nacionaline vargonininku asociacija
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.73 €
#
Choral TTBB
#
Arlo Guthrie
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
'Introduction and Elegy' from Five Longer Piano Pieces
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1007136 Composed by Charles McCreer…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1007136 Composed by Charles McCreery. 20th Century,Contemporary. Score. 9 pages. St Maur Music #3538153. Published by St Maur Music (A0.1007136). This piece is the penultimate number in the collection: Five Longer Piano Pieces. Duration: 5 minutes. Difficulty: Intermediate (Grade 3)Appropriate for schools and students. ‘Charles McCreerys beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ - Samantha Gillogly, violinist Charles McCreery was educated at Eton and New College, Oxford. While at Eton he won the Rowe Cup for junior pianists, and in his final year performed Weber's Konzertstück with a chamber orchestra. As an undergraduate he studied piano with Hilda Bor, and won a piano class, adjudicated by Herbert Howells, at the Willesden Music Festival. From 1988 to 1991 he held a Perrott Warrick Studentship from Trinity College, Cambridge, and he has a doctorate from Oxford University. From 1996 to 2000 he was a College Lecturer at Magdalen College, Oxford. In 1996 Charles McCreery's 'Elegy for Violin and Piano' was shortlisted for the Match Composition Prize. A comment on Charles McCreery’s collection of Tolkien songs: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved.’ - Dr Julia Gasper, LGSM A bound and illustrated vocal score (voice parts with piano accompaniment) of the complete set of his ‘Fourteen Tolkien Songs for Childrens Voices’ is available from Amazon:http://www.amazon.com/Fourteen-Tolkien-Songs-Childrens-Voices/dp/1492187534 A CD of twelve of Charles McCreery’s orchestral pieces can also be purchased from Amazon:http://www.amazon.com/Music-King-Eldred-opera-children/dp/B00LWEEMHA/ref=sr_1_1?s=music&ie=UTF8&...... Individual tracks from the CD can be purchased here: https://stmaurmusic.bandcamp.com/Charles McCreery’s Social Media Channels:Facebook: https://www.facebook.com/charles.mccreeryhttps://www.facebook.com/St-Maur-Music-164619846916182/https://www.facebook.com/Tolkien-Songs-for-Childrens-Voices-259698587390960/Twitter:
$3.99
3.73 €
#
Piano solo
#
Charles McCreery
#
'Introduction and Elegy' from Five Longer Piano Pieces
#
St Maur Music
#
SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.78 €
#
Cello, Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.65 €
#
Viola, Piano
#
Camille Saint-Saens
#
Saint-Saens: The Swan for Viola and Piano
#
jmsgu3
#
SheetMusicPlus
5 Duos in 3 Clefs for Trombones
2 Trombones (duet)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gio…
(+)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gordon Cherry #887420. Published by Gordon Cherry (A0.1297340). Here is what arranger David Mathie writes about the 5 Duos by Rossini.Gioachino Rossini was an Italian composer, born in 1792 and died in 1868. He was known primarily for his thirty-nine operas, although he did compose some chamber pieces and a few orchestral works. His 5 Duos for 2 Horns in E♠were probably written in 1806 when Rossini was fourteen and living in Bologna, although they weren’t published until 1861. While it may seem unusual for a fourteen-year-old to be composing, by then Rossini had already written his String Sonatas at the age of twelve, and those works are still performed today. An explanation for why Rossini would write a set of duets for horn may be that his father was a professional trumpet player, and taught his son Gioachino to play the horn at a very young age.These five pieces were written for the natural (valveless) horns of the time, and like the horn writing of Mozart some very technical passages can be found in the lower part, especially in duets four and five. We can also hear the future opera composer’s arias in number three. The duos will work quite well on recitals and also for casual duet playing. Because trombonists can never have enough practice in clefs, I have transcribed the duets into three versions each using bass, tenor and alto clefs.The 5 Duos in 3 Clefs by Rossini arranged by David Mathie are perfect studies for any aged performer to begin learning Tenor and Alto Clefs. The duet format allows the teacher to play alongside the student, which is always so valuable for learning. They are of moderate difficulty making them well-suited for the Clef Novice to begin adding these necessary tools to their technique.
$17.50
16.35 €
#
2 Trombones (duet)
#
Gioachino Rossini
#
5 Duos in 3 Clefs for Trombones
#
Gordon Cherry
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.78 €
#
French Horn and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Bass Clarinet
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
(+)
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.78 €
#
Bass Clarinet
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.78 €
#
Clarinet and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
(+)
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.78 €
#
Flute and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.78 €
#
Alto Saxophone and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
451
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
