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Get On Your Feet: Tuba/Tonal Bass Drums (4 Pitches)
Tuba (band part)
Marching Band - Digital Download SKU: AX.00-PC-0017284_TB1TBD1 Tuba/Tonal Bass D…
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Marching Band - Digital Download SKU: AX.00-PC-0017284_TB1TBD1 Tuba/Tonal Bass Drums (4 Pitches). Composed by Clay Ostwald, John De Faria, and Jorge Casas. Arranged by Carlos Perez. Pop/Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017284_TB1TBD1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017284_TB1TBD1). UPC: 038081463667.
$3.00
2.8 €
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Tuba (band part)
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Clay Ostwald, John De Faria, and Jorge Casas
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Get On Your Feet: Tuba/Tonal Bass Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
"Pomp and Circumstance" graduation song for BOOMWHACKERS ensemble
Small Ensemble - Level 2 - Digital Download SKU: A0.954512 Composed by Edward Elgar…
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Small Ensemble - Level 2 - Digital Download SKU: A0.954512 Composed by Edward Elgar. Arranged by Annabella Fulmizi (Annabella Cervero). Children,Concert,Contemporary,Graduation,Instructional. Score and parts. 1 pages. Annabella Cervero Fulmizi #5774303. Published by Annabella Cervero Fulmizi (A0.954512). Annabella Fulmizi's arrangement of Sir Edward Elgar's Pomp and Circumstance (also known as the graduation song) is a humorous take on the original. This arrangement was originally intended to be comic relief for graduating seniors in the class of 2020. This arrangement can be performed with as little as two performers, and as many as needed. The piece requires pitches G, A, B, C, C#, D, E, and F#. It is best to have lower and higher octaves of the pitches G, A, B, and C, but not necessary. The notes in the music are enlarged to ensure easy visibility. Pitches are labeled and color coded according to the Boomwhackers' color system in order to make the music easier to read. Have fun with this arrangement and congratulations class of 2020! .
$5.00
4.67 €
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Edward Elgar
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"Pomp and Circumstance" graduation song for BOOMWHACKERS ensemble
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Annabella Cervero Fulmizi
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SheetMusicPlus
MADER 5 Organ Miniatures
Organ
Organ - Level 4 - Digital Download SKU: A0.908187 Composed by Rebecca Maughan Cook.…
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Organ - Level 4 - Digital Download SKU: A0.908187 Composed by Rebecca Maughan Cook. 20th Century,Baroque,Blues,Contemporary. Score. 12 pages. Rebecca Maughan Cook #6873205. Published by Rebecca Maughan Cook (A0.908187). In 2021 I wrote this entry for an Organ Composition competition. We were required to use the pitches associated with RC MADER. I wrote this set of Miniatures exploring ideas associated with that. Movement 1 is a Fanfare and Hymn setting. Movement 2 is the only time the Pitches are played in entirety and I turned it into a Theme of Love. It's one of my favorite movements from this set. Movement 3 is a Blues with almost all the notes using the given pitches. Movement 4 is such a quirky little piece! It's a March and all the notes are from RC Mader. It was very fun to write. Movement 5 is a Toccata and in order to meet the requirement I placed some chords in inversion for the pedals and picked up the root on the LH. It's busy and beautiful. It's my other favorite movement. I'm uploading a midi recording of this. The first four movements are pretty accessible, but the 5th movement is more challenging. Have fun!
$4.99
4.66 €
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Organ
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Rebecca Maughan Cook
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MADER 5 Organ Miniatures
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Rebecca Maughan Cook
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SheetMusicPlus
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.99 €
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Concert band
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Austin Ralphson
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Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Austin Ralphson
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SheetMusicPlus
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.99 €
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Austin Ralphson
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'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Austin Ralphson
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SheetMusicPlus
Daily Reading Level 5 - music reading comprehension for piano students
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1407341 Composed by Christine Donki…
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Piano Solo - Level 3 - Digital Download SKU: A0.1407341 Composed by Christine Donkin. Instructional. Score. 195 pages. Chrisitne Donkin #990017. Published by Chrisitne Donkin (A0.1407341). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 5:Key signatures: up to 4 sharps/flatsTime signatures: anyPitches: anyNote/rest values: 16th to whole, tripletsChords: anySymbols: articulation, dynamics, ottava signs, root/quality chord symbolsTerms: adagio, allegretto, allegro, andante, andantino, cantabile, dolce, grazioso, larghetto, largo, lento, maestoso, marcato, moderato, prestissimo, presto.
$22.99
21.46 €
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Piano solo
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Christine Donkin
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Daily Reading Level 5 - music reading comprehension for piano students
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Chrisitne Donkin
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SheetMusicPlus
Count On Me
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874663 By Bruno Mars. By A…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874663 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Chris Arnold. A Cappella,Pop,R & B. Octavo. 11 pages. Chris Arnold #4312437. Published by Chris Arnold (A0.874663). This song has been tailored to suit youth mass choir events, with participants ranging in age from teen to young adult. It features girls in 4-part harmony, then boys, and finally all singers in 8-part harmony. The message is especially suited to youth choir events.Written for combined men's and women's barbershop ensembles, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The women's baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. The men's tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.$25.98 US price includes 8 copies per purchase, suitable for double-quartets. For choruses, look for the same title available under choral ensembles.
$25.98
24.25 €
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Choral SATB
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Bruno Mars
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Count On Me
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Chris Arnold
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SheetMusicPlus
Streight Lines
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.998855 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score. 2 pages. Robert A. Howard #6224931. Published by Robert A. Howard (A0.998855). This graphic score composition 'Streight Lines' is deliberately entitled as such (and spelled that way) as a pun on Steve Reich's minimalist classic 'Eight Lines'. The work focuses on various straight lines, superimposed over traditional music staves. These give an implication of pitch, duration, and texture, and perhaps other elements, without being too specific. The score indicates the basic outline of musical contours on staves (thus always implying certain pitches). However, many elements, such as dynamics, and exact pitches and durations, are left for the performer to determine. The work remains accessible for the listener and is appropriate for most standards of pianist, including students and professionals.Variable durationRegistered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
2.32 €
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2 Pianos, 4 hands
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Robert A
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Streight Lines
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Robert A. Howard
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SheetMusicPlus
Count On Me
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.874664 By Bruno Mar…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.874664 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Chris Arnold. Pop,R & B. Octavo. 11 pages. Chris Arnold #4312443. Published by Chris Arnold (A0.874664). This song has been tailored to suit youth mass choir events, with participants ranging in age from teen to young adult. It features girls in 4-part harmony, then boys, and finally all singers in 8-part harmony. The message is especially suited to youth choir events.Written for combined men's and women's barbershop ensembles, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The women's baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. The men's tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.$1.99 US per copy, suitable for choruses and choirs. For double-quartets, look for the same title available under small ensembles.
$1.99
1.86 €
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Choral SATB
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Bruno Mars
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Count On Me
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Chris Arnold
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SheetMusicPlus
Daily Reading Level 3 - music reading comprehension for piano students
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1173900 Composed by Christine Donki…
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Piano Solo - Level 2 - Digital Download SKU: A0.1173900 Composed by Christine Donkin. Instructional. Score. 159 pages. Chrisitne Donkin #774054. Published by Chrisitne Donkin (A0.1173900). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 3:Key signatures: up to 3 sharps/flats Time signatures: 2/4, 3/4, 4/4, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to 5th Symbols: articulations, dynamics, ottava indicationsTerms: allegretto, allegro, andante, andantino, largo, lento, moderato.
$22.99
21.46 €
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Piano solo
#
Christine Donkin
#
Daily Reading Level 3 - music reading comprehension for piano students
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Chrisitne Donkin
#
SheetMusicPlus
Daily Reading Level 4 - music reading comprehension for piano students
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1173902 Composed by Christine Donki…
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Piano Solo - Level 2 - Digital Download SKU: A0.1173902 Composed by Christine Donkin. Instructional. Score. 171 pages. Chrisitne Donkin #774056. Published by Chrisitne Donkin (A0.1173902). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experienceSuggested Pre-Requisite Knowledge for Level 4:Key signatures: up to 3 sharps/flatsTime signatures: 2/4, 3/4, 4/4, 2/2, 3/2, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to octave; triads with inversionsSymbols: articulations, dynamics, ottava indicationsTerms: adagio, allegretto, allegro, andante, andantino, larghetto, largo, lento, moderato, presto.
$22.99
21.46 €
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Piano solo
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Christine Donkin
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Daily Reading Level 4 - music reading comprehension for piano students
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Chrisitne Donkin
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SheetMusicPlus
Alleluia! Sing to Jesus
Clarinet, Trumpet (duet)
Clarinet,Instrumental Duet,Trumpet - Level 1 - Interactive Download SKU: A0.1358815…
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Clarinet,Instrumental Duet,Trumpet - Level 1 - Interactive Download SKU: A0.1358815 Composed by Text: William C. Dix.Music: Rowland H. Prichard. This edition: Interactive Download. Christian,Praise & Worship. 10 pages. Duration 192. Diana reinhardt #5tlfnDpOZJeLvXyXQrbeDF. Published by diana reinhardt (A0.1358815). Key: G major.The Easter hymn, “Alleluia, Sing to Jesus”, is arranged in simple hymn form for clarinet and trumpet. Two options are included: one with only pitches and the other with pitches and text.
$3.99
3.72 €
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Clarinet, Trumpet (duet)
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Text: William C
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Alleluia! Sing to Jesus
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diana reinhardt
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.49 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.75 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Unaccompanied Tuba Suite #3: Rhapsody in A
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Roma…
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Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
12.12 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #3: Rhapsody in A
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Joaba LLC
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SheetMusicPlus
Alleluia! Sing To Jesus
Handbells
Handbell - Level 1 - Interactive Download SKU: A0.1355782 Composed by Rowland Hugh …
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Handbell - Level 1 - Interactive Download SKU: A0.1355782 Composed by Rowland Hugh Prichard. Arranged by Diana J. Reinhardt. This edition: Interactive Download. Christian,Praise & Worship. 2 pages. Duration 52. Diana reinhardt #3Tw83P7t0cy2VXNMBkGiqa. Published by diana reinhardt (A0.1355782). Key: C major.The Easter hymn, “Alleluia, Sing to Jesus”, is arranged in simple hymn form for a beginning handbell choir and uses nine handbells, C5 - D6. Two options are included: one with only handbell pitches and the other with pitches and text. It can be helpful to a handbell choir to have the words included when learning a hymn. When used as an anthem, our choir sometimes alternates playing with singing and sometimes rings and sings simultaneously.
$7.99
7.46 €
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Handbells
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Rowland Hugh Prichard
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Alleluia! Sing To Jesus
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diana reinhardt
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SheetMusicPlus
Alleluia! Sing to Jesus
Handbells
Handbell - Level 1 - Interactive Download SKU: A0.1356776 Composed by Text: William…
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Handbell - Level 1 - Interactive Download SKU: A0.1356776 Composed by Text: William C. Dix.Music: Rowland H. Prichard. This edition: Interactive Download. Christian,Praise & Worship. 7 pages. Duration 104. Diana reinhardt #7e4qsFQ2SXtNSZ0Ho5tQwj. Published by diana reinhardt (A0.1356776). Key: C major.The Easter hymn, “Alleluia, Sing to Jesus”, is arranged in simple hymn form for a beginning handbell choir and uses sixteen handbells, C4 - D6. Two options are included: one with only handbell pitches and the other with pitches and text. It can be helpful for a handbell choir to have the words included when learning a hymn. When used as an anthem, our choir sometimes alternates playing with singing and sometimes rings and sings simultaneously.
$7.99
7.46 €
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Handbells
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Text: William C
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Alleluia! Sing to Jesus
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diana reinhardt
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SheetMusicPlus
Elegy in c minor
Instrumental Solo,Piano and Keyboard,Viola - Level 1 - Interactive Download SKU: A0.745…
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Instrumental Solo,Piano and Keyboard,Viola - Level 1 - Interactive Download SKU: A0.745529 By Amy Edmonds. By Amy Edmonds. This edition: Interactive Download. Folk. Individual part. 3 pages. Duration 27. Betsy's Daughter #1PjSvdtvh4lBCm7WNPRQhi. Published by Betsy's Daughter (A0.745529). Key: Eb major.An elegy is a mournful song, and many composers have found the viola's tone perfect to express sadness or grief in pieces titled, Elegy. This short elegy is designed to introduce the student to the genre, producing a beautiful tone while also playing entirely in the third position if desired. Use open strings or the piano accompaniment to check intonation, especially if playing in a minor key is a new experience, Minor keys use the pitches of their relative major, but the focus is on a different home pitch (tonic). This piece is in c minor, with the same three flatted pitches as its relative major key of E-flat: Major - B-flat, E-flat, A-flat.
$2.99
2.79 €
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Amy Edmonds
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Elegy in c minor
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Betsy's Daughter
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SheetMusicPlus
Moves Like Jagger
Large Ensemble - Level 3 - Digital Download SKU: A0.495645 By Maroon 5 Featuring Ch…
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Large Ensemble - Level 3 - Digital Download SKU: A0.495645 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by TopDots Orchestrations. Contemporary,Pop. Score and parts. 245 pages. TopDots Orchestrations #110084. Published by TopDots Orchestrations (A0.495645). Key Bm. Tempo 128bpm Difficulty rating 3 Based upon the live recording, our Educational Edition arrangement of this classic song has been faithfully reproduced so that it is playable by a variety of ensembles and performers. This product includes the standard arrangement from the TopDots Orchestrations ‘Professional Arranger’ series. This Educational Edition includes all the material from the Professional Arranger collection plus the accompanying Xtra Packs. Melody parts (for instruments of various pitches) are included to provide the option for an instrumental performance if preferred. Single Front line parts (for instruments of various pitches) are included so that any ensemble or band that do not have the Trumpet/Alto/Tenor/Trombone line up can use these parts to perform the song with just one front line player.
$55.00
51.33 €
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Maroon 5 Featuring Christina Aguilera
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Moves Like Jagger
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TopDots Orchestrations
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SheetMusicPlus
Oscillation
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
18.62 €
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contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Happy Holiday
Violin, Viola (duet)
Instrumental Duet Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1127568 Composed by Irving Berlin. Arranged by Syneva Colle. Christmas,Holiday,Standards. Score and parts. 5 pages. Syneva Colle #728181. Published by Syneva Colle (A0.1127568). This festive duet is a great Christmas recital piece for early intermediate players! Violin pitches are in 1st position; viola pitches are in 1st and 3rd position, with additional use of the harmonic A on the top string. Performers will also get to show off their tremolo and pizzicato skills.
$4.99
4.66 €
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Violin, Viola (duet)
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Irving Berlin
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Happy Holiday
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Syneva Colle
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SheetMusicPlus
Anvil Craft
Percussion Quartet - Level 2 - Digital Download SKU: A0.1184658 Composed by Peter P…
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Percussion Quartet - Level 2 - Digital Download SKU: A0.1184658 Composed by Peter Pohorence. Chamber,Children,Contemporary,Multicultural,World. 48 pages. Peter Pohorence #784346. Published by Peter Pohorence (A0.1184658). This piece is for 4 pitched percussion instruments. The current arrangement is for a single timpani, a tuned tom-tom, a vibraphone, and a xylophone. Any 4 instruments may be used in a performance. The model for the piece is ecstatic ritual drumming, and the pitches are chosen from the ratios of hammer weights described in Boetheus's tale of how Pythagorus stumbled upon the ratios of concord. The beat patterns are based upon numbers taken from a 4x4 magic square as shown in Durer's Melancholia. The original title for the piece was Pythagorean Hammers in a Magic Square, but that's a little pretentious, so I changed the title to something better. The trick to the piece is to approximate loudness from different percussion instruments so that they blend well. The pitches are the pythagorean ratios of concord in the key of F, which is why a C clef was chosen for the score and parts.
$5.00
4.67 €
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Peter Pohorence
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Anvil Craft
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Peter Pohorence
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SheetMusicPlus
Alleluia! Sing to Jesus
2 Flutes (duet)
Flute,Instrumental Duet - Level 1 - Interactive Download SKU: A0.1357769 Composed b…
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Flute,Instrumental Duet - Level 1 - Interactive Download SKU: A0.1357769 Composed by Text: William C. Dix.Music: Rowland H. Prichard. This edition: Interactive Download. Christian,Praise & Worship. 7 pages. Duration 96. Diana reinhardt #DNZBXdGkyAOp6DrVDEcHP. Published by diana reinhardt (A0.1357769). Key: F major.The Easter hymn, “Alleluia, Sing to Jesus”, is arranged in simple hymn form for two flutes. Two options are included: one with only pitches and the other with pitches and text.
$3.99
3.72 €
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2 Flutes (duet)
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Text: William C
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Alleluia! Sing to Jesus
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diana reinhardt
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SheetMusicPlus
J.S. Bach - Six Cello Suites
Ukulele
Instrumental Solo,Ukulele - Level 4 - Digital Download SKU: A0.1349574 Composed by …
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Instrumental Solo,Ukulele - Level 4 - Digital Download SKU: A0.1349574 Composed by Johann Sebastian Bach. Arranged by James Saunders. Baroque,Classical,Early Music. Individual part. 85 pages. Saunders Music #934334. Published by Saunders Music (A0.1349574). Transcription of all six of J.S. Bach's cello suites BWV 1007-1012 for ukulele (gCEA tuning) from the urtext. All pitches are maintained from the original but there are some octave transposition, changes to the contour of the line (such as with the shape of arpeggios) or revoicing chords to fit the ukulele's smaller range. The transcriptions avoid a lot of campanella playing to maintain a clearer sense of line, especially in the runs. Open strings are mostly used to facilitate position changes, and as pedals. Some of the chords use higher pitches on the fourth string to complete the harmony where necessary. Where this happens, the melodic line is normally on the first or second string to give it extra weight or emphasis if the chord is rolled. Suite No.4 has been transposed from E flat major to G major and No.6 from D major to G major, in both cases to avoid some of the problems with register, and to enable greater use of open string pedals. The other suites are in their original keys.
$15.99
14.92 €
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Ukulele
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Johann Sebastian Bach
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J.S. Bach - Six Cello Suites
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Saunders Music
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SheetMusicPlus
Proteus
Saxophone (band part)
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brando…
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.
$7.99
7.46 €
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Saxophone (band part)
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Brandon Nelson
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Proteus
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Brandon Nelson
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SheetMusicPlus
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