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101
I Left My Heart In San Francisco
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853817 By Tony Bennett. By…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853817 By Tony Bennett. By George Cory. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 3 pages. Larry Wright #4631247. Published by Larry Wright (A0.853817). A WOMEN'S 4-part, a cappella, barbershop ballad arrangement of this very popular, classic song; not contestable in SAI.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my learning trax from my website store... and the SMP per-copy price is anything but $1.89 per-copy, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00
13.86 €
#
Choral SSAA
#
Tony Bennett
#
not contestable in SAI
#
I Left My Heart In San Francisco
#
Larry Wright
#
SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
#
Cello, Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.29 €
#
Viola, Piano
#
Camille Saint-Saens
#
Saint-Saens: The Swan for Viola and Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
#
French Horn and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for French Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Bass Clarinet
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
(+)
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
#
Bass Clarinet
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
#
Clarinet and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
(+)
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
#
Flute and Piano
#
Camille Saint-Saens
#
Saint-Saëns: The Swan for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
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Alto Saxophone and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
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Soprano Saxophone and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-S…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
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Oboe, Piano (duet)
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Camille Saint-Saens
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Saint-Saëns: The Swan for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Violin and Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.29 €
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Violin and Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Violin and Piano
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jmsgu3
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SheetMusicPlus
Octopus's Garden
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853911 Composed by …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853911 Composed by John Lennon, Paul McCartney, and Richard Starkey. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #4736905. Published by Larry Wright (A0.853911). A WOMEN'S 4-part, a cappella, barbershop arrangement of a fun, uptempo'd Beatles tune; not contestable in SAI.IMPORTANT NOTE: by FIRST purchasing a COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part predominant vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,.... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy price to the publisher who controls the song licensing.NOTE: If the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!! Email me  <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a 10-copy minimum purchase for all choral arrangements... to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>.
$1.99
1.84 €
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Choral SSAA
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John Lennon, Paul McCartney, and Richard Starkey
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not contestable in SAI
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Octopus's Garden
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Larry Wright
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 14 Canton Appenzell Ausserrhoden – Ecossaise
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182884 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182884 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 3 pages. Helene Schulthess #782632. Published by Helene Schulthess (A0.1182884). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.54 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 14 Canton Appenzell Ausserrhoden – Ecossaise
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Helene Schulthess
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SheetMusicPlus
Almost Like Being In Love
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1231339 By David Brooks An…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1231339 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Ruby Rhea. Barbershop,Broadway,Jazz,Musical/Show,Pop. Octavo. 4 pages. Ken Potter #827026. Published by Ken Potter (A0.1231339). This arrangement for mixed SATB was originally written by Ruby Rhea for SAI. Â I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. Â As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Â Please observe all copyright laws and contest rules for clearance. Â Ruby wanted her charts to be used by the public legally. Â Please note that I do not receive compensation for managing her charts. Â Contact me directly if you need to speak to me about Ruby Rhea's material. Â (310-702-5285).
$2.00
1.85 €
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Choral SATB
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David Brooks And Marion Bell
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Almost Like Being In Love
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Ken Potter
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SheetMusicPlus
Sailing to a Sunset
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1242747 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1242747 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 5 pages. Suzanne Herman Music #837838. Published by Suzanne Herman Music (A0.1242747). Sailing to a Sunset musically describes the northernmost point of Anna Maria Island on the west coast of Florida. It is where Tampa Bay meets the Gulf of Mexico. Here, the sunsets are iconic; each sunset is different and unique. Experiencing a sunset is saying goodbye to yet another day. Whether you walk the beach or are sailing to the horizon, people never get tired of watching a sunset.This descriptive piano solo, Sailing to a Sunset, from the solo piano album A Seaside View, has a gentle flow with a tempo marking of Andantino. There is ample opportunity for expressive rubato; with a wide dynamic range. In the key of F minor, the rhythmic syncopation creates constant interest making this piano solo a spectacular piece for students and audiences alike! Sailing to a Sunset can be found worldwide on all major listening platforms including Pandora, Spotify, Apple Music, SoundCloud and more. For more information on Suzanne Herman:Website FacebookInstagramYoutube ChannelRegister for Newsletter
$5.50
5.08 €
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Piano solo
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Suzanne Herman
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Sailing to a Sunset
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Suzanne Herman Music
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SheetMusicPlus
Saint Anne's Reel
Violin
Violin Solo - Level 2 - Digital Download SKU: A0.1113810 Composed by Old-time Fiddl…
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Violin Solo - Level 2 - Digital Download SKU: A0.1113810 Composed by Old-time Fiddle Tune. Arranged by Sandy McIntire. Celtic,Contest,Country,Festival,Folk,Instructional,Irish. 4 pages. Sandy McIntire #715707. Published by Sandy McIntire (A0.1113810). St. Anne's Reel is currently recognized as an old-time, bluegrass, New England and French-Canadian tune with many variations played on a number of instruments including the fiddle, mandolin, and penny whistle. It is arranged here for an Easy Intermediate fiddler, violinist, or mandolin player. It contains three variations played by West Virginia Fiddler Sandy Mcintire, starting with the simplest of versions, followed by a more elaborate, notey version, and a final variation using double-stops or drones. It is included in the Mountain Mommas Fiddle Tune series. Other tunes in the series include Whiskey Before Breakfast and Life Is Like a Mountain Railroad..
$3.99
3.69 €
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Violin
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Old-time Fiddle Tune
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Saint Anne's Reel
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Sandy McIntire
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SheetMusicPlus
2018 Holiday Contest Entry, "Away in a Manger"
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.924177 Composed by James R. Murray…
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Solo Guitar - Level 3 - Digital Download SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual part. 2 pages. Ralph scott carrier #3680995. Published by ralph scott carrier (A0.924177). The beloved Away in a Manger, known to children from two years of age and up. In the key of D (major,) a simple and well known melody. Note: Although I do consider this a simple little song, any thought that this is an unusually easy guitar arrangement would be a mistake. This is, in fact, a rather challenging arrangement, especially the way I have tabbed it. Measures 6 - 9 are particularly difficult. If you can find an easier way to finger it, more power to you. Some contradictory information has been found regarding the attribution of the opus. Some have suggested it was from Martin Luther (himself,) but others have said it was written for his 400th anniversary. But the hymn book I found it in (to copy the lyrics) attributes it to a James R. Murray, so I have also given him credit. It was first published in 1884, in any event.
$1.99
1.84 €
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Guitar
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James R
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2018 Holiday Contest Entry, "Away in a Manger"
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ralph scott carrier
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SheetMusicPlus
51 Trombone Quartets - Part 4 Eb Bass in Treble Clef
Brass Quartet: 4 trombones
Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba -…
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Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1336713 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Classical,Contest,Festival,Folk,Medieval,Traditional. 71 pages. John van Gulik #922489. Published by John van Gulik (A0.1336713). Here is a collection of 51 performance oriented arrangements for Trombone Quartet complete with a cover page and index. Â Each part is sold as a separate book that may be printed double sided for convenience. Â All of the arrangements are also available for individual purchase. Â Note that these arrangements will work with most brass quartets using various instrumentation.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sPart 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone in Bass clefPart 4 - Eb and Bb Bass in Treble clefMany of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsAbendfeier in VenedigAch Elselein, Â Liebses Elslein meinAdagio for Horn QuartetAir from RinaldoAir on a G StringAmazing GraceAve VerumBeautiful SaviourDer FreischutzEternal FatherFarewell to Nova ScotiaGreensleevesHornpipe from Water MusicHow Beautiful the SkiesHymn of the CherubimJupiterLand of the Silver BirchMy Bonnie LassMy Luve is like a Red Red RoseNearer My God to TheeNessun DormaNimrodO Magnum MysteriumPassion ChoraleSarabandeSecond Suite in F - Song Without WordsShe's Like the SwallowShenandoahThe Leaves of the FallTrisagionUn Canadien errantVa Pensiero from NabuccoWaly, WalyWhen the SaintsDouble Page QuartetsAchieved is the Glorious WorkBeethoven Fifth SymphonyChriste Redemptor OmniumDanny BoyElsa's Procession to the CathedralGoing HomeHall of the Swing KingHallelujah ChorusItalian Anthem Inno di MameliLa ChasseLiberty BellLittle Light SwingNobody KnowsSecond Suite in F - MarchShostakovich Waltz No 2Swing LowThree Equali.
$20.00
18.48 €
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Brass Quartet: 4 trombones
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John van Gulik
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51 Trombone Quartets - Part 4 Eb Bass in Treble Clef
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John van Gulik
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SheetMusicPlus
51 Trombone Quartets - Part 4 Bb Bass in Treble Clef
Brass Quartet: 4 trombones
Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba -…
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Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1336714 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Classical,Contest,Festival,Folk,Medieval,Traditional. 71 pages. John van Gulik #922490. Published by John van Gulik (A0.1336714). Here is a collection of 51 performance oriented arrangements for Trombone Quartet complete with a cover page and index. Â Each part is sold as a separate book that may be printed double sided for convenience. Â All of the arrangements are also available for individual purchase. Â Note that these arrangements will work with most brass quartets using various instrumentation.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sPart 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone in Bass clefPart 4 - Eb and Bb Bass in Treble clefMany of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsAbendfeier in VenedigAch Elselein, Â Liebses Elslein meinAdagio for Horn QuartetAir from RinaldoAir on a G StringAmazing GraceAve VerumBeautiful SaviourDer FreischutzEternal FatherFarewell to Nova ScotiaGreensleevesHornpipe from Water MusicHow Beautiful the SkiesHymn of the CherubimJupiterLand of the Silver BirchMy Bonnie LassMy Luve is like a Red Red RoseNearer My God to TheeNessun DormaNimrodO Magnum MysteriumPassion ChoraleSarabandeSecond Suite in F - Song Without WordsShe's Like the SwallowShenandoahThe Leaves of the FallTrisagionUn Canadien errantVa Pensiero from NabuccoWaly, WalyWhen the SaintsDouble Page QuartetsAchieved is the Glorious WorkBeethoven Fifth SymphonyChriste Redemptor OmniumDanny BoyElsa's Procession to the CathedralGoing HomeHall of the Swing KingHallelujah ChorusItalian Anthem Inno di MameliLa ChasseLiberty BellLittle Light SwingNobody KnowsSecond Suite in F - MarchShostakovich Waltz No 2Swing LowThree Equali.
$20.00
18.48 €
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Brass Quartet: 4 trombones
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John van Gulik
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51 Trombone Quartets - Part 4 Bb Bass in Treble Clef
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John van Gulik
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SheetMusicPlus
Taking A Chance On Love
Choral SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1292232 Composed by…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1292232 Composed by John La Touche, Ted Fetter, and Vernon Duke. Arranged by Susan Kegley C.M.A. A Cappella,Barbershop,Broadway,Musical/Show,Pop,Standards. 4 pages. Susan Kegley A Cappella #882844. Published by Susan Kegley A Cappella (A0.1292232). This fun, swingy up-tune, arranged for SSAA voices in the barbershop style, will have your audience tapping their toes and snapping their fingers along with you! Â Barbershop voicing is labeled Tenor, Lead, Bari, Bass and notes in the bass clef are sung an octave higher than written. Â Suitable for contest in SAI, BHS, HI and should be very singable by C and C+ level ensembles and above.
$1.99
1.84 €
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Choral SSAA
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John La Touche, Ted Fetter, and Vernon Duke
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Taking A Chance On Love
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Susan Kegley A Cappella
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SheetMusicPlus
A Mariner's Trilogy
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.727097 Composed by Carol Troutman W…
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Piano Solo - Level 4 - Digital Download SKU: A0.727097 Composed by Carol Troutman Wiggins. Children,Contemporary,Contest,Festival,Folk,Instructional. Score. 11 pages. Carol Troutman Wiggins #2880411. Published by Carol Troutman Wiggins (A0.727097). A MARINER’S TRILOGY Solo Piano, Late Intermediate A three part contemporary suite filled with imagery of a boat and a mariner caught in a storm out to sea. I. Majestic Tide · Full chords in right hand, moving eighth note bass in left hand · Accented notes and 16th note staccatos · Wide range of crescendos and decrescendos II. Waves of Fury Crashing waves, boat is tossed and turned in the towering waves · Booming eighth note pattern in left hand · Ascending 16th to eighth note scales in right hand · Accents, staccatos, dynamics · Modulation from key of Cm to Dm III. Fair Winds, Following Seas Song describes the storm blowing over, waves subsiding, the sun peeking through, and safe sailing ahead. Fair winds, following seas is a term used by mariners, who use this term synonymously with the points of sail below a beam reach, since the wind direction is generally the same as the sea direction. Therefore, the phrase Fair winds and following seas, implies that a vessel will have good winds, and not have to pound into the waves. – Wikipedia · 6/8 time signature, key of C major · Flowing, lilting melody · Left hand arpeggios, single note melody with some full chords in right hand · Decrescendos and mp-p dynamics
$7.99
7.38 €
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Piano solo
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Carol Troutman Wiggins
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A Mariner's Trilogy
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Carol Troutman Wiggins
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SheetMusicPlus
Messin' With Fire
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856223 By Clare Teal. By C…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856223 By Clare Teal. By Clare Teal and Nigel John Stonier. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #4612541. Published by Liz Garnett (A0.856223). Clare Teal's jazz original explores the disruptive power of desire and the universality of risk-taking in human life. It is ambiguous as to whether the song is celebrating these qualities or warning us about them, but it certainly refuses to accept hypocrisy on the matter.The arrangement casts the song as a barbershop contest up-tune, and taking harmonic risks that not so many years ago would have been seen as playing with stylistic fire in the BHS system (and probably would still be in SAI as of the time of writing in 2018). Texturally, though, it remains predominantly homophonic so as to let Teal's sparkling lyrics through.It demands sizzling rhythmic skills and an up-for-it attitude, and delivers an exciting ride for singers and audience alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: A3 - E5Bari: A#3 - D5Bass: D3 - A4www.HelpingYouHarmonise.com
$2.99
2.76 €
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Choral SSAA
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Clare Teal
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Messin' With Fire
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Liz Garnett
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SheetMusicPlus
Trebled Seas: A Sea Shanty Melody
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1317505 Composed by …
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1317505 Composed by Traditional. Arranged by Angelica Dunsavage. A Cappella,Contest,Festival,Instructional,Traditional. 19 pages. Canorous Music Publishing #906169. Published by Canorous Music Publishing (A0.1317505). Trebled Seas combines three popular 19th-century sea shanties into an epic voyage on the high seas. Cape Cod Girls, originating from North America, is traditionally thought of as a short-drag shanty used in activities such as raising sails. Its lyrics vary from version to version between “heaveâ€, “haulâ€, and “bound†away, depending on the physical activity required. Jolly Sailor Bold first appears in a collection of sailing songs out of London, but has many similarities to the Irish ballad The Banks of Claudy. While not used as a working song, its minor tonality and association to sailing folklore makes for an interesting middle point along the journey. This setting contains a newly written verse warning of the dangers of sirens, mythical creatures known to sing to lure sailors to their doom. Lastly, Leave Her, Johnny is a pump shanty, usually one of the last activities done as a ship docks. In these types of pieces, sailors sing to complain about the rough conditions aboard, knowing they are soon to leave and will face no punishment. While sea shanties have been popular repertoire for tenor/bass ensembles, there has been a distinct lack of arranging for treble choirs. Historical research is discovering more and more evidence that while piracy and sailing was male-dominated, female captains like Anne Bonny, Mary Read, Zheng Yi Sao and others made their mark on the high seas. This piece is dedicated to the women that his-tory has forgotten.
$2.50
2.31 €
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Choral 3-part
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Traditional
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Trebled Seas: A Sea Shanty Melody
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Canorous Music Publishing
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SheetMusicPlus
Highlands [2 violins]
2 Violins (duet)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
1.85 €
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2 Violins (duet)
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John Winstead and Miguel Angel Cotignola
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Summer
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1085633 Composed by Joe Hisaishi. A…
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Piano Solo - Level 5 - Digital Download SKU: A0.1085633 Composed by Joe Hisaishi. Arranged by AJ Tan. Classical,Contemporary,Contest,Festival,Film/TV,Holiday. Score. 6 pages. AJTanPiano #689806. Published by AJTanPiano (A0.1085633). This arrangement is based on the orchestra version from Joe Hisaishi's Dream Songs: The Essential Joe Hisaishi album (2022).This song works with pedaling, detached/legato playing, and moving in different registers. Also, you could skip the small notehead fill-in, or with the right fingering, you could play them all.Suitable for Grade 6 and above's learning.
$5.99
5.53 €
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Piano solo
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Joe Hisaishi
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Summer
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AJTanPiano
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SheetMusicPlus
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